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Editore: Cambridge University Press November 1994, 1994
ISBN 10: 0521469597ISBN 13: 9780521469593
Da: Books End Bookshop, Syracuse, NY, U.S.A.
Libro
Trade Paperback. Condizione: Very Good. Condizione sovraccoperta: None. Tear at top of spine; Cambridge Studies in American Literature and Culture; 9.03 X 6.05 X 0.77 inches.
Editore: Cambridge University Press November 1994, 1994
ISBN 10: 0521446945ISBN 13: 9780521446945
Da: Eighth Day Books, LLC, Wichita, KS, U.S.A.
Libro
Paper Back. Condizione: Very Good. Light cover wear includes sunfading to spine, smudges on textblock edges; binding firm, text pristine.
Editore: Cambridge University Press November 1994, 1994
ISBN 10: 052146627XISBN 13: 9780521466271
Da: Pella Books, Pella, IA, U.S.A.
Libro
Trade Paperback. Condizione: Used Good. Trade paperback, no writing or marks, tight and square, previous owner's name on first page.
Editore: Cambridge University Press November 1994, 1994
ISBN 10: 052147065XISBN 13: 9780521470650
Da: Magus Books Seattle, Seattle, WA, U.S.A.
Libro
Hardcover. Condizione: VG. Condizione sovraccoperta: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.
Editore: Cambridge University Press November 1994, 1994
ISBN 10: 0521430798ISBN 13: 9780521430791
Da: La Playa Books, San Diego, CA, U.S.A.
Libro
Hardcover. Condizione: Used. Condizione sovraccoperta: Fine. A square, tight and unmarked copy.
Editore: Cambridge University Press November 1994, 1994
ISBN 10: 0521390656ISBN 13: 9780521390651
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Libro
Hardcover. Condizione: Used - Like New. For over thirty years, Sir Richard Westmacott was the leading official sculptor of his generation. Yet, despite his pivotal role in the British art world, he has never been the subject of extensive examination. This book traces Westmacott's rise to fame and looks at all aspects of his distinguished career. Westmacott won many of the most prestigious commissions of the day, including monuments for Lord Nelson, George III, Charles James Fox and William Pitt, and sculpture for such discriminating collectors as the third Earl of Egremont and the sixth Duke of Bedford. Westmacott's works display many affinities with the classical style, yet they also reveal the rich diversity of style and imagery which is characteristic of sculpture of the nineteenth century. The first full-length study of the nineteenth-century sculptor Sir Richard Westmacott.