leuven university press be (54 risultati)

Paperback. Condizione: New. First English-language book on the history of commercial sex in BelgiumIn 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe - and the second globally - to abandon the hypocrisy of tolerance. But this was not the first time paid sex in Belgium gained international notoriety. The medieval bathhouses and 'frows of Flanders' were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Yet while Belgians were accused of forcing white women into prostitution, they were left alone when it came to the inclusion of any suspect woman in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers and their interactions with authorities, clients and pimps. Transcending stereotypes, this history of commercial sex offers a nuanced understanding of the difficulties and opportunities associated with paid sex for women, men and trans persons past and present.Contributors: Elwin Hofman (Utrecht University), Magaly Rodríguez García (KU Leuven), Pieter Vanhees (former researcher KU Leuven), Jelle Haemers (KU Leuven), Amandine Lauro (Université libre de Bruxelles), Maarten Loopmans (KU Leuven), Ilias Loopmans (MA history student at University of Antwerp), Sonia Verstappen (former sex worker).

Paperback. Condizione: New. The balance sheet of 50 years of development aidOver the past 50 years the West has invested over 3000 billion euro in development aid and already tackled many problems. Now more and more countries and organisations present themselves on the development aid scene, including China, India, and foundations such as the Bill and Melinda Gates Foundation. Companies, trade unions, co-operatives, schools and towns set up their own projects in remote African regions.But can each and everybody become a development worker? Who decides what is acceptable and what is not? What is the role of the developing countries themselves? Who can tell what is good aid and what is bad aid? Is it a free market allowing everybody to do what he wants? A market without rules, with a lot of competition and little cooperation?This book draws up the balance sheet of 50 years of development aid and provides an overview of all relevant players, of opportunities and obstacles, of successes and failures. It details numerous examples and information on development projects from all over the world. Readers may be tempted to get involved in development aid, but they will also be more cautious than before.

Paperback. Condizione: New. Exploring women's stories of work, protest, and power in the medieval Low CountriesThe Middle Ages-a time often cast as a dark period when violence reigned and men dominated society. Women, as the deeply rooted cliché would have it, played scarcely any part. But this book tells a different story, one in which women step forward as the main characters. In the southern Low Countries, townswomen held substantial rights, which they used to conduct business, voice their opinions, and assert their will.Urban Women presents a different and lesser-known image of the late Middle Ages, from 1250 to 1550. The authors trace the lives of women protesting, marrying, making love, working, and engaging in the daily life of Low Countries towns. In doing so, this book gives voice to wealthy businesswomen, laborers, religious women, criminals, and sex workers, spotlighting the remarkable figures who shaped a "women's town" within a man's world.

Paperback. Condizione: New. 1st. Historical walking guide along the trails of Leuven scientists and their laboratories.Throughout its history, Leuven University has been home to many famous scientists. The names of cartographer Gerard Mercator, discoverer of gas lighting Jan Pieter Minckelers, chemist Jean-Baptist Van Mons, zoologist Pierre Joseph Van Beneden, and inventor of the Big Bang theory Georges Lemaître live on in the local street scene. The laboratories where they worked were housed in university colleges, repeatedly adapted over the centuries to the increasing requirements of scientific research. With the last of these laboratories soon to move out of the inner city to a campus outside the city, this book outlines the urban history of Leuven's scientists and their laboratories, taking the reader along the still-visible traces of this remarkable heritage.Leuven's College Laboratories: An Urban Walking Guide through 600 Years of Science focuses on the material heritage of science. The book provides an engaging and accessible introduction to the university's urban history, appealing to a wide audience of interested parties such as alumni, visitors, and tourists.

Paperback. Condizione: New. First English-language book on the history of commercial sex in BelgiumIn 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe - and the second globally - to abandon the hypocrisy of tolerance. But this was not the first time paid sex in Belgium gained international notoriety. The medieval bathhouses and 'frows of Flanders' were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Yet while Belgians were accused of forcing white women into prostitution, they were left alone when it came to the inclusion of any suspect woman in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers and their interactions with authorities, clients and pimps. Transcending stereotypes, this history of commercial sex offers a nuanced understanding of the difficulties and opportunities associated with paid sex for women, men and trans persons past and present.Contributors: Elwin Hofman (Utrecht University), Magaly Rodríguez García (KU Leuven), Pieter Vanhees (former researcher KU Leuven), Jelle Haemers (KU Leuven), Amandine Lauro (Université libre de Bruxelles), Maarten Loopmans (KU Leuven), Ilias Loopmans (MA history student at University of Antwerp), Sonia Verstappen (former sex worker).

