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Chagall - LA FONTAINE Jean de

Editore: Paris, Tériade Editeur (Presses de l'Imprimerie National de France), 1952, (1952)

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Descrizione libro: Paris, Tériade Editeur (Presses de l'Imprimerie National de France), 1952, 1952. Condizione libro: molto buono. 2 volumi in-folio (mm.390x305), a fogli sciolti sotto copertine editoriali illustrate da due incisioni dell'artista, in astucci di cartone. Illustrati da 100 acquaforti originali di Chagall in tavole fuori testo. Tiratura complessiva di 210 esemplari su carta forte ''vélin de Rives'', tutti portanti la firma autografa dell'artista sul foglio di giustificazione. Il presente è l'esemplare n. X (su XV) fuori commercio, riservati ai collaboratori. Questa edizione delle Favole fu voluta dall'editore Ambroise Vollard, il quale chiese a Chagall di esserne l'illustratore. Egli aderì e incise i 102 rami dal 1927 al 1930, i quali vennero conservati e impressi in tiratura originale e, in seguito, inseriti nella presente edizione Tériade del 1952. E' certamente una delle più significative serie d'incisioni del XX secolo, tra i capolavori dell'artista. Vollard scelse l'artista russo come illustratore di un poema classico francese per la sua fantasia, per la sua vicinanza natale alla cultura orientale, al guardare gli animali come personaggi con le qualità ed i vizi degli uomini. Esemplare in perfetta conservazione. Sorlier, chagall e Vollard, pp.75-126. Rauch, n.147. Chapon, Le peintre et le livre, pp. 219 e seguenti. Codice libro della libreria 0000000007260

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Chagall - GOGOL Nicolas

Editore: Paris, Tériade Editeur, Presses de l'Imprimerie Nationale de France,1948, (1948)

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Descrizione libro: Paris, Tériade Editeur, Presses de l'Imprimerie Nationale de France,1948, 1948. Condizione libro: molto buono. 2 vol. in-fol., fogli sciolti sotto copertina edit., astuccio originale di cart. grigio. Splendidamente impresso su "vélin d'arches filigrané Les Ames Mortes", testo composto a mano con caratteri "romain du roi" corpo 20 inc. da Granjean nel XVII sec. Edizione unica di 368 esemplari (il presente n.130) tutti con la firma autografa a penna di Chagall nella giustificazione dell'editore. Il romanzo di Gogol è illustrato da 108 magnifiche acquaforti originali, firmate dall'artista sulla lastra, delle quali quelle a piena pagina furono create nel 1927 su richiesta di A.Vollard, e 11 a mezza pagina, sono poste in testa ai capitoli, eseguite nel 1948 per l'edizione. Negli anni Venti Chagall scoprì l'incisione e si dedicò alla nuova tecnica con più passione e intensità che alla pittura. Tra il 1948 e il 1956 Tériade diede forma a una delle imprese più impressionanti dell'editoria moderna, pubblicando il monumentale trittico chagalliano, commissionato e lasciato incompiuto da Vollard, che conta più di trecento acqueforti. Chagall segue fedelmente il testo di Gogol e ricrea anche nei minimi dettagli l'ambiente e l'atmosfera della Russia aristocratica, popolare e naïve, a lui così familiare, intima e colma d'amore. Le sue 108 acquaforti hanno creato un capolavoro artistico d'immagini, inserite perfettamente nel capolavoro letterario. Uno dei livres d'artiste più riusciti e pregiati del XX secolo. "The etchings for the Dead Souls were executed between 1923 and 1927 and printed in 1927; the sheets were stored in Ambroise Vollard's warehouse until he could publish them, but unfortunately his own death in an automobile accident and Chagall's flight from German-occupied France kept them hidden until Teriade and Chagall published them in 1950". Ottimo esemplare di un grande capolavoro, perfetto. SORLIER, Chagall e Vollard, pp.2174. RAUCH n.146. Codice libro della libreria 0000000002306

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Illustrations for the Bible: CHAGALL, MARC

CHAGALL, MARC

Editore: Harcourt, Brace and Company, New York (1956)

