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Editore: Oxford University Press, USA, 1961
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.75.
Editore: Oxford at the Clarendon press, 1998
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: Moe's Books, Berkeley, CA, U.S.A.
Libro
hardcover. Condizione: very good. Condizione sovraccoperta: very good.
Editore: Oxford University Press, 1961
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: Pieuler Store, Suffolk, Regno Unito
Libro
Condizione: good. 100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD.
Editore: Oxford : Clarendon Press, 1998
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: MW Books Ltd., Galway, Irlanda
Libro
2nd edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 461 p; ill. ; 24 cm. Notes: includes bibliography and index. Contents: INTRODUCTION. A SURVEY OF STUDIES IN BYZANTINE MUSIC AND HYMNOGRAPHY -- I. BYZANTINE MUSIC -- II. EARLY WORK ON BYZANTINE MUSIC AND HYMNOGRAPHY -- III. J.-B. PITRA AND W. CHRIST -- IV. LATER STUDIES IN BYZANTINE HYMNOGRAPHY -- V. LATER STUDIES IN BYZANTINE MUSIC -- VI. THE DECIPHERING OF THE MUSIC -- VII. THE PRESENT STATE OF STUDIES IN BYZANTINE CHANT -- I. THE ORIGINS OF BYZANTINE MUSIC -- I. THE ORIENTAL HYPOTHESIS -- II. THE COMPOSITE CHARACTER OF BYZANTINE CIVILIZATION -- III. THE VOCAL CHARACTER OF BYZANTINE MUSIC -- IV. THE LEGACY OF THE SYNAGOGUE -- V. CONCLUSION -- II. THE SURVIVAL OF GREEK MUSICAL THEORY -- I. THE PRINCIPLES OF GREEK MUSICAL THEORY -- II. THE DOCTRINE OF 'ETHOS' IN GREEK MUSICAL THEORY -- III. NEOPLATONIC INFLUENCES ON MUSICAL THEORY -- IV. THE BYZANTINE CONCEPTION OF MUSIC -- V. MUSIC IN TREATISES OF GREEK GNOSTICS AND ALCHEMISTS -- III. THE PAGAN BACKGROUND -- I. ABSENCE OF MUSICAL DOCUMENTS -- II. THE ATTITUDE OF THE CHURCH TO MUSIC IN PUBLIC LIFE -- III. ECCLESIASTICAL EDICTS AGAINST PAGAN MUSIC -- IV. THE THEATRE -- V. THE PANTOMIME -- VI. PAGAN FEASTS -- VII. INSTRUMENTAL MUSIC -- VIII. MUSICA PERNICIOSA AND THE CHRISTIAN IDEAL -- IV. MUSIC IN CEREMONIES -- I. ORIGIN AND DEVELOPMENT OF THE ACCLAMATIONS -- II. THE PERFORMANCE OF MUSIC IN THE CEREMONIES -- III. THE ORGAN -- IV. USE OF THE ACCLAMATIONS -- V. FUNCTION OF THE ACCLAMATIONS -- VI. THE MUSIC OF THE ACCLAMATIONS -- V. BYZANTINE LITURGY -- I. THE LITURGIES OF ST. BASIL AND OF ST. CHRYSOSTOM AND THE LITURGY OF THE PRESANCTIFIED -- II. THE COMMUNITY AND THE SERVICE -- III. THE OFFICE -- IV. THE LITURGICAL BOOKS -- VI. EARLY CHRISTIAN HYMNS -- I. THE PAGAN AND JEWISH BACKGROUND -- II. SYNESIUS -- III. THE CHRISTIAN HYMN WITH MUSIC -- VII. ORTHODOX THEOLOGY AND BYZANTINE HYMNOGRAPHY -- I. THE CHARACTER OF BYZANTINE HYMNS -- II. THE ORTHODOX CHURCH -- VIII. THE POETICAL FORMS: (I) TROPARION AND KONTAKION -- I. TROPARION -- II. KONTAKION -- IX. THE POETICAL FORMS: (II) KANON -- I. ORIGIN AND DEVELOPMENT -- II. THE STRUCTURE OF THE KANON -- III. THE LATER DEVELOPMENT OF HYMN-WRITING -- IV. MINOR BYZANTINE HYMNOGRAPHY -- X. BYZANTINE MUSICAL NOTATION I -- I. THE TWO SYSTEMS: ECPHONETIC SIGNS AND NEUMES -- II. ECPHONETIC NOTATION -- XI. BYZANTINE MUSICAL NOTATION II: THE NEUMES -- I. THE THREE PHASES OF NEUMATIC NOTATION -- II. EARLY BYZANTINE NOTATION -- III. THE SYSTEM OF MIDDLE AND LATE BYZANTINE NEUMATIC NOTATION -- IV. THE INTERVAL SIGNS -- V. THE 'GREAT HYPOSTASES' -- VI. THE MODES -- VII. THE INTONATION FORMULAE -- VIII. THE MODULATION SIGNS -- XII. THE TRANSCRIPTION OF BYZANTINE MELODIES -- XIII. THE STRUCTURE OF BYZANTINE MELODIES -- I. HIRMI AND STICHERA -- II. MELISMATIC CHANT -- III. PSALMODY -- XIV. WORDS AND MUSIC -- EXCURSES -- APPENDIX I. HYMNS FROM THE HIRMOLOGION -- APPENDIX II. HYMNS FROM THE STICHERARION -- APPENDIX III. MELISMATIC CHANT -- APPENDIX IV. TABLE OF INTONATION FORMULAE AND INCIPITS OF APPENDED STICHERA -- APPENDIX V. TABLES OF FORMULAE OF HIRMI IN THE FIRST MODE. Subject: Bla-brang-skal-bzang; Orthodox Eastern Church Liturgy History; Music, Byzantine; Music, Greek and Roman; Hymns, Greek; Church music Orthodox Eastern Church; Music history - Medieval; Hymnology. 1 Kg.
Editore: Oxford University Press, Clarendon, 1971
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: footnotes, Winnipeg, MB, Canada
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 2nd Edition. xiii, 461 pp, VII plates, 1961 second edition, revised and enlarged, 1971 reprint, previous owner's stamp in English and Ukrainian. light coffee stain on top.
Editore: Oxford : Clarendon Press, 1998
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: MW Books, New York, NY, U.S.A.
Libro
2nd edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 461 p; ill. ; 24 cm. Notes: includes bibliography and index. Contents: INTRODUCTION. A SURVEY OF STUDIES IN BYZANTINE MUSIC AND HYMNOGRAPHY -- I. BYZANTINE MUSIC -- II. EARLY WORK ON BYZANTINE MUSIC AND HYMNOGRAPHY -- III. J.-B. PITRA AND W. CHRIST -- IV. LATER STUDIES IN BYZANTINE HYMNOGRAPHY -- V. LATER STUDIES IN BYZANTINE MUSIC -- VI. THE DECIPHERING OF THE MUSIC -- VII. THE PRESENT STATE OF STUDIES IN BYZANTINE CHANT -- I. THE ORIGINS OF BYZANTINE MUSIC -- I. THE ORIENTAL HYPOTHESIS -- II. THE COMPOSITE CHARACTER OF BYZANTINE CIVILIZATION -- III. THE VOCAL CHARACTER OF BYZANTINE MUSIC -- IV. THE LEGACY OF THE SYNAGOGUE -- V. CONCLUSION -- II. THE SURVIVAL OF GREEK MUSICAL THEORY -- I. THE PRINCIPLES OF GREEK MUSICAL THEORY -- II. THE DOCTRINE OF 'ETHOS' IN GREEK MUSICAL THEORY -- III. NEOPLATONIC INFLUENCES ON MUSICAL THEORY -- IV. THE BYZANTINE CONCEPTION OF MUSIC -- V. MUSIC IN TREATISES OF GREEK GNOSTICS AND ALCHEMISTS -- III. THE PAGAN