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Editore: MIT Press, 2010
ISBN 10: 0262014238ISBN 13: 9780262014236
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.37.
Editore: The MIT Press, Cambridge, 2010
ISBN 10: 0262014238ISBN 13: 9780262014236
Da: THE PRINTED GARDEN, ABA, MPIBA, SANDY, UT, U.S.A.
Libro Prima edizione
Hard Cover. Condizione: NF. Condizione sovraccoperta: VG+. First Edition, First Printing. Octavo. Black boards and spine with shiny silver foil lettering on the spine. Book has very faint bumping at the head and tail of the spine. Black endpapers. Binding is straight and tight. Pages are all clean, white, and crisp. 198 pages. Photographs and artwork throughout. Dust Jacket - has just a trace of rubbing at the very tips of the four outside corners. Jacklet would be NF if it didn't have a small watermark around the area of the inside of the dust jacket that would be around the tail of the spine - about 3/4" deep. Nothing on the book itself - and not visible from the exterior. Couple flaws, but book has a very nice overall appearance.
Editore: MIT Press, 2010
ISBN 10: 0262014238ISBN 13: 9780262014236
Da: bookseller e.g.Wolfgang Risch, New York, NY, U.S.A.
Libro
Hardcover. Condizione: New. Condizione sovraccoperta: New. New.
Editore: The MIT Press, 2010
ISBN 10: 0262014238ISBN 13: 9780262014236
Da: GfB, the Colchester Bookshop, Colchester, Regno Unito
Libro
Hardcover. Condizione: Fair. Condizione sovraccoperta: Fair. The MIT Press, 2010. Hardback, d/j, 8vo, [v],198pp, illust. Slightly bumped and marked. A fair copy. 9780262014236/0.7us.
Editore: The MIT Press, 2023
ISBN 10: 0262014238ISBN 13: 9780262014236
Da: Ergodebooks, Houston, TX, U.S.A.
Libro
Hardcover. Condizione: Good. Illustrated. An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde.In the 1970s and 1980s, a group of unofficial artists in Moscowartists not recognized by the state, not covered by state-controlled media, and cut off from wider audiencescreated artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde.The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the groupincluding Ilya Kabakov, Lev Rubinstein, and Ivan Chuikovbecame known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.
Editore: The MIT Press, Cambridge MA 2010, 2010
ISBN 10: 0262014238ISBN 13: 9780262014236
Da: THE CROSS Art + Books, Sydney, NSW, Australia
Libro
24.0 x 17.5cms, 198pp, b/w illusts, very good+ hardback & dustwrapper These 'unofficial artists' created works that documented the experience of Soviet socialism in the 1970s & '80s, capturing the shabby austerity of their everyday lives and Soviet culture's utopian energy. The chapters engage with: Moscow roamntic conceptualism; privatizations/psychologizations; Sots-Art; communist conceptual art: Ilya Kabakov; Boris Mikhailov; Andrei Monastyrski; medical hermeneutics; Grisha Bruskin; Alexander Kosolapov.
Editore: The MIT Press, 2023
ISBN 10: 0262014238ISBN 13: 9780262014236
Da: Ergodebooks, Houston, TX, U.S.A.
Libro
Hardcover. Condizione: new. An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde.In the 1970s and 1980s, a group of unofficial artists in Moscowartists not recognized by the state, not covered by state-controlled media, and cut off from wider audiencescreated artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde.The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the groupincluding Ilya Kabakov, Lev Rubinstein, and Ivan Chuikovbecame known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.
Editore: The MIT Press, 2010
ISBN 10: 0262014238ISBN 13: 9780262014236
Da: Iridium_Books, DH, SE, Spagna
Libro
Hardcover. Condizione: Good. 0262014238.