william olander (63 risultati)

Condizione: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Condizione: Very Good.

Paper Back. Condizione: Very Good.

Mass Market Paperback. Condizione: Very Good to Very Good+. Richard Powers (front cover) (illustratore). First Edition. ----------paperback. A 381-page first edition paperback original science fiction anthology with titles asking questions and with question marks. Back cover corner crease, edgewear, a VG to VG+ copy.

Paperback. Condizione: Good.

Condizione: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Condizione: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condizione: Very Good. . Good dust jacket. Book Club edition. From the library of science fiction and fantasy writer, editor, publisher and prolific book reviewer D. Douglas Fratz. (science fiction).

Soft cover. Condizione: Near Fine. 1st Edition. Pp 69-128. Printed Wrappers. Near Fine.

Softcover, 472 pages; very good condition; light rubbing to covers; no internal marks.

Paperback. First edition. Fine paperback with a hint of soiling to the covers, otherwise as new. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for a touring exhibition that "chronicles the path of drawing in contemporary art and explicates its current rise in significance in the 1980s." The exhibition featured 52 works by 27 contemporary American artists, including Richard Prince, Donald Baechler, Eric Fischl, Sherrie Levine, Robert Longo, David Salle, Mark Tansey, and others. Curated and with an essay by William Olander; essay by Andy Grundberg. Unpaginated [48 pages]; 27 full-page b&w illustrations; 10.5 x 8.25 inches. Artists' biographies, checklist for 52 works.

Soft cover. Condizione: Near Fine. First Edition. First Edition. Art Exhibition Catalogue. NF. Softcover, unpaginated, b&w illustrations, light rubbing to cover, else a clean and crisp copy.

Condizione: Very Good. B/w Photos (illustratore). Used book that is in excellent condition. May show signs of wear or have minor defects.

paperback. Condizione: Good. B/w Photos (illustratore). Some pencil marginalia. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft Cover. Condizione: Near Fine. First Edition; First Printing. Numerous illustrations in color and black and white. With essays by William Olander, and Mark Gottlieb. Published on the occasion of the exhibition, organized by Marjorie Talalay, at the New Gallery of Contemporary Art, Cleveland, Ohio, March 6 to May 1, 1982. ; Tight, clean and crisp. A faint hint of shelf wear to wraps, otherwise in excellent condition. No inscriptions. No remainder mark. Not ex-library. Almost Like New. ; 4to; 64 pages.

Soft cover. Condizione: Fine. Fine and in lovely condition. Only flaw is mailing label to the back, This issue features: How To Be Independent, Interviewing Cabrera Infante, Revolutionary Cuban, Images of Haiti, Journey to Ixtlan, Puerto Rican Literature and more. Upgraded to First Class. 0.0 0.0.

Paperback. Condizione: Very Good. First Edition. First Edition, First Printing. Published by The New Museum New York, 1985. Quarto. Paperback. Book is very good with very light toning to the page ends. Newspaper clippings about museum laid inside.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Paperback. Condizione: Good. covers have heavy edge wear, corners and ends of spine lightly bumped, binding tight, pages unmarked, 64 pages, catalog from an exhibition of three dimensional art work with Cleveland themes designed by Red Grooms, bw and color illustrations Size: 8.5 x 11.

Hardcover. Condizione: As New. Condizione sovraccoperta: Near Fine. Hbk large 8vo 471pp decorated endpapers and illustrns dj mildly shelfworn now in protective sleeve otherwise an unread copy excellent clean tight unmarked as new.

Hardcover. Condizione: Very Good +. Condizione sovraccoperta: Very Good +. 6th Printing. A solid spine with no edge rubbing .The dustjacket has very little edge rubbing. No store stamp. 100 Short Stories by : Bill Pronzini, Isaac Asimov Lew Gillis, John Lutz, William F. Nolan, Barry N.Malzberg, Henry Slesar, Al Nussbaum, Harold Q. Masur, Lawrence Treat, Ed Dumonte, Maxine O'Callaghan, Mary Bradford, Edward Wellen, etc.

