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Editore: Sterling and Francine Clark Art Institute / Yale University Press, 2007
ISBN 10: 0931102723ISBN 13: 9780931102721
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Fine.
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Usato - A partire da EUR 8,78
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Editore: Yale University Press / Sterling and Francine Clark Art Institute, 1997, 1997
Da: Steven Wolfe Books, Newton Centre, MA, U.S.A.
, Simpson, Marc. Uncanny spectacle. The public career of the young John Singer Sargent. Yale University Press / Sterling and Francine Clark Art Institute, 1997, xiii, 192pp., tall sewn PAPERBACK, very good, light wear, related newspaper clipping laid in. 9780931102387 ISBN 0931102383.
Editore: Yale University Press in association with the Sterling and Francine Clark Art Institute, New Haven, CT, and Williamstown, MA, 2000
ISBN 10: 0300084471ISBN 13: 9780300084474
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Libro
Paperback. Condizione: Very Good. 240 pages, illustrations (chiefly colour), portraits; 28 cm. Catalogue of the exhibition "Impression: Painting Quickly in France, 1860-1890", National Gallery, London, November 1, 2000 to January 28, 2001; Van Gogh Museum, Amsterdam, March 2 to May 20, 2001; and Sterling and Francine Clark Art Institute, Williamstown, Mass., June 16 to September 9, 2001. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. "The 'point' of Impressionist art was to capture the fleeting moment, the transient effect, the essential reality of a certain place, person, or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time the impressions, or painted sketches, that were actually done on the spot. Renowned Impressionist scholar Richard R. Brettell focuses on impressions and how they differ from the finished pictures of some of the best-known artists of the Impressionist movement, among them Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte. The book surveys the various practices of individual artists in the making, signing, exhibiting, and selling of impressions. Brettell discusses the pictorial theories behind the sketches, the sales strategies for them, and the various forms they took, including works completed in one sitting, 'apparent' impressions, and repeated impressions. In a concluding chapter, the author considers a small group of works by Vincent van Gogh, who painted with an almost fanatical rapidity and was the only major post-Impressionist painter to push the aesthetic of the impression even further. / Richard R. Brettell is professor of aesthetic studies in the School of Arts and Humanities at the University of Texas at Dallas. His many previous books include Pissarro and Pontoise and The Impressionist and the City, both published by Yale University Press." - Publisher. CONTENTS: The Impression in 1874; Painting as performance: spontaneity and its appearances in painting, and the intellectual origins of the Impression; Edouard Manet and performative painting; Claude Monet and the development of the Impression; Berthe Morisot and Auguste Renoir: the wetness of paint and the sketch aesthetic; Alfred Sisley: the Impression, graphism, and automatic writing; Could Edgar Degas paint an Impression; Gustave Caillebotte and Camille Pissarro: Impressionists without Impressions?; Coda: was van Gogh an Impressionist?; Appendix: Laforgue's essay on Impressionism. Size: 4to.
Editore: Yale University Press & Sterling and Francine Clark Art Institute, New Haven, 1997
ISBN 10: 0931102383ISBN 13: 9780931102387
Libro Prima edizione
Paperback. Condizione: Fine. First Edition. 4to 11" - 13" tall; 192 pages; Oversize paperback in glossy color pictorial covers. Immaculate unread copy feels and appears entirely as new. Lavishly illustrated with color reproductions of work from the exhibition along with b&w photographs. Fine. . Oversize book may require additional charges for expedited or international shipping.
Editore: Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, Williamstown, Mass., 2007
ISBN 10: 0300103522ISBN 13: 9780300103526
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Libro Prima edizione
Condizione: Very Good. Condizione sovraccoperta: None. 79 pages. Softcover. Light edgewear to wrappers. Black and white photographs. Clean, unmarked copy. Record # 469113.
Editore: Sterling and Francine Clark Art Institute, distributed by Yale University Press, Williamstown, Massachusetts / New Haven, 2007
ISBN 10: 0300103522ISBN 13: 9780300103526
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Libro Prima edizione
Softcover. Condizione: Fine. First edition. Quarto. 79pp. Self-flap wrappers. Illustrated with 30 color and 24 black and white photographs. Fine.