Paperback. Condizione: New. New perspectives on humor within photography Despite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor performed in front of the camera, often specifically created for the camera, and the performative joke-work done by the medium itself. A first section explores how photography, due to its "shattering" qualities, turns into a privileged medium for eliciting humorous effects and how humor can be discerned within the photographic event. A second section discusses the toolbox of photographic trickery (photomontage, double exposure and cinematic movement) that allows photography to mock itself. The book closes with a section on photographic wit in conceptual art, both in canonized and more locally distinct practices. With artists' pages from Paulien Oltheten, Lieven Segers and David HelbichThis publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).Contributors: Kevin Atherton (National College of Art and Design, Dublin), Anna Corrigan and Susana S. Martins (Universidade NOVA de Lisboa), Hilde D'haeyere (KASK School of Arts of University College Ghent), Heather Diack (University of Miami), Louis Kaplan (University of Toronto), Ann Kristin Krahn (Braunschweig University of the Arts), Sandra Krizic Roban (Institute of Art History, Zagreb), Esther Leslie (Birkbeck University of London), Johan Pas (Royal Academy of Fine Arts, Antwerp), Katarzyna Ruchel-Stockmans (Vrije Universiteit Brussel).

Paperback. Condizione: New. Exploring women's stories of work, protest, and power in the medieval Low CountriesThe Middle Ages-a time often cast as a dark period when violence reigned and men dominated society. Women, as the deeply rooted cliché would have it, played scarcely any part. But this book tells a different story, one in which women step forward as the main characters. In the southern Low Countries, townswomen held substantial rights, which they used to conduct business, voice their opinions, and assert their will.Urban Women presents a different and lesser-known image of the late Middle Ages, from 1250 to 1550. The authors trace the lives of women protesting, marrying, making love, working, and engaging in the daily life of Low Countries towns. In doing so, this book gives voice to wealthy businesswomen, laborers, religious women, criminals, and sex workers, spotlighting the remarkable figures who shaped a "women's town" within a man's world.

Paperback. Condizione: New. Black Matrilineage, Photography, and Representation questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.This book emerges from the project Women Picturing Revolution.For more information, visit womenpicturingrevolution.comContributing authors: Tomi Akitunde (founder and editor-in-chief of mater mea), Grace Aneiza Ali (New York University), Emily Brady (University of Nottingham), Lesly Deschler Canossi (Women Picturing Revolution), Nicole J. Caruth (independent curator), Haile Eshe Cole (University of Connecticut), Atalie Gerhard (Saarland University), Kellie Carter Jackson (Wellesley College), Rachel Lobo (York University), Zoraida Lopez-Diago (Women Picturing Revolution), Salamishah Tillet (Rutgers University), Scheherazade Tillet (A Long Walk Home), Brie McLemore (University of California, Berkeley), Renee Mussai (Autograph London), Marly Pierre-Louis (independent curator), Jonathan Michael Square (Parsons School of Design), Susan Thompson (independent curator), Jennifer Turner (Hollins University), Sasha Turner (Johns Hopkins University), Rhaisa Kameela Williams (Princeton University)Contributing artists: Nydia Blas, Samantha Box, Renee Cox, Andrea Chung, Nona Faustine, Adama Delphine Fawundu, vanessa german, Ayana V. Jackson, Lebohang Kganye, Deana Lawson, Qiana Mestich, Marcia Michael, Zanele Muholi, Wangechi Mutu, Keisha Scarville, Mickalene Thomas, Mary Sibande, Carrie Mae Weems, Deborah Willis.

