whom (163 risultati)

Condizione: Very Good. 0th Edition. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condizione: Good. 0th Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Pb. Condizione: VG. 269pp. Extremities lightly rubbed & soiled. Illus.

paperback. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Condizione: Very Good. 352 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. he Duchess of Rynhook," brought him swiftly back into the past. Ten years should have been enough to sever all contact with the people he had known: the duchess's brilliant but psychopathic son, Paul; Sandra West, whom he had loved without hope; her brot (illustratore). Book Club Edition. As a boy, Mike Constant had delivered groceries to Rynhook, the great patroon castle on the hill. Now, after ten years, he was returning to New Salem as the staff surgeon at the new hospital, but the arrogant summons he received from Marcella Van Ryn, "the Duchess of Rynhook," brought him swiftly back into the past. Ten years should have been enough to sever all contact with the people he had known: the Duchess's brilliant but psychopathic son, Paul; Sandra West, whom he had loved without hope; her brother, Jason, then a dazzlingly successful actor-now a fallen idol, come home to die. But the passing of time had only served to complicate his relations with these people, and they in turn would complicate the job he had to do at New Salem Memorial: to give the hospital the transfusion of Hippocratic ethics it needed in order to receive professional accreditation.

Condizione: New.

Paperback. Condizione: new. Paperback. An inquiry into the current ways of knowing, their ramifications, and institutional and noninstitutional artistic practices that provide channels for education from below.An inquiry into the current ways of knowing, their ramifications, and institutional and noninstitutional artistic practices that provide channels for education from below.Artistic Ecologies- New Compasses and Tools aims to both analyze and speculate about potentials of artistic ecologies, collective learning, and engaged pedagogies to engender new institutionalities.Going beyond tensions between individuals and institutions, Artistic Ecologies examines avenues for collective learning. If learning for life is emancipation-understood not just as a matter of power but of freedom-the essential question that emerges is- What knowledge makes us free and how can institutions help produce it? In search of an answer, this publication's textual and visual contributions explore sites and practices through which new institutionalities can emerge.Artistic Ecologies comprises essays analyzing current ways of knowing and their ramifications (Marina Garces, Yayo Herrero and Pirate Care) and portraying alternative ways of forming knowledge through institutional and non-institutional artistic practices (DAAR-Decolonizing Architecture Art Research, Yael Davids, Max Jorge Hinderer Cruz, The Sensing Salon). Artistic contributions in various formats-poems, drawings, visual essays-by Luna Acosta, CAConrads, Eva Durovec, Teuta Gatolin, Margherita Isola, and Jammers illustrate heterodox channels for questioning the dominant forms of knowledge and educating from below. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condizione: As New. Unread book in perfect condition.

