edizioni charta milan new york (10 risultati)

Trade Paperback. Condizione: NF. No Additional Printings Noted. SIGNED - Larger Soft Cover. Brown rear cover, white spine, white front cover with artwork are all clean and bright. Book has a nearly unnoticable trace of rubbing at the extreme tips of a couple corners. Signed and inscribed by the author on the title page in black pen: "for ------- / May we know a better world / love, / Elen O'Hara Slavick." Forward by Howard Zinn. Signed by the Author.

Hardcover. Condizione: VG+. Red illustrated paper over boards; 103 pp.; Approx. 35 bw plates. A catalogue raisonne of artwork by American neoclassical sculptor Harriet Hosmer (1830-1908). With essays by Patricia Cronin and William H. Gerdts. Features extensive text and wonderful illustrations, compiled by artist Patricia Cronin, who painted the reproductions of Harriet Hosmer's sculptures contained herein. Table of Contents as follows: Preface / Maura Reilly -- Lost and found / Patricia Cronin -- The leader of the Flock / William H. Gerdts -- Works.

1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 254 pages: illustrations (chiefly color); 30 cm. Notes; Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- - Catalogs. Clemente, Francesco 1952- - Criticism and interpretation. Artists - [Late 20th Century - Italy]. Deitch Projects (New York). History of art & design styles: from c 1900 -. Painting & paintings. ART / Individual Artists / General. 1.2 Kg.

1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 254 pages: illustrations (chiefly color); 30 cm. Notes; Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- - Catalogs. Clemente, Francesco 1952- - Criticism and interpretation. Artists - [Late 20th Century - Italy]. Deitch Projects (New York). History of art & design styles: from c 1900 -. Painting & paintings. ART / Individual Artists / General. 1.2 Kg.

Hardcover. Condizione: Near Very Good. Condizione sovraccoperta: Near Very Good. First Edition. First edition, hardcover, has a mild skew to the binding, a heavy bump to the head of the spine causing some shallow creasing to the cover and several pages at the head of the gutter, as well as light sunning to the spine and edges, and faint toning to the page edges. Otherwise, this is a solid, tight, Near Very Good copy in a like dust jacket, which has bumps with mild creasing to the spine ends and corners, light wear with a few tiny tears to the edges, rubbing with some smudging to the covers, and a faint sticker shadow to the back. The jacket is wrapped in Mylar.

First Edition. An exceptional copy; fine in the publisher's color-printed boards. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 254 pages; Physical description; 254 pages : illustrations (chiefly color) ; 30 cm. Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- Criticism and interpretation - Catalogs. Artists - [Late 20th Century - Italy]. Francesco Clemente [1952- ]Deitch Projects (New York). History of art & design styles: from c 1900 -. 2 Kg.

First Edition. An exceptional copy; fine in the publisher's color-printed boards. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 254 pages; Physical description; 254 pages : illustrations (chiefly color) ; 30 cm. Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- Criticism and interpretation - Catalogs. Artists - [Late 20th Century - Italy]. Francesco Clemente [1952- ]Deitch Projects (New York). History of art & design styles: from c 1900 -. 2 Kg.

Hardcover. Condizione: Very good +. Condizione sovraccoperta: Very good. 191 p. 31 cm. B&w and colour illustrations. Black cloth in dustjacket. Jacket has small chips and tears to edges. Small dents in lower edges of boards. Light discolouration to page edges.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First edition, first printing. Hardcover. Textured paper-covered boards, with photographically illustrated dust jacket. Photographs by James Casebere. Essays (in English) by Christopher Chang (Photographer), Jeffrey Eugenides and Anthony Vidler. Includes a list of works, an illustrated exhibition history and illustrated bibliography. 192 pp. with 40 four-color plates, 36 duotone plates and 27 black-and-white reference illustrations. 12-1/4 x 9-3/4 inches. Near Fine, in Near Fine dust jacket (bump to the heel of the spine, else Fine). From the publisher: "Over the last 25 years James Casebere has utilized the combined influences of film, architecture, sculpture, and conceptual art, occasionally in large temporary installations, but primarily in the construction of table top models he then photographs in his studio. Casebere's early work examined myths of American identity, concentrating on images of main street, suburbia, home, and work. While consistently evoking the broad sweep of history, Casebere moved on to consider the subject matter of the American landscape and stereotypes of the American West. Since 1992 his work has focused upon such varied social spaces as prisons, schools, libraries, corridors, underground tunnels and sewers; spaces of isolation and circulation. His mysterious, beautiful, and often uncanny work has been exhibited and collected by museums worldwide. This monograph surveys the development and career of this groundbreaking artist.".

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition, first printing. Textured paper-covered boards, with dust jacket. Photographs by James Casebere. Essays (in English) by Christopher Chang (Photographer), Jeffrey Eugenides and Anthony Vidler. Includes a list of works, an illustrated exhibition history and illustrated bibliography. 192 pp. with 40 four-color plates, 36 duotone plates and 27 black and white reference illustrations. 12-1/4 x 9-3/4 inches. New in New dust jacket. A Mint copy. From the publisher: "Over the last 25 years James Casebere has utilized the combined influences of film, architecture, sculpture, and conceptual art, occasionally in large temporary installations, but primarily in the construction of table top models he then photographs in his studio. Casebere's early work examined myths of American identity, concentrating on images of main street, suburbia, home, and work. While consistently evoking the broad sweep of history, Casebere moved on to consider the subject matter of the American landscape and stereotypes of the American West. Since 1992 his work has focused upon such varied social spaces as prisons, schools, libraries, corridors, underground tunnels and sewers; spaces of isolation and circulation. His mysterious, beautiful, and often uncanny work has been exhibited and collected by museums worldwide. This monograph surveys the development and career of this groundbreaking artist.".