Editore: London - Cambridge, Iniva (Institute of International Visual Arts) - The MIT Press, (2007)., 2007
Da: Versandantiquariat Markus Schlereth, Berlin, Germania
Prima edizione
Edited by Kobena Mercer. With illustrations, 232 S., 8°gr., Okart. First edition. - Annotating art's histories, cross-cultural perspectives in the visual arts, volume 3. - Best.; Ebd. druckspurig u. bekratzt, Kopfschnitt l. fl.
Editore: Iniva. Institute of International Visual Arts at Rivington Place, London, 2011
Da: Colin Martin Books, Near Hull, EY, Regno Unito
Paperback. Condizione: Fine. Oblongg octavo, 12 pages, illustrated in colour. A Fine copy.
Editore: Institute of International Visual Arts (inIVA) and Arnolfini in collaboration with Chisenhale Gallery, London, 2001
ISBN 10: 1899846328 ISBN 13: 9781899846320
Da: George Longden, Macclesfield, Regno Unito
Paperback. Condizione: Very Good. A little rubbed with a few minor creases at extremities. Lightly dulled spine. Spine not creased. 225 x 245 mm. 76 pp. Illustrated. Published on the occasion of the exhibition. Book.
Editore: Institute of International Visual Arts (INIVA), in collaboration with the Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon, London, 2004
ISBN 10: 1899846395 ISBN 13: 9781899846399
Da: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Prima edizione
Soft cover. Condizione: Near Fine. Color And B/w Illustrations (illustratore). 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Paintings, photographs, films and text by Sutapa Biswas. Essays by Ian Baucom, Guy Bress, Laura Mulvey, Griselda Pollock, Moira Roth and Stephanie Snyder. Includes a biography, awards, residencies, exhibition history, bibliography and contributors' biographies. 96 pp., with four-color and black-and-white illustrations throughout. 8-5/8 x 8-5/8 inches. Published on the occasion of a major traveling exhibition organized by InIVA. Near Fine (some light stray surface marks and slight delamination of the wrappers at the extremities, else a tight, Fine copy). From the publisher: "Over the last seventeen years, Sutapa Biswas--one of the leading artists of her generation--has created an intensely evocative and challenging body of work engaging with feminism, cultural identity and memory. Biswas draws from a variety of literary, critical and visual sources to capture particularly still moments in time.".
Editore: Institute of International Visual Arts /INIVA /MIT, London/Cambridge (MA), 2005
ISBN 10: 1899846417 ISBN 13: 9781899846412
Da: Paule Leon Bisson-Millet, Beilstein, Germania
Softcover. Condizione: Neu. Bauhaus, Norman Lewis, Romare Bearden,Wilfredo Lam, Brazilian neoconcrete movement, Minimalism (illustratore). Cosmopolitan Modernisms. Kobena Mercer Hrsg. London, Institute of International Visual Arts /INIVA /Cambridge (MA), MIT 2005. 230:180mm. 208S. 28 farb. Abb. Brosch. Annotating Art's Histories series. "Travelling through a variety of historical contexts, from colonial India and pre-war Germany, to post-1945 Brazil, and the Caribbean and African American spaces of the black Atlantic diaspora, this book revisits the period in which modernist attitudes took shape, examining the ways in which a shared history of art and ideas was experienced in different nations and cultures. Essays by art historians and curators trace the dynamic interplay of cultures across the story of modern art, looking at moments of crisis and innovation in modernism's cross-cultural past. An account of colonialism and nationalism in Indian art from the 1890s to the 1920s, for example, suggests that cultural identities are constantly modifying one another in the very moment of their encounter and points to primitivism as a counter-discourse to modernism. A collision between modernism and colonialism in the design of a Bauhaus model housing project reveals the volatile conditions of European modernism in the 1930s. Discussions of the abstract painting of Norman Lewis and the collages of Romare Bearden illustrate the conflicted experiences and multiple affiliations of African American artists in the New York art world of the 1940s and 1950s. The first English translation of an influential essay in the Brazilian neoconcrete movement of the 1950s takes up concerns similar to those of North American minimalism in the 1960s." Texten von Michael Asbury (Neoconcretism and Minimalism: On Ferreira Gullar´s Theoory of the Non-object), David Craven (C.L.R. James as a Critical Theorist of Modern Art), Ann Eden Gibson (Norman Lewis: "How to Get Black"), Kobena Mercer (Romare Bearden, 1964: Collage as Kunstwollen), Partha Mitter (Reflections on Modern Art and National Identity in Colonial India: An Interview), Paul Overy (White Walls, White Skins: Cosmopolitanism and Colonialisme in Inter-war Modernist Architecture), Michael Richardson (Surrealism Faced with Cultrual Difference), Lowery Stokes Sims (The Post-modern Modernism of Wilfredo Lam).
Editore: Institute of International Visual Arts (INIVA), London, 2007
ISBN 10: 1899846506 ISBN 13: 9781899846504
Da: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condizione: new. Paperback. At a time when borderless communication is assumed to be the global standard and economic powers no longer adhere to old boundaries of East and West, Cuba is a country caught in flux States of Exchange explores how artists in Cuba deal with the contradictions, ambiguities and social negotatiations in Cuban life, leading a critical culture that prevails in the country since the mid-1980s. With contributions from the exhibition's curators - leading Cuban curator and writer Gerardo Mosquera on the history and context of current Cuban art and UK-based Cylena Simonds on the exhibition's themes of economic and communication exchange - this book also includes texts by different writers focusing on the six exhibiting artists: Ivan Capote, Yoan Capote, Jeanette Chavez, Diana Fonseca, Wilfredo Prieto and Lazaro Saavedra. In addition, the book features a unique survey of current video practice in Cuba by Mailyn Machado, exploring its status as an alternative means for creatively investigating and exchanging knowledge about the country's historical past and social present. States of Exchange explores how artists in Cuba deal with the contradictions, ambiguities and social negotatiations in Cuban life. It features an essay on the history and context of contemporary Cuban art by Gerardo Mosquera and a survey of current video practice as an alternative and critical medium in the country. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.