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Descrizione libro: Harcourt, Brace and Company, New York, 1956. Condizione libro: Fine. Condizione sovraccoperta: Good. First Edition. First American edition, INSCRIBED BY CHAGALL AND WITH STUNNING ORIGINAL FULL-PAGE COLOR DRAWING of Moses receiving the tablets on title page. With important provenance. The astonishing original Chagall drawing, which fills nearly the entire title page (10.5x14 inches) depicts Moses receiving the Ten Commandments with an angel to his side. On the right border a dove emerges from a tree and above all is a rich, blue sky. Composed with orange, blue, and green crayons, pencil, and ink. Complete with 16 lithographs in color, 12 in black and white, plus the lithograph cover, all specially created for this book. Also illustrated with reproductions in heliogravure of the 105 etchings made by Chagall for the illustrations of the Bible. Provenance: Inscribed by Chagall: "Pour Lenette et George Nayor --> NJ 1966 Marc Chagall" and from the collection of Herman Krawitz, former assistant general manager of the Metropolitan Opera House. Krawitz was the son-in-law of the dedicatees Lenette and George Nayor. "Herman Krawitz worked for the Metropolitan Opera for nineteen years, with nine of those years as Assistant General Manager. During this time he worked closely with Marc Chagall. In 1966, Chagall painted two monumental murals for the outside of the Metropolitan Opera in New York. On display in the lobby, the murals are approximately 30 ft (9.1 m) by 36 ft (11 m) and visible to the outside plaza. The south wall holds the work entitled The Triumph of Music while the north wall contains The Sources of Music" (Llyn Towner, "Herman Krawitz 'Working with Chagall'"). Note: The inscription is dated 1966, the same year Krawitz was working with Chagall on the murals. New York: Harcourt, Brace and Company, 1956. Folio, original pictorial (lithographed) boards, original dust jacket. Book with tape residue to endpapers, otherwise book and lithographs fine; extremely scarce dust jacket (almost never seen) with chipping, edgewear, and damage to spine. A REMARKABLE, ORIGINAL CHAGALL WORK. Codice libro della libreria 1645

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AKSELROD, Meer

Editore: 1927

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Descrizione libro: 1927. Condizione libro: Fine. October in Belorussia - Original Painting capturing the Pogroms and the urgency of Jewish migrationAKSELROD, Meer. October in Belorussia. 1927. Original watercolor, gouache and pencil on paper. Image measures 12 inches x 19 inches; framed 24 inches x 30 inches. Initialed on the front by the artist and signed on the verso with an additional pencil sketch of a nude. Excellent condition. Elegantly framed. ONE OF THE MOST DISTINGUISHED MODERN RUSSIAN JEWISH ARTISTS, Meer Akselrod (1902-1970) was born in Molodechno, a small "shtetl" in Belorussia not far from Vitebsk, the native town of Marc Chagall. Like Chagall the images of his Jewish village upbringing have served as inspiration for much of his work. The years immediately following the Russian Revolution were a golden age for the arts in that nation. Painting, literature, music and theatre were all supported and encouraged. Meer Akselrod (known as Mark to his friends) benefited greatly from this artistic spring. Unfortunately by the 1930’s the avant-garde was no longer favored and artists were forced to conform to the dictates of Socialist Reform or leave the country as did Chagall and Kandinsky. Akselrod went underground instead and began to paint more realistic imagery. His Jewish content made him always a figure of controversy with the communist regime. ILLUMINATING HIS NATIVE SHTETL. At the time of this painting the artist was in his mid-twenties and it is one of a series that he completed over the course of several years that illuminated his native "shtetl". Belorussia had long been a target of murderous pogroms as the Jews there, always subject to economic polarization, ethnic inequality and religious intolerance, were understandably receptive to revolutionary ideas. The early "October" massacres of the 20th century (1903-05) were never to be forgotten. This painting portrays a crowded street scene of frantic villagers pushing carts, carrying children and large sacks of belongings and food. There is a fervent sense of movement. They are rushing to leave, to escape. In the background is what appears to be a soldier on horseback rounding up an indistinct group of villagers. A horrible sense of irony accompanies this image from the hindsight of the 21st century for in 1943 over 16,000 Jews were killed in Belorussia.The illustrated biographical book Meer Akselrod by Elena Akselrod: Jerusalem, 1993. contains this reference on page 32: " as a student in the faculty of the graphic arts, Akselrod chose gouache and tempera as the media for his diploma work. Akselrod’s diploma work was studies for large-scale murals on the theme October in Belorussia. These many-figured compositions were to depict the capture of factories and estates, political meetings and so forth. In 1935 Akselrod was commissioned to do murals for Government House in Minsk. Using his gouaches of 1927 as a starting point, the artist did a series of new studies. This work was never completed, though Akselrod did paint the canvas, The Capture of the Estate." Plate 36 reproduced in this book, White Poles in Minsk [1927] is from this same series.PROVENANCE: An inscription, signed R.[Rivka] Rubina, (the artist’s wife and an important Yiddish author in Russia) is placed near the nude sketch on the verso of the painting. It states that this piece was given as a gift to Ella Minukhin. After Minukhin’s death it reverted to Elena Akselrod, his daughter, from whom this work was purchased. Codice libro della libreria 54

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CHAGALL, Marc; Bible; MARC CHAGALL

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Descrizione libro: 1979. PRESENTATION COPY WITH ORIGINAL CHAGALL DRAWING CHAGALL, Marc. Psaumes de David. [2], 66, [8] pp. Illustrated with 30-full page etchings with aquatint by Chagall. 4to., 280 x 215 mm, bound in publisher's full vellum, gilt lettered spine, and matching vellum slipcase. Geneva: Gerald Cramer, 1979. One of the last statements Chagall issued in book format that used Biblical subject matter for his illustrations. The 30 etched sheets are filled with images from the Psalms and printed on a yellow/ochre background. This special copy has a full-page drawing by Chagall in pencil, red and blue crayon and inscribed: "Paul de Vehel / 1981." the facing half-title with the presentation: "pour 1.A et Cecile / Victor / a bok / Souvenir / Marc Chagall." The text and typography were done by Fequet-Baudier; the etchings were printed by Lacourière et Frélaut. One of an edition of 175 copies on Arches wove paper. The colophon is signed by Chagall. A fine copy. Cramer, Marc Chagall, The Illustrated Books, 108. Codice libro della libreria 122007

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CHAGALL Marc CAIN Julien

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Quantità: 1

Da: Bauman Rare Books (Philadelphia, PA, U.S.A.)

