Condizione: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Condizione: Good. Hardcover This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Bay State Book Company, North Smithfield, RI, U.S.A.
Condizione: acceptable. The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. in publisher's plastic.
Condizione: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Condizione: Very Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.
EUR 10,39
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Los Angeles County Museum of Art; Merrell Publishers, Los Angeles and London, 2001
ISBN 10: 1858941342 ISBN 13: 9781858941349
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st. 159 pages, illustrations (some colour); 29 cm. Published in conjunction with the exhibition held April 15 to July 1, 2001, Los Angeles County Museum of Art; August 27 to October 27, 2001, Grey Art Gallery, New York University, New York; and March 3 to May 26, 2002, Contemporary Center for Photography, Chicago. Gently browsed, clean copy. Dust jacket with light edgewear. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Here is work by three generations of Cuban photographers that highlights the continuing achievements of Cuba's artistic community, as well as the social and political changes in Castro s Cuba. Shifting Tides: Cuban Photography after the Revolution, organized in three sections with a prologue gallery, includes more than 100 black-and-white and color photographs. The prologue gallery provides a context within which to understand the images produced after the revolution. Included in the prologue are examples of the iconic photographs made by important photographers of the revolution's military struggle, such as Korda and Osvaldo Salas. These images reflect the heroic personalities of the revolution and establish a baseline from which three generational shifts in the conception and uses of photography can be traced. Photography in the Cuba of Fidel Castro has been and remains a thriving means of artistic expression. Through their images, photographers working in the aftermath of the military revolution have compiled a legacy of a people, of a country, and of the revolution itself. From the pictures of the new social order that followed the revolution through the experimental reclamations of personal histories that defined a new generation, to the individualized spatial investigations of the most contemporary work of artists using photography, Shifting Tides: Cuban Photography after the Revolution provides insights into not only the evolution of the photographic tradition of art making in Cuba but also the trajectory and character of the revolution that spawned it." - Publisher. Size: 4to.
Condizione: New.
Lingua: Inglese
Editore: L.A.C.M.A., Los Angeles, California, U.S.A., 2001
ISBN 10: 1858941342 ISBN 13: 9781858941349
Da: Vashon Island Books, Vashon, WA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Illustrated with B&W Photos Taken By the Author, Many of Which are Unique (illustratore). First edition / 1st Printing. First edition / First printing. Very good in very good dust jacket. 23.5 x 29cm. hard cover. 160pp. Size: 4to - over 9¾" - 12" tall. Book.
EUR 17,60
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Los Angeles County Museum of Art and Merrell, Los Angeles, 2001
ISBN 10: 1858941342 ISBN 13: 9781858941349
Da: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: As New. 1st Edition. 160 Pp. Hardcover. First Printing. As New In As New Dj. Exhibition Brochure, Folded, In Spanish, Laid In Loosely.
Condizione: New.
Paperback. Condizione: new. Paperback. The Pixels of Paul Cezanne is a collection of essays by Wim Wenders which he presents his observations and reflections on the fellow artists who have influenced, shaped and inspired him."How are they doing it?" is the key questions Wenders asks as he looks at the dance work of Pina Bausch, the paintings of Cezanne, Edward Hopper of Andrew Wyeth, or the films of Ingmar Bergman, Michelanelo Antonioni, Ozu, Anthony Mann, Douglas Sirk and Sam Fuller.He finds the answer by writing about them, trying to understand their individual perspective, and, in the process revealing his own art of perception, in texts of rare poignancy. A collection of essays in which Wim Wenders presents his observations and reflections on the fellow artists who have influenced, shaped and inspired him. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Los Angeles County Museum of Art, 2002
ISBN 10: 1858941342 ISBN 13: 9781858941349
Da: Adventures Underground, Richland, WA, U.S.A.
Hard Cover. Condizione: As New. Condizione sovraccoperta: As New. Discount Book.
Condizione: Good. A sound copy with only light wear. Overall a solid copy at a great price!
Hardcover. Condizione: Good. Satisfaction 100% guaranteed.
Paperback. Condizione: Good.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Upper right tips of covers bumped.
EUR 9,52
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Aperture Foundation, New York, 1996
ISBN 10: 0893816841 ISBN 13: 9780893816841
Da: A&D Books, South Orange, NJ, U.S.A.
Prima edizione
Paperback. The Fall 1996 issue of Aperture magazine, No. 145, with ten portfolios and essays by artists not necessarily thought of as photographers, including Constantin Brancusi and Kiki Smith, Petah Coyne, Louise Lawler, Edvard Munch, Pablo Picasso, Sigmar Polke, Gerhard Richter, Richard Pousette-Dart, Chris Marker, and Wim Wenders; essays by Anne Baldassari, Charles Hagen, David Frankel, Paul Schimmel, Rosalind Krauss, and Jan-Christopher Horak; and texts by Richter, Coyne, Pousette-Dart, and Wenders. Also in the issue: reviews by Nick Waplington of Glen E. Friedman; Mark Muro on William Christenberry; and an in memoriam for Helen Chadwick by Mark Haworth-Booth. Edited by Michael Sand. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine with a hint of handling/shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.