Softcover, 330 + pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Poor. No Jacket. ld Mrs. Forbes," a magnificent but formidable matriarch who is apt to overshadow everyone with whom she comes in contact is the only one of Emily's relatives who recognizes the magnitude of the task the bride has undertaken. She makes mistakes, some of t (illustratore). Cover is in good to fair condition, pages are all there and in good orders, back of book starting to come away from binding.The story of what happened to this belief (different elements would meet and merge harmoniously. This belief was- almost literally- the cornerstone of their house.); how it was tried, how it failed- and how it succeeded. Into Emily's hitherto restricted circle are suddenly catapulted not only Pellegrino and Simonetta whom she has admired at a distance without identifying them, but David Salomont- brilliant, suave and ambitious- and Brian Collins- hearty, headstrong and vigorous. Emily's grandmother, "Old Mrs. Forbes," a magnificent but formidable matriarch who is apt to overshadow everyone with whom she comes in contact, is the only one of Emily's relatives who recognizes the magnitude of the task the bride has undertaken. She makes mistakes, some of them serious, as she gropes her way into the world that is strange to her. She learns the full meaning of love in a hard school and, in the course of her progress, she meets with disillusionment and tragedy. But, as she continues to grow in stature, wisdom and loving-kindness, she conquers both. In the end, she emerges not only as a triumphant but a glorious figure, one of the most moving as well as one of the most courageous that Mrs. Keyes has ever created. Roger's development is as arresting as his young wife's. When the story starts, he is immature, inexperienced and insecure. He recognizes all too well his limitations both as a lawyer and as a lover; and his close association with men who are more brilliant and more compelling than he is not only arouses natural jealousy, but at times brings about crushing despair. Attorneys at law who remember their own introduction to a jury will smile rather wryly at the account of Roger's first day in court, for their amusement will inevitably be tinged with sympathy; and men who have eventually become great figures in their chosen profession, what ever this may be, as well as those who are still hoping and striving to do so, will find a challenge and a promise in the great scene which, at terrible cost, crowns his career and gives his best friend freedom to love and live.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Explorations of the radical film praxis and extensive oeuvre of filmmaker Zelimir Zilnik.Explorations of the radical film praxis and extensive oeuvre of filmmaker Zelimir Zilnik.Shadow Citizens offers insights into the radical film praxis and extensive oeuvre of filmmaker Zelimir Zilnik (b. 1942). Since his beginnings in the lively amateur film scene of Yugoslavia in the 1960s, Zilnik has made more than fifty films, often in the genre of docudrama. Many of Zilnik's films have anticipated real-world events--the dissolution of Yugoslavia, the economic transition from socialism to a neoliberal order, the annihilation of workers' rights, and wider social erosion related to labor and migration.The title, Shadow Citizens, reflects Zilnik's lifelong focus on invisible, suppressed, and under- and misrepresented members of society. As a concept, "shadow citizens" is related to "amateur politics" as a form of political engagement--the imaginative and subversive non-normative knowledge and alternative sensibilities that lie dormant but occasionally push back against politics as usual. Courageous amateurism is prominent in Zilnik's films, both as a concept and as a method, and the texts in this book elaborate on the potential of shadow citizens and the pressures of the amateur undercurrent in emancipatory politics and artistic production. The notion of shadow citizens, conceived as different minorities that are increasingly becoming majorities everywhere, runs through Zilnik's oeuvre, where it is used to imagine a new concept of citizenship that pushes current limits and borders.ContributorsBoris Buden, Greg de Cuir Jr, Ana Janevski, Dijana Jelaca, Edit Molnar, Bert Rebhandl, Marcel Schwierin, WHW, Zelimir Zilnik Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

wireless_phone_accessory. Condizione: Very Good. Dvd Is in excellent shape,

Hardcover. Condizione: Fair. Acceptable copy, heavy wear, reader copy only.

Paperback. Condizione: New.

Soft cover. Condizione: Good. 28 pages. Illustrated. William Norman "Pat-a-Cake Baker's Man" / Moore Raymond "Seeing Stars" / F Morton Howard "Getting Square" / Clifford S Deall "Brought To Book" / Pat Futrelle "I'll Be Seeing You!" / A W Derbyshire "For Whom The Bell Tolls" / Matt Lowe "The MacPherson Sisters" (SL#122).

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. On the legacy of the Eastern European neo-avantgarde and the work of artist Mladen Stilinovic.On the legacy of the Eastern European neo-avantgarde and the work of artist Mladen Stilinovic."My sweet little lamb (Everything we see could also be otherwise)," a series of exhibition episodes based on the Kontakt Collection and dedicated to the artist Mladen Stilinovic, unfolded in Zagreb and London in 2016-2017. This publication, conceived as a "post-episode" of the project, presents extensive visual documentation of the exhibitions alongside newly commissioned texts by theorists and writers Branislav Dimitrijevic, Miguel A. L pez, Oxana Timofeeva, and Marina Vishmidt, as well as a conversation on exhibition making with curators Ekaterina Degot, Ana Janevski, Emily Pethick, and Marion von Osten. Drawing on the legacy of the Eastern European neo-avantgarde and the work of Stilinovic in particular, these contributions grapple with urgent questions about the value of art and exhibition making.ContributorsJonathan Burrows, Ekaterina Degot, Branislav Dimitrijevic, Oliver Frljic, Ana Janevski, Miguel A. L pez, Marion von Osten, Emily Pethick, Kathrin Rhomberg, Oxana Timofeeva, What, How & for Whom / WHW, Marina VishmidtCopublished with Kontakt Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.