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Chagall - LA FONTAINE Jean de

Editore: Paris, T?riade Editeur (Presses de l'Imprimerie National de France), 1952, (1952)

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Descrizione libro: Paris, T?riade Editeur (Presses de l'Imprimerie National de France), 1952, 1952. Condizione libro: molto buono. 2 volumi in-folio (mm.390x305), a fogli sciolti sotto copertine editoriali illustrate da due incisioni dell'artista, in astucci di cartone. Illustrati da 100 acquaforti originali di Chagall in tavole fuori testo. Tiratura complessiva di 210 esemplari su carta forte ''v?lin de Rives'', tutti portanti la firma autografa dell'artista sul foglio di giustificazione. Il presente ? l'esemplare n. X (su XV) fuori commercio, riservati ai collaboratori. Questa edizione delle Favole fu voluta dall'editore Ambroise Vollard, il quale chiese a Chagall di esserne l'illustratore. Egli ader? e incise i 102 rami dal 1927 al 1930, i quali vennero conservati e impressi in tiratura originale e, in seguito, inseriti nella presente edizione T?riade del 1952. E' certamente una delle pi? significative serie d'incisioni del XX secolo, tra i capolavori dell'artista. Vollard scelse l'artista russo come illustratore di un poema classico francese per la sua fantasia, per la sua vicinanza natale alla cultura orientale, al guardare gli animali come personaggi con le qualit? ed i vizi degli uomini. Esemplare in perfetta conservazione. Sorlier, chagall e Vollard, pp.75-126. Rauch, n.147. Chapon, Le peintre et le livre, pp. 219 e seguenti. Codice libro della libreria 0000000007260

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The story of exodus: Suite de 23: CHAGALL Marc

CHAGALL Marc

Editore: AMIEL Léon (1966)

Usato couverture souple Prima edizione

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Descrizione libro: AMIEL Léon, 1966. couverture souple. - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, 23 planches. - Lithographies originales en couleurs, chacune faisant partie des 15 épreuves imprimées sur papier Japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres Japon et 250 Arches. épreuves non signées, comme toutes les épreuves de cette série, hormis le frontispice. Superbes épreuves sur Japon réalisées spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXème siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. « Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti. ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir. » (Pierre Cabanne, in Cinquante années de lithographie) Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coïncide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce cycle décoratif intitulé « Le Message biblique » sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du Message biblique Marc-Chagall. Rarissimes épreuves originales imprimées sur Japon, le plus beau papier et le meilleur pour les gravures en couleurs. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti . have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. Codice libro della libreria 58300

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Illustrations for the Bible: CHAGALL, MARC

CHAGALL, MARC

Editore: Harcourt, Brace and Company, New York (1956)

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Descrizione libro: Harcourt, Brace and Company, New York, 1956. Condizione libro: Fine. Condizione sovraccoperta: Good. First Edition. First American edition, INSCRIBED BY CHAGALL AND WITH STUNNING ORIGINAL FULL-PAGE COLOR DRAWING of Moses receiving the tablets on title page. With important provenance. The astonishing original Chagall drawing, which fills nearly the entire title page (10.5x14 inches) depicts Moses receiving the Ten Commandments with an angel to his side. On the right border a dove emerges from a tree and above all is a rich, blue sky. Composed with orange, blue, and green crayons, pencil, and ink. Complete with 16 lithographs in color, 12 in black and white, plus the lithograph cover, all specially created for this book. Also illustrated with reproductions in heliogravure of the 105 etchings made by Chagall for the illustrations of the Bible. Provenance: Inscribed by Chagall: "Pour Lenette et George Nayor --> NJ 1966 Marc Chagall" and from the collection of Herman Krawitz, former assistant general manager of the Metropolitan Opera House. Krawitz was the son-in-law of the dedicatees Lenette and George Nayor. "Herman Krawitz worked for the Metropolitan Opera for nineteen years, with nine of those years as Assistant General Manager. During this time he worked closely with Marc Chagall. In 1966, Chagall painted two monumental murals for the outside of the Metropolitan Opera in New York. On display in the lobby, the murals are approximately 30 ft (9.1 m) by 36 ft (11 m) and visible to the outside plaza. The south wall holds the work entitled The Triumph of Music while the north wall contains The Sources of Music" (Llyn Towner, "Herman Krawitz 'Working with Chagall'"). Note: The inscription is dated 1966, the same year Krawitz was working with Chagall on the murals. New York: Harcourt, Brace and Company, 1956. Folio, original pictorial (lithographed) boards, original dust jacket. Book with tape residue to endpapers, otherwise book and lithographs fine; extremely scarce dust jacket (almost never seen) with chipping, edgewear, and damage to spine. Housed in a stunning custom box by noted book artist Sjoerd Hofstra. A REMARKABLE, ORIGINAL CHAGALL WORK. Codice libro della libreria 1645

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AKSELROD, Meer

Editore: 1927

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Da: Historicana (Burlingame, CA, U.S.A.)