Paperback. Condizione: New. Josquin des Prez and His Musical Legacy is the most up-to-date contribution to the research on one of the most important and internationally famous composers of the Renaissance. This book offers factual information on the composer as well as insights into his 16th-century and modern reception, a survey of the sources of his music, and a discussion of the thorny issue of authorship. Willem Elders, one of the most distinguished scholars of Josquin's music, also discusses the influence of Gregorian chant as a source of inspiration and explains the various aspects of Josquin's symbolic language. Each individual work, including some of those in the old Josquin edition now considered inauthentic) receives a short discussion of relevant contextual aspects and interesting musical features. Ranges and lengths are given for each work. The style is adapted to the professional musicologist as well as to the music lover and performer.

Paperback. Condizione: New. 1st. Close Reading New Media is the first publication to apply the method of close analysis to new media.Since the early nineteen-nineties, electronic art and literature have continually gained importance in artistic and academic circles. Significant critical and theoretical attention has been paid to how new media allow the text to break traditional power relations and boundaries. The passive reader becomes an active participant choosing his own path and assembling not just his own interpretation of the text (level of the signified), but also his own text (level of the signifier). Texts no longer have a beginning or an ending, being a web of interlinked nodes. The decentered nature of electronic text empowers and invites the reader to take part in the literary process. Poststructuralist theorists predicted a total liberation of textual restrictions imposed by the medium of print. However, while these are culturally significant claims, little attention has been paid to their realization. The goal of this volume is twofold. Our aim is to shed light on how ideas and theories have been translated into concrete works, and we want to comment on the process of close reading and how it can be applied to electronic literature. While all contributions deal with particular works, their aim is always to provide insight into how electronic fiction and new media can be read.This book proposes close readings of work by Mark Amerika, Darren Aronofsky, M.D. Coverley, Raymond Federman, Shelley Jackson, Rick Pryll, Geoff Ryman and Stephanie Strickland.

Paperback. Condizione: New. Comics and other graphic narratives powerfully represent embodied experiences that are difficult to express in language. A group of authors from various countries and disciplines explore the unique capacity of graphic narratives to represent human embodiment as well as the relation of human bodies to the worlds they inhabit. Using works from illustrated scientific texts to contemporary comics across national traditions, we discover how the graphic narrative can shed new light on everyday experiences. Essays examine topics that are easily recognized as anchored in the body as well as experiences like migration and concepts like environmental degradation and compassion that emanate from or impact on our embodied states.Graphic Embodiments is of interest to scholars and students across various interdisciplinary fields including comics studies, gender and sexuality studies, visual and cultural studies, disability studies and health and medical humanities.Contributors: Frederick Luis Aldama (Ohio State University), Jodi Cressman (Dominican University), Lisa DeTora (Hofstra University), Katelyn Dykstra (University of Manitoba), Antonio J. Ferraro (Ohio State University), Carl Fisher (California State University at Long Beach), Barbara Gruning (University of Milan Bicocca), Jordana Greenblat (York University), Alison Halsall (York University), Michael J. Klein (James Madison University), Jeannie Ludlow (Eastern Illinois University), Lauren Rizzuto (Tufts University), Evelyn Rogers (Moorpark College), Shreya Sengai (Northeastern University).

Paperback. Condizione: New. Black Matrilineage, Photography, and Representation questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.This book emerges from the project Women Picturing Revolution.For more information, visit womenpicturingrevolution.comContributing authors: Tomi Akitunde (founder and editor-in-chief of mater mea), Grace Aneiza Ali (New York University), Emily Brady (University of Nottingham), Lesly Deschler Canossi (Women Picturing Revolution), Nicole J. Caruth (independent curator), Haile Eshe Cole (University of Connecticut), Atalie Gerhard (Saarland University), Kellie Carter Jackson (Wellesley College), Rachel Lobo (York University), Zoraida Lopez-Diago (Women Picturing Revolution), Salamishah Tillet (Rutgers University), Scheherazade Tillet (A Long Walk Home), Brie McLemore (University of California, Berkeley), Renee Mussai (Autograph London), Marly Pierre-Louis (independent curator), Jonathan Michael Square (Parsons School of Design), Susan Thompson (independent curator), Jennifer Turner (Hollins University), Sasha Turner (Johns Hopkins University), Rhaisa Kameela Williams (Princeton University)Contributing artists: Nydia Blas, Samantha Box, Renee Cox, Andrea Chung, Nona Faustine, Adama Delphine Fawundu, vanessa german, Ayana V. Jackson, Lebohang Kganye, Deana Lawson, Qiana Mestich, Marcia Michael, Zanele Muholi, Wangechi Mutu, Keisha Scarville, Mickalene Thomas, Mary Sibande, Carrie Mae Weems, Deborah Willis.

