Editore: University of California, Santa Barbara, CA, 1965
Da: Optical Insights, Murrieta, CA, U.S.A.
Prima edizione
Softcover. First Edition. NF; First; Soft cover; Square 8vo; 70 p.; No DJ.
Editore: University of California, Santa Barbara CA, 1970
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Prima edizione
Condizione: Very Good. Condizione sovraccoperta: None. 72 pages, illustrated in b&w and 3 color plates. Exhibition catalog in very good condition. Record # 900300.
Editore: Center for Portuguese Studies, University of California at Santa Barbara, Santa Barbara, CA, 1995
ISBN 10: 0942208285 ISBN 13: 9780942208283
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. ***FALL CLEARANCE SALE*** 500 pages; 23 cm.Publications of the Center for Portuguese Studies; 9. Texts in Portuguese, English, French, and Spanish. Near fine. Tight, clean text. Tail edge lightly soiled Size: 8vo.
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Usato - A partire da EUR 10,82
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Editore: The Art Gallery, University of California, santa barbara, CA, 1964
Prima edizione
Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Very good condition first edition gallery exhibition catalogue soft cover. Black and white plates, lightly rubbed. Dust jacket in very good condition , minor edgewear and crease on front flap.
Editore: The Regents, University of California, Santa Barbara, CA, 1968
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Prima edizione
Condizione: Very Good. Condizione sovraccoperta: None. Exhibition catalog with yellow and white covers; minor scratching and rubbing. Paper wrappers. 31 plates, 4 in color, of paintings from various artists. Short introduction on painting in the 50's and 60's. Listing of 31 works. Tight, clean copy. Record # 808386.
Editore: Art Galleries, University of California at Santa Barbara, Santa Barbara, CA, 1968
Da: Montana Book Company, Fond du Lac, WI, U.S.A.
Paperback. Condizione: Acceptable to Good. 86 pp. Tightly bound. Text is free of markings. No ownership markings.
Editore: University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Santa Barbara, CA, 1983
ISBN 10: 0942006038 ISBN 13: 9780942006032
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. 87 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held 2 March to 17 April 1983 at University Art Museum, Santa Barbara; 26 June to 7 August 1983 at Oklahoma Art Center, Oklahoma City; 21 August to 9 October 1983 at Elvehjem Museum of Art, University of Wisconsin, Madison; 5 November to 18 December 1983 at Colorado Spring Fine Arts Center, Colorado Springs. Firm binding, clean text. Previous owner's ink stamp/flyleaf, otherwise unmarked. Light shelfwear to wraps, age toning. Another copy available. Size: 4to.
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Usato - A partire da EUR 13,59
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Editore: National Council on Public History/University of California, Santa Barbara, Santa Barbara, CA, 2008
Da: The Green Arcade, San Francisco, CA, U.S.A.
Soft cover. Condizione: Very Good. In very good+ condition; points of light rubbing along edges of journal, heavier top and bottom of spine; one short, soft, arced crease lower left-hand corner front cover; otherwise, clean and bright, binding tight. 127 numbered pages. 9 x 6 in. Inv. EW0378. CONTENTS: Randolph Bergstrom, Editor's Corner: A Public History Double Bill; Bill Bryans, National Council on Public History Presidential Address: A Tale of Two Bills: Racism, Anti-Semitism, and the Sensibilities of a Public Historian; Tammy S. Gordon, Museums and Exhibitions: Heritage, Commerce, and Museal Display: Toward a New Typology of Historical Exhibition in the United States; William D. Moore, Heritage Tourism: "United We Commemorate": The Kentucky Pioneer Memorial Association, James Isenberg, and Early Twentieth-Century Heritage Tourism; Book Review; Exhibit and Museum Reviews.
Editore: University of California, Santa Barbara, Santa Barbara, CA, 1968
Da: RW Books, Strasburg, VA, U.S.A.
Soft cover. Condizione: Good Plus. Good plus condition with small chips on spine, corner folds on front & back covers, owner's name label inside. Content clean and unmarked, binding strong. 146 black & white photos, drawings of California architecture.
Editore: The Art Galleries University of California Santa Barbara, Santa Barbara CA, 1971
Da: Chequamegon Books, Washburn, WI, U.S.A.
Paperback. Condizione: Good. limited to 1000 copies. catalogue for an exhibition organized by David Godhard and Phyllis Pious. 100 pages. covers show smudges and spots of colored paint, former owner's name sticker on inside front cover. ; 8 1/2 x 9 1/2 ".
Editore: University Art Museum, University of California Santa Barbara; University of Was, Santa Barbara, CA, 1984
ISBN 10: 0942006070 ISBN 13: 9780942006070
Da: The Second Reader Bookshop, Buffalo, NY, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. First Edition; First Printing. First Edition, First Printing (No additional printings stated). Staplebound in illustrated wraps. Very Good with moderate wear to covers and no marks to text. Music; 4to 11" - 13" tall; 87 pages.