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Descrizione libro: 1960. First Edition. (CHAGALL, Marc) CAIN, Julien and SORLIER, Charles. The Lithographs of Chagall. Monte Carlo, New York, Boston: André Sauret; George Braziller; Boston Book and Art Shop, 1960-86. Six volumes. Folio (10 by 13 inches), original beige cloth, original dust jackets each with original lithograph, original acetates. $20,000.Mixed first French, German and English editions of all six volumes in the catalogue raisonné of Chagall’s lithographs, richly illustrated with 28 original lithographs (including the dust jackets). Volume I inscribed, "To Shirlyy [sic] and Jack Mandel, Marc Chagall, N.Y. 1963.""Chagall's emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris" (Dictionary of Modern Art). His art was aptly described by his biographer as "a troubling alloy of naturalism and magic fiction" (Sidney Alexander). For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where such greats as Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making process. "For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his first attempts printed" (Sorlier, 45). Volumes I and II contain 24 of the original 28 lithographs published throughout the series; the dust jackets and frontispieces of Volumes III and IV account for the remaining four. (Volume V was published near the end of Chagall's life, and Volume VI was published posthumously.) All were issued separately over a period of 26 years and are very scarce as a complete set. All volumes published simultaneously in English, French and German. This set is comprised of Volumes I and III in English, Volumes II and IV in French, and Volumes V and VI in German. Volumes I and II were also issued in a deluxe signed limited edition of only 100 and 150 copies. Cramer, 43, 56, 77, 94. Gauss 391. Freitag 1914. Sorlier, 229. The recipients of this copy, Shirley and Jack Mandel, were instrumental in operating Camp NYDA, the summer camp for diabetic children conducted by the New York Diabetes Association.A fine inscribed set. Signed. Codice libro della libreria 107030

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Chagall, Marc.

Editore: St. Gallen: Erker. (1978)

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Descrizione libro: St. Gallen: Erker., 1978. Condizione libro: Good. Color lithograph. (Mourlot no. 321 from 1968.) One of 150 hand numbered impressions on Rives. 23.4 x 17.7 cm.; double page size 39.5 x 29 cm. Lithographed text by Cassou on a facing page. Part of portfolio, our ID# 07-0191. Inquire about availability of individual prints. Codice libro della libreria 07-0748

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Marc Chagall

Editore: Les Bibliophiles de l'Union Française (1958)

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Da: Leonard Fox, Ltd. (Greenwich, CT, U.S.A.)

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Descrizione libro: Les Bibliophiles de l'Union Française, 1958. Hardcover. Condizione libro: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. CHAGALL, Marc, PAULHAN, Jean. "De Mauvais Sujets". Paris: Les Bibliophiles de l'Union Française, 1958. [17 5/16" x 13 3/16"]. 10 illustrations. (10 hors text.) Signed by Jean Paulhan and Marc Chagall, on Arches. Loose as issued. In original boards and chemise. Contained in slipcase and chemise. ex no 35/153. Marc Chagall interprets Paulhan's story in ten typically poetical and charming original color etchings with aquatint. Printed on Arches vellum, the plates and text are very clean; interior in overall excellent condition. Codice libro della libreria ABE-16496540307

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Blum, Kurt:

Editore: Bern (1978)

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Descrizione libro: Bern, 1978. 40x30,5 cm. 22 photos tirages argentique. Dans un coffret toilé (53x40 cm). 1/30 exemplaires nummérotés, signés et avec tampon du photographe. Portraits de Georges Braque, Marc Chagall, Le Corbusier, Sam Francis, Alberto Giacometti, Max Gubler, Al Held, Alfred Jensen, Willem de Kooning, Fernand Léger, Philip Martin, Georges Mathieu, Gabriele Münter, Barnett Newman, Meret Oppenheim, Pablo Picasso, Serge Poliakoff, Germaine Richier, Jean-Paul Riopelle, Dieter Roth, Mark Rothko, Marc Tobey. Kurt Blum, né le 25 août 1922 à Berne et mort le 30 décembre 2005, est un photographe et réalisateur suisse de films documentaires. Kurt Blum débute comme photographe à la Bibliothèque nationale à Berne, puis comme photographe indépendant et réalisateur de documentaires pour une clientèle d'entreprises industrielles. Dans les années 1950 et 1960 Blum réalise des documentaires sur des artistes, comme Pablo Picasso. En 1981, il ouvre une galerie de peintures et de photographie à Praz (Vully). Il a exposé son travail dans de nombreuses expositions collectives et ses photographies ont été publiées dans plusieurs livres. Ses œuvres se retrouvent dans plusieurs musées et collections, tel que le Kunstmuseum de Berne. Blum est connu pour ses portraits d'artistes célèbres Ses portraits proviennent presque exclusivement des ateliers des artistes et offrent un éclairage important sur leur travail. Il travaille dans une certaine réciprocité avec les artistes. L'environnement artistique inspire son regard et son regard influence l'art. Ses photographies ont un contenu physique mais aussi psychique. Ses images sont habillées d'un message. Il travaille dans la retenue, sa démarche est toujours « attentionnée ». (Koetzle, Photographes de A-Z). Codice libro della libreria 51226BB

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View. A complete set.: FORD, Charles Henri

FORD, Charles Henri (ed.)