Paperback. Condizione: New. 1st. Close Reading New Media is the first publication to apply the method of close analysis to new media.Since the early nineteen-nineties, electronic art and literature have continually gained importance in artistic and academic circles. Significant critical and theoretical attention has been paid to how new media allow the text to break traditional power relations and boundaries. The passive reader becomes an active participant choosing his own path and assembling not just his own interpretation of the text (level of the signified), but also his own text (level of the signifier). Texts no longer have a beginning or an ending, being a web of interlinked nodes. The decentered nature of electronic text empowers and invites the reader to take part in the literary process. Poststructuralist theorists predicted a total liberation of textual restrictions imposed by the medium of print. However, while these are culturally significant claims, little attention has been paid to their realization. The goal of this volume is twofold. Our aim is to shed light on how ideas and theories have been translated into concrete works, and we want to comment on the process of close reading and how it can be applied to electronic literature. While all contributions deal with particular works, their aim is always to provide insight into how electronic fiction and new media can be read.This book proposes close readings of work by Mark Amerika, Darren Aronofsky, M.D. Coverley, Raymond Federman, Shelley Jackson, Rick Pryll, Geoff Ryman and Stephanie Strickland.

Paperback. Condizione: New. Comics and other graphic narratives powerfully represent embodied experiences that are difficult to express in language. A group of authors from various countries and disciplines explore the unique capacity of graphic narratives to represent human embodiment as well as the relation of human bodies to the worlds they inhabit. Using works from illustrated scientific texts to contemporary comics across national traditions, we discover how the graphic narrative can shed new light on everyday experiences. Essays examine topics that are easily recognized as anchored in the body as well as experiences like migration and concepts like environmental degradation and compassion that emanate from or impact on our embodied states.Graphic Embodiments is of interest to scholars and students across various interdisciplinary fields including comics studies, gender and sexuality studies, visual and cultural studies, disability studies and health and medical humanities.Contributors: Frederick Luis Aldama (Ohio State University), Jodi Cressman (Dominican University), Lisa DeTora (Hofstra University), Katelyn Dykstra (University of Manitoba), Antonio J. Ferraro (Ohio State University), Carl Fisher (California State University at Long Beach), Barbara Gruning (University of Milan Bicocca), Jordana Greenblat (York University), Alison Halsall (York University), Michael J. Klein (James Madison University), Jeannie Ludlow (Eastern Illinois University), Lauren Rizzuto (Tufts University), Evelyn Rogers (Moorpark College), Shreya Sengai (Northeastern University).

Hardback. Condizione: New. History of Japanese Art after 1945 is a compilation of essays that surveys the development of art in Japan since WWII. The original Japanese work, which has become essential reading for those with an interest in modern and contemporary Japanese art and is a foundational resource for students and researchers, spans a period of 150 years, from the 1850s to the 2010s. Each chapter is dedicated to a specific period and written by a specialist.The English edition first discusses the formation and evolution of Japanese contemporary art from 1945 to the late 1970s, subsequently deals with the rise of the fine art museum from the late 1970s to the 1990s, and concludes with an overview of contemporary Japanese art dating from the 1990s to the 2010s.These three parts are preceded by a new introduction that contextualizes both the original Japanese and the English editions and introduces the reader to the emergence of the concept of art (bijutsu) in modern Japan. This English-language edition provides valuable reading material that offers a deeper insight into contemporary Japanese art.Contributors: Kitazawa Noriaki (editor), Mori Hitoshi (editor), Sato Doushin (editor), Tom Kain (translation editor), Alice Kiwako Ashiwa (translator), Kenneth Masaki Shima (translator), Ariel Acosta (translator) and Sara Sumpter (translator)Translated from the original Japanese edition published with Tokyo Bijutsu, 2014 In cooperation with Art Platform Japan / The Agency for Cultural Affairs, Government of Japan Art Platform Japan is an initiative by the Agency for Cultural Affairs, Government of Japan, to maintain the sustainable development of the contemporary art scene in Japan.

