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Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: PBShop.store US, Wood Dale, IL, U.S.A.
Libro
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: New.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Libro
Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
Libro
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: Columbia University Press 2014-12-30, New York, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: Blackwell's, London, Regno Unito
Libro
hardback. Condizione: New. Language: ENG.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: Ria Christie Collections, Uxbridge, Regno Unito
Libro
Condizione: New. In.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: booksXpress, Bayonne, NJ, U.S.A.
Libro
Hardcover. Condizione: new.
Editore: Columbia Univ Pr, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: Revaluation Books, Exeter, Regno Unito
Libro
Hardcover. Condizione: Brand New. 278 pages. 9.75x6.25x0.75 inches. In Stock.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: Kennys Bookstore, Olney, MD, U.S.A.
Libro
Condizione: New. Series: Film and Culture Series. Num Pages: 296 pages, B&W Illus.: 26, BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 18. Weight in Grams: 454. . 2014. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Libro
Condizione: New. Series: Film and Culture Series. Num Pages: 296 pages, B&W Illus.: 26, BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 18. Weight in Grams: 454. . 2014. Illustrated. Hardcover. . . . .
Editore: Columbia University Press, New York, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: CitiRetail, Stevenage, Regno Unito
Libro
Hardcover. Condizione: new. Hardcover. Maya Deren (19171961) was a Ukrainian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films.Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative, and provocative imagery. This book assesses the filmmaker's completed work alongside her incomplete projects, arguing that Deren's overarching aesthetic is founded on principles of contingency and openness, which give her work singular depth but also complicate its making. Combining documentary, experimental, and creative approaches to filmmaking, Deren created a wholly original experience for film audiences, and this critical retrospective illuminates these productive tensions, which continue to energize film. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Editore: Columbia University Press, New York, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: AussieBookSeller, Truganina, VIC, Australia
Libro
Hardcover. Condizione: new. Hardcover. Maya Deren (19171961) was a Ukrainian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films.Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative, and provocative imagery. This book assesses the filmmaker's completed work alongside her incomplete projects, arguing that Deren's overarching aesthetic is founded on principles of contingency and openness, which give her work singular depth but also complicate its making. Combining documentary, experimental, and creative approaches to filmmaking, Deren created a wholly original experience for film audiences, and this critical retrospective illuminates these productive tensions, which continue to energize film. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Editore: Columbia University Press, 2014
ISBN 10: 0231162200ISBN 13: 9780231162203
Da: Iridium_Books, DH, SE, Spagna
Libro
Hardcover. Condizione: Good. 0231162200.