Search preferences

Tipo di articolo

  • Tutti gli articoli
  • Libri (2)
  • Riviste e Giornali
  • Fumetti
  • Spartiti
  • Arte, Stampe e Poster
  • Fotografie
  • Mappe
  • Manoscritti e
    Collezionismo cartaceo

Condizioni

Legatura

Ulteriori caratteristiche

Paese del venditore

Valutazione venditore

  • Immagine del venditore per Robert Gober (MOCA, Los Angeles) venduto da Vincent Borrelli, Bookseller

    GOBER, Robert, SCHIMMEL, Paul (Editor), FOSTER, Hal

    Editore: The Museum of Contemporary Art, Los Angeles (MOCA) and Scalo Verlag, Los Angeles and Zürich (Zurich), 1997

    ISBN 10: 3931141721ISBN 13: 9783931141721

    Da: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.

    Valutazione venditore: 5 stelle, Learn more about seller ratings

    Contatta il venditore

    Libro Prima edizione

    EUR 9,35 Spese di spedizione

    In U.S.A.

    Quantità: 6

    Aggiungere al carrello

    Hardcover. Condizione: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Installations and sculpture by Robert Gober. Edited by Paul Schimmel. Essays by Hal Foster and Paul Schimmel. Includes a biography, bibliography and checklist of the exhibition. 104 pp. with 145 four-color plates. 11 x 11-3/4 inches. Published on the occasion of the 1996 exhibition Robert Gober at the Los Angeles Museum of Contemporary Art. New in publisher's shrink-wrap. From the publisher: "In 1993 Robert Gober was invited by the Los Angeles Museum of Contemporary Art to create a site-specific installation. For two years Gober worked exclusively on this project. The installation's central component is a life-size figure of the Virgin Mary. Standing in the middle of the installation on top of a sewer grate, she is pierced by a giant culvert pipe. In the back rushing water cascades down a staircase into another grate. To the left and the right of the Virgin Mary are two suitcases into which two other grates have been built offering viewers glimpses of a pristine subterranean tide pool and the enigmatic legs of a man holding a diapered baby. The installation is a disquieting reflection on Catholicism, gender, birth, and water's metaphorical ambiguity.".

  • Immagine del venditore per Jeff Wall (MOCA/Scalo) venduto da Vincent Borrelli, Bookseller

    WALL, Jeff, BROUGHER, Kerry

    Editore: The Museum of Contemporary Art, Los Angeles (MOCA) and Scalo Verlag, Los Angeles and Zürich (Zurich), 1997

    ISBN 10: 3931141497ISBN 13: 9783931141493

    Da: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.

    Valutazione venditore: 5 stelle, Learn more about seller ratings

    Contatta il venditore

    Libro Prima edizione

    EUR 9,35 Spese di spedizione

    In U.S.A.

    Quantità: 1

    Aggiungere al carrello

    Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition, first printing. Hardcover. Paper-covered boards, with photographically illustrated dust jacket. Photographs by Jeff Wall. Edited and with text by Kerry Brougher. Includes a biography, extensive bibliography and checklist of the exhibition. 164 pp., with 52 four-color and 48 black-and-white plates. 11-1/4 x 11-3/4 inches. Published on the occasion of the 1997 exhibition Jeff Wall at the Los Angeles Museum of Contemporary Art. Fine in Fine dust jacket. From the publisher: "First and foremost, Canadian artist Jeff Wall is a storyteller. His large-scale cibachromes, often staged with actors on elaborate, cinematic sets, show intricate, densely layered scenarios investigating the entangled realities of life and culture at the end of the century. His works invite the viewer to examine them in detail, to discern surreal and melodramatic plots, to loose himself in the perplexing vortex of carefully constructed details. Wall draws on the narrative strategies of 19th-century painting, advertising's art of seduction, cinema's dramatic use of props and gestures to tell his own unique, sometimes mysterious stories. this comprehensive monograph [also] contains a new series of black and white photographs. They herald a new development in Wall's work, an ironic and unsettling play with the conventions of documentary photography.".