Editore: National Museum of American Art; Smithsonian Institution Press, 1995
ISBN 10: 0937311200 ISBN 13: 9780937311202
Da: zeebooks, Foley, AL, U.S.A.
paperback. Condizione: As New. Book appears to be New. May have light shelf wear due to warehouse storage. and handling.
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Editore: Published for the National Museum of American Art by the Smithsonian Institution Press, 1990
ISBN 10: 0874742897 ISBN 13: 9780874742893
Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.
Editore: Published for the National Museum of American Art by the Smithsonian Institution Press, 1991
ISBN 10: 1560980249 ISBN 13: 9781560980247
Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Editore: Smithsonian Institution Press for the National Museum of American Art, 1983
Da: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Sept. 23 (sale item)* approx 50 pp., Paperback, light rubbing to covers, else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Editore: National Museum of American Art ; Smithsonian Institution Press, Washington, D.C., 1983
Da: Katsumi-san Co., Cambridge, MA, U.S.A.
Prima edizione
Green Printed Wrappers. Condizione: Good+. First Edition. **This is not the 280-page monograph with a similar primary title but an 11-page checklist of the exhibition.** Binding has wear and rubbing; tight, text clean. 11 p. [otob: 13] Size: Oversize.
Editore: National Museum of American Art/Smithsonian Institution Press, Washington, D.C., 1981
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Prima edizione
Condizione: Near Fine. Condizione sovraccoperta: None. Sheila Isham (illustratore). Exhibition catalogue. Includes interview with the artist, Sheila Isham. Includes 22 Chinese-style calligraphic paintings and features English translations. Black/white reproductions. Record # 604896.
Editore: Published for the National Museum of American Art by the Smithsonian Institution Press
Condizione: Good. Good condition. (art, exhibit, drawing) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Editore: Washington, DC: National Museum of American Art/ Smithsonian Institution Press,
Condizione: Good. Good condition. (Sculpture, Art, Exhibition Catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Editore: Published for the National Museum of American Art by the Smithsonian Institution Press, 1986
Da: GuthrieBooks, Spring Branch, TX, U.S.A.
Paperback. Condizione: Very Good. Ex-library paperback in very nice condition with the usual markings and attachments. Text block clean and unmarked. Tight binding.
Editore: National Museum of American Art, Smithsonian Institution Press, 1983
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Condizione: Very Good. Condizione sovraccoperta: None. 69 pages. Exhibition catalog. Blue wrappers with color illustration, perfect binding, statement by Charles C. Eldredge, 16 full page color plates, numerous b&w plates. Light rubbing to wrappers, pages crisp and unmarked; a very neat, tight catalog. Record # 807868.
Editore: National Museum of American Art; Smithsonian Institution Press, Washington D.C., 1991
ISBN 10: 0874745950 ISBN 13: 9780874745955
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condizione: Very Good. 254 pages, illustrations (some colour); 26 cm. Catalogue of an exhibition held at 6 U.S. museums, concluding at the National Museum of American Art, 8 May to 7 June 1987. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/international, except by special arrangement. Size: 8vo.
Editore: Washington, D.C. : New York: National Museum of American Art, Smithsonian Institution ; Abbeville Press, 1988, 1988
Da: Steven Wolfe Books, Newton Centre, MA, U.S.A.
Prima edizione
Ray, Man, 1890-1976, (subject). Perpetual motif: the art of Man Ray. Washington, D.C. : New York: National Museum of American Art, Smithsonian Institution ; Abbeville Press, 1988, stated First Edition, 348pp., large sewn PAPERBACK, good used copy with some wear from reading, BUT top corner of cover and some pages bumped, creases on spine from opening, glossy paper slightly warped. CONTENTS: Introduction: Perpetual motif: the art of Man Ray / Merry Foresta -- Man Ray, 1908-1921 / Francis Naumann -- Man Ray, Paris / Billy Kluver and Julie Martin -- Transatlantic / Elizabeth Hutton Turner -- Themes and variations: Man Ray's photography in the twenties and thirties / Sandra S. Phillips -- Configurations of freedom / Stephen C. Foster -- Exile in Paradise: Man Ray in Hollywood, 1940-1951 / Merry Foresta -- Candor and perversion in no-man's land / Roger Shattuck. 9780896598713 ISBN 0896598713.
Editore: Washington, DC: National Museum of American Art/ Smithsonian Institution Press, 1984, 1984
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. ExCat. Paper.