Editore: New York: View, 1940–7 (1940)

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Descrizione libro: New York: View, 1940–7, 1940. 37 numbers in 32 issues + several supplements, various formats, original wrappers, many pictorial. Housed in a black flat back cloth box with the title stamped in blind down the spine. Some minor fraying and one or two accession stamps to the odd volume but an exceptional set in original condition. The four issues which comprise volume 2 bound together for the publisher in mauve flock and inscribed by the editor "Darling, a bound volume with unbounded love, Charlie". Copiously illustrated. A complete set, one volume inscribed by Ford, of first printings of the remarkable American literary and art magazine published by artist and writer Charles Henri Ford and writer and film critic Parker Tyler. View covered the contemporary avant-garde and Surrealist scene, and was published quarterly as finances permitted. The roster of prestigious contributors, many emigres among them, signalled the shift of the centre of the art world from Paris to New York. The issues often contained supplementary material, sometimes merely a single leaf insert, that is often found lacking in commerce. All parts in this collection have these parts present and correct. Contributors include authors like Wallace Stevens, William Carlos Williams, Joseph Cornell, Edouard Roditi, Henry Miller, Lawrence Durrell, Paul Bowles, Brion Gysin, Philip Lamantia, Paul Goodman, Marshall McLuhan, Andre Breton, Raymond Roussel, Albert Camus, Jean-Paul Sartre, Jean Genet, Jorge Louis Borges, as well as artists such as Pablo Picasso, Paul Klee, Fernand Leger, Georgia O'Keefe, Man Ray, Joan Miro, Alexander Calder, Isamu Noguchi, Marc Chagall, Rene Magritte, and Jean Dubuffet (Surrealism in Belgium, Dec. 1946). The Surrealism Special (7-8, 1941) features Artaud, Victor Brauner, Leonora Carrington, Marcel Duchamp and Andre Masson. The set includes the special numbers of the magazine featuring Max Ernst (April 1942), the Yves Tanguy-Pavel Tchelitchew number with Nicolas Calas, Benjamin Peter, Kurt Seligmann, James Johnson Sweeney, Harold Rosenberg and Charles Henri Ford on Tanguy, Parker Tyler, Lincoln Kirstein and others on Tchelitchew (May 1942) and Marcel Duchamp, with an essay by Andre Breton (March 1945). Codice libro della libreria 109741

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Psaumes de David.: CHAGALL, Marc.

CHAGALL, Marc.

Editore: Geneva Gérald Cramer (1979)

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Quantità: 1

Da: Shapero Rare Books (London, Regno Unito)

Valutazione libreria: 4 stelle

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Descrizione libro: Geneva Gérald Cramer, 1979. First edition. Quarto (28 x 21.5 cm), edition limited to 175 numbered copies, on velin d'Arches signed by Chagall in pencil on colophon leaf, 66, [10] pp., illustrated with 30 full-page etchings with aquatint on ochre-coloured grounds, publisher's gilt-lettered vellum, slipcase, a fine example. One of the last of Chagall's bible-inspired books. Signed by the Artist. Copy no.114 out of 175 issued. The 30 etched sheets illustrating the Psalms are printed on a yellow/ochre background, opposite the relevant psalm fragment in French. King David was a favourite of Chagall's among other Biblical heroes, partly because David was the name of Chagall's brother, who died of tuberculosis in the Crimea. In the illustration for Psalm 39 (p.36), an artist sits in front of an easel and paints David and his harp. Verse 4 begins: "Lord, let me know my end, and what is the measure of my days." Cramer 108. Codice libro della libreria 93443

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Derrière le Miroir No. 66-67-68, Juin -: Chagall, Marc (Lithographs

Chagall, Marc (Lithographs by); Marcel Arland, Lionello Venturi (Texts by)

Editore: Maeght, Paris (1954)

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Descrizione libro: Maeght, Paris, 1954. Softcover. Condizione libro: vg. First edition. Folio (15 1/8 x 11"). Unpaginated. [24]pp. Original lithographic wrappers. By far, this work is the most desirable issue of "Derrière le Miroir," featuring Marc Chagall's Paris-themed work exhibited at Maeght in the Summer of 1954. This issue is complete with its 11 stunning lithographs: nine in full color (including wrappers), and two in black and white. Spine rubbed, and slightly creased. Minor soiling / age-toning at upper and lower margin of front cover. 1/2" closed tear at lower margin of front cover (not affecting lettering nor lithograph). Text in French. Wrappers in overall good+ to very good, interior in very good condition. Codice libro della libreria 41820

