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Editore: University of Washington Press, 1986
ISBN 10: 0932216218ISBN 13: 9780932216212
Da: Once Upon A Time Books, Siloam Springs, AR, U.S.A.
Libro
paperback. Condizione: Good. 190 Color & B/w Illustrations (chiefly B/w Photographs) (illustratore). This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .
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Nuovo - A partire da EUR 96,60
Usato - A partire da EUR 3,96
Scopri anche Brossura Prima edizione Copia autografata
Editore: Univ of Washington Pr, 1986
ISBN 10: 0295963441ISBN 13: 9780295963440
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Nuovo - A partire da EUR 121,75
Usato - A partire da EUR 28,34
Scopri anche Rilegato Prima edizione Copia autografata
Editore: University of Washington Press, University of Washington Press / Seattle Art Museum, 1986
ISBN 10: 0295970111ISBN 13: 9780295970110
Da: David Bunnett Books, London, Regno Unito
Libro Prima edizione
SOFTCOVER. 1st Edition. Large heavy Quarto size (4to). in colour printed stiff glossy card covers, 235pp, colour plates, illustrations in text, bibliography, index etc. PLUS 3 leaf gate-fold colour printed exhibition guide loosely inserted CONDITION: An extremely well preserved almost AS NEW unmarked copy (small speck of shelf rub to cover corner tips, page-block edges very faintly tanned) ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Editore: University of Washington Press, Seattle, 1986
ISBN 10: 0295963441ISBN 13: 9780295963440
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition; First Printing. Color Reproductions; 4to 11" - 13" tall; 235 pages; 1986 University of Washington Press. Oversize HC/DJ. 1st edition, 1st printing. Tightly bound and fresh in crisp edged and uniformly bright pictorial dust jacket. Feels and appears unread. Published to coincide with a major retrospective travelling exhibition of 1986 and 1987. Lovely copy lavishly illustrated with b&w and color reproductions. F/NF.
Editore: University of Washington Press in association with the Seattle Art Museum, Seattle, 1986
ISBN 10: 0295963441ISBN 13: 9780295963440
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. 235pp. Illustrated. Fine in a fine dust jacket. "This major book celebrates the creative genius of Jacob Lawrence. It is the most comprehensive survey ever made of his work.".
Editore: Univ of Washington Pr, 1986
ISBN 10: 0295963441ISBN 13: 9780295963440
Libro Prima edizione Copia autografata
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Inscribed by Lawrence on the title page. 4to. Pp. [6] 7-235. Over 150 illustrations, 85 in color. The binding is tight, corners sharp. Text and images unmarked. The dust jacket shows some very light handling, in a mylar cover. Signed by Artist.
Editore: Univ of Washington Press, 1986
ISBN 10: 0295963441ISBN 13: 9780295963440
Libro Prima edizione Copia autografata
HARDCOVER. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. 1st edition. Inscribed by Jacob Lawrence and Ellen Wheat. 235pp, quarto hardcover in dust jacket. boards clean, gilt titles clean, book edges sharp, tight binding, interior clean throughout. DJ covers lightly worn but clean, some hard to see indentation from previous use at lower end of front dj, no tears. inscribed by author and subject.
Editore: Baltimore, Maryland, U.S.A.: Univ of Washington Pr, 1986
ISBN 10: 0295963441ISBN 13: 9780295963440
Da: Booklegger's Fine Books ABAA, Park Ridge, IL, U.S.A.
Libro Prima edizione Copia autografata
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. A very fine hardcover copy in a very fine dustjacket/brodart covered, First Edition. SIGNED BY JACOB LAWRENCE AND DATED 8/25/86 AND SIGNED BY AUTHOR AND DATED 8/25/86. This is a very nice, clean and bright copy in like new condition. = We ship all books with Delivery Confirmation. = We have been selling Used Books for over 30 years.
