Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Condizione: acceptable. Fast & Free Shipping â" A well-used but reliable copy with all text fully readable. Pages and cover remain intact, though wear such as notes, highlighting, bends, or library marks may be present. Supplemental items like CDs or access codes may not be included.
Condizione: very_good.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Public Art Fund August 2006, 2006
ISBN 10: 0960848843 ISBN 13: 9780960848843
Da: Montclair Book Center, Montclair, NJ, U.S.A.
Trade Paperback. Condizione: USED Good.
Lingua: Inglese
Editore: JRP|Ringier/LUMA Foundation, 2014
ISBN 10: 3037643714 ISBN 13: 9783037643716
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.
Lingua: Inglese
Editore: JRP|Ringier/LUMA Foundation, 2014
ISBN 10: 3037643714 ISBN 13: 9783037643716
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Condizione: Fine. Used book that is in almost brand-new condition.
Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Da: Bay State Book Company, North Smithfield, RI, U.S.A.
Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.
Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Lingua: Inglese
Editore: Center for Curatorial Studies, Bard College/Whitechapel Gallery/Portikus, 2010
ISBN 10: 1936192039 ISBN 13: 9781936192038
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Da: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, U.S.A.
Large Hardcover. Condizione: Near Fine. 1st Printing. First paperback printing. Top corner of last page creased, otherwise an excellent copy. 256 pp. Plop: Recent projects of the Public Art Fund features projects by forty-six internationally acclaimed artists whose temporary installations were made possible by the Public Art Fund, one of the most innovative presenters of contemporary art in America. Through an in-depth account of each of these memorable projects, it examines the ways in which artists as diverse as Rachel Whiteread and Takashi Murakami, Christian Boltanski and Pipilotti Rist, and Andrea Zittel and Vik Muniz have created a dynamic experience of contemporary art. From Paul Pfeiffer's Orpheus Descending, a video work documenting the brief life-cycle of a flock of chickens, shown in the World Trade Center and World Financial Center, to Josiah McElheny's The Metal Party, an elaborate reconstruction of an event held at the Bauhaus in 1929, these projects address a multitude of issues related to urban living, site-specificity, and the impact of public art on both casual passersby and local communities. For artists, creating work outside the museum or gallery's white box is both a challenging and a rewarding experience, an opportunity to use the public realm for an evolution of their studio practice. This book sheds new light on a key aspect of contemporary art, while also creating a lasting pictorial record of installations on view for perhaps only a few weeks or months. Plop documents the vitality of a changing city and the evolution of what it means for art to be "public," providing a key reference work for everyone interested in public art and the international contemporary art scene.
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 11,72
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Da: Ivy Ridge Books/Scott Cranin, Fayetteville, NY, U.S.A.
Membro dell'associazione: IOBA
paperback. Condizione: Very Good. Inscribed on the title page by the artist. Edge rubbing on the covers, spine a little sunned, pen name front endpaper. Photographic multimedia art project looks at Civil War reenactments. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.
EUR 6,04
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9781858942476.
Soft cover. Condizione: Very Good.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Lingua: Inglese
Editore: JRP | Ringier November 2015, 2015
ISBN 10: 3037644052 ISBN 13: 9783037644058
Da: Inquiring Minds, Saugerties, NY, U.S.A.
Hardcover. Condizione: Used - Very Good.
Lingua: Inglese
Editore: CCS Bard College 8/23/2016, 2016
ISBN 10: 1936192500 ISBN 13: 9781936192502
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Hardback or Cased Book. Condizione: New. Invisible Adversaries. Book.
Da: Nicholas J. Certo, Newburgh, NY, U.S.A.
Soft cover. Condizione: Fine. A fine fresh copy bound in French-fold wraps.
Condizione: New.
Editore: Universal, 1978
Da: AcornBooksNH, New Harbor, ME, U.S.A.
Fotografia
No Binding. Condizione: VGF. A lot of two VGF of better mini lobby cards. Size: 8" x 10". Photographic Image.
Lingua: Inglese
Editore: Annandale-on-Hudson, NY: The Center for Curatorial Studies at Bard College and CCS Bard Hessel Museum of Art, 2012
ISBN 10: 1936192225 ISBN 13: 9781936192229
Da: James Payne, Books and Prints, New York City, NY, U.S.A.
Softcover. Condizione: Very Good Plus. [ART]. Liam Gillick, Tom Eccles. "From 199A to 199B." Annandale-on-Hudson, NY: The Center for Curatorial Studies at Bard College and CCS Bard Hessel Museum of Art, 2012. English language. Softcover. Text with black and white photos. 7 x 5 inches. 5 oz. 82 pp. Shelfwear. Text clean. Very Good Plus. ISBN: 9781936192229. "'Liam Gillick: From 199A-199B' revisits a formative period of the artist?s career in France, Germany, Italy, and England, prior to his move to New York in 1998. This period took place during the recessionary years of the early 1990s, a dynamic period of artistic change, during which artists from the United States were exposing the workings of the gallery and institution while challenging the traditional status of artistic persona. In Europe, artists were turning their attention to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall. Considering the relationship between the artist, the institution, and the audience to be mutually co-dependent in the creation of meaning, Gillick created situations where the outcome of the work was incomplete without involving the institution and the exhibition visitor.".