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Descrizione libro: 1927. Condizione libro: Fine. October in Belorussia - Original Painting capturing the Pogroms and the urgency of Jewish migrationAKSELROD, Meer. October in Belorussia. 1927. Original watercolor, gouache and pencil on paper. Image measures 12 inches x 19 inches; framed 24 inches x 30 inches. Initialed on the front by the artist and signed on the verso with an additional pencil sketch of a nude. Excellent condition. Elegantly framed. ONE OF THE MOST DISTINGUISHED MODERN RUSSIAN JEWISH ARTISTS, Meer Akselrod (1902-1970) was born in Molodechno, a small "shtetl" in Belorussia not far from Vitebsk, the native town of Marc Chagall. Like Chagall the images of his Jewish village upbringing have served as inspiration for much of his work. The years immediately following the Russian Revolution were a golden age for the arts in that nation. Painting, literature, music and theatre were all supported and encouraged. Meer Akselrod (known as Mark to his friends) benefited greatly from this artistic spring. Unfortunately by the 1930’s the avant-garde was no longer favored and artists were forced to conform to the dictates of Socialist Reform or leave the country as did Chagall and Kandinsky. Akselrod went underground instead and began to paint more realistic imagery. His Jewish content made him always a figure of controversy with the communist regime. ILLUMINATING HIS NATIVE SHTETL. At the time of this painting the artist was in his mid-twenties and it is one of a series that he completed over the course of several years that illuminated his native "shtetl". Belorussia had long been a target of murderous pogroms as the Jews there, always subject to economic polarization, ethnic inequality and religious intolerance, were understandably receptive to revolutionary ideas. The early "October" massacres of the 20th century (1903-05) were never to be forgotten. This painting portrays a crowded street scene of frantic villagers pushing carts, carrying children and large sacks of belongings and food. There is a fervent sense of movement. They are rushing to leave, to escape. In the background is what appears to be a soldier on horseback rounding up an indistinct group of villagers. A horrible sense of irony accompanies this image from the hindsight of the 21st century for in 1943 over 16,000 Jews were killed in Belorussia.The illustrated biographical book Meer Akselrod by Elena Akselrod: Jerusalem, 1993. contains this reference on page 32: " as a student in the faculty of the graphic arts, Akselrod chose gouache and tempera as the media for his diploma work. Akselrod’s diploma work was studies for large-scale murals on the theme October in Belorussia. These many-figured compositions were to depict the capture of factories and estates, political meetings and so forth. In 1935 Akselrod was commissioned to do murals for Government House in Minsk. Using his gouaches of 1927 as a starting point, the artist did a series of new studies. This work was never completed, though Akselrod did paint the canvas, The Capture of the Estate." Plate 36 reproduced in this book, White Poles in Minsk [1927] is from this same series.PROVENANCE: An inscription, signed R.[Rivka] Rubina, (the artist’s wife and an important Yiddish author in Russia) is placed near the nude sketch on the verso of the painting. It states that this piece was given as a gift to Ella Minukhin. After Minukhin’s death it reverted to Elena Akselrod, his daughter, from whom this work was purchased. Codice libro della libreria 54

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CHAGALL, Marc.

Editore: Monte Carlo Andre Sauret (1962)

Usato Rilegato Prima edizione

Quantità: 1

Da: Shapero Rare Books (London, Regno Unito)