Wrappers. Condizione: Near Fine. B/w Photos (illustratore). 50 pages. Paperback exhibition catalogue. Texts in English. Illustrated in black and white. Minimal shelfwear to the edges and corners. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Bound in stiff illustrated paper covers and published on the occasion of the exhibition held from May 7-July 12, 1987, featuring artwork by Nancy Burson, Clegg & Guttmann, Annette Lemieux, Peter Nagy, Andres Serrano, and others. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. Volume, measuring approximately 7.75" x 10", is bound in black cloth, with stamped gilt lettering to spine. Book is in fine condition. Dust jacket displays light shelfwear, with one small, closed tear at top edge of front panel and one at bottom edge of rear panel. Jacket is preserved in mylar cover. 471 pages. "These highly polemical discourses document the critical ideas and strategies that characterize the culture of the 1980s and record the dialectical means through which these ideas and strategies were formulated. Engaging more than 80 artists, theorists, and critics from a variety of fields, the conversations touch on numerous topics of current contention: the relationship between theory and artistic production, the role of art in the community, the meaning of postmodernism, the effects of representation on racial and sexual stereotypes, the relationship between high art and popular culture, and the responsibilities of art institutions. Among the discussants are Michel Foucault, Fredric Jameson, Edward Said, Tim Rollins, Greil Marcus, Ethyl Eichelberger, Douglas Crimp, Roland Barthes, Julia Kristeva, Gayatri Spivak and Laurie Anderson. This is the third volume in the New Museum of Contemporary Art series Documentary Sources in Contemporary Art which includes "Art After Modernism: Rethinking Representation" and "Blasted Allegories: An Anthology of Writings by Contemporary Artists." Other publications by The New Museum include "Haws Haacke: Unfinished Business," and "Impresario: Malcolm McLaren and the British New Wave." Discourses is copublished with The New Museum of Contemporary Art, New York, and distributed by The MIT Press.".

Paperback. 64p., wraps, 8.5x11 inches, profusely illus., very good condition.

1st edition. Small 4to. Prelims. + 471pp. B/w. illustrations. Original boards. Pictorial d/w. with black spine lettered in white. Some minor wear. ISBN 0262061252 US$18.

Imperial octavo softcover (VG): all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

B/w Photos (illustratore). 50 pp.; 25.5 x 20.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 7 - July 12, 1987. Essays by Lynne Tillman, Phil Mariani, and William Olander. Participating artists include Dennis Balk, Nancy Burson, David Cabrera, Laurel Chiten, Cheryl Qamar, Clegg & Guttmann, Mark Dion, Jason Simon, Duvet Brothers, Tim Ebner, John Glascock, Gorilla Tapes, Day Gleeson, Dennis Thomas, Fariba Hajamadi, Reginald Hudlin, Joan Jubela, Stanton Davis, Annette Lemieux, MICA-TV, Paul McMahon, Branda Miller, Peter Nagy, David Robbins, John Scarlett-Davis, Andres Serrano, Shelly Silver, Michael Smith, and Sarah Tuft. Includes list of works in the exhibition. Very Good. Light rubbing of cover edges and gentle bumping of corners. Light dust soiling of text block edges, contents are clean and unmarked.

Paperback. Condizione: New. New Gallery of Contemporary Art January 1983 Binding: Trade Paperback.

Paperback. Condizione: Very Good+. Original covers, 8 ½ x 8 ½, 16 pp. Softcover, very good to near fine. Corners bumped, irregular light fading on covers, otherwise tight, clean, paper crisp, unmarked. Art; exhibition catalogue (catalog).

Softcover. Color illustrated wraps with orange and white text on cover. 64 pp. Color and bw illustrations. "This book describes Red grooms' three-dimensional portrait of a city and documents its on-site creation in the short span of a frenetic and energy-laden week. The sculpto-pictorama Welcome to Cleveland has been acclaimed by the media as the city's 1982 'artistic event of the year,' and throngs of visitors came to see it at The New Gallery of Contemporary Art." VG (Exlibrary with stickers on and inside of cover, all else excellent).

Pamphlet. Condizione: Used - Very Good. Allen Art Museum, Oberlin College, Oberlin, OH, 1981. Pages (65)-128. Illustrated. 8.5 x 7.25", illustrated, pictorial wrapper. Clean, tight, very good.