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Richard Lindner: Ionesco, Eugene

Ionesco, Eugene

Editore: Fernand Mourlot, Paris (1975)

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Descrizione libro: Fernand Mourlot, Paris, 1975. Lindner, Richard (illustratore). Elephant folio. (38)ff. One of 150 copies. Contains ten lithographs measuring 28 1/2 by 20 3/4 inches, each signed by the artist, Richard Lindner, and numbered and counter-initialed by Fernand Mourlot, the printer/publisher who produced the lithographs. In his introduction, Ionesco describes Lindner as "one of the great contemporary masters. His work lies within the realm of caricature, painting, and theater. It is interpretation of reality, but reality is not realistic." Mourlot, who worked with all the great artists of the twentieth century, writes that Lindner created ten original gouaches and watercolors for this series, supervised the transfer to the stones, corrected the colors, retouched the plates, and oversaw the printing with such a perfectionist's eye that "only Marc Chagall forced us to run the plates so many times through the presses." An extremely fine copy, loose as issued, in a printed quarter-vellum clamshell box. Codice libro della libreria 15455

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Descrizione libro: Die schönste moderne Ausgabe von Shakespeares Komödie "The Tempest" mit 50 Orig.-Lithographien von Marc Chagall. Eines von 250 numerierten Exemplaren, im Druckvermerk von Chagall signiert. Tadellos in der Erhaltung. - Mourlot 846-895. Codice libro della libreria 11512AB

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David Hofstein, Marc Chagall

Editore: Kiev: Kultur-Lige (1922)

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Descrizione libro: Kiev: Kultur-Lige, 1922. Soft cover. Condizione libro: Very Good. 1st Edition. Folio 36x25 cm., illustrated wrappers, with 5 illustrations (2 on white paper). The letterpress text includes typographic designs. Troyer includes a collection of moving poems in response to the pogroms against the Jews in the Ukraine during the civil war. Chagall’s illustrations show “a man with weeping hands, the next [illustration] refers to blood dripping amid sunshine, and the last is a moving drawing of a series of houses over a headless body symbolizing the pogroms” (Apter-Gabriel, 62). Organized at the end of 1917, the Kultur Lige was at the heart of the Jewish cultural renaissance in Kiev, providing education and culture to the Jewish population. It had its own press, which published teaching material, literary and historical studies, literary journals, and children’s books. The artists involved include Lissitzky, Ryback, Chagall and Tchaikov inter alia. This copy with some wear, fading, and restoration to the spine and edges of the original green wrappers, internally very good. This is an unopened and untrimmed copy in a contemporary folding box. Worldcat finds 5 copies of this 1922 edition in North America. Rowell/Wye 373, pp. 142,143; Apter-Gabriel pp. 62, 215, 258. Codice libro della libreria 3406

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Chagall Lithographe. Volume 1 DELUXE EDITION, with: Cain, Julien. Illustrated

Cain, Julien. Illustrated by Marc Chagall.

Editore: Sauret, Paris 1960. (1960)

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Descrizione libro: Sauret, Paris 1960., 1960. Hardcover. Condizione libro: Very Good. 1st Edition. Chagall Lithographe. Volume 1 DELUXE EDITION, with two signed lithographs by Chagall. Cain, Julien. Sauret, Paris 1960. The complete deluxe set Illustrated with 14 original lithographs by Chagall. 4to. In the original wraps (black lithograph) over thin board, red cloth folder and slipcase, bound as issued. Limited edition, one of 100 COPIES on Grand Velin d'Arches, signed by Chagall and Sauret on the limitation page, and with two original lithographs signed by Chagall in frontispiece. Volume one of the catalogue raisonne of Chagall's lithographs. Condition: In very good condition complete of dark red cloth chemise and matching slipcase, color fade on the chemise spine, the rest of the volume, inside and out, is in very condition. Ref: Cramer books 43; Mourlot 282-293, 295-296. PICTURES ON REQUEST. Signed by Illustrator(s). Codice libro della libreria ABE-1475184053638

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Cain, Julien. Illustrated by Marc Chagall.

Editore: Sauret, Paris (1960)

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Descrizione libro: Sauret, Paris, 1960. Hardcover. Condizione libro: Very Good. 1st Edition. Chagall Lithographe. Volume 1 DELUXE EDITION, with two signed lithographs by Chagall. Cain, Julien. Sauret, Paris 1960. The complete deluxe set Illustrated with 14 original lithographs by Chagall. 4to. In the original wraps (black lithograph) over thin board, red cloth folder and slipcase, bound as issued. Limited edition, one of 100 COPIES on Grand Velin d'Arches, signed by Chagall and Sauret on the limitation page, and with two original lithographs signed by Chagall in frontispiece. Volume one of the catalogue raisonne of Chagall's lithographs.Ref: Cramer books 43; Mourlot 282-293, 295-296. Very good condition. Signed by Illustrator(s). Codice libro della libreria ABE-1482506783821

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CHAGALL Marc CAIN Julien

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Quantità: 1

Da: Bauman Rare Books (Philadelphia, PA, U.S.A.)