Editore: National Museum of American Art, Smithsonian Institution Press, Washington DC, 1984
Da: Olana Gallery, Brewster, NY, U.S.A.
Prima edizione
Paper. Condizione: Good. ExCat. Good paper copy ex. cat.
Editore: National Museum of American Art; Smithsonian Institution Press, Washington D. C., 1989
ISBN 10: 0874748070 ISBN 13: 9780874748079
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condizione: Good. 214 pages, illustrations (some colour); 29 cm. Published for the exhibition, The art of Paul Manship, National Museum of American Art, Smithsonian Institution, Washington, D.C., 17 February to 4 July 1989 and others. Good+. Firm binding, unmarked. Tail edge lightly soiled. CONTENTS: Boyhood and family background; Overnight success; Art deco; Mature style and career; Monuments and medals; Celebrity; Social responsibility and public visibility; Late works and legacy. Size: 4to.
Editore: Washington, DC: National Museum of American Art/ Smithsonian Institution Press,
Condizione: Very Good. Very Good condition. (Wood Sculpture, Art, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Editore: The National Museum of American Art By the Smithsonian Institution Press, 1983
Da: KULTURAs books, Los Angeles, CA, U.S.A.
Prima edizione
Softcover. Condizione: As New. First Edition; First Printing. Perfect bound illustrated softcover, sharp and square, As New. Book is firm in its binding, 69 pages include Index, with b&w and color photographs. Free of any markings, not ex-library. ; B&W and Color Reproductions; Large 8vo 9" - 10" tall; 69 pages.
Editore: National Museum of American Art / Smithsonian Institution Press, 1997
ISBN 10: 1560987499 ISBN 13: 9781560987499
Da: SecondSale, Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Editore: National Museum of American Art, Smithsonian Institution; Smithsonian Institution Press, Washington D.C., 1996
ISBN 10: 1560987197 ISBN 13: 9781560987192
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condizione: Fine. 171 pages, colour illustrations; 29 cm. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. "In the nineteenth century, people from all walks of life embraced the new medium of photography with unparalleled enthusiasm. Here was a medium, it was proposed, that could serve as a mirror of nature, suggesting new possibilities to artists. For the average citizen, less concerned with art or science, the medium offered a satisfying way to record his or her private world - family, friends, homes, and farms. All of these aspirations and commonplace interests converge in the picture of nineteenth-century America vividly brought to life in the National Museum of American Art's Charles Isaacs Collection. American Photographs: The First Century presents a wide-ranging selection of photographs from this collection, including Civil War images by Alexander Gardner and the Mathew Brady Studio and spectacular western landscapes by Timothy O'Sullivan and William Henry Jackson. Seventy-nine colorplates are supplemented by over a hundred four-color images. More than two-thirds of these works are being reproduced for the first time. A deliberate effort has been made to mix familiar and lesser-known photographers, styles of work, and a variety of processes in order to explore ideas about the influence of photographic culture in America during the years from 1839 to 1939" - Publisher. Size: 4to.
Editore: National Museum of American Art; Smithsonian Institution Press, Washington D.C., 1986
ISBN 10: 0874745942 ISBN 13: 9780874745948
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2nd. Cloth, 254 pages, illustrations (some colour); 26 x 26 cm. Published in conjunction with an exhibition at the Seattle Art Museum, February 20 to April 13, 1986 and at five other museums through June 7, 1987. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. Size: 4to.
Editore: National Museum of American Art, Smithsonian Institution and Abbeville Press, Washington, DC and New York, 1986
ISBN 10: 0896595986 ISBN 13: 9780896595989
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Oblong hardcover. 224 pages. Features text contributions by Charles C. Eldredge, Julie Schimmel, and William H. Truettner. Includes numerous illustrations, chronology, artist's biographies an a bibliography, and an index. A near fine with some minor wear in a near fine dust jacket.
Editore: National Museum of American Art, Smithsonian Institution Press, Washington, DC, 1996
ISBN 10: 1560987197 ISBN 13: 9781560987192
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Softcover. Exhibition catalog for a group show that ran November 22, 1996 through April 20, 1997. Foreword by Elizabeth Broun. Features text by Merry A. Foresta and an afterword by Charles Isaacs. Includes numerous images. A fine copy in French style wrappers.