Editore: Univ of Washington Pr, 1986
ISBN 10: 0295963441ISBN 13: 9780295963440
Libro Copia autografata
Hardcover. Condizione: Like New. Flat signed in pencil by Jacob Lawrence on front end page. From the library of Dr. Ralph Gomes, Howard University. Hardcover and dust jacket. Dust jacket in protective mylar cover. Good binding and cover. Clean, unmarked pages. *Autographed by artist.* Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement. "Jacob Armstead Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13. There, during his participation in community art workshops, Lawrence quickly discovered his love of art through the encouragement of teachers such as painter Charles Alston. Throughout the 1930s, Lawrence's art was inspired by the cultural visionaries of the Harlem Renaissance. In 1938, Lawrence had his first solo exhibition at the Harlem YMCA and started working for the WPA Federal Art Project. In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series); when the series was exhibited at Edith Halpert's Downtown Gallery the following year, the then 23-year-old artist catapulted to national acclaim. In the ensuing decades, Lawrence continued to create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights. He taught with Josef Albers at Black Mountain College in North Carolina in 1946 and later at the Skowhegan School of Painting and Sculpture in Maine. He moved to Seattle in 1971, teaching at the University of Washington until 1983. During his later years, Lawrence worked in a variety of media, including large-scale murals, silkscreen prints, and book illustrations. Until his death in 2000, Lawrence honed a unique visual language of abstraction that remained steeped in the human condition." - Phillips Collection This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Signed.
Editore: University of Washington Press, 1986
ISBN 10: 0932216218ISBN 13: 9780932216212
Libro Copia autografata
Paperback. Condizione: Like New. 190 Color & B/w Illustrations (chiefly B/w Photographs) (illustratore). Flat signed by Jacob Lawrence on title page. From the library of Dr. Ralph Gomes, Howard University. Softcover. Good binding and cover. Minor shelf wear. Light creasing. Clean, unmarked pages. Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement. "Jacob Armstead Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13. There, during his participation in community art workshops, Lawrence quickly discovered his love of art through the encouragement of teachers such as painter Charles Alston. Throughout the 1930s, Lawrence's art was inspired by the cultural visionaries of the Harlem Renaissance. In 1938, Lawrence had his first solo exhibition at the Harlem YMCA and started working for the WPA Federal Art Project. In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series); when the series was exhibited at Edith Halpert's Downtown Gallery the following year, the then 23-year-old artist catapulted to national acclaim. In the ensuing decades, Lawrence continued to create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights. He taught with Josef Albers at Black Mountain College in North Carolina in 1946 and later at the Skowhegan School of Painting and Sculpture in Maine. He moved to Seattle in 1971, teaching at the University of Washington until 1983. During his later years, Lawrence worked in a variety of media, including large-scale murals, silkscreen prints, and book illustrations. Until his death in 2000, Lawrence honed a unique visual language of abstraction that remained steeped in the human condition." - Phillips Collection This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Signed.
Editore: University of Washington Press, in association with the Seattle Art Museum, Seattle and London, 1986
Da: James Cummins Bookseller, ABAA, New York, NY, U.S.A.
Prima edizione Copia autografata
First edition. First edition. Frontispiece portrait of Jacob Lawrence, and numerous reproductions of his paintings in color and black and white. 1 vols. 4to. Inscribed to Bob Blackburn. This copy is inscribed boldy by Lawrence on the title page to his friend and fellow black Harlem artist: "To: - Bob Blackburn - much respect! Jake 1987." At 13 Blackburn began attending classes at the Harlem Arts Community Center operated by the WPA's Federal Art Project, studying with Charles Alston and Augusta Savage, among others. At the Harlem Art Community Center Blackburn met Ronald Joseph, who was his classmate. Here he met Jake Lawrence. Brown polished cloth lettered in gilt. discreet owner's signature on flyleaf, otherwise a mint copy in dust jacket Frontispiece portrait of Jacob Lawrence, and numerous reproductions of his paintings in color and black and white. 1 vols. 4to.