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Descrizione libro: 1960. First Edition. (CHAGALL, Marc) CAIN, Julien and SORLIER, Charles. The Lithographs of Chagall. Monte Carlo, New York, Boston: André Sauret; George Braziller; Boston Book and Art Shop, 1960-86. Six volumes. Folio, original beige cloth, original dust jackets (themselves original lithographs), original acetates. $11,500.First editions in English of the six-volume catalogue raisonné of Chagall’s lithographs, richly illustrated with 28 original lithographs (including the dust jackets)."Chagall's emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris" (Dictionary of Modern Art). For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where such greats as Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making process. "For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his first attempts printed" (Sorlier, 45). Volumes I and II contain 24 of the original 28 lithographs published throughout the series; the dust jackets and frontispieces of Volumes III and IV account for the remaining four. (Volume V was published near the end of Chagall's life, and Volume VI was published posthumously.) All were issued separately over a period of 26 years and are very scarce as a complete set. All volumes published simultaneously in English and French. Volumes I and II also issued in a deluxe signed limited edition of only 100 and 150 copies. Gauss, 391. Freitag 1914. See Cramer, 43, 56, 77, 94. Cloth of Volume II mildly toned, occasional minor nick or rub to extremities of dust jackets and acetate. A beautiful set in about-fine condition. Codice libro della libreria 102869

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STRUCK, Hermann.

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Quantità: 1

Da: Shapero Rare Books (London, Regno Unito)

Valutazione libreria: 4 stelle

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Descrizione libro: 1903. Soft ground etching in black and white; 60 x 50 cm, including frame. Artist's name etched in black at bottom right of etching, with his Hebrew name underneath (Haim Aaron ben David); etching glued on a white background with Theodor Herzl's own signature in pencil at the bottom right; at the bottom left of the picture is a star of David with Hermann Struck's initials in it, to its right is his signature in pencil. Very good condition. Struck's most famous work and one of the symbols of zionism - a powerful portrait of Theodor Herzl, signed by Herzl himself. Hermann Struck (1876-1944) and Theodor Herzl (1860-1904) met several times in Egypt and Vienna before this portrait etching was created in 1903. A fervent Zionist and admirer of Herzl's, Struck made his preparatory sketches for the portrait when he visited the political activist's house in Vienna. During the sixth Zionist Congress in Basel in August 1903, the two met again and on this occasion Herzl asked Struck to allow him to sign a few of the first copies of the etching. Struck depicted Herzl's visionary side by giving us the impression that he is looking towards the future. His radiance is all the more flagrant as the dark background makes his solemn face stand out. Although Struck made two additional etchings of this portrait after Herzl's death, it is the 1903 version that has remained the most famous of his works, and the most iconic of all the portraits of Theodor Herzl. Indeed, the image came to be known as one of the emblems of Zionism and has been used on various posters, products and catalogs ever since: "Within a short period of time the etching became so well known that it emerged as a symbol of Zionism, especially after the death of the charismatic leader in 1904. It was then that the portrait won the respect of all the Zionist circles. By the time the State of Israel was founded, this portrait of Theodor Herzl was considered the epitome of Zionism itself. It decorated the walls of every Zionist event, anywhere." (Hermann Struck, Printmaking Artist. Tefen Open Museum, 2007, page 38). Hermann Struck was a German-Israeli artist who gained fame for his etchings. He published a leading work on the subject, Die Kunst des Radierens, in 1908. He was commissioned to etch portraits of many leading figures of his time, including Einstein and Herzl. Struck acquired a reputation as a teacher of graphic art, and began to teach the techniques of the art print while still in Germany. Among his many students were Max Liebermann, Lovis Corinth, Marc Chagall, Jacob Steinhardt, and Joseph Budko. He moved to Haifa in 1922. Today the city has a museum dedicated to him. Theodor Herzl, a Hungarian journalist of Jewish descent, is regarded as the founding father of political Zionism. By the time the etching was made, he was already known for having chaired the first Zionist congress in 1897. In 1896, at 35 years old, he had published Der Judenstaat, Versuch einer Modernen Lösung der Judenfrage (The Jewish State, Proposal of a modern solution for the Jewish question) in Vienna. The previous year, Herzl had witnessed the Dreyfus affair in Paris and had been appalled at the outbreak of anti-Semitism that it had generated in the "birthplace of human rights". He came to the conclusion that the creation of an independent Jewish state during the 20th century would be the best way for Jews to escape European anti-Semitism. Codice libro della libreria 91304

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Chagall Lithographe. Volume 2 DELUXE EDITION, with: Mourlot, Fernand. Illustrated

Mourlot, Fernand. Illustrated by Marc Chagall.

