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Editore: University of North Carolina Press, 2000
ISBN 10: 0807825581ISBN 13: 9780807825587
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.25.
Editore: The University of North Carolina Press, 2000
ISBN 10: 0807825581ISBN 13: 9780807825587
Da: Reader's Corner, Inc., Raleigh, NC, U.S.A.
Libro
Hardcover. Condizione: New. Condizione sovraccoperta: No DJ. First Edition, First Printing. This is a new hardcover first edition, first printing copy, no DJ, black spine.
Editore: The University of North Carolina Press, 2000
ISBN 10: 0807825581ISBN 13: 9780807825587
Da: Irish Booksellers, Portland, ME, U.S.A.
Libro
Condizione: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Editore: Chapel Hill, North Carolina, U.S.A.: Univ of North Carolina Pr, 2000
ISBN 10: 0807825581ISBN 13: 9780807825587
Libro Prima edizione
Hardcover. Condizione: Very Good. No Jacket. 1st Edition. "When Walt Whitman published "Leaves of Grass" in 1855, he dreamed of inspiring "a race of singers" who would celebrate the working class and realize the promise of American democracy. By examining how singers such as Woody Guthrie, Bob Dylan, and Bruce Springstein both embraced and reconfigured Whitman's vision, Bryan Garman shows that Whitman succeeded. In doing so, Garman celebrates the triumphs yet also exposes the limitations of Whitman's legacy. While Whitman's verse propounded notions of sexual freedom and renounced the competitiveness of capitalism, it also safeguarded the interests of the white workingman, often at the expense of women and people of colour. Garman describes how each of Whitman's successors adopted the mantle of the working-class hero while adapting the role to his own generation's concerns: Guthrie condemned racism in the 1930s, Dylan addressed race and war in the 1960s and Springstein explored sexism, racism and homophobia in the 1980s and 1990s. But as Garman points out, even the Boss, like his forebears, tends to represent solidarity in terms of white male bonding and homosocial allegiance. We can hear America singing in the voices of these artists, Garman says, but it is still the song of a white, male America. " (Publisher).
Editore: The University of North Carolina Press, 2000
ISBN 10: 0807825581ISBN 13: 9780807825587
Da: dsmbooks, Liverpool, Regno Unito
Libro
Hardcover. Condizione: New. New. book.