smith roch (34 risultati)

Softcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Owner's name written on a front blank page. ; Published for The Speech Communication Association. ; 236 pages.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:0262031019.

Condizione: New.

softcover. Condizione: like new. Softcover. 190pp.

Condizione: New.

Softcover. Condizione: Bon. Ancien livre de bibliothèque. Tome 23. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Volume 23. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Hardcover without jacket in good condition: spine ends a little bumped; page block is marked; occasional, unobtrusive pencilled notes in margins. All text is clear, and pages are sound throughout. TWAS 665. TS. Used.

Hardcover. Condizione: Fair. Ohne Umschlag; Wasserschaden / Verschmutzung; Leichte Risse; Farbveranderung durch Alter/Sonne. Profoundly influenced by contemporary linguistics, these original contributions explore various perspectives on significant issues within a controversial field of study. The focus is primarily on central linguistic structures and language-related processes, such as syntactic structures, phonological representations, and semantic readings, rather than peripheral aspects like acoustic-phonetic structures. Each section begins with a summarizing introduction. Section I addresses the intersection of linguistics and neurology, covering topics such as the concept of a mental organ for language, neural mechanisms and aphasia, brain-based versus non-brain-based models of language, and the relationship between vocal learning and synaptic and neuronal replacement. Section II delves into linguistic and psycholinguistic matters, discussing infant language acquisition, the linguistic analysis of aphasic syndromes, clinical descriptions of aphasia, psycholinguistic interpretations of aphasias, the organization of language production processing structures, and the neuropsychology of bilingualism. Section III focuses on neural issues, exploring the location of the speech area, determinants of recovery from aphasia, the anatomy of language, insights from comparative anatomy, event-related potentials and language, and neural models with limited information about language. This work is part of the Studies in Neuropsychology and Neurolinguis.

Condizione: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Condizione: Neuf.

Condizione: very good. Cambridge, Mass : MIT Press. c1984. Orig. cloth binding. Dustjacket. xv,417 pp. Condition : fine. Text unmarked. Condition : very good copy. ISBN 9780262031011. Keywords : LINGUISTICS,

Hardcover. Condizione: As New. Text clean and tight; no dust jacket; Suny Series in Contemporary French Thought; 9.50 X 6.50 X 1 inches; 173 pages.

Condizione: As New. Unread book in perfect condition.

XIV/417 S., Originalleineneinband (publisher's cloth binding), Originalumschlag (publisher's dust jacket), gutes Exemplar (fine), Sprache: englisch.

BOOK PAPERBACK. à la librairie Marcel Didier à Paris, 1975, in 8 (21 x 13 cm), 174 pages. Broché. +++++++ Essai sur les romans d'André Malraux (1910-1976) sur le personnage du meurtrier dans ses romans. Le rôle de la mort est évident dans l'uvre romanesque d'André Malraux. L'ombre sinistre de celle-ci semble menacer tous les personnages et plusieurs lui opposent une résistance héroïque. Mais certains d'entre eux cèdent à sa puissance écrasante, s'y conforment et deviennent l'instrument. Ce sont les meurtriers - Trois petits enfoncements sur le premier plat de couverture, sinon bon état.

Paperback. Condizione: Brand New. revised updated edition. 173 pages. 8.75x6.00x0.50 inches. In Stock.

Condizione: New.