Editore: Sauret, Paris 1963. (1963)

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Descrizione libro: Sauret, Paris 1963., 1963. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Chagall Lithographe. Volume 2 DELUXE EDITION, with two signed lithographs by Chagall. Mourlot, Fernand. Sauret, Paris, 1963. The complete deluxe set Illustrated with 14 original lithographs by Chagall. 4to. In the original wraps (black lithograph) over thin board, red cloth folder and slipcase, bound as issued. Limited edition, one of 150 COPIES on Grand Velin d'Arches, signed by Chagall and Sauret on the limitation page, and with two original lithographs signed by Chagall. Volume two of the catalogue raisonne of Chagall's lithographs. Condition: In very good condition complete of dark red cloth chemise and matching slipcase, color fade on the chemise spine, very light stains on the justification page and in some others pages, but the lithographs are in excellent conditions with no stains or discolorations. The volume is in very good condition. Ref: Cramer books 56; Mourlot 392-405. PICTURES ON REQUEST. Signed by Illustrator(s). Codice libro della libreria ABE-1475371894514

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Les Ateliers de Chagall.: Chagall - Robert

Chagall - Robert Marteau

Editore: Mourlot, Paris (1976)

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Descrizione libro: Mourlot, Paris, 1976. Condizione libro: . Chagall (illustratore). In folio en feuilles sous emboîtage, 121 pages. 1 lithographie originale en couleurs numérotée et signée, 5 lithographies originales, 2 linogravures originales, 14 lithographies d'après Marc Chagall. Un des 250 exemplaires numérotés, d'un tirage limité à 270. Cramer 101. . In folio loose as isued under covers and slipcase. One original litho in colors signed and numbered,5 original lithos, 2 original linocuts, 14 lithos from Chagall. This copy, from a numbered edition of 250. Cramer 101. Codice libro della libreria 3625

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Chagall, Marc

Editore: N.p. (1953)

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Descrizione libro: N.p., 1953. First Edition. La Jongleuse ( THE WOMAN JUGGLER ), N.p., Ca. 1960, Original Print, measuring 12.25 x 9.5 inches, fine and most suitable for framing. Of 40 numbered copies SIGNED by the artist, this is unnumbered, but labeled as artists proof, of which there were very few, perhaps as little as 3 such copies. Codice libro della libreria 10822

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Chagall, Bella

Editore: Book League of the Jewish Peoples Fraternal Order, IWO, New York (1945)

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Quantità: 1

Da: Second Story Books, ABAA (Rockville, MD, U.S.A.)

Valutazione libreria: 4 stelle

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Descrizione libro: Book League of the Jewish Peoples Fraternal Order, IWO, New York, 1945. Small octavo in dark burgundy cloth with gold letters; VG; front and back gutter slightly open, but binding strong; boards with minimal soiling; edges and paper age-toned; text clean; pp. 167 had a small tear repaired with tape, now discolored with slight offsetting on p. 168; pp. 252; includes 36 line drawings by Mr. Chagall, and his pen inscription in Yiddish on the first front end page; the book depicts in a humorous way Mr. Chagall and his wife's childhood in Russia where they grew up in a small market town; in Hebrew; very scarce; shelved in Case # 2. Dupont. First edition; inscribed by Marc Chagall. Codice libro della libreria 9-13-1258352

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Les Ateliers de Chagall: with one original: Robert Marteau. Illustrated

Robert Marteau. Illustrated by Marc Chagall.

Editore: Fernand Mourlot, Paris (1976)

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Descrizione libro: Fernand Mourlot, Paris, 1976. Hardcover. Condizione libro: Very Good. 1st Edition. Marc Chagall. Les Ateliers de Chagall: with one original color lithograph signed and numbered in pencil by Chagall. Robert Marteau. Mourlot, Paris, 1976. One of 250 numbered copies, with a color lithograph signed and numbered in pencil. Printed and published by Mourlot, in Paris. Portfolio loose in Arches wove paper, complete and well preserved in the original gray linen publisher box. It contains one original color lithograph signed and numbered in pencil, 2 lithographs in color, one lithograph in black, all hors-texte, 3 lithographs printed in gray in text, 2 woodcuts, and numerous color lithographic plates after Chagall by Charles Sorlier, beautifully printed in bright colors, many of which in full page. Condition: In very good conditions Ref: Mourlot 899-902, Cramer 101. PICTURES ON REQUEST. Signed by Illustrator(s). Codice libro della libreria ABE-1475183709282

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Robert Marteau

Editore: Mourlot, Paris (1976)

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Descrizione libro: Mourlot, Paris, 1976. Hardcover. Condizione libro: Fine. 1st Edition. Marc Chagall. Les Ateliers de Chagall: with one original color lithograph signed and numbered in pencil by Chagall. Robert Marteau. Mourlot, Paris, 1976. One of 250 numbered copies, with a color lithograph signed and numbered in pencil. Printed and published by Mourlot, in Paris. Portfolio loose in Arches wove paper, complete and well preserved in the original gray linen publisher box. It contains one original color lithograph signed and numbered in pencil, 2 lithographs in color, one lithograph in black, all hors-texte, 3 lithographs printed in gray in text, 2 woodcuts, and numerous color lithographic plates after Chagall by Charles Sorlier, beautifully printed in bright colors, many of which in full page. Ref: Mourlot 899-902, Cramer 101. Very good condition. Signed by Illustrator(s). Codice libro della libreria ABE-1482506341740

