ulmer brigitte (82 risultati)

Paperback. In German. Teil 1 only. Very good condition. 233 pp.

Softcover. Condizione: New. Ulmer Museum; 1998. Paperback. Fine in Wraps. 4to, 71 pp. Text in German and English. Scarce art exhibition catalog, 16 copies held in WorldCat all in Germany or Switzerland. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Ausstellungskatalog. Ostfildern, Hatje Cantz 2002. 79 S., OPappband. 4to. Vordere, obere Kante leicht eingerissen, sonst sehr gut. !!!BITTE BEACHTEN. WIR SIND BIS 31.1. IN URLAUB. PLEASE NOTE! WE'RE ON VACATION UNTIL 31. JAN.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 21 x 27 cm, 48 pages - Der japanische Künstler Tadashi Kawamata hat mit der Kunstinstallation Barrel für den Garten eines neu erstellten Apartmenthauses in Kilchberg einen Rückzugs- und Begegnungsort für die Bewohner realisiert, aber auch einen Blickfang für die Dorfbewohner und Passanten. Barrel ist eine Art in den Boden gegrabenes, überdimensioniertes, begehbares Fass, mit scheinbar wild übereinander gelegten Fenstern und Fensterrahmen überkuppelt und innen mit Brettern aus Lärchenholz ausgekleidet. Mit der dauerhaften Installation setzt Kawamata seine Recherchen zur gebauten Umwelt, zu temporären oder permanenten Behausungen wie den Dwellings fort. Die roh wirkende Konstruktion neben dem Apartmenthaus und den umliegenden Bauten der Nachbarschaft erscheint als optische Irritation, die auf das Spannungsverhältnis zwischen dem Perfekten und dem Prekären, zwischen Konstruktion und Dekonstruktion verweist, die der gebauten Umwelt immer eigen ist, aber auch auf das Verhältnis von Architektur und Kunst. Der performance-artige Aufbauprozess, zentraler Bestandteil von Kawamatas Arbeit, wurde vom Fotografen Gian Marco Castelberg in stimmungsvollen Bildern dokumentiert, Skizzen aus dem Archiv von Tadashi Kawamata und Referenzprojekte stellen das Werk in Bezug zum gedanklichen Universum des Künstlers. Verschiedene Autoren, u.a. vom Schweizer Philosophen Stefan Zweifel, betten das Werk in einen künstlerisch-architektonischen, sozialen und philosophischen Kontext. Ein Interview mit dem Künstler beleuchtet Inspirationsquellen, Arbeitsweise und Vision.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Gut. 0. 29,5x25,5 cm. 157 S. zahlr. Ill. Hardcover, schöner Pp-Band lila m. grünem Namenszug Nolde, gelbte Vorsätze. SU illustriert. Sehr guter, sehr sauberer Zustand. Mit zahlreichen Abb. und Beiträgen einzelner Autoren. DX-Bb18|11409AB Sprache: Deutsch Gewicht in Gramm: 1300.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

paperback. Condizione: New.

Condizione: New.

Condizione: New. In.

Hardcover. Condizione: New.

Softcover with dustjacket, 274 pages, in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: New.

Hardback. Condizione: New. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of Constructivist-Concrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics.Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafés, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form.

Condizione: New.

8° (28x21)4 [34] S., mit zahlr. WerkAbb., ill OKart (Brosch), geringe Lagerspuren, gutes Exemplar, Sprache: Deutsch. * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain * * *.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

4° (30x22), 141, (3) S., reich illustriert, OKart (KlappenBrosch), Umschlag mit geringen Lagerspuren, gutes Exemplar, S.18 mit handschriftlichem Gruss von Siegfried Unseld, dazu mit Heftklammer befestigt ein Blatt mit einer Notiz von ihm.- Sprache: Deutsch. * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain * * *.

Condizione: New.

