wood adamson (17 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New. In.

Condizione: New. In.

Hardcover. Condizione: Very Good-. Condizione sovraccoperta: Good+. Illustrated by Adamson, George (illustratore). First Edition; First Printing. Some water damage to price clipped DJ, school presentation plate inside front cover, some water staining and closed tears inside. ; Red cloth boards with black lettering to front cover and spine, panther library motif to front board. ; B&W Illustrations; 111 pages; A golden crown is found in St Pannock Bay, could it be from the lost realm of Lyonesse that sank beneath the sea? Sue, Chris and Dick are determined to find out.

Hard Cover. Condizione: Good +. George Adamson (illustratore). scribble to frontis, back endpaper.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: Near Fine. 2nd Ed Revised. 84pp, bw illus.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

112 pp.; 24.5 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at ICA Institute of Contemporary Art, University of Pennsylvania, January 16 - June 21, 2009. Traveled to Walker Art Center, Minneapolis, July 11 - November 29, 2009. Organized and with an introduction by Ingrid Schaffner and Jenelle Porter. Texts by Ingrid Schaffner, Jenelle Porter, and Glenn Adamson. Artists include Robert Arneson, Lucio Fontana, Beverly Semmes, Paul Swenbeck, Eugene Von Bruenchenhein, Peter Voulkos, Ann Agee, Nicole Cherubini, Viola Frey, Jessica Jackson Hutchins, Ken Price, Sterling Ruby, Arlene Shechet, Betty Woodman, Jane Irish, Jeffrey Mitchell, Ron Nagle, Adrian Saxe, Glenn Adamson, Kathy Butterly, George Ohr, Rudolf Staffel, and Beatrice Wood. Includes exhibition checklist. Good / Very Good. Significant creasing across verso cover. Light rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Soft cover. Condizione: New. xiv, 321 pages : illustrations, maps (colour) ; 24 cm. Tanker markets are driven by a number of economic factors, which along with technical, operational and regulatory aspects pose specific challenges to shipowners. This book is aimed at trainee brokers and all those with an interest in the market, where a qualified and experienced broker can have a major influence on a company s fortunes.

Paperback. Condizione: new. Paperback. A love letter to the human soul, the teen experience, and the immigrant roots within each of us, My Colors and I will move the mountains within you. Olivia is just another teenager. Or at least, she tries to be, not very successfully, I might add, as the only Latina at an all-white high school in West Virginia. But when love is in the air, maybe ordinary is overrated.Maybe ordinary is-hold that thought, why is the government after her mom and forcing them to move across the country to Texas?A story of ups and downs, of love and loss and racism and what happens when the world's not your friend and you're just a teenager and you need to survive and you'd do anything, anything, please give me anything. My Colors and I is the must-read American teen novel that will break your heart and make it whole again. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.