Paperback. Condizione: New. The first introduction of the seminal writings of a key Belgian writer and critic to an English-speaking audience.Radically subjective. Radically unapologetic. Radically demanding. These are the hallmarks of Dirk Lauwaert's skill, attitude, and sensitivity, which are the result of radical attention.Belgian writer and critic Dirk Lauwaert (1944-2013) wrote about images, be they moving or still, historical or contemporary, overfamiliar or unseen. He experienced them intensely, studied them attentively, and connected them to ethical, philosophical, or social issues in texts that invited readers to do the same, whether they were leaving the movie theater, browsing a photo book, or visiting an exhibition.This selection presents the depth and scope of Lauwaert's immense output through 15 key texts in which the Belgian author unfolds his central ideas and motifs, displaying his kaleidoscopic thinking and essayistic ability. The texts span 25 years - from 1983 to 2008 - and were originally published in various contexts over the course of three decades.

Paperback. Condizione: New. Exploring the complex and intimate relations between sound, score and notation. 'Sound and Score' brings together music expertise from prominent international researchers and performers exploring the intimate relations between sound and score and the artistic possibilities that this relationship yields for performers, composers and listeners. Considering "notation" as the totality of words, signs, and symbols encountered on the road to an accurate and effective performance of music, this book embraces different styles and periods in a comprehensive understanding of the complex relations between invisible sound and mute notation, between aural perception and visual representation, and between the concreteness of sound and the iconic essence of notation. Three main perspectives structure the analysis: a conceptual approach that offers contributions from different fields of enquiry (history, musicology, semiotics), a practical one that takes the skilled body as its point of departure (written by performers), and finally an experimental perspective that challenges state-of-the-art practices, including transdisciplinary approaches in the crossroads to visual arts and dance. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Virginia Anderson (Experimental Music Catalogue), Paulo de Assis (Orpheus Institute), Sandeep Bhagwati (Concordia University Montréal), Robin T. Bier (University of York), Maria Calissendorff (Royal College of Music, Stockholm), Miguelangel Clerc (Leiden University), Kathleen Coessens (Vrije Universiteit Brussel and Orpheus Institute), Jeremy Cox (European Association of Conservatoires - AEC), Darla Crispin (Orpheus Institute), Anne Douglas (Robert Gordon University), Gregorio García Karman (University of Huddersfield), Yolande Harris (Leiden University), Susanne Jaresand (Royal College of Music, Stockholm), Tanja Orning (Norwegian Academy of Music, Oslo), Paul Roberts (Guildhall School of Music and Drama, London), Anna Scott (Leiden University), Andreas Georg Stascheit (Institute for Advanced Study in the Humanities, Essen/Dortmund University).

Paperback. Condizione: New. Thought-provoking analysis of how illiberalism, major crises and digital transformation are changing our politico-administrative systemsWhat does the future hold for the public sector? A convergence of illiberalism, major crises, system quakes and digital transformations are reshaping current politico-administrative systems. How will this challenge the way states and public administrations can and should be managed, and what will be the impact on citizen-administrative relations and our models of democracy? In this book, leading public administration scholars reflect on major trends in the public sector and their implications. They offer visions of how the academic field of public administration can respond to or anticipate possible futures. Ideal for policymakers, academics, and anyone interested in the future of governance, this compelling work reflects on how the forces transforming our world will impact the public sector.