Editore: Yale University Press ; Sterling and Francine Clark Art Institute, New Haven amp; Williamstown, Mass, 2003
ISBN 10: 0300099002ISBN 13: 9780300099003
Da: Books of the Smoky Mountains, Del Rio, TN, U.S.A.
Libro
Condizione: very good. Gently used book with ongoing seller support until you're fully satisfied with your purchase.
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Editore: Yale University Press/Sterling and Francine Clark Art Institute, New Haven and London/Williamstown, MA, 1997
ISBN 10: 0931102383ISBN 13: 9780931102387
Da: Saucony Book Shop, Kutztown, PA, U.S.A.
Libro Prima edizione
Soft cover. Condizione: Near Fine. Sargent, John Singer (illustratore). 1st Edition. Stiff color illus. wraps. Slight shelf wear, virtually as issued. xiv,192 pp., 26 color plates, 36 b&w figures in text. Size: 4to - over 9¾" - 12" tall. Book.
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Editore: New Haven/Williamstown (Yale University Press/ Sterling and Francine Clark Art Institute), 2000
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
240pp. 169 illus. 4to. Cloth. D.j. Published in conjunction with an exhibition at The National Gallery, London, Nov. 2000-Jan. 2001.
Editore: New Haven ; London Williamstown, Mass. : Yale University Press ; Sterling and Francine Clark Art Institute, 2003
ISBN 10: 0931102529ISBN 13: 9780931102523
Da: MW Books, New York, NY, U.S.A.
Libro Prima edizione
First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; xii, 162 p. : ill.(chiefly col.) ; 29 cm. Notes; Published on the occasion of an exhibition held at Sterling and Francine Clark Art Institute, Williamstown, (Mass.), 14 June - 7 Sept. 2003; Manchester Art Gallery, 31 Oct. 2003 - 25 Jan. 2004; and Burrell Collection, Glasgow, 19 Feb. - 23 May 2004. Bibliography: p. 151. Published in association with the Sterling and Francine Clark Art Institute. Contents; Lenders to the exhibition -- Foreword -- Preface and acknowledgments -- A power supreme -- The multitudinous seas incarnadine -- Interlude : Turner the elderly traveler -- The deep -- Appendix : Contemporary accounts of Turner's seascapes -- Checklist of the Exhibition. Subjects; Turner, Joseph Mallord William (1775-1851). Turner, Joseph Mallord William (1775-1851) Criticism and interpretation. Turner, Joseph Mallord William (1775-1851) ; Catalogs. Turner, Joseph Mallord William (1775-1851) ; Exhibitions. Turner, Joseph Mallord William (1775-1851) Criticism and interpretation. Marine painting ; Catalogs. Sea in art ; Exhibitions. Marine painting. Sea in art ; Exhibitions. Marine painting ; Catalogues. Marine painting, British 19th century ; Exhibitions. Sea in art. Marine painting. Turner, Joseph Mallord William, (1775-1851) - Exhibitions. Marine painting-19th century-Great Britain-Exhibitions. Genres; Exhibition catalogs. Exhibition catalogues. Illustrated. 1 Kg.
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Editore: The Sterling & Francine Clark Art Institute & Yale University Press, New Haven and London, 2006
ISBN 10: 030011107XISBN 13: 9780300111071
Da: Colin Martin Books, Near Hull, EY, Regno Unito
Libro
Hardcovers. Condizione: New. Condizione sovraccoperta: New. 128 pages, colour illustrated. Comes with a CD. Shrink wrapped as issued, a pristine condition copy.
Editore: Sterling and Francine Clark Art Institute and Yale University Press, 2009
ISBN 10: 030013410XISBN 13: 9780300134100
Da: Dr.Bookman - Books Packaged in Cardboard, Pittsburgh, PA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: New. First Edition; First Printing. This specific hardback book is in new condition with a hard board cover that has sharp edges and corners and has a tight binding. The pages are clean, crisp, unmarked and uncreased. There is no dust jacket. We package all books in custom cardboard book boxes for shipment and ship daily with tracking numbers.; "From the outset of her career, Georgia O Keeffe credited her introduction to modernism as deriving in part from a reproduction of a pastel by Arthur Dove she saw around 1913. By this time Dove was well established as the foremost modernist artist in America, yet O Keeffe herself would later become a source of renewal for his work. Renowned scholar Debra Bricker Balken here offers the first investigation into the interrelationship between these two great artists. She shows that while Dove s sensual evocations of landscape-his abstractions of nature s undulating rhythms and forms-offered inspiration for O Keeffe, the influence of O Keeffe s work on Dove was equally significant. After 1930, Dove turned to O Keeffe s early works for renewed aesthetic inspiration, mining, as he put it, her "burning watercolors."Beyond examining the impact of these mutual influences, this beautifully illustrated publication situates Dove and O Keeffe within the circle of Alfred Stieglitz, and brings them into a fuller context within the modernist scene of the 1920s and 1930s. What emerges is a fascinating look at the first pivotal moment of modernism in America."; 8.26 X 0.89 X 11.66 inches; 168 pages.
