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Editore: University Of Chicago Press, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: The Dawn Treader Book Shop, Ann Arbor, MI, U.S.A.
Libro
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Book and jacket in Near Fine condition. Very light shelf wear. Very light spotting to the top of the text block. Pages clean, bright and unmarked. Jacket wrapped in a clear mylar sleeve. Pictures sent on request.
Editore: University of Chicago Press April 1993, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: 2nd Act Books, Charlottesville, VA, U.S.A.
Libro
Hardcover. Condizione: Used - very good.
Editore: The University of Chicago Press, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: Klondyke, Almere, Paesi Bassi
Libro
Condizione: Good.
Editore: University of Chicago Press, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: Books of the Smoky Mountains, Del Rio, TN, U.S.A.
Libro
Condizione: very good. Gently used book with ongoing seller support until you're fully satisfied with your purchase.
Editore: The University of Chicago Press, Chicago and London, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Libro
Hardcover. Condizione: VG/VG. Hardcover. Color pictorial wraps, 543 pp., 1 tipped-in color illustratiom, 223 BW illus. The self-portrait has become a model of what art is: the artwork is the image of its maker, and understanding the work means recovering from it an original vision of the artist. In this ground-breaking work, Joseph Leo Koerner analyzes the historical origin of this model in the art of Albrecht Durer and Hans Baldung Grien, the first modern self-portraitist and his principal disciple. By doing so, he develops new approaches to the visual image and to its history in early modern European culture. Koerner establishes the character of German Renaissance art by considering how Durer's and Baldung's pictures register changes in the status of the self during the sixteenth century. He contends that Durer's self-portrait of 1500, modeled after icons of Christ, reinvented art for new conditions of piety, labor, patronage, and self-understanding at the eve of the Reformation. So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality. Koerner writes a new, philosophical art history in which the visual image is both document of history and living vehicle of thought. He demonstrates the extent to which novel ideas about self and interpretation invented by Renaissance artists and Reformation thinkers informed modern hermeneutics and helped to found our deepest assumptions about art and its messages. Contents as follows: 1. Prosopopoeia. 2. Self and Epoch. 3. Organa of History -- pt. 1. The Project of Self-Portraiture: Albrecht Durer. 4. The Artist as Christ. 5. Not Made by Human Hands. 6. Figures of Omnivoyance. 7. The Divine Hand. 8. The Hairy, Bearded Painter. 9. Representative Man. 10. The Law of Authorship. 11. Bas-de-Page -- pt. 2. The Mortification of the Image: Hans Baldung Grien. 12. Durer Disfigured. 13. Death and Experience. 14. Death as Hermeneutic. 15. The Crisis of Interpretation. 16. Homo Interpres in Bivio: Cranach and Luther. 17. The Death of the Artist.
Editore: University of Chicago Press, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within.
Editore: University of Chicago Press, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: Wizard Books, Long Beach, CA, U.S.A.
Libro
Hardcover. Condizione: new. New.
Editore: University of Chicago Press, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Libro
Hardcover. Condizione: new. New. Fast Shipping and good customer service.
Editore: University of Chicago Press, 1993
ISBN 10: 0226449971ISBN 13: 9780226449975
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.