Hardback. Condizione: New. A comprehensive overview of Laurent-Benoît Dewez's architectural worksLaurent-Benoît Dewez (1731-1812), court architect to Charles of Lorraine, was the most outstanding architect of his time in the Southern Low Countries. After studying in Italy and serving in the eminent office of Robert Adam in London, Dewez developed a personal, classical style that came to embody the "Eglise Belgique" under the Austrian Habsburgs.He designed numerous castles, abbeys, and churches across Belgium, but time has not been kind to his legacy: of his 80 architectural projects, many have vanished. However, the Château de Seneffe, the abbey of Vlierbeek in Leuven, and the churches in Andenne, Floreffe, and Harelbeke still stand as testaments to his remarkable talent.This richly illustrated monograph presents, for the first time, a comprehensive collection and analysis of the complete works of Laurent-Benoît Dewez.Look inside and read the introduction Herbeluister het gesprek met Dirk Van de Vijver bij Pompidou op Klara.

Paperback. Condizione: New. New framework for the aesthetic representation of the sea.We are no strangers today to visual representations of human suffering at sea: the refugee crisis that continues to play out in the seascape between Europe and Africa (and not only there) yields an ever-growing archive of humanitarian tragedy. As both a visual backdrop and a lethal medium of unequal mobility, maritime space and landscape play a significant role in mediating the ethical demands of this crisis. Yet, there has been little exploration of the longer history of morality's role in our understanding of aesthetic representations of the sea. The diverse contributions in Moral Seascapes explore the various symbolic forms through which these shifting moral norms and values have been manifested, contributing to debates concerning the place of the sea in visual and literary cultures and the history of morality and emotion, as well as the emergence of modern subjectivity.Drawing on a range of interdisciplinary perspectives such as visual culture, experimental art history, literary studies, history and philosophy, Moral Seascapes develops distinctive new insights into the relationship between the moral cultures of modernity and the image of the sea.

Paperback. Condizione: New. An ethnographic and photographic investigation into the complex meanings of living in Congo's urban worlds today.Focusing upon the 'urban now', a moment suspended between lingering precolonial references, the broken dreams of a colonial past, and the not yet realised promises of neoliberal futures, this book provides an ethnographic and photographic investigation of the complex meanings of living - and living together - in Congo's urban worlds today.The authors, anthropologist Filip De Boeck and photographer Sammy Baloji, take the reader on a tour of specific urban sites in Kinshasa and beyond. In their detailed analysis these sites emerge as suturing points in which the possibilities of collective urban action and dreams of a shared future continue to be explored.Reprint of Suturing the City: Living Together in Congo's Urban Worlds, Filip De Boeck, Sammy Baloji (Autograph 2016)Look inside and read the preface.

Paperback. Condizione: New. The first comprehensive guide dedicated solely to research on Latin-European early modern student notes.The many preserved collections of student notes from the early modern period - ranging from neatly maintained notebooks to barely legible scribbles crammed between lines of printed text - hold considerable but largely untapped potential as an historical source. At the same time, the analysis of these notes poses significant challenges for scholars. This book aims to be a concise and accessible companion for scholars interested in engaging with this young and burgeoning research field. Written by a diverse group of specialists from across Europe and the US, it explores the various technical and practical aspects involved in reading, interpreting, and editing student notes, while also demonstrating how these sources can enrich various areas of historical research. Indeed, student notes reveal that early modern lecture halls were often more dynamic, diverse, and creative than we might have expected.

Paperback. Condizione: New. First English-language book on the history of commercial sex in BelgiumIn 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe - and the second globally - to abandon the hypocrisy of tolerance. But this was not the first time paid sex in Belgium gained international notoriety. The medieval bathhouses and 'frows of Flanders' were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Yet while Belgians were accused of forcing white women into prostitution, they were left alone when it came to the inclusion of any suspect woman in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers and their interactions with authorities, clients and pimps. Transcending stereotypes, this history of commercial sex offers a nuanced understanding of the difficulties and opportunities associated with paid sex for women, men and trans persons past and present.Contributors: Elwin Hofman (Utrecht University), Magaly Rodríguez García (KU Leuven), Pieter Vanhees (former researcher KU Leuven), Jelle Haemers (KU Leuven), Amandine Lauro (Université libre de Bruxelles), Maarten Loopmans (KU Leuven), Ilias Loopmans (MA history student at University of Antwerp), Sonia Verstappen (former sex worker).