Editore: Yale University Press/Sterling and Francine Clark Art Institute, New Haven, CT and Williamstown, MA, 1997
ISBN 10: 0300071779ISBN 13: 9780300071771
Da: Saucony Book Shop, Kutztown, PA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Black cloth, lettered in gold foil. New/as issued, color illus. dust jacket now in mylar. 1st ptg. (complete number line). xiv,192 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.
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Editore: Sterling and Francine Clark Art Institute / Yale University Press, New Haven, CT & London, 2003
ISBN 10: 0300097913ISBN 13: 9780300097917
Da: gearbooks, The Bronx, NY, U.S.A.
Libro
Soft Cover. Condizione: Like New. David Edge (Graphic Design) (illustratore). 209 pp. Flawless book.
Editore: Sterling and Francine Clark Art Institute / Yale University Press, Williamstown, Massachusetts / New Haven and London, 2013
ISBN 10: 0300191936ISBN 13: 9780300191936
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Libro Prima edizione
Softcover. Condizione: Fine. First edition. Quarto. 148pp. Pictorial card covers. Fine.
Editore: Sterling and Francine Clark Art Institute, The Frick Art & Historical Center Yale University Press, Williamstown, MA, Pittsburgh, PA and New Haven, CT, 1999
ISBN 10: 0931102421ISBN 13: 9780931102424
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Libro Prima edizione
First edition. Softcover. 137 pages. Features a foreword by Michael Conforti and text by Alexandra R., Richard Rand, Brian T. Allen, James Ganz, and Alexis Goodin. Includes 87 illustrations with most in color, chronology, bibliography and index. A clean very near fine copy in wrappers and with laid in addenda sheet.
Editore: New Haven ; London : Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass.,, 2000
ISBN 10: 0300084463ISBN 13: 9780300084467
Da: David Strauss, FOLKINGHAM, Lincolnshire, Regno Unito
Libro
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Catalogue of an exhibition held at the National Gallery, London, 1 Nov. 2000 - 28 Jan. 2001, Van Gogh Museum, Amsterdam, 2 Mar. - 20 May 2001, and Sterling and Francine Clark Art Institute, Williamstown, Mass., 16 June- 9 Sept. 2001. 280 x 240 mm. 240 pp., illustrated throughout, mostly in colour. [ISBN-: 978-0300084467] Hardbound. A fine bright copy in like dustwrapper.
Editore: Sterling and Francine Clark Art Institute and Yale University Press, 2010
ISBN 10: 0931102863ISBN 13: 9780931102868
Da: ANARTIST, New York, NY, U.S.A.
Libro
Softcover, 354 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: Sterling and Francine Clark Art Institute | Distributed by Yale University Press, 2006
ISBN 10: 0300116195ISBN 13: 9780300116199
Da: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Libro
Hardcover. Condizione: f/f. Quarto. 369pp 149 in color, 64 quadratone and 1230 halftone illustrations. A fine copy in an equally nice dust jacket.
Editore: Sterling and Francine Clark Art Institute / Yale University Press, Williamstown, MA, 1962
Da: gearbooks, The Bronx, NY, U.S.A.
Libro
Soft Cover. Condizione: Very Good. September 1962. Page Numbers: N/A. Solidly bound copy with minimal external wear, crisp pages and clean text.