Editore: Graduate Program in Public Historical Studies, University of California, Santa Barbara, Santa Barbara, CA, 1994
ISBN 10: 1883535158 ISBN 13: 9781883535155
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. xiii, 145 pages, illustrations; 23 cm. PRESENTATION COPY. Signed by three of the authors (Douglas W. Dodd, Victor W. Geraci, and Fermina Brel Murray). A near-fine copy, age toning. Stated First Edition. CONTENTS: Connecting Santa Barbara to the world: Stearns Wharf's first thirty years; 1902-1941: the wharf gains a harbor; A turbulent era - the wharf: 1941-1968; Creative transformation: Stearns Wharf preserved. Size: 8vo.
Editore: University of California, Santa Barbara, Santa Barbara, CA, 1990
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Wraps. Condizione: Fine. 48 pages, illustrations; 22 cm. As issued. Includes 3 short essays on Barlach by Skrypzak, Naomi Jackson Groves and Peter Lackner. Size: 8vo.
Editore: Santa Barbara, CA: University of California at Berkeley, 1987, 1987
Da: Taos Books, Santa Fe, NM, U.S.A.
Copia autografata
Trade Paperback. Condizione: Very Good +. Signed By Artist Signed By Artist Lovingly inscribed, dated and SIGNED by STEPHEN THRALLS VESSELS, Art Editor. Signed By Artist.
Editore: Institute of Religious Studies, University of California, Santa Barbara, CA, 1973
Da: North Country Books, Milton, VT, U.S.A.
Paperback. Condizione: Good Plus. Stapled wrap, light wear, tightly bound; 20 page show red ink underlining, neatly ruled, otherwise a clean copy. 75 pages.
Editore: Art, Design & Architecture Museum, University of California Santa Barbara, Santa Barbara, CA, 2018
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. 1 volume, colour illustrations; 21 cm. Exhibition held at the Art, Design & Architecture Museum, University of California Santa Barbara, January 12 to April 29, 2018. Firm binding, clean inside copy. Light shelfwear to wraps. Size: 8vo.
Editore: University of California, Santa Barbara, CA, 1968
Da: Optical Insights, Murrieta, CA, U.S.A.
Prima edizione
Softcover. First Edition. Near Fine; Softcover; First; 4to; No DJ.
Editore: University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Santa Barbara, CA, 1981
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. 219 pages, illustrations (some colour); 26 cm. Exhibition held at the National Gallery of Art, Washington, D.C., October 18, 1981 to January. 3, 1982; University Art Museum, University of California, Santa Barbara: February 17 to March 28, 1982; Toledo Museum of Art, April 24 to June 13, 1982. Firm binding, clean inside copy. Light edgewear to wraps. Age toning. Another copy available. OVERSIZE! No priority/air, except by special arrangement. Size: 4to.
Editore: Santa Barbara Museum of Art; Distributed in association with University of Washington Press, Santa Barbara, CA, 1988
ISBN 10: 0899510728 ISBN 13: 9780899510729
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. 88 pages, illustrations (some colour); 23 x 28 cm. Edition of 3000 copies. Exhibition held June 25 to August 14, 1988. Firm binding, clean inside copy. Corner crease/back cover & last couple of leaves. Another copy available. Depression-era Regionalism in California. Size: Oblong.
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Usato - A partire da EUR 18,20
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Editore: Art Galleries, University of California, Santa Barbara, Santa Barbara, CA, 1973
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. 98 pages, illustrations (some colour); 26 cm. Edition of 1000 copies. Tight, clean copy. Droplet stain/back cover bleeds through last six pages. Size: 4to.
Editore: Art Galleries, University of California, Santa Barbara, Santa Barbara, CA, 1971
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. 100 pages, illustrations (some colour); 25 cm. Exhibition held October 5 to November 14, 1971, and at other museums through April 16, 1972. Firm binding, clean text. Previous owner's signature/flyleaf, otherwise unmarked. Another copy available. Size: 8vo.
Editore: National Council on Public History/University of California, Santa Barbara, Santa Barbara, CA, 2009
Da: The Green Arcade, San Francisco, CA, U.S.A.
Soft cover. Condizione: As New. As new. 103 pages. Approx. 9 x 6 in. CONTENTS: Nancy Raquel Mirabal, Geographies of Displacement: Latinas/os, Oral History, and the Politics of Gentrification in San Francisco Mission's District; Renee Romano, Moving Beyond "The Movement that Changed the World": Bringing the History of the Cold War into Civil Rights Museums; National Park Administrative History at Fort Stanwix National Monument, Joan M. Zenzen, Mike Caldwell; Chris Matthews, Is Archaeology Political? Transformative Praxis Within and Against the Boundaries of Archaeology. Inv. EW0345.
