spector suzanne (26 risultati)

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Suzanne Spector (illustratore). 1st Edition. Green hard covers. Color illustration on dj. Dj in mylar wrap. Int. good. 151 pages. Chapter book. Usual library markings.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback or Softback. Condizione: New. Naked at the Helm: Independence and Intimacy in the Second Half of Life. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In.

Paperback. Condizione: Brand New. 280 pages. 8.50x5.50x0.79 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

151 pp.; 26.5 x 26.7 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March 1987 issue of Artforum, edited by Ingrid Sischy. Contents include: "The Opposite of Emptiness: On the Spirit in Art," by Thomas McEvilley; "Excuse Me Madame But It Seems To Me Unless I'm Mistaken That I've Met You Somewhere Before: A Conversation with Eugène Ionesco," by Sanda Miller; "Nine Beatitudes on Eight Pages: After 'Four Saints in Three Acts,' Another Act, with Pictures," by Ingrid Sischy; "Hans Haacke's Corporate Muse: 'Unfinished Business,'" by Jean Fisher; "The Sleeping Beauty in the Castle of Modern Art: A Slumberer Stirs," by Ida Panicelli; "Louise Bourgeois: Where Angels Fear to Tread, A Profile in Courage," by Donald Kuspit; "Museum Piece: Rain. Van Gogh's Last Works," by Sanford Schwartz; "Object: The Amniotic Cottage," by Alessandro Mendini; "Like Art: And On the Eighth Day, He Did a Voice-over," by Glenn O'Brien; "A Canvas of Episodes: Rez Learns That the Right Thing is Not Always the Appropriate Thing," by Frederic Tuten; "Remote Control: Sugar and Spice," by Barbara Kruger; "Speaker to Speaker: Breaking Away. In Praise of Music," by Greil Marcus "Special Effects. This Face: An Arrangement in Flesh Tones, Black, White, and Gray," by Carol Squiers. Reviews by Donald Kuspit, Ida Panicelli, Kate Linker, John Yau, Carlo McCormick, Patricia C. Phillips, Nancy Stapen, Ronny Cohen, John Howell, Charles Hagen, Glenn Harper, Colin Westerbeck, Buzz Spector, Mason Riddle, Susan Freudenheim, Ed Hill, Suzanne Bloom, Bill Berkson, Lisa Liebmann, Colin Gardner, Richard Rhodes, Aurora García, Jole de Sanna, Max Wechsler, Daniel Soutif, Doris von Drateln, Wolfgang Max Faust, and Michael Archer. Cover: Eugène Ionesco. Good. Dust soiling and yellowing of covers with 6.3 cm. crease to bottom right corner of recto, additional light scratching of covers, and rubbing of cover edges, with 5 mm. surface tear to bottom edge of recto. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Aceptable. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. When Ideas Become Winged," by Wim van Mulders; "The Four Giacometti's: Giovanni, Augusto, Alberto, and Diego. The Stamp of Stampa," by Pierre Schneider; "Inanimations: A Project for Artforum," by Boyd Webb; "A Viney Pastoral: Drawing from Nature," by Mike Glier; "Lines, Chapters, and Verses: The Art of Jean-Michel Basquiat. A Voice and an Eye," by Demosthenes Davvetas; "Icons at Large: Andy Warhol," by Lisa Liebmann; "Book Previews: Excerpts from Le Corbusier's 'The Journey to the East;' Octavio Paz's Essay 'Art and Identity: Hispanics in the United States;' and Mary Ann Doane's 'The Desire to Desire: The Woman's Film of the 1940s'" "A Canvas of Episodes: The Wigged Soprano," by Frederic Tuten; "Museum Piece: THe Wrong Jar," by Joseph Giovannini; "Like Art: For An Advertising of Love," by Glenn O'Brien; "Ground Up: Our Quarry Beads," by Herbert Muschamp; "Speaker to Speaker: What You Wish Upon a Star," by Greil Marcus. Reviews by Carlo McCormick, Jean Fisher, John Yau, Kate Linker, Donald Kuspit, Charles Hagen, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, Nancy Stapen, Paula Marincola, Maureen Bloomfield, Colin Westerbeck, Buzz Spector, Ed Hill, Suzanne Bloom, Bill Berkson, Colin Gardner, Richard Rhodes, Pier Luigi Tazzi, Daniel Soutif, Max Wechsler, Helmut Draxler, Ingrid Rein, Martin Hentschel, Paul Groot, Anne Applebaum, and Michael Archer. Cover: Andy Warhol signs a campel soup can, 1964.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 168.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorSuzanne Spector is a graduate of Barnard College and holds a master s degree from the Columbia University School of Social Work. She was Coordinator of the American Montessori Teacher Training Program, then founded and.

Taschenbuch. Condizione: Neu. Naked at the Helm | Independence and Intimacy in the Second Half of Life | Suzanne Spector | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | She Writes Press | EAN 9781647420857 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.