Tipo di articolo
Condizioni
Legatura
Ulteriori caratteristiche
Paese del venditore
Valutazione venditore
Editore: University Alabama Press, 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: FITZ BOOKS AND WAFFLES, Buffalo, NY, U.S.A.
Libro
Soft cover. Condizione: Very Good. 2nd Edition. minimal wear no marks or blemishes no writing or underlining.
Editore: University Alabama Press October 2005, 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: A Cappella Books, Inc., Atlanta, GA, U.S.A.
Libro
Trade Paperback. Condizione: Very Good.
Editore: Univ of Alabama Pr, Tuscaloosa, (2005), 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: Heartwood Books, A.B.A.A., Charlottesville, VA, U.S.A.
Libro
Trade Paperback. Condizione: Very Good. Very Good, internally clean, solid paperback copy. #.
Editore: University of Chicago press, 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: INDOO, Avenel, NJ, U.S.A.
Libro
Condizione: New. Brand New.
Editore: University Alabama Press, 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
Editore: University Alabama Press, 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
Editore: University Alabama Press, 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: As New. Unread book in perfect condition.
Editore: University Alabama Press, 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: New.
Editore: The University of Alabama Press, Alabama, 2005
ISBN 10: 0817351981ISBN 13: 9780817351984
Da: CitiRetail, Stevenage, Regno Unito
Libro
Paperback. Condizione: new. Paperback. A work in which a noted critic addresses the problem of silence in contemporary experimental poetry. Silence, as Susan M Schultz argues, is an intellectual and aesthetic force, largely unacknowledged, that is a characteristic feature of much avant-garde poetry, from Hart Crane to Susan Howe; a strategy deployed by various poetic, academic, and aesthetic partisans in efforts to quell competing discourse; and also a potent aesthetic strategy in itself. In a collection of case studies, Schultz examines specific incidents of silence and the impasses it creates in the poetic and academic landscape. She looks at the issue of professionalism, in both poetic practice and the academy, which has become the caretaker of much of modern and contemporary poetry and their competing values. She explores clothing and fashion as central metaphors for this professionalism (what are the 'outfits' and intellectual fashions of the day?), especially the metaphor of language as clothing in the poetry of Laura Riding, Charles Bernstein, and Lois-Ann Yamanaka. Schultz further explores the problem of formalism in the work of Riding and Crane, whose extremity in experimentation led to their silencing by the poetic establishment, a problem later overcome by poets such as John Ashbery and Bernstein. And she examines silence as an aesthetic strategy in itself, particularly in the work of Howe, who wrestles with the Puritan legacy of male ""pro-fessors"" in the clergy ministering to female ""con-fessors."" The result is an extended meditation on the precarious balance among competing forces - formalism, professionalism, gender, and voice - in understanding and liberating poetic discourse from the realms of silence and the impasses it creates. A collection of case studies examining specific incidents of silence and the impasses it creates in the poetic and academic landscape. It looks at the issue of professionalism, in both poetic practice and the academy, which has become the caretaker of much of modern and contemporary poetry and their competing values. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.