sidney hanson (18 risultati)

Condizione: Good. Sidney Hanson;Sidney Hanson (illustratore). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Sidney Hanson;Sidney Hanson (illustratore). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Board book. Condizione: Good. Sidney Hanson;Sidney Hanson (illustratore).

board_book. Condizione: Good. Sidney Hanson;Sidney Hanson (illustratore).

Board book. Condizione: Good. No Jacket. Sidney Hanson;Sidney Hanson (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. Sidney Hanson;Sidney Hanson (illustratore). The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condizione: acceptable. Sidney Hanson;Sidney Hanson (illustratore). A readable copy. All pages are intact, and the cover is intact. Dust jacket may be missing. Pages can include considerable highlighting markings writing but cannot obscure the text. May be an Ex-lib. copy and have standard library stamps and or stickers. May NOT include discs, or access code or other supplemental material. We ship Monday-Saturday and respond to inquiries within 24 hours.

Hardcover. Condizione: Near Fine condition. Condizione sovraccoperta: Very Good+ dust jacket. First Printing of the First Edition. Winston-Salem, North Carolina: John F. Blair, Publisher, 1966. Near Fine condition in Very Good+ dust jacket. Clean, square, tight, unmarked copy. Sharp corners. Not a book club edition. Not price clipped ($4.50). No owner's name or bookplate. No remainder mark. Among the 37 North Carolina poets whose poems were competitively selected for inclusion here are Howard G. Hanson, Merle Price, Mary Louise Medley, Betty W. Stoffel, Charlotte Young, Anne Blackwell Payne, Zoe Kincaid Brockman, Sidney Anne Wilson, Anne Spainhour, and Esther Skeen. Original yellow gold-colored cloth. Spine lettered in brown. First Printing of the First Edition. Hardcover. Near Fine condition/Very Good+ dust jacket. 8vo. 185pp.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. With CD in back pocket. From an exhibit of fascinating vintage photographs from a portrait of Henry Clay from 1845 to the early 20th century. Newlooking with bright pages and covers. Bronze jacket has mild ruffling at top edge. Printed on thick matte paper. Oversize.

board_book. Condizione: As New. Sidney Hanson;Sidney Hanson (illustratore).

Condizione: new. Sidney Hanson;Sidney Hanson (illustratore).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Oversized hardcover with DJ. Green cloth boards with bronze lettering on front cover. Title and copyright pages dated 1996. Unpaginated. DJ faded with 2 inch closed tear at top edge along spine. Boards clean with no visible damage. Gutter near front attached endpaper has binding slightly exposed. Binding otherwise tight with clean pages. Various color illustrations throughout from the Art Gallery showing at Fairleigh Dickinson University. Very Good condition. Includes 1 CD of the photo catalogue in folder attached to rear endpaper. This is an oversized book, so extra shipping will be necessary for priority or international shipping. Please contact us with questions or if you'd like to see photographs.

Hardcover First Printing. First Edition. Tall hardcover. Sealed cd in rear pocket. Fine in fine dust in mylar cover.

hardcover. Condizione: Fine copy in fine dust jacket. Profusely illustrated (illustratore). 1st. 4to, CD-ROM in rear pocket., Catalogue of an Exhibition at the University College Art Gallery.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Hard cover catalog of an exhibition held at the University College Art Gallery, Fairleigh Dickinson University, Teaneck, N.J., May 1-29, 1996. Includes an essay by Sidney Tillim entitled, "On reproducing a photograph: photography and illustration." CD-ROM in back cover pocket includes exhibition checklist with illustrations; list of inventors and processes with examples. This is a beautiful oversized book, well illustrated with accurate color reproductions of the photographs. Book.