Paperback. Condizione: New. Exploring women's stories of work, protest, and power in the medieval Low CountriesThe Middle Ages-a time often cast as a dark period when violence reigned and men dominated society. Women, as the deeply rooted cliché would have it, played scarcely any part. But this book tells a different story, one in which women step forward as the main characters. In the southern Low Countries, townswomen held substantial rights, which they used to conduct business, voice their opinions, and assert their will.Urban Women presents a different and lesser-known image of the late Middle Ages, from 1250 to 1550. The authors trace the lives of women protesting, marrying, making love, working, and engaging in the daily life of Low Countries towns. In doing so, this book gives voice to wealthy businesswomen, laborers, religious women, criminals, and sex workers, spotlighting the remarkable figures who shaped a "women's town" within a man's world.

Paperback. Condizione: New. Revealing a vibrant and intertwined artistic scene in the BalkansOn the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918-1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged 'on the very edge' between territorial and cultural, new and old, modern and traditional identities.With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in pluralism and globalism. On the Very Edge addresses issues of artistic identities and cultural geographies and aims to enrich contextualized studies of modernism and its variants in the Balkans and Europe, while simultaneously re-mapping and adjusting the prevailing historical canon.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).ContributorsJelena Bogdanovic (Iowa State University), Lilien Filipovitch Robinson (George Washington University), Igor Marjanovic (Washington University in St. Louis), Milos R. Perovic (University of Belgrade), Jasna Jovanov (The Pavle Beljanski Memorial Collection and University EDUCONS, Novi Sad), Svetlana Tomic (Alfa University, Belgrade), Ljubomir Milanovic (Serbian Academy of Sciences and Arts), Bojana Popovic (Museum of Applied Art in Belgrade), Anna Novakov (Saint Mary's College of California), Aleksandar Kadijevic (University of Belgrade), Tadija Stefanovic (University of Belgrade), Dragana Corovic (University of Belgrade), Viktorija Kamilic (independent scholar), Marina Djurdjevic (Museum of Science and Technology, Belgrade), Nebojsa Stankovic (Princeton University), Dejan Zec (Institute for Recent History of Serbia).

Paperback. Condizione: New. The paradoxical logic of transparency and mediationTransparency is the metaphor of our time. Whether in government or corporate governance, finance, technology, health or the media - it is ubiquitous today, and there is hardly a current debate that does not call for more transparency. But what does this word actually stand for and what are the consequences for the life of individuals? Can knowledge from the arts, and its play of visibility and invisibility, tell us something about the paradoxical logics of transparency and mediation? This Obscure Thing Called Transparency gathers contributions by international experts who critically assess the promises and perils of transparency today. Contributors: Emmanuel Alloa (University of Fribourg), Loup Cellard (Melbourne Law School), Riccardo Donati (Università di Salerno), Mark Fenster (University of Florida), Sara Guindani (Université Paris 7), David Heald (University of Glasgow), Vlad Ionescu (UHasselt/PXL MAD), Dorota Mokrosinska (Leiden University), Herman Parret (KU Leuven), John Pitseys (UCLouvain), Natacha Pfeiffer (Université Saint-Louis), Philippe Van Parijs (UCLouvain), Bart Verschaffel (Ghent University), Patrick Vandermeersch (KU Leuven), Christophe Van Gerrewey (EPFL).This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Paperback. Condizione: New. Black Matrilineage, Photography, and Representation questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.This book emerges from the project Women Picturing Revolution.For more information, visit womenpicturingrevolution.comContributing authors: Tomi Akitunde (founder and editor-in-chief of mater mea), Grace Aneiza Ali (New York University), Emily Brady (University of Nottingham), Lesly Deschler Canossi (Women Picturing Revolution), Nicole J. Caruth (independent curator), Haile Eshe Cole (University of Connecticut), Atalie Gerhard (Saarland University), Kellie Carter Jackson (Wellesley College), Rachel Lobo (York University), Zoraida Lopez-Diago (Women Picturing Revolution), Salamishah Tillet (Rutgers University), Scheherazade Tillet (A Long Walk Home), Brie McLemore (University of California, Berkeley), Renee Mussai (Autograph London), Marly Pierre-Louis (independent curator), Jonathan Michael Square (Parsons School of Design), Susan Thompson (independent curator), Jennifer Turner (Hollins University), Sasha Turner (Johns Hopkins University), Rhaisa Kameela Williams (Princeton University)Contributing artists: Nydia Blas, Samantha Box, Renee Cox, Andrea Chung, Nona Faustine, Adama Delphine Fawundu, vanessa german, Ayana V. Jackson, Lebohang Kganye, Deana Lawson, Qiana Mestich, Marcia Michael, Zanele Muholi, Wangechi Mutu, Keisha Scarville, Mickalene Thomas, Mary Sibande, Carrie Mae Weems, Deborah Willis.

