Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority!
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Lingua: Inglese
Editore: Whitney Museum of American Art, 1997
ISBN 10: 0874271134 ISBN 13: 9780874271133
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Da: Acorn Books Northwest, Silverdale, WA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. b&w photos (illustratore). 1st Edition. A like-new copy, crisp and unmarked.
Lingua: Inglese
Editore: Whitney Museum of American Art, New York, 1998
ISBN 10: 0874271134 ISBN 13: 9780874271133
Da: Juniper Point Books, Round Lake, NY, U.S.A.
Stiff Wraps. Condizione: Near Fine. 109pgs, ill, beautiful copy.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Thames & Hudson Ltd, United Kingdom, London, 2000
ISBN 10: 0500282161 ISBN 13: 9780500282168
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 2,84
Quantità: 4 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. How do we see art? How is it displayed? One hundred years ago, art was shown in a way intended to educate. Galleries reflected the curators view of history at the expense of differing opinions. Today, not only do museums and galleries celebrate these differences of expression, they also welcome the collaboration of living artists, promoting an active dialogue between the present and the past. Galleries and museums are no longer just repositories. They are sites of experience where the mind is often engaged as much as the eye. Here, Nicholas Serota presents a coherent historical account of changing attitudes to the way art is presented in the modern museum, examining the relationship between the artist, the public and the curator. He takes us into the artist's studio - itself a paradigm of display - and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations, offering authoritative insights into the ways in which the display of art is likely to develop in the 21st century. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: NY: Whitney Museum of American Art/Abrams, 1995
ISBN 10: 0874271134 ISBN 13: 9780874271133
Da: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.
109 pages including essays by Andrew Brighton & Peter Wollen. Fine paperback exhibition catalog in decorative wrappers (soft cover book in original shrinkwrap)/ no dust jacket.
Lingua: Inglese
Editore: Whitney Museum of American Art, 1997
ISBN 10: 0874271134 ISBN 13: 9780874271133
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 112 pages; fair to good condition; bend to all pages along left edge near spine; no internal marks.
Da: The Red Onion Bookshoppe, Hanover, IN, U.S.A.
Trade Paperback. Condizione: Very Good-. No Jacket. moderately worn.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Lingua: Inglese
Editore: Thames & Hudson Ltd, London, 2000
ISBN 10: 0500282161 ISBN 13: 9780500282168
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. How do we see art? How is it displayed? One hundred years ago, art was shown in a way intended to educate. Galleries reflected the curator's view of history at the expense of differing opinions. Today, not only do museums and galleries celebrate these differences of expression, they also welcome the collaboration of living artists, promoting an active dialogue between the present and the past. Galleries and museums are no longer just repositories. They are sites of experience where the mind is often engaged as much as the eye.Here, Nicholas Serota presents a coherent historical account of changing attitudes to the way art is presented in the modern museum, examining the relationship between the artist, the public and the curator. He takes us into the artist's studio - itself a paradigm of display - and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations, offering authoritative insights into the ways in which the display of art is likely to develop in the 21st century. Presents a historical account of changing attitudes, examining the relationship between the artist, the public and the curator. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 13,04
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. How do we see art? How is it displayed? One hundred years ago, art was shown in a way intended to educate. Galleries reflected the curator's view of history at the expense of differing opinions. Today, not only do museums and galleries celebrate these differences of expression, they also welcome the collaboration of living artists, promoting an active dialogue between the present and the past. Galleries and museums are no longer just repositories. They are sites of experience where the mind is often engaged as much as the eye. Here, Nicholas Serota presents a coherent historical account of changing attitudes to the way art is presented in the modern museum, examining the relationship between the artist, the public and the curator. He takes us into the artist's studio - itself a paradigm of display - and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations, offering authoritative insights into the ways in which the display of art is likely to develop in the 21st century.
Da: CMG Books and Art, Toronto, ON, Canada
Paperback. Condizione: As New. U.S. orders are shipped from N.Y. state.
Lingua: Inglese
Editore: Whitney Museum of American Art, 1997
ISBN 10: 0874271134 ISBN 13: 9780874271133
Da: From Away Books & Antiques, Greenville, ME, U.S.A.
Soft cover. Condizione: New. NEW BOOK / SOFT COVER: Volume 3. In English and Dutch. (Whitney Museum of Modern Art, NY) Location: R 61.
EUR 10,17
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 5,39
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 5,39
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 5,39
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Softcover with dustjacket, 80 pages, good condition; moderate foxing to top outer page edge; no internal marks. Foreign shipping may be extra.
Lingua: Inglese
Editore: Whitney Museum of American Art, 1997
ISBN 10: 0874271134 ISBN 13: 9780874271133
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 112 pages; new condition; still sealed in shrinkwrap; clean and crisp.
EUR 9,21
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 9,96
Quantità: 4 disponibili
Aggiungi al carrelloHardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Tate Publishing, United Kingdom, London, 2002
ISBN 10: 185437432X ISBN 13: 9781854374325
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 9,93
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. David Sylvester, who died in June 2001, was one of the most prominent writers on art and makers of exhibitions during the last fifty years. He has been described as the greatest critic to be awarded the the Golden Lion a the Venice Biennale. "Looking at Modern Art" accompanies the exibition at Tate Modern that was conceived by Sylvester, and which serves as a memorial to his approach. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Trustees of the Whitechapel Art Gallery, London, 1978
ISBN 10: 0854880380 ISBN 13: 9780854880386
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
[26]p., wraps, 7x8.75 inches, chiefly illus., very good exhibition catalog. The New Zealand-born British photographer creates surreal scenes using sets he builds in his studio and hired actors.
Lingua: Inglese
Editore: London: Tate Gallery, 1989., 1989
ISBN 10: 1854370111 ISBN 13: 9781854370112
Da: David Hallinan, Bookseller, Columbus, MS, U.S.A.
Well-illustrated (illustratore). 63 pages. Paperback: H 27cm x L 21cm. Stiff paper covers lightly rubbed. Pages are bright and clean. A still fairly crisp near fine copy. With Foreword by Nicholas Serota, b/w illustrations, eight pages of color plates, and Bibliography. Issued as the accompanying catalog for an exhibition of 78 drawings, paintings, lithographs, etc. held at the Tate Gallery from April 5 to July 2, 1989. ISBN 1854370111.