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Exhibition catalogue. First edition. Bilingual edition, German and English. 260x180mm 136 pages. Illustrated, Paperback. Fine. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with 30 years experience and a real-life bookshop. You may order with confidence.
Editore: -Hatje Cantz 31 Aug. -, 2010
ISBN 10: 3775726535ISBN 13: 9783775726535
Da: Paul Brown, Ramsgate, Regno Unito
Libro
First edition. Texts in German and English. 310x245mm 240 pages. 238 illustrations in black and white. Cloth. Fine in dustjacket. Over a period of forty-five years, Angelika Platen has photographed more than five hundred artists in their studios and galleries, at biennials and during happenings. Her camera moves toward the artists, and her black-and-white photographs are etched in our memory. Forty years ago, Joseph Beuys letting himself be inspired by Rodin, Walter de Maria lying down on an airport departure corridor, Sigmar Polke cutting a caper, Günther Uecker sitting in a forest of nails, and Hanne Darboven, beautiful and young, posing in front of her writing time wall. Forty years later, Darboven marked by time, Jonathan Meese spinning the big wheel, Julian Rosefeldt meeting Petrus Christus, and Sylvie Fleury and Sophie Calle wearing mysterious smiles. In narrative texts and essays, this book presents the different stages of the artist s precise approach and compassionate dialogue.
Editore: -Hatje Cantz 31 Aug. -, 2010
ISBN 10: 3775726535ISBN 13: 9783775726535
Da: Paul Brown, Ramsgate, Regno Unito
Libro
First edition. Texts in German and English. 310x245mm 240 pages. 238 illustrations in black and white. Cloth. New in dustjacket, unopened. Still in publishers shrink-wrap. Over a period of forty-five years, Angelika Platen has photographed more than five hundred artists in their studios and galleries, at biennials and during happenings. Her camera moves toward the artists, and her black-and-white photographs are etched in our memory. Forty years ago, Joseph Beuys letting himself be inspired by Rodin, Walter de Maria lying down on an airport departure corridor, Sigmar Polke cutting a caper, Günther Uecker sitting in a forest of nails, and Hanne Darboven, beautiful and young, posing in front of her writing time wall. Forty years later, Darboven marked by time, Jonathan Meese spinning the big wheel, Julian Rosefeldt meeting Petrus Christus, and Sylvie Fleury and Sophie Calle wearing mysterious smiles. In narrative texts and essays, this book presents the different stages of the artist s precise approach and compassionate dialogue.