wiener kate (65 risultati)

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condizione: Very Good. 1st Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Clean and solid. ; Illustrations ; 4to; 132 pages.

Hardcover. Condizione: New. Condizione sovraccoperta: New. New oversize hardcover in new dust jacket. Text is clean and free of marks or underlining. 4to. (8.9 x 0.75 x 11.25 inches) Includes photos, art prints, bibliography, and an index. 130 pp. Fast shipping in a secure book box mailer with tracking. Isamu Noguchi's Skyviewing Sculpture was created by invitation for Western Washington University, north of Seattle, in 1969. The 14-foot high sculpture, which sits in the university's central quad, acts as an observatory, encouraging viewers to enter and turn their gaze to the sky. 'Skyviewing' was a leitmotif in Noguchi's art throughout his long career as an artist and landscape architect, from his early work alongside Constantin Brancusi in Paris in 1928 to his death in 1988. Some sculptures act as reflecting telescopes with polished stone that mirror the firmament while others trace the path of the sun with cast shadows or lead the eye up towards the sky. The work at Western invites the viewer in, and guides the eye upwards to observe the sky in all of its variety. Looking Up explores Noguchi's work on the themes of space, charting our place in the universe, and 'skyviewing'; examines the changing artistic climate during his long career; and places him in context with a younger generation of artists, including Robert Smithson, Nancy Holt, James Turrell, and Charles Ross. The book includes essays by leading specialists, as well as a plate section and contemporary photos of the creation, transportation and installation of Skyviewing Sculpture.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

First edition. Softcover. 24 pages. Exhibition catalog for a show that ran March 5 through May 21, 1999. Features text by Rob Weiner and acknowledgements Kathleen M. Merrill. Includes numerous color illustrations, biographical information, lists of previous exhibitions, awards, and bibliography. A near fine copy in French style wrappers.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Jointly published by the Getty Research Institute and the New Museum. The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts-many of which have never before been published-by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker's writing and highlights her critical attention to art's relationship to broader culture and politics.   The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker's tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condizione: New.

Hardcover. Condizione: new. Hardcover. An expansive look at the multifaceted American artist Toshiko Takaezu within the history of postwar artmaking Toshiko Takaezu (19222011) was an American artist whose multidisciplinary work in ceramics, painting, sculpture, weaving, and installation innovatively drew from the natural world, combining expressionist energies with influences from East Asia. The closed ceramic forms for which she is best known are effectively abstract paintings in the round. Her reputation as a ceramic artist, however, has obscured the breadth of her output in other mediums and her role within the larger art movements of the twentieth century. This book provides the first retrospective assessment of Takaezu's art and life, representing her diverse oeuvre, which spanned six decades, and her hybrid identity as an Asian American woman, artist, and teacher. This ambitious volume features essays exploring Takaezu's biography, her background as a Hawai'i-born artist of Okinawan heritage, the relationship between her abstract work and that of her contemporaries, the role of cultural exchange in her art, her impact as an educator, and more. Beautifully illustrated with nearly 300 images of artworks and archival photographs, and including an updated chronology, exhibition history, and recollections from the artist's former apprentices, the book offers a compelling and comprehensive account of this singular artist's career. Published in association with The Isamu Noguchi Foundation and Garden Museum Exhibition Schedule: The Isamu Noguchi Foundation and Garden Museum, New York (March 20July 28, 2024) Cranbrook Art Museum, Bloomfield Hills, MI (September 11, 2024January 12, 2025) Museum of Fine Arts, Houston (March 2May 18, 2025) Chazen Museum of Art (September 8December 23, 2025) Honolulu Museum of Art (February 13July 26, 2026) An expansive look at the multifaceted American artist Toshiko Takaezu within the history of postwar artmaking Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: VG+: As new in shrinkwrap. Color-printed boards with white text on an orange spine. "An expansive look at the multifaceted American artist Toshiko Takaezu within the history of postwar artmaking. Toshiko Takaezu (1922-2011) was an American artist whose multidisciplinary work in ceramics, painting, sculpture, weaving, and installation combined expressionist energies with influence from East Asia. The ceramic closed forms for which she is best known are effectively abstract paintings in the round. Her reputation as a ceramic artist, however, has obscured the breadth of her output in other mediums and her role within the larger art movements of the twentieth century. This book provides the first retrospective assessment of Takaezu's life and work, showcasing a diverse oeuvre that spans six decades. Her work embodies a hybrid artistic landscape that reflects her complex identity as an Asian American woman, artist, and teacher. This ambitious volume features essays exploring Takaezu's biography, her background as a Hawai'i-born artist of Okinawan heritage, the relationship between her work and that of her contemporaries, the role of cultural exchange in her art, her impact as an educator, and more. Beautifully illustrated with nearly three hundred images of artworks and archival photographs, and including an updated chronology and exhibition history, the book offers a compelling and comprehensive account of this singular artist's career. Published in association with The Isamu Noguchi Foundation and Garden Museum.".

Paperback. Condizione: Brand New. 336 pages. 8.50x6.75x1.00 inches. In Stock.

Brand new book. Fast ship. Please provide full street address as we are not able to ship to P O box address.

Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: New. Jointly published by the Getty Research Institute and the New Museum. The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts-many of which have never before been published-by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker's writing and highlights her critical attention to art's relationship to broader culture and politics.   The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker's tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.

Condizione: New. 2024. hardcover. . . . . .

Hardback or Cased Book. Condizione: New. Toshiko Takaezu: Worlds Within. Book.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: new.