Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: BookHolders, Towson, MD, U.S.A.
Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Repirnt ] Publisher: ý Oxford University Press Pub Date: 4/25/1996 Binding: paperback Pages: 394 Repirnt edition.
Editore: Oxford University Press, Incorporated, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. 1 Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.35.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Editore: Oxford University Press, c.1995,, 1995
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Harry Alter, Sylva, NC, U.S.A.
paperback, Condizione: Good, Oxford University Press, NY, c.1995, 1st.trade paperbk.prtg., 394pp., 1st.72pp. heavily inked, ow VG $.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: HPB-Emerald, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Editore: Oxford Univ Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.
Trade Paperback. Condizione: Fine. clean, unmarked copy.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Membro dell'associazione: IOBA
Paperback. Condizione: Very Good+. Very good+ paperback copy, from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy; text also very good. Interior appears free of markings. Shelfwear is very minor. A tight, clean copy. Due to the size/weight of this book extra charges may apply for international shipping.Ships from Dinkytown in Minneapolis, Minnesota.
Editore: Oxford University Press 25 J, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: AwesomeBooks, Wallingford, Regno Unito
Paperback. Condizione: Very Good. Facing Facts: Realism in American Thought and Culture, 1850-1920 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Editore: Oxford University Press 99/l /25 J, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Bahamut Media, Reading, Regno Unito
Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Editore: New York/Oxford: Oxford Univ. Pr. 1996., 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: de Wit Books, HUTCHINSON, KS, U.S.A.
Fine, unmarked 6" x 9" paperback. 394 pp. /cc/.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Big Bill's Books, Wimberley, TX, U.S.A.
Paperback. Condizione: new. Brand New Copy.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: GoldenDragon, Houston, TX, U.S.A.
Paperback. Condizione: new. Buy for Great customer experience.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Paperback. Condizione: new. New. Fast Shipping and good customer service.
Editore: OXFORD UNIVERSITY PRESS, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Front Cover Books, Denver, CO, U.S.A.
Condizione: new.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Wizard Books, Long Beach, CA, U.S.A.
Paperback. Condizione: new. New.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Books Unplugged, Amherst, NY, U.S.A.
Condizione: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.37.
Editore: Oxford University Press, USA, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: GoldBooks, Denver, CO, U.S.A.
Paperback. Condizione: new. New Copy. Customer Service Guaranteed.
Editore: Oxford University Press, USA, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Condizione: New. Book is in NEW condition. 1.37.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Ria Christie Collections, Uxbridge, Regno Unito
Condizione: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Editore: Oxford University Press 1996-05, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Chiron Media, Wallingford, Regno Unito
PF. Condizione: New.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
Condizione: New.
Editore: Oxford University Press, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Irish Booksellers, Portland, ME, U.S.A.
Condizione: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Editore: Oxford University Press, Oxford, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: Grand Eagle Retail, Wilmington, DE, U.S.A.
Paperback. Condizione: new. Paperback. "A true poem," Walt Whitman proclaimed in 1852, "is the daily newspaper"--and American culture was never the same again. Like a blast of cold air in a stuffy drawing room, Whitman's campaign to give artistic representation to gritty reality shocked the genteel artistic elite of the 1850s; but the brassy poet's efforts helped generate a revolution in American life and thought. Four decades later, Willa Cather could declare that the "public demands realism, and theywill have it." In Facing Facts, David Shi provides the most comprehensive history to date of the rise of realism in American culture. He vividly captures the character and sweep of thisall-encompassing movement--ranging from Winslow Homer to the rise of the Ash Can school, from Whitman to Henry James to Theodore Dreiser. He begins with a look at the idealist atmosphere of the antebellum years, when otherwordly themes were considered the only fit subject for art (Hawthorne wrote that "the grosser life is a dream, and the spiritual life is a reality"). Whitman's assault on these standards coincided with sweeping changes in American society: the bloody Civil War, the aggressiveadvance of a modern scientific spirit, the popularity of photography, the expansion of cities, capitalism, and the middle class--all worked to shake the foundations of genteel idealism and sentimentalromanticism. Both artists and the public developed an ever-expanding appetite for hard facts, and for