Editore: National Council on Public History/University of California, Santa Barbara, Santa Barbara, CA, 2009
Da: The Green Arcade, San Francisco, CA, U.S.A.
Soft cover. Condizione: Fine. In fine condition; slight rubbing top of spine; one faint scuff mark back cover; otherwise, as new. 156 pages. Approx. 9 x 6 in. CONTENTS: Public History in Canada. Inv. EW0344.
Editore: The Regents, University of California, Santa Barbara, CA, 1971
Da: Clausen Books, RMABA, Colorado Springs, CO, U.S.A.
Prima edizione
Wraps. Condizione: Very Good+. Limited Edition. Limited edition of 600 copies. Very clean and tight textblock with minimal edge wear and lightly sunned covers. 101p. Size: 4to - Over 9 ¾" -12" Tall. Paperback.
Editore: University of California, Santa Barbara, Santa Barbara, CA, 1981
Da: BookEnds Bookstore & Curiosities, Ojai, CA, U.S.A.
Soft cover. Condizione: Good. Good (-) condition Softcover includes B/w illustrations, 91 pages. The exception to the condition is rubbing and wear to the extremities.
Editore: University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Berkeley, CA, 1981
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. 111 pages, illustrations; 26 cm. Exhibition organized by the University Art Museum, Berkeley. Firm binding, clean inside copy. Age toning. Size: 4to. Collectible.
Editore: University of California Press, published in association with the Santa Barbara Museum of Art, Berkeley, CA, 2002
ISBN 10: 0520233484 ISBN 13: 9780520233485
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Fine. 1st. 285 pages, illustrations; 26 cm. Firm binding, clean inside copy. "When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with 'more stars than there are in heaven,' she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a major traveling retrospective of Louise's work organized by the Santa Barbara Museum of Art, is the first collection of her exquisite photographs. Containing over one hundred breathtaking images--reproduced from the original negatives--, it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars. Louise shot about one hundred thousand negatives that distilled the glamour, drama, and excitement of MGM's feature productions. Louise's original photographs were circulated to millions of moviegoers, magazine and newspaper readers, and fans. The movies and publicity machine that these photographs supported shaped the basic notions of stardom, glamour, and fashion in the 1920s and still affect our ideas today. Robert Dance and Bruce Robertson re-create the entire process--from the moment a performer sat in front of Louise's camera to the point at which a fan pasted a star's picture into a scrapbook. They provide insight into Louise's work habits in the studio and describe the personal dynamics between Louise and the actors she photographed. They include a condensed account of the methods of other photographers, a sharp analysis of fan culture in the period, and superb readings of Louise's photographs. With its combination of well-known and rare images, all magnificently reproduced, this book is a fitting tribute to one of the most gifted and underappreciated glamour photographers of Hollywood's golden period. / Robert Dance is a private art dealer in New York, specializing in Old Master paintings and drawings. Bruce Robertson is Professor of the History of Art and Architecture at the University of California, Santa Barbara, and most recently the principal author of Twentieth-Century American Art: The Ebsworth Collection (2000)." - Publisher. Glamour photography. Size: 4to. Collectible.
Editore: University Art Museum, University of California, Santa Barbara; University of Washington Press, Santa Barbara, CA, and Seattle, WA, 1996
ISBN 10: 0942006259 ISBN 13: 9780942006254
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Fine. 1st. 39 pages, illustrations (some colour); 22 cm. Catalogue of an exhibition at the University Art Museum, University of California, Santa Barbara, in 1995. Firm binding, clean inside copy. Size: 8vo. Collectible.
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Editore: University Art Museum, University of California Santa Barbara; University of Washington Press, Santa Barbara, CA, 1982
ISBN 10: 094200602X ISBN 13: 9780942006025
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Fair. 1st. 114 pages, illustrations; 26 cm. Edition of 600 copies. An exhibition organized for the University Art Museum, University of California, Santa Barbara, 3 November through 12 December 1982. Withdrawn from library collection, with usual markings. Spine chipped at the crown. No writing in text. Size: Oblong.
Editore: Santa Barbara Museum of Art; Yale University Press, Santa Barbara, CA, and New Haven, CT, 2013
ISBN 10: 0300199449 ISBN 13: 9780300199444
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. 1st. Pictorial boards, 165 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. A fine copy. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "This groundbreaking publication centers on a previously unknown variation of Eugene Delacroix's (1798-1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius, published here for the first time. This book offers a compelling reassessment of the relationship of the artist, widely consider a primary exemplar of Romanticism, to Neoclassical themes, as demonstrated by his life-long fascination with the death of Marcus Aurelius. Through this investigation, the authors reinterpret Delacroix's lineage to such fellow artists as Jean-Auguste Dominique Ingres (1780-1867) and Jacques-Louis David (1748-1825). Playing on the various interpretations of the word 'finish,' the book also offers a fascinating account of Delacroix's famously troubled collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations." - Publisher. Size: 4to. Collectible.