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ll - SHAKESPEARE William

Editore: Paris, Editions André Sauret (presses F.Mourlot), 1975, (1975)

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Descrizione libro: Paris, Editions André Sauret (presses F.Mourlot), 1975, 1975. Condizione libro: molto buono. in-folio, pp. 235, a fogli sciolti sotto copertina editoriale in cartoncino, elegante astuccio originale in pergamena con tit. in oro al dorso e al piatto ant. Splendida edizione di 270 esempl. num. su Vélin d'Arches à la forme (n.122), con firma autografa di Chagall a lapis nel foglio di giustificazione. Illustrata da 51 litografie originali di Marc Chagall in bianco-nero: 31 a piena pagina e 20 di varie dimensioni nel testo. Magnifiche composizioni che, se da un lato ricordano la grandiosità e la potenza espressiva delle acqueforti realizzate per la Bibbia, dall'altro esaltano il senso onirico tipico del Daphnis et Cloe. Chagall ha saputo perfettamente interpretare il senso soprannaturale e sognante del dramma, dopo Amleto il più complesso degli scritti shakespeariani. Bellissimo ''livre d'artiste'' in perfetto esemplare Meyer-Cramer, 97. Codice libro della libreria 0000000001155

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Descrizione libro: Simon Kra, Paris, 1926. In-8, broché, couverture imprimée.Edition originale de ces sept textes, illustrée par Marc Chagall de 15 gravures originales dont un frontispice et 14 hors-texte. Tirage limité à 300 exemplaires. Un des 240 exemplaires numérotés sur vélin. Codice libro della libreria 29517

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Bible - Dessins pour la Bible *: CHAGALL MARC :

CHAGALL MARC :

Editore: Verve, Paris [10.9.1956-29.7.1960] (1960)

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Da: OH 7e CIEL (Lausanne, Svizzera)

Valutazione libreria: 5 stelle

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Descrizione libro: Verve, Paris [10.9.1956-29.7.1960], 1960. Reliés 36 x 27, couvertures illustrées couleurs. Tout petit manque en pied du dos pour le premier tome de ce duo, menus accrocs et traces de manipulation aux deux. 30 lithographies originales, dont 18 en couleur couverture comprise puis 47 lithographies originales dont 25 en couleurs couverture comprise, tirées par Mourlot, outre 105 puis 96 reproductions. Copieux duo biblique à la puissante iconographie.Introductions de Meyer Shapiro et Jean Wahl au premier volume puis de Gaston Bachelard pour le second.Pas si fréquent complet.[Cramer 25 & 42] Éditions originales. L'un des 6'500 exemplaires pour le premier, tirage inconnu du second. Codice libro della libreria YG15829

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Le Portefeuille des Peintres Graveurs Indépendants pour: Christian Zervos
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Descrizione libro: Edition Alberto Morace, Paris, 1925. Soft cover. Condizione libro: Very Good. Limited Edition. Le Portefeuille des Peintres Graveurs Indépendants pour 1925 -II-Eaux-Fortes. Christian Zervos, Illustrators Chagall, Coubine, Galanis, Laboureur, Levy. Edition Alberto Morace, Paris 1925. Rare portfolio with 5 original etchings on Arches paper, all signed and numbered by the artists: Marc Chagall "Nu", O. Coubine "Paysage", D. Galanis "Nature Morte au pichet", J.E. Laboureur "Le 14 Juillet", Léopold Levy "Le Chemin de la Forêt". One of 75 copies in velin d'Arches from a total edition of 115 copies. Loose as issued, complete of the original hard wrapper and introductory essay by Christan Zervos. Condition: the portfolio showing signs of age, the original hard wrapper is worn, scattered stains are on the introductory essay, the etchings are clear on the images, with some minor stains on the white edges, except for Coubine work that is stained on the image. Overall Good/Very Good condition. Ref: Cramer books 4; Kornfeld 39 MORE PICTURES ON REQUEST. Signed by Illustrator(s). Codice libro della libreria B-05-110037

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Marc Chagall-Bay of Angels-1962 Mourlot Lithograph-SIGNED: Chagall, Marc

Chagall, Marc

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Quantità: 1

Da: Rare Posters (Brooklyn, NY, U.S.A.)

Valutazione libreria: 5 stelle

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Descrizione libro: 1962. Condizione libro: Good. 39 x 24.25 inches. "Bay of Angels" by Marc Chagall, Signed Lithograph printed in 1962 from an edition size of 5000. The overall size of the Lithograph is 39 x 24.25 inches. The condition of this piece has been graded as B-: Good Condition, Signs of Handling and Age. Here is some supplemental information about the Lithograph: Hand signed and dated "1962" by the artist. #38 in "Chagall's Posters - A Cataloque Raisonne', Sorlier, 1975"The Bay of Angels" 1962Commissioned by French Tourist Office to promote the French southern city of Nice and the Cote d'Azur. Published by French Tourist Office, printed by Mourlot, Paris, France. Signed. Poster. Codice libro della libreria UP1004-B

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