Paperback. Condizione: New. Truth happens to an idea. So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of doing and undergoing. But what do these ideas have to do with music, or with research conducted in and through music--that is, with artistic research? In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience--insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself.Contributors: William Brooks (Orpheus Institute), Richard Shusterman (Florida Atlantic University), Thibault Galland (Universite Libre de Bruxelles), Ivana Miladinovic Prica (University of Arts in Belgrade), Caitlin Rowley (Bath Spa University), Nicholas Brown (Trinity College Dublin / Orpheus Institute), Winnie Huang (Orpheus Institute / Royal Conservatoire of Antwerp), Fiona Smyth and Victoria Tzotzkova (Independent Scholars), Marco Fusi (Royal Conservatoire of Antwerp), Clare Lesser (New York University Abu Dhabi), Garry Hagberg (Bard College), Ann Warde (Independent Scholar), Deniz Ertan (Independent Scholar), Ambrose Field (University of York).

Paperback. Condizione: New. 1st. Close Reading New Media is the first publication to apply the method of close analysis to new media.Since the early nineteen-nineties, electronic art and literature have continually gained importance in artistic and academic circles. Significant critical and theoretical attention has been paid to how new media allow the text to break traditional power relations and boundaries. The passive reader becomes an active participant choosing his own path and assembling not just his own interpretation of the text (level of the signified), but also his own text (level of the signifier). Texts no longer have a beginning or an ending, being a web of interlinked nodes. The decentered nature of electronic text empowers and invites the reader to take part in the literary process. Poststructuralist theorists predicted a total liberation of textual restrictions imposed by the medium of print. However, while these are culturally significant claims, little attention has been paid to their realization. The goal of this volume is twofold. Our aim is to shed light on how ideas and theories have been translated into concrete works, and we want to comment on the process of close reading and how it can be applied to electronic literature. While all contributions deal with particular works, their aim is always to provide insight into how electronic fiction and new media can be read.This book proposes close readings of work by Mark Amerika, Darren Aronofsky, M.D. Coverley, Raymond Federman, Shelley Jackson, Rick Pryll, Geoff Ryman and Stephanie Strickland.

Paperback. Condizione: New. Comics and other graphic narratives powerfully represent embodied experiences that are difficult to express in language. A group of authors from various countries and disciplines explore the unique capacity of graphic narratives to represent human embodiment as well as the relation of human bodies to the worlds they inhabit. Using works from illustrated scientific texts to contemporary comics across national traditions, we discover how the graphic narrative can shed new light on everyday experiences. Essays examine topics that are easily recognized as anchored in the body as well as experiences like migration and concepts like environmental degradation and compassion that emanate from or impact on our embodied states.Graphic Embodiments is of interest to scholars and students across various interdisciplinary fields including comics studies, gender and sexuality studies, visual and cultural studies, disability studies and health and medical humanities.Contributors: Frederick Luis Aldama (Ohio State University), Jodi Cressman (Dominican University), Lisa DeTora (Hofstra University), Katelyn Dykstra (University of Manitoba), Antonio J. Ferraro (Ohio State University), Carl Fisher (California State University at Long Beach), Barbara Gruning (University of Milan Bicocca), Jordana Greenblat (York University), Alison Halsall (York University), Michael J. Klein (James Madison University), Jeannie Ludlow (Eastern Illinois University), Lauren Rizzuto (Tufts University), Evelyn Rogers (Moorpark College), Shreya Sengai (Northeastern University).