art that accurately depicted them. As Shi proceeds through the nineteenth century, he traces the realist revolution in each major area of arts and letters, combining an astute analysis of the movement's essential themes with incisive portraits of its leading practitioners. Here we see Oliver Wendell Holmes, Jr., shaken to stern realism by the horrors of the Civil War; the influence of WaltWhitman on painter Thomas Eakins and architect Louis Sullivan, a leader of the Chicago school; the local-color verisimilitude of Louisa May Alcott and Sarah Orne Jewett; and the impact of urban squaloron intrepid young writers such as Stephen Crane. In the process of surveying nineteenth-century cultural history, Shi provides fascinating insights into the specific concerns of the realist movement--in particular, the nation's growing obsession with gender roles. Realism, he writes, was in many respects an effort to revive masculine virtues in the face of declining virility. During the twentieth century, a new modernist sensibility challenged the now-orthodox tenets of realism: "Isit not time," one critic asked, "that we renounce the heresy that it is the function of art to record a fact?" Shi examines why so many Americans answered yes to this question, under influencesranging from psychoanalysis to the First World War. Nuanced, detailed, and comprehensive, Facing Facts provides the definitive account of the realist phenomenon, revealing why it played so great a role in American cultural history, and why it retains its perennial fascination. In Facing Facts, David Shi provides the most comprehensive history to date of the rise of realism in American culture. He vividly captures the character and sweep of this all-encompassing movement - ranging from Winslow Homer to the rise of the Ash Can school, from Whitman and Henry James to Theodore Dreiser. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Editore: Oxford University Press, Oxford, 1996
ISBN 10: 0195106539 ISBN 13: 9780195106534
Da: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condizione: new. Paperback. "A true poem," Walt Whitman proclaimed in 1852, "is the daily newspaper"--and American culture was never the same again. Like a blast of cold air in a stuffy drawing room, Whitman's campaign to give artistic representation to gritty reality shocked the genteel artistic elite of the 1850s; but the brassy poet's efforts helped generate a revolution in American life and thought. Four decades later, Willa Cather could declare that the "public demands realism, and theywill have it." In Facing Facts, David Shi provides the most comprehensive history to date of the rise of realism in American culture. He vividly captures the character and sweep of thisall-encompassing movement--ranging from Winslow Homer to the rise of the Ash Can school, from Whitman to Henry James to Theodore Dreiser. He begins with a look at the idealist atmosphere of the antebellum years, when otherwordly themes were considered the only fit subject for art (Hawthorne wrote that "the grosser life is a dream, and the spiritual life is a reality"). Whitman's assault on these standards coincided with sweeping changes in American society: the bloody Civil War, the aggressiveadvance of a modern scientific spirit, the popularity of photography, the expansion of cities, capitalism, and the middle class--all worked to shake the foundations of genteel idealism and sentimentalromanticism. Both artists and the public developed an ever-expanding appetite for hard facts, and for art that accurately depicted them. As Shi proceeds through the nineteenth century, he traces the realist revolution in each major area of arts and letters, combining an astute analysis of the movement's essential themes with incisive portraits of its leading practitioners. Here we see Oliver Wendell Holmes, Jr., shaken to stern realism by the horrors of the Civil War; the influence of WaltWhitman on painter Thomas Eakins and architect Louis Sullivan, a leader of the Chicago school; the local-color verisimilitude of Louisa May Alcott and Sarah Orne Jewett; and the impact of urban squaloron intrepid young writers such as Stephen Crane. In the process of surveying nineteenth-century cultural history, Shi provides fascinating insights into the specific concerns of the realist movement--in particular, the nation's growing obsession with gender roles. Realism, he writes, was in many respects an effort to revive masculine virtues in the face of declining virility. During the twentieth century, a new modernist sensibility challenged the now-orthodox tenets of realism: "Isit not time," one critic asked, "that we renounce the heresy that it is the function of art to record a fact?" Shi examines why so many Americans answered yes to this question, under influencesranging from psychoanalysis to the First World War. Nuanced, detailed, and comprehensive, Facing Facts provides the definitive account of the realist phenomenon, revealing why it played so great a role in American cultural history, and why it retains its perennial fascination. In Facing Facts, David Shi provides the most comprehensive history to date of the rise of realism in American culture. He vividly captures the character and sweep of this all-encompassing movement - ranging from Winslow Homer to the rise of the Ash Can school, from Whitman and Henry James to Theodore Dreiser. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.