Condizione: Collectible; Very Good. Personally Signed and Inscribed by Author 2000 hardcover in dust jacket clean unmarked pages nice book 193 pages{{{ H-20.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. Comprehensive overview of the entire spectrum of works by one of twentieth-century France's most original thinkers.Gaston Bachelard, one of twentieth-century France's most original thinkers, is known by English-language readers primarily as the author of The Poetics of Space and several other books on the imagination, but he made significant contributions to the philosophy and history of science. In this book, Roch C. Smith provides a comprehensive introduction to Bachelard's work, demonstrating how his writings on the literary imagination can be better understood in the context of his exploration of how knowledge works in science. After an overview of Bachelard's writings on the scientific mind as it was transformed by relativity, quantum physics, and modern chemistry, Smith examines Bachelard's works on the imagination in light of particular intellectual values Bachelard derived from science. His trajectory from science to a specifically literary imagination is traced by recognizing his concern with what science teaches about how we know, and his increasing preoccupation with questions of being when dealing with poetic imagery. Smith also explores the material and dynamic imagination associated with the four elements-fire, water, air, and earth-and the phenomenology of creative imagination in Bachelard's Poetics of Space, his Poetics of Reverie, and in the fragments of Poetics of Fire.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Condizione: Neu. Neuware - This volume presents the complete 'Proceedings of the Oxford University Robbe-Grillet Conference 1996'. Robbe-Grillet explores themes in his work with the key world experts on his novels and feature films. Unmissable for Literary/Film Theorists!'Je regarde, donc je dérobe' ['I watch, therefore I unveil'] Alain Robbe-GrilletSUMMARY: Alain Robbe-Grillet (literary 'terrorist' and film-maker extra-ordinare), alongside a panoply of international authorities on his work, discusses the course of his career and the relationship between novels and films, the conscious world we normally inhabit and the realm of the subconscious and dreams. Equal focus is placed on his literary and cinematic work, both by Robbe-Grillet himself and by those who speak about his work. The text is an unabridged transcription of the Oxford University Robbe-Grillet Conference 1996, giving an up-close encounter with the author and the contemporary appreciators of his creative output. A 'must' for readers and students of modern literature and cinema theory.CONTRIBUTIONS: 0. In the Temple of Dreams - Editor's Foreword (Edouard d'Araille) / 1. Alain Robbe-Grillet - Opening Words (Prof. Ian Christie FBA) / 2. Au Temple des Rêves: L'Ecrivain à l'Ecran - Alain Robbe-Grillet (Main Talk of the Day) / 3. Question-Time: A Brief Dialogue with Alain Robbe-Grillet / 4. Magritte, Robbe-Grillet and La Belle Captive - Prof. Ben Stoltzfus / 5. A Sojourn in the Maison de Rendez-Vous - Prof. Roch Smith / 6. Text, Film et Code: Dysnarration et Cohérence - Prof. Van den Heuvel / 7. The Blue Villa: Within the Temple of Dreams - Prof. Anthony Fragola / 8. Sado-Erotic Surfaces - Prof. Raylene Ramsay / 9. The Mirror of Meta-Fiction - Prof. Royal S. Brown / 10. Open Discussion - hosted by Dr. Ann JeffersonEXTRAS: A Bibliography and a Filmography of all Alain Robbe- Grillet's major works up to the time of the conference (1996); introductory materials; publisher's note.AN EXTRACT: Opening Words - by Ian Christie: 'Certainly, for someone of my generation, the work of Alain Robbe-Grillet is absolutely central to the possibility that cinema might acquire some of the complexity and modernity of literature. I still vividly remember queuing until two in the morning to see Last Year at Marienbad as an undergraduate in 1963 in Belfast. The film was so notorious and popular that screenings were held around the clock in a cinema near the university, and I believe people were still queuing at four o'clock in the morning. It is difficult, perhaps, to imagine people queuing today, to see a film as remarkable and experimental as Last Year at Marienbad. But it did happen, I was there, and I remember also the impact made by The Immortal One and The Man Who Lies when those were also shown in Britain.Sadly, it has been increasingly difficult to see the film works of Alain Robbe-Grillet in Britain; and it says something about our draconian cinema censorship system, which has prevented some of Robbe-Grillet's work being circulated. Britain is the only country in the world which has statutory legal censorship for video, which keeps a lot of challenging and controversial work out of circulation. Unfortunately, therefore, some of his more recent work has not been seen, except in private screenings, which I think is a pity, because Robbe-Grillet has continued to make films and to push forward the boundaries of what is possible on the screen, in parallel with his literary work.So this is a double career; that of a writer who works on the screen and on the page, and who has continued to do so for an extraordinary span of time. Robbe-Grillet's example renews the hope that film can be seen as involved in a similar enterprise to writing, a hope that is often forgotten in Britain, where cinema exists in a compartment labelled 'entertainment', and too often lacks the ambition, and complexity, that literature can aspire to'.Truly a special book on the relationship between novels and films.

Condizione: New. In.

Condizione: NEW.

Hardback. Condizione: New. Comprehensive overview of the entire spectrum of works by one of twentieth-century France's most original thinkers.Gaston Bachelard, one of twentieth-century France's most original thinkers, is known by English-language readers primarily as the author of The Poetics of Space and several other books on the imagination, but he made significant contributions to the philosophy and history of science. In this book, Roch C. Smith provides a comprehensive introduction to Bachelard's work, demonstrating how his writings on the literary imagination can be better understood in the context of his exploration of how knowledge works in science. After an overview of Bachelard's writings on the scientific mind as it was transformed by relativity, quantum physics, and modern chemistry, Smith examines Bachelard's works on the imagination in light of particular intellectual values Bachelard derived from science. His trajectory from science to a specifically literary imagination is traced by recognizing his concern with what science teaches about how we know, and his increasing preoccupation with questions of being when dealing with poetic imagery. Smith also explores the material and dynamic imagination associated with the four elements-fire, water, air, and earth-and the phenomenology of creative imagination in Bachelard's Poetics of Space, his Poetics of Reverie, and in the fragments of Poetics of Fire.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Couverture souple. Condizione: bon. RO30120762: 1975. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 174 pages. . . . Classification Dewey : 844-Essais.

Condizione: bon. Collection essais et critiques. broché, 176p. Essai sur les romans de Malraux.