Editore: Yale University Press; Sterling and Francine Clark Art Institute, New Haven, CT and Williamstown, MA, 2006
ISBN 10: 0931102707ISBN 13: 9780931102707
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Libro Prima edizione
Paperback. Condizione: Fine. 1st. 226 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition at the California Palace of the Legion of Honor, Fine Arts Museums, San Francisco, October 14, 2006 to January 14, 2007 and at the Sterling and Francine Clark Art Institute, Williamstown, Mass., February 3 to April 29, 2007. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "The great French artist Claude Lorrain (1600-1682) - for whom drawing was an integral part of the artistic process - spent most of his career in Italy, where he documented the wide-ranging role the medium played throughout Claude's career. The book presents some of Claude's most remarkable drawings, representing all aspects of his style and subject matter - from informal outdoor sketches of trees, rivers, and ruins to formal presentation drawings and elaborate compositional designs for paintings, many of which have never before been reproduced in color. A detailed and scholarly essay places them within the social and cultural contexts of their time and includes comparative illustrations of paintings and etchings to situate them within the artist's oeuvre. A selection of works from the Liber Veritatis (Book of Truth), a portfolio of highly finished drawings that the artist created to document his own painted compositions, is also included. / Richard Rand is Senior Curator at the Sterling and Francine Clark Art Institute." - Publisher. CONTENTS: Between nature and culture: an introduction to Claude's drawings; The artist in the landscape; Drawing from nature; landscapes old and new; In the studio; Heroic landscapes. Size: 4to. Collectible.
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Editore: Williamstown, Mass. : Sterling & Francine Clark Art Institute; Barcelona: Museu Picasso; New Haven, Conn.: Distributed by Yale University Press,, 2010
ISBN 10: 0300134126ISBN 13: 9780300134124
Da: David Strauss, FOLKINGHAM, Lincolnshire, Regno Unito
Libro
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. This book is published on the occasion of the exhibition Picasso Looks at Degas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 13 June-12 September 2010, Museu Picasso, Barcelona, 14 October 2010-16 January 2011 --T.p. verso. With additional contributions by Cécile Godefroy, Sarah Lees, and Montse Torras., 290 x 240 mm. xiii, 354 pp., 319 illustrations, 310 in colour. [ISBN: 978-0300134124] Clothbound in dustwrapper. As NEW.
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Editore: Yale University Press and The Sterling and Francine Clark Art Institute, 2006
Da: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Germania
Libro
Hardcover-Großformat. Condizione: Gut. 226 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Originalschutzumschlag vorhanden.In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 1450.
Editore: Sterling and Francine Clark Art Institute / Dist. by Yale University Press, 2008
ISBN 10: 0931102766ISBN 13: 9780931102769
Da: Friends of Poughkeepsie Library, Poughkeepsie, NY, U.S.A.
Libro Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. Softcover. Light general wear to wraps, superficial markings. Edgewear. Chipping to joints. Front corner wear. Internally clean and unmarked. Soil to text block edges, liquid stain to fore edge text block. Due to weight and size of book, international orders cannot be accepted. Shelf 2f.
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Editore: Sterling and Francine Clark Art Institute and Yale University Press, 2011
ISBN 10: 0300175647ISBN 13: 9780300175646
Da: ANARTIST, New York, NY, U.S.A.
Libro
Hardcover with dustjacket in slipcase, 160 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: Williamstown, MA: Sterling And Francine Clark Art Institute, Distributed by Yale University Press, New Haven & London, [2011]., 2011
Da: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Prima edizione
4to. pp. 159, [1]. 78 colour illus (68 full-page). biblio. cloth. dw. Fine copy. First Edition. Published on the occasion of an exhibition.
Editore: Sterling and Francine Clark Art Institute, Williamstown, Massachusetts/ Yale University Press, New Haven, 2008
ISBN 10: 0300134061ISBN 13: 9780300134063
Da: Ethan Daniel Books, Toronto, ON, Canada
Libro
Hardcover. Condizione: Near Fine. "Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic- softness- Like Breath on Glass explores this painterly phenomenon through works by 15 important artists including Whistler, George Inness, John Singer Sargent, William Merritt Chase, Thomas Wilmer Dewing, John Henry Twachtman and Eduard Steichen. Over 45 full page colour plates with numerous smaller colour reproductions. Six essays and an appendix. Very faint wear to dust jacket. No marks, inscriptions or fading to inside pages. Binding is square and firm. xv + 267 pages.