BACKGROUND -- I. ABSENCE OF MUSICAL DOCUMENTS -- II. THE ATTITUDE OF THE CHURCH TO MUSIC IN PUBLIC LIFE -- III. ECCLESIASTICAL EDICTS AGAINST PAGAN MUSIC -- IV. THE THEATRE -- V. THE PANTOMIME -- VI. PAGAN FEASTS -- VII. INSTRUMENTAL MUSIC -- VIII. MUSICA PERNICIOSA AND THE CHRISTIAN IDEAL -- IV. MUSIC IN CEREMONIES -- I. ORIGIN AND DEVELOPMENT OF THE ACCLAMATIONS -- II. THE PERFORMANCE OF MUSIC IN THE CEREMONIES -- III. THE ORGAN -- IV. USE OF THE ACCLAMATIONS -- V. FUNCTION OF THE ACCLAMATIONS -- VI. THE MUSIC OF THE ACCLAMATIONS -- V. BYZANTINE LITURGY -- I. THE LITURGIES OF ST. BASIL AND OF ST. CHRYSOSTOM AND THE LITURGY OF THE PRESANCTIFIED -- II. THE COMMUNITY AND THE SERVICE -- III. THE OFFICE -- IV. THE LITURGICAL BOOKS -- VI. EARLY CHRISTIAN HYMNS -- I. THE PAGAN AND JEWISH BACKGROUND -- II. SYNESIUS -- III. THE CHRISTIAN HYMN WITH MUSIC -- VII. ORTHODOX THEOLOGY AND BYZANTINE HYMNOGRAPHY -- I. THE CHARACTER OF BYZANTINE HYMNS -- II. THE ORTHODOX CHURCH -- VIII. THE POETICAL FORMS: (I) TROPARION AND KONTAKION -- I. TROPARION -- II. KONTAKION -- IX. THE POETICAL FORMS: (II) KANON -- I. ORIGIN AND DEVELOPMENT -- II. THE STRUCTURE OF THE KANON -- III. THE LATER DEVELOPMENT OF HYMN-WRITING -- IV. MINOR BYZANTINE HYMNOGRAPHY -- X. BYZANTINE MUSICAL NOTATION I -- I. THE TWO SYSTEMS: ECPHONETIC SIGNS AND NEUMES -- II. ECPHONETIC NOTATION -- XI. BYZANTINE MUSICAL NOTATION II: THE NEUMES -- I. THE THREE PHASES OF NEUMATIC NOTATION -- II. EARLY BYZANTINE NOTATION -- III. THE SYSTEM OF MIDDLE AND LATE BYZANTINE NEUMATIC NOTATION -- IV. THE INTERVAL SIGNS -- V. THE 'GREAT HYPOSTASES' -- VI. THE MODES -- VII. THE INTONATION FORMULAE -- VIII. THE MODULATION SIGNS -- XII. THE TRANSCRIPTION OF BYZANTINE MELODIES -- XIII. THE STRUCTURE OF BYZANTINE MELODIES -- I. HIRMI AND STICHERA -- II. MELISMATIC CHANT -- III. PSALMODY -- XIV. WORDS AND MUSIC -- EXCURSES -- APPENDIX I. HYMNS FROM THE HIRMOLOGION -- APPENDIX II. HYMNS FROM THE STICHERARION -- APPENDIX III. MELISMATIC CHANT -- APPENDIX IV. TABLE OF INTONATION FORMULAE AND INCIPITS OF APPENDED STICHERA -- APPENDIX V. TABLES OF FORMULAE OF HIRMI IN THE FIRST MODE. Subject: Bla-brang-skal-bzang; Orthodox Eastern Church Liturgy History; Music, Byzantine; Music, Greek and Roman; Hymns, Greek; Church music Orthodox Eastern Church; Music history - Medieval; Hymnology. 1 Kg.
Editore: Oxford University Press, 1961
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Libro
Condizione: New. New. In shrink wrap. Looks like an interesting title! 1.6.
Editore: Oxford University Press, 1961
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within.
Editore: Oxford University Press, 1961
ISBN 10: 0198161115ISBN 13: 9780198161110
Da: Save With Sam, North Miami, FL, U.S.A.
Libro
Hardcover. Condizione: New. Brand New!.