Lingua: Inglese
Editore: Blanton Museum of Art / Hudson Hills Press, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Lingua: Inglese
Editore: Blanton Museum of Art / Hudson H, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Da: HPB-Diamond, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Blanton Museum of Art in associa, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Da: HPB-Ruby, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Blanton Museum of Art in associa, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Da: HPB-Emerald, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Blanton Museum of Art in associa, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Da: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Blanton Museum of Art / Hudson H, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Good. bumped/creased still NICE! - may have remainder mark or previous owner's name Oversized.
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Lingua: Inglese
Editore: Pennsylvania State University Press, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Da: Better World Books, Mishawaka, IN, U.S.A.
Prima edizione
Condizione: Good. 1st Edition. Used book that is in clean, average condition without any missing pages.
Lingua: Inglese
Editore: Penn State University Press, University Park, PA, 2004
ISBN 10: 0271026820 ISBN 13: 9780271026824
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: New copy in shrinkwrap. BASEMENT (illustratore). Cloth with color pictorial dustjacket. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in BaltimoreWilliam Walters, George Lucas, the famous Cone sisters, among othersstand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June11 September 2005. Uncommon in hardcover, this copy is NEW.
Lingua: Inglese
Editore: Pennsylvania State Univ Pr, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Lingua: Inglese
Editore: Pennsylvania State Univ Pr, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Lingua: Inglese
Editore: Pennsylvania State Univ Pr, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Condizione: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Lingua: Inglese
Editore: The Baltimore Museum of Art and the Walters Art Museum, 2009
ISBN 10: 0271026928 ISBN 13: 9780271026923
Da: Moe's Books, Berkeley, CA, U.S.A.
Prima edizione
Softcover. Condizione: Fine. No jacket.
Lingua: Inglese
Editore: Blanton Museum of Art in association with Hudson Hills Press, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Prima edizione
Condizione: Very Good. Condizione sovraccoperta: None. 160 pages, illustrated throughout in color. Minor shelf-wear to wrappers with tiny tear to upper edge of spine. Clean, tight copy. Record # 460435.
Lingua: Inglese
Editore: Penn State University Press, University Park, PA, 2004
ISBN 10: 0271026928 ISBN 13: 9780271026923
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: new. Color pictorial wraps. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in BaltimoreWilliam Walters, George Lucas, the famous Cone sisters, among othersstand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June11 September 2005.
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Paperback. Condizione: As New. Softcover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Da: FSS Books, New York, NY, U.S.A.
Prima edizione
Soft cover. Condizione: Fine. 1st Edition. Catalogue accompanying the exhibit. Text is clean and unmarked, binding tight, but slight wear at the top and bottom of the spine. No indications of previous ownership.
Editore: Snite Museum of Art University o, 2019
Da: Half Price Books Inc., Dallas, TX, U.S.A.
hardcover. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Hardback or Cased Book. Condizione: New. Homecoming: Walter Osborne's Portraits of Dublin, 1880-1900. Book.
EUR 36,96
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Blanton Museum of Art in association with Hudson Hills Press, New York and Manchester, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: As New. Dark brown illustrated wraps with French folds. 160 pp. Profuse illustrations, some in color. The Blanton Museum of Art's collection of French drawings is less well known than its other Italian and baroque works, but equally choice. This catalogue, published to accompany an exhibition, publishes many of their French drawings for the first time. Includes these chapters: Storied past / Cheryl K. Snay; French drawings at the Blanton : a short history / Jonathan Bober; The forensic examination of drawings : three case studies in technical observation of works on paper / Kenneth Grant; and Catalogue.
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271026820 ISBN 13: 9780271026824
Da: Orca Knowledge Systems, Inc., Novato, CA, U.S.A.
hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ with scuffed back cover. 389pp.
Hardcover. Condizione: new. Hardcover. A celebration of the art and career of Walter Osborne (18591903), one of Ireland's leading landscape and portrait painters. In conjunction with the first monographic exhibition of this Irish artist in forty years-and the first ever in the United States-this catalogue charts Walter Osborne's career from his student days in Dublin to his mature works made following his return to his native city in 1892. Through his depictions of Dublin's streets, parks, public spaces, domestic interiors and gardens, countryside, and most importantly its people, a vision of a vibrant-if divided-Ireland emerges. Osborne's experiences abroad during his formative years, his professional and social networks, and his commercial acumen help establish Dublin's unique brand of Modern painting rife with the possibility of change. Osborne's notable painting, At the Breakfast Table (1894), with its focus on family and home, launches an exploration of the other iconic works produced at the height of his career, including St. Patrick's Close, St. Stephen's Green, and his portraits of famous personalities and children. This publication accompanies an exhibition at Raclin Murphy Museum of Art, University of Notre Dame, opening in August 2025. AUTHORS: Cheryl K. Snay PhD, is curator of European and American Art before 1900, Raclin Murphy Museum of Art, University of Notre Dame. Kathryn Milligan is assistant librarian, Edward Murphy Library, Dublin. Brendan Rooney is head curator at the National Gallery of Ireland. Logan Sisley is acting head of collections at the Hugh Lane, Dublin. Judith Stapleton is a Keough-Naughton Institute National Endowment for the Humanities Fellow, and was previously the Donald & Marilyn Keough Curatorial Fellow at the Snite Museum of Art at the University of Notre Dame. SELLING POINTS: . Accompanies the first monographic exhibition of this Irish artist in forty years-and the first ever in the United States. . In terms of his position in Irish art, Osborne ranks alongside the likes of Jack B. Yeats, Helen Mabel Trevor, William Orpen, John Henry, and William Leech. . Osborne played a key role in establishing Dublin as a major artistic centre. . Features contributions by major essayists, and fifty works, with pieces from Irish national collections and important loans from private collections. 116 colour illustrations A celebration ofthe art and career of Walter Osborne (1859-1903), one of Ireland's leadinglandscape and portrait painters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Da: Evolving Lens Bookseller, Kingston, NY, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Softcover. First Edition; First Printing. Book condition is Very Good+ in wraps. Lean to spine, weak bump to top corner. Text is clean and unmarked, illustrated throughout. Published in conjunction with an exhibition held at the Baltimore Museum of Art and three other museums between June 19, 2005 and Sept. 17, 2006. "From the collections of the Baltimore Museum of Art, the Walters Art Museum". Includes bibliographical references (p. [377]-382) and index. ; 11.70 X 9.90 X 1.40 inches; 408 pages.
Lingua: Inglese
Editore: Blanton Museum of Art / Hudson Hills Press, Manchester, 2011
ISBN 10: 1555953654 ISBN 13: 9781555953652
Da: Evolving Lens Bookseller, Kingston, NY, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Softcover. First Edition; First Printing. Book condition is Very Good+ in wraps. Text is clean and unmarked. First Edition is stated. ; 4to 11" - 13" tall.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271026928 ISBN 13: 9780271026923
Da: Toscana Books, AUSTIN, TX, U.S.A.
Paperback. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.
EUR 41,04
Quantità: 15 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.