Editore: National Museum of American Art and Smithsonian Institution Press, Washington, D.C., 1984
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Oblong softcover. 144 pages. Exhibition catalog for a group show that ran May 18 through October 8, 1984. Foreword by Charles C. Eldredge. A look at the wide range of photographers who have been given support by the NEA. Introduction and text by Merry Amanda Foresta. Includes information and images by the likes of William Christenberry, William Clift, Joseph Jachna, Anthony Hernandez, Bruce Davidson, Terry Evans, Kenneth Josephson, Benjamin Lifson, Bill Burke, W. Eugene Smith, and numerous others. A clean very near fine copy in wrappers and with announcement card.
Editore: National Museum of American Art Smithsonian Institution Press in association with The University of New Mexico Press, Washington, D.C. & Albuquerque, NM, 1992
ISBN 10: 0826313647 ISBN 13: 9780826313645
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Oblong softcover. 176 pages. Essays by Merry A. Foresta, Stephen Jay Gould, and Karal Ann Marling. Includes 132 color and black and white images. A near fine copy in wrappers.
Editore: Pittsburgh, PA - Washignton, DC - New York: Carnegie Museum of Art - National Museum of American Art, Smithsonian Institution - Abbeville Press, 1987., 1987
ISBN 10: 0896596826 ISBN 13: 9780896596825
Da: David Hallinan, Bookseller, Columbus, MS, U.S.A.
Profusely Illustrated (illustratore). 280 pages. Paperback: H 30.5cm x L 22.75cm. Paper covers rubbed with scuffs at edges. A few leaves slightly dinged at their lower fore-edges. Interior pages are clean. Binding retains some crispness. Publisher's marketing response card laid-in at pages 158-159. Published as the accompanying catalog for an 1987-1988 exhibition held at Washington, DC's National Museum of American Art, Pittsburgh's Carnegie Museum of Art, and Boston's Museum of Fine Arts. ISBN 0896596826.
Editore: Published by the Smithsonian Institution Press for the National Museum of American Art
Condizione: Good. Good condition. Slightly dampstained. (photography art exhibition).
Editore: National Museum of American Art, Smithsonian Institution, in assoc. with Abradale Press, Harry N. Abrams, New York, 1998
ISBN 10: 0810937492 ISBN 13: 9780810937499
Da: Tiber Books, Cockeysville, MD, U.S.A.
Hardcover. Condizione: New. . . . . 4to, hardcover. NEW in dust jacket. Bright, crisp & clean, unread; dj glossy. 191 p., color illus. Accompanies an exhibition at the National Museum of American Art, Washington, D.C. in the spring of 1998.
Editore: National Museum of American Art; Smithsonian Institution Press, Tokyo, 1981
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Fine. 1st. 201 pages, illustrations (some colour); 26 cm. Text in English and Japanese. Exhibition held at the Tokyo National Museum, October 31 to November 25, 1981. Firm binding, clean inside copy. Size: 4to.
Editore: National Museum of American Art / Smithsonian Institution Press, Washington, DC, 1995
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Maroon pictorial wraps; 323 pp.; 173 color plates. Accompanied the exhibition of the same name at The National Museum of American Art; Includes various articles about daguerreotypes from their heyday in the 1800s; Fabulous plates. VG- (corners bumped, shelfwear to wraps with sticker residue on bottom front and spine. Sticker on rear. Library stamp and label inside front cover).
Editore: National Museum of American Art / Smithsonian Institution Press, Washington, DC, 1997
ISBN 10: 1560987499 ISBN 13: 9781560987499
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: VG. Blue & color illus. wraps. 212 pp. Numerous color plates. "Discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can 'self-portraits' of Jasper Johns." (back cover) Featured artists include Ludovic Napoleon Lepic, William Merritt Chase, Albert Sterner, Abraham Walkowitz, Matt A. Daly, Mervin Jules, Ruth Weisberg, Joseph Goldyne, Mary Frank, Dennis Olsen and many more. The first comprehensive survey of the monotype in America, Singular Impressions discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can "self-portraits" of Jasper Johns. Whether created as a brief fling with the technique by John Singer Sargent or as a sustained exploration of its subtleties by Maurice Prendergast, monotypes have attracted countless artists who usually work in other media. Describing how artists invented new methods and variations on the basic process, Joann Moser analyzes the role of the monotype in the "Black and White" exhibitions of New York's Salmagundi Club, at the 1915 Panama-Pacific Exposition in San Francisco, and in 1920s artists' communities from Provincetown to Taos. It was not until the 1970s that the monotype emerged as an alternative to the technical, structured enterprise that printmaking had become. Recognizing no rules or boundaries, artist pushed the previous limits of the medium to create a richer, more complex, more versatile means of expression.