Hardcover. Condizione: Fine condition. Condizione sovraccoperta: Fine dust jacket. First Edition. Teaneck, New Jersey: Fairleigh Dickinson University, College Art Gallery, 1996. Appears unread. Fine condition in a Fine dust jacket. NO chips. NO tears. NO creases. NOT a library discard. Bright, shiny, clean, square, and tight. Sharp corners. Hinges are perfect. NO owner's name or bookplate. NOT a remainder. Pages are fresh and crisp, apparently never read. NO underlining. NO highlighting. NO margin notes. First printing. Unpaginated (but 84 pages). This is the catalogue of an exhibition of 49 distinct photo-mechanical processes held at New Jersey's Fairleigh Dickinson University in 1996. There are handsome photographic illustrations throughout, including sepia and full-color reproductions. Complete with CD-ROM, with nearly 100 additional reproductions, stored in a pocket at the end. Bound in the original dark green cloth, stamped in shiny copper on the front cover. Includes the original copper-color dust jacket, printed in bright white. From a review on the web: "PHOTOGRAPHS IN INK document(s) an exhibition on the history of photomechanical processes held at Fairleigh Dickinson University in 1996. This difficult and rarely examined topic involves not only traditional photography and printmaking techniques but complex chemical formulas and intricate mechanical procedures. The authors themselves admit to having trouble distinguishing between processes. Therefore, the benefit of viewing on a CD-ROM almost 100 examples beyond those in the print catalogue adds enormously to the success and lasting value of this publication. The exhibition and catalogue are the work of two curators, David A. Hanson and Sidney Tillim, and the show draws its work primarily from their private collections. Tillim, the catalogue's essayist, has expanded on his exhibition PHOTOGRAPHY REPRODUCTION PRODUCTION (Bennington, Vt.: Bennington College, 1992) with the help of Hanson, author of four useful scholarly studies of the early photomechanical processes PHOTOGRAPHS IN INK exhibited (and the CD-ROM illustrates) 120 entries produced by 119 inventors and/or companies involving 49 distinct photomechanical processes. Illustrating such extensive documentation would not be feasible in a printed catalogue but is easily accommodated through digital technology. At the same time, the print catalogue provides the more aesthetically satisfying paper reproductions of a paper-based process. The exhibition and catalogue are arranged chronologically, from the earliest 1824 heliographic engraving by Joseph Nicéphore Niépce published by Blanquart-Évrard in 1870 to the halftones by Dorthea Lange published by Elizabeth McCausland in 1946. Major printing techniques are divided into four categories: intaglio, planographic, relief, and woodburytype The print catalogue is uniquely designed to highlight its 30 full-color plates. The catalogue essay is inserted on narrow sheets between the plates so as not to obscure more than a small portion of the illustrations Appendices include a glossary to help understand the terminology of the processes, an alphabetical list of inventors and their inventions, and an exhibition checklist. The accompanying CD-ROM begins with a slide show, leading quickly to a homepage which offers six options: checklist, inventors and processes, glossary, credits, help, and quit In addition to the checklist items, the CD-ROM reproduces images of book covers, title pages, and illustrations not included in the exhibition. Many examples allow for magnification to show a detail of the individual process, such as dot or screen patterns. The inventors' section provides portraits of most photographers along with information concerning their photographic discoveries. In this way, content of the catalogue and CD-ROM complement each other without simply duplicating the information. Each utilizes the strengths of the individual medium to help define and illustrate the difficult distinctions between photomechanical processes. Ultimately, PHOTOGRAPHS IN INK provides much needed insight into the history and aesthetic beauty of photomechanical illustration while documenting a worthy exhibition for future generations of art scholars." -- Julie Mellby, Harvard University. Oversize Hardcover. 10" wide by 13.5" tall. This large book will require extra postage for Priority and International shipments, but only the standard charge for media mail. . First Edition. Oversize Hardcover. Fine condition/Fine dust jacket. Unpaginated (but 84 pages). Great Packaging, Fast Shipping.

Condizione: Very Good. Book Club. 35 cm; 1 volume (unpaged) : chiefly color illustrations with text pages interleaved ; and computer optical disc in special pocket on rear pastedown. Small tear in dust jacket at heel, else fine. Catalog of an exhibition held at the University College Art Gallery, Fairleigh Dickinson University, Teaneck, N.J., May 1-29, 1996. Includes an essay by Sidney Tillim entitled, "On reproducing a photograph: photography and illustration." CD-ROM includes exhibition checklist with illustrations; list of inventors and processes with examples; glossary. Errata slip laid in.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1897 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 146 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 146 Language: English.