tanner marie (38 risultati)

Soft cover. Condizione: Very Good. Steve Tanner, Andy Crawford, Sarah Ashun, Kuo Kang Chen and Halli Marie Verrinder (illustratore). First.

Paper. Condizione: Very Good. First Ed. 16 pages, illustrated.

Paperback. Cream and color-illustrated wraps with brown lettering. 130 pp. BW and color illustrations. Text in German. Catalogue of an exhibition from October 12 to December 1, 1985 in Baden-Baden and from January 2 to March 8, 1986 in Tel Aviv. VG- light scuffing to wraps and light wear to extremities.

Condizione: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Couverture rigide. Condizione: Très bon. 240 p. Reliure d'édition un peu défraîchie.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition. A Fine copy in maroon cloth, in a Near Fine dust jacket. Book.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Near Fine. 1st Edition. Review copy. Light damp stain to bottom corners of first couple pages. Near fine jacket.

Taschenbuch. Condizione: Gut. Söderman, Marie (illustratore). 192 Seiten; Svenska for Er, Larobok for utlanningar 1 - Sveriges Radios fà rlag - 1. Auf. 1969 : Siv Higelin - tb TZ-R0HV-HT24 sv Gewicht in Gramm: 500.

Taschenbuch. Condizione: Befriedigend. Söderman, Marie (illustratore). 144 Seiten; Sveriges Radios FÃ rlag - 1. Auf. 1969 : Siv Higelin - tb. Lang KK-4GV9-CPCN sv Gewicht in Gramm: 500.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Hardback book with dust jacket is sturdy, crisp and clean. There is a gift inscription on the front endpaper but all else is like new!

Hardcover. Condizione: fine/fine. First edition. Small quarto.27cm x 19cm. 333pp. A fine copy in dust jacket.

hardcover. Condizione: New. 1st.

Hardcover. Condizione: As New. First edition. Fine in Fine dust jacket, mylar-protected.

hardcover. Condizione: fine. Condizione sovraccoperta: near fine. First. Illustrated in black and white. xi, 333 pages. Tall 8vo, red cloth with gold lettering, d.w. (spine sunned). New Haven: Yale University Press, (1993). Signed by the author on the half title page. Fine in a near fine dust wrapper.

Condizione: New.

hardcover. Condizione: New. 1st.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. multilingual edition. 350 pages. 11.50x9.00x1.00 inches. In Stock.

Hardcover. Condizione: new. Hardcover. This author analyzes the Renaissance rebuilding of Saint Peter's basilica as a mirror of the political fortunes of the papacy. The project to revitalize the basilica as the center of a resurgent Church proceeded in step with the goal to reassert papal authority across the Italian peninsula, and to extend that authority to the Eastern Mediterranean by mounting a crusade to recover the Holy Land.By embedding references to the Holy Land in the fabric of the new basilica, the architecture itself became the expressive voice of the papacy's political agenda.Peter's tomb provided the fulcrum of a program to transform the basilica, and all of Rome, into a new Jerusalem.As introduced by Nicholas V (1447-1455) and refined by Julius II (1503-1513), these ideas were translated into physical form by Donato Bramante.Drawing inspiration from innovations developed elsewhere in Italy, and with heightened sensitivity for the expressive power of ancient and medieval architecture, he forged a new vocabulary that would transform the entire subsequent history of the built environment.This book is about how that process of transformation was rooted in papal ideology. This author analyzes the Renaissance rebuilding of Saint Peter's basilica as a mirror of the political fortunes of the papacy. The project to revitalize the basilica as the center of a resurgent Church proceeded in step with the goal to reassert papal authority across the Italian peninsula, and to extend that authority to the Eastern Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Titian's mythological paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The cycle that took shape comprises Danae and Venus and Adonis (Madrid, Prado); Diana and Actaeon and Diana and Callisto (Edinburgh, National Gallery of Scotland); Perseus and Andromeda (London, Wallace Collection) and Europa (Boston, Isabella Stewart Gardner Museum). These masterpieces of the artist's mature period can be considered the most important Renaissance grouping of mythological paintings executed by a single artist. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus. The dispersal of the pictures in the seventeenth century resulted in a scholarly focus on the single pictures and a concentration on their sensual aspects. Yet in Aretino, a Venetian dialogue on painting, Titian's friend and apologist Lodovico Dolce suggested that the pictures are visual formulae that make sublime truths available to the senses. This study analyzes the ways in which Titian incorporates new concepts of sensuality and spirituality in a Venetian vernacular to create masterpieces whose originality and ravishing beauty belie their didactic content. In this fascinating study Marie Tanner examines the ways in which Titian incorporates new concepts of sensuality and spirituality in the mythological paintings for King Philip II of Spain. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

pocket_book. Condizione: Gut. 1. 560 S. Gedunkelt. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 307.

Condizione: New.

Condizione: New.

Hardback. Condizione: New.

Buch. Condizione: Neu. Neuware - The author analyzes the Renaissance rebuilding of Saint Peter's basilica as a mirror of the political fortunes of the papacy. The project to revitalize the basilica as the center of a resurgent Church proceeded in step with the goal to reassert papal authority across the Italian peninsula, and to extend that authority to the Eastern Mediterranean by mounting a crusade to recover the Holy Land. By embedding references to the Holy Land in the fabric of the new basilica, the architecture itself became the expressive voice of the papacy's political agenda. Peter's tomb provided the fulcrum of a program to transform the basilica, and all of Rome, into a new Jerusalem. As introduced by Nicholas V (1447-1455) and refined by Julius II (1503-1513), these ideas were translated into physical form by Donato Bramante. Drawing inspiration from innovations developed elsewhere in Italy, and with heightened sensitivity for the expressive power of ancient and medieval architecture, he forged a new vocabulary that would transform the entire subsequent history of the built environment. This book is about how that process of transformation was rooted in papal ideology.

Hardcover. Condizione: new. Hardcover. Titian's mythological paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The cycle that took shape comprises Danae and Venus and Adonis (Madrid, Prado); Diana and Actaeon and Diana and Callisto (Edinburgh, National Gallery of Scotland); Perseus and Andromeda (London, Wallace Collection) and Europa (Boston, Isabella Stewart Gardner Museum). These masterpieces of the artist's mature period can be considered the most important Renaissance grouping of mythological paintings executed by a single artist. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus. The dispersal of the pictures in the seventeenth century resulted in a scholarly focus on the single pictures and a concentration on their sensual aspects. Yet in Aretino, a Venetian dialogue on painting, Titian's friend and apologist Lodovico Dolce suggested that the pictures are visual formulae that make sublime truths available to the senses. This study analyzes the ways in which Titian incorporates new concepts of sensuality and spirituality in a Venetian vernacular to create masterpieces whose originality and ravishing beauty belie their didactic content. In this fascinating study Marie Tanner examines the ways in which Titian incorporates new concepts of sensuality and spirituality in the mythological paintings for King Philip II of Spain. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.