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Editore: Hatje Cantz Verlag, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Germania
Libro
Taschenbuch. Condizione: Gut. 62 Seiten; Artikel stammt aus Nichtraucherhaushalt! CE5382 Sprache: Englisch Gewicht in Gramm: 500.
Editore: Hatje Cantz Publishers, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: medimops, Berlin, Germania
Libro
Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Editore: HATJE CANTZ, 1999
ISBN 10: 389322291XISBN 13: 9783893222919
Da: art-produkt, Türkismühle, Germania
Libro
Softcover. Condizione: Neu. verlagsfrisch - NEU - nicht mehr eingeschweißt.
Editore: Cantz Verlag Ostfildern, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: Antiquariat Herold, Berlin, Germania
Libro
weicher Einband. . Broschur blau, 62 Seiten, 8°. * sehr guter Zustand (K8).
Editore: Reihe Cantz, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: ANARTIST, New York, NY, U.S.A.
Libro
Softcover, 64 pages; in English and German; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.
Editore: Cantz Verlag, Ostfildern-Ruit, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: art longwood books, Gloucester, MA, U.S.A.
Libro Prima edizione
Soft Cover. Condizione: Near Fine. First Edition. soft cover., clean, no markings, no bumps or tears. strong sewn binding.; text in german and english.; 63pp., illustrations in color, b/w. not to be confused with 2014 book of similar title. Size: 8vo - over 7¾" - 9¾" tall.
Editore: Hatje Cantz Verlag, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: Book Broker, Berlin, Germania
Libro
Condizione: Gut. 1. 62 Seiten Alle Bücher & Medienartikel von Book Broker Berlin sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Dieser Artikel weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 200 Taschenbuch, Größe: 0 x 0 x 0 cm.
Editore: Reihe Cantz., 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: Antiquariat am Flughafen, Berlin, Germania
Libro
Condizione: sehr gut. Originalbroschur, kl. 8°, 62 Seiten mit vielen Abbildungen, leicht berieben. in deutscher Sprache.
Editore: Hatje Cantz Verlag, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: Book Broker, Berlin, Germania
Libro
Condizione: Wie neu. 1. 62 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Dieser Artikel weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Deutsch Gewicht in Gramm: 181 Taschenbuch, Maße: 0 cm x 0 cm x 0 cm.
Editore: Hatje Cantz, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: Antiquariat UEBUE, Zürich, Svizzera
Libro Prima edizione
Softcover. Condizione: Sehr gut. 1. Auflage. Z : 64 Pages, 39 Ills. Softcover 15 x 20 cm - 'The Artist is an Amazing Fountain' is the title of a neon work by Bruce Nauman, which he conceived for the window of his studio in 1966. He also created four major graphic and photographic works on the same theme, which humorously document the manner and significance of his working methods in the second half of the sixties. The works Nauman made during this period are characterised by their egocentric concentration on the person of the artist. Nauman used his own body as a motif, as a means of expression, or as the actual end-product of his art. The artist's own body acts as a yardstick for defining various concrete or abstract conditions. In this volume the author explores the relationship of this group of works to the accepted view of the artist and questions the image of the artist that Bruce Nauman creates through these works.
Editore: Cantz Verlag, Ostfildern, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: Elizabeth's Bookshops, Fremantle, WA, Australia
Libro
Softcover. Condizione: FINE. 11 colour illustrations. 20 monochrome illustrations. Notes. Chronology. List of illustrations. Bilingual German / English texts. Study of the early works 1966-1970 of American conceptual artist, Bruce Nauman. Bruce Nauman was one of the most prominent, influential, and versatile American artists to emerge in the 1960s. Although his work is not easily defined by its materials, styles, or themes, sculpture is central to it, and it is characteristic of Post-Minimalism in the way it blends ideas from Conceptualism, Minimalism, performance art, and video art. The revival of interest in Marcel Duchamp in the 1960s also clearly influenced Nauman in various ways, from encouraging his love of wordplay to infusing his work with a satirical and sometimes absurdist tone. Despite the impact of Dada, however, he has continued to view his art less as a playful or creative enterprise than as a serious research endeavor, one he likes to carry out in seclusion from the art world, one that is shaped by his interests in ethics and politics.Key IdeasSome of Nauman's earliest work was shaped by ideas that arose in the wake of Minimalism in the late 1960s. In particular, the way he treated the body - often his own, shown on video completing repetitive tasks - and the way he related the body to surrounding objects show the impact of Minimalism's new ideas about the relationship between the viewer and the sculptural object. His occasional interest in abstraction and sculptural concerns such as gravity also betray the style's influence. But Nauman, shunned the slick production values of Minimalism and has often showed a preference for a cruder manner of presentation.Ludwig Wittgenstein's ideas about language have been an important influence on his work, shaping his interest in the way words succeed or fail in referring to objects in the world. The philosopher's outlook has also no doubt influenced the tone of some of Nauman's work, which sometimes has comic, absurdist touches, employing jokes and word play, and yet also touches on obsessive behavior and frustration.Much of Nauman's work reflects the disappearance of the old modernist belief in the ability of the artist to express his ideas clearly and powerfully. Art, for him, is a haphazard system of codes and signs, just like any other form of communication. Aside from informing his use of words, it has also encouraged him to use "readymade" objects - objects that, unlike paintings or traditional sculptures, already carry meanings and associations from their use in the world - and to make casts of objects ranging from the space underneath chairs to human body parts. Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.
Editore: Bonn, Ostfildern-Ruit, 1998., 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: Antiquariat Hans Hammerstein OHG, München, Germania
Libro
Original-Broschur, 8°, 62 Seiten. Umschlag berieben sonst guter Zustand.
Editore: Hatje Cantz Publishers, 1998
ISBN 10: 389322291XISBN 13: 9783893222919
Da: dsmbooks, Liverpool, Regno Unito
Libro
paperback. Condizione: New. New. book.