Hardcover. Condizione: new. Hardcover. The Zurich Concretists: from difficult beginnings and struggles to triumphs and arrival in Switzerland's art establishment. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of ConstructivistConcrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics. Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafes, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form. AUTHORS: Thomas Haemmerli is a Zurich-based director of film documentaries, journalist, and writer. Brigitte Ulmer is a scholar of history based in Zurich and London who works as a cultural publicist and writer. SELLING POINTS: . The first comprehensive survey of the Zurich Concretists, Switzerland's legendary Modernist art movement . Explores the Zurich Concretists' roots in the Bauhaus and their relations to the art theories of Theo van Doesburg, Johannes Itten, and Piet Mondrian, as well as influences from mathematics and music . Traces the struggles of the Zurich avant-garde of the 1930s and 1940s against the anti-modernism of the period . Lavishly illustrated with key works by all artists that belonged to the movement and with rich material from archives, some of which is previously unpublished 246 colour, 15 b/w illustrations The first comprehensive survey of the Zurich Concretists, Switzerlands legendary Modernist art movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft Cover. Condizione: Fine. This is a fine as new softcover copy with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the Helmhaus Zurich, and then the Swiss Institute in New York from April 28 to June 13, 2009. Text in English. Illustrated throughout in black & white, some color. List of Works arranged chronologically. Exhibition history. Bibliography. 11" high X 8" wide, 273 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.

Hardback. Condizione: New. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of Constructivist-Concrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics.Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafés, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form.

Taschenbuch. Condizione: Neu. Neuware -Konkrete Kunst, Grafik und Design wurden nach dem Zweiten Weltkrieg zum Emblem einer modernen Schweiz. Geprägt von de Stijl, russischem Konstruktivismus und dem Bauhaus zielten die Konkreten auf eine Transformation der Gesellschaft durch Ästhetik, Design und Architektur - etwa durch die Hochschule für Gestaltung Ulm. Kreis! Quadrat! Progress! porträtiert die Zürcher Konkreten Max Bill, Camille Graeser, Verena Loewensberg und Richard Paul Lohse und ihr Umfeld sowie ihre Impulsgeber wie Sophie Taeuber-Arp, Georges Vantongerloo, Theo van Doesburg oder Anton Stankowski. Es erzählen Zeitzeugen wie der Künstler Peter Fischli und die Kuratorin Bice Curiger. Lebendig werden Verbindungen zur europäischen Avantgarde ebenso wie die Anfeindungen, die Skandale und die Durchsetzungskämpfe inmitten der Umwälzungen des 20. Jahrhunderts. 336 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -Konkrete Kunst, Grafik und Design wurden nach dem Zweiten Weltkrieg zum Emblem einer modernen Schweiz. Geprägt von de Stijl, russischem Konstruktivismus und dem Bauhaus zielten die Konkreten auf eine Transformation der Gesellschaft durch Ästhetik, Design und Architektur - etwa durch die Hochschule für Gestaltung Ulm. Kreis! Quadrat! Progress! porträtiert die Zürcher Konkreten Max Bill, Camille Graeser, Verena Loewensberg und Richard Paul Lohse und ihr Umfeld sowie ihre Impulsgeber wie Sophie Taeuber-Arp, Georges Vantongerloo, Theo van Doesburg oder Anton Stankowski. Es erzählen Zeitzeugen wie der Künstler Peter Fischli und die Kuratorin Bice Curiger. Lebendig werden Verbindungen zur europäischen Avantgarde ebenso wie die Anfeindungen, die Skandale und die Durchsetzungskämpfe inmitten der Umwälzungen des 20. Jahrhunderts. 336 pp. Englisch.

8°. 127 S. : überw. Ill. OPp., OU. Tadellose Erhaltung. Sprache: deutsch.

Taschenbuch. Condizione: Neu. Neuware -Amidst the turmoil of World War II, Zurich was an enclave where modern art held its ground. In the aftermath, Concrete Art, design, and the 'Swiss Style' became emblematic of a modern Switzerland. Influenced by De Stijl, Russian Constructivism, and the Bauhaus, the Zurich Concretists aimed to transform society through aesthetics, design, and architecture.