Valutazione libreria: 3 stelle

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Descrizione libro: Monte Carlo Andre Sauret, 1962. First edition. Folio ( 36 x 27 cm), limited to 270 numbered copies. With an original double page (46.1 x 30 cm) crayon and watercolor drawing to the verso of the justification page, signed and dated "Marc Chagall 1973" (lower right) and dedicated "pour ami Gustav Zumsteg" (lower left). Comprising title page, text in French by Jean Leymarie, justification, table of contents and the complete set of seven lithographs (including three in colours), on Arches paper, signed in pencil by the artist and the publisher on the justification page, unbound as issued. Contained in a Bristol-lined Arches wove cover. The box covered with grey-green cloth, printed in gold on the front, faint offprint on text pages, an excellent example. Autograph presentation copy from Chagall to his friend Gustav Zumsteg, with an original watercolour. In 1960, Marc Chagall was asked by the Hadassah Medical Center in Jerusalem to realise twelve designs in stained glass for its new synagogue. To Chagall this work was a "modest gift to the Jewish people". Inspired by his life-long study of the Bible, Chagall realised these designs on the theme of Moses' blessing of the Twelve Tribes of Israel. Following Judaism's injunction against depicting human images, the artworks are composed of animals, flowers, trees and Jewish symbols. Each window design, dominated by a specific colour, contains a quotation from the individual blessings. Many considered these windows as Chagall's crowning achievement, and the artist himself confessed his emotions in regards to this work: "they have completely transformed my vision, they gave me a great shock, made me reflect. I don't know how I shall paint from now on, but I believe something is taking place." In 1961, prior to their installation in the synagogue, the twelve windows were exhibited in the Louvre and the New York's MoMA, where they had the greatest success. "Peter Salz, Curator of the Museum's department of painting and sculpture exhibitions and director of the exhibition, believes that the Chagall windows are among the finest work done in stained glass since medieval times." (MoMA) On February 6, 1962, the newly decorated synagogue was dedicated in presence of the artist. "This is my modest gift to the Jewish people who have always dreamt of biblical love, friendship and of peace among all peoples. This is my gift to that people which lived here thousands of years ago among the other Semitic people." (Marc Chagall, February 6, 1962) This work contains Chagall's sketches and studies for the windows. The lithographs, highly colourful, show an insight into the making of these exceptional art works, along with the Biblical quotations they illustrate. Gustav Zumsteg, who died in 2013 at the age of almost 90, studied and worked as a young man in Paris, where he met and befriended Picasso, Matisse and Chagall. He started as an apprentice at the silk maker Abraham, a supplier of fabrics for fashion houses such as Yves Saint Laurent, and later bought the company. Zumsteg was one of the most important patrons of Zurich's modern-art museum Kunsthaus and assembled an important collection of modern works of art including paintings as well as illustrated books, often dedicated to him, such as the present work. Codice libro della libreria 90659

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ELUARD (Paul)

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Descrizione libro: Paris, Éditions de Minuit, [15 décembre] 1944. 1 vol. (212 x 137) de 64 pp., maroquin noir, fond de quadrillés irréguliers de filets à froid sur les plats avec pièces de maroquin de divers tons mosaïqués en petits carrés et rectangles, bandes étroites et irrégulières de pièces de veau rouge de différents tons, dos lisse, auteur, titre et date dorés, doublures et gardes de daim rouge, tranches dorées sur témoins, couverture imprimée et dos conservés, chemise, étui (Reliure signée de Paul Bonet, 1959). Edition originale. Portrait d'Eluard par Picasso en frontispice. Un des 20 premiers exemplaires sur vélin pur fil (n° 20). Seuls ces exemplaires sont signés par Pablo Picasso à la justification.Envoi signé : " à Gérald Cramer, avec mon amical souvenir, Paul Eluard" .Le recueil regroupe les poèmes publiés par Eluard pendant l'occupation et dans la clandestinité, sous des signatures divers (Jean du Haut, Maurice Hervent,?). " La haine de l'oppresseur, le martyre de l'otage, la colère de l'innocent sont les thèmes douloureux et obsédants de ce recueil" (in Renaissances, mai 1945, p. 149). C'est aussi un livre important dans l'histoire de l'édition, puisque le premier publié au grand jour par les Éditions de Minuit. C'est l'un des rares recueils d'Eluard à figurer encore au catalogue de la maison. Ce titre "s'imposera comme l'un des succès de poésie à la Libération" (Vignes), ce qui expliques les trois rééditions successives qui suivront le premier tirage de 5000 exemplaires : 10 000 seront imprimés en avril (sur papier bleuté), puis à nouveau 5000 l'année suivante. Chaque édition sera augmentée de cinq poèmes inédits. Exemplaire comportant des corrections autographes à l'encre de l'auteur (pp. 16, 18 et 20). Il existe également six exemplaires hors commerce (trois sont connus, et tous justifiés /6). Daniel Filipacchi possédait l'un d'eux (vente, 2005, n° 113). La reliure de Bonet est la quatrième et dernière réalisée pour ce titre (n° 1260 dans les Carnets). Il avait auparavant relié les n° 5 ("une reliure où vulgarité anecdotique et mavais goût se rencontrent" !), le 5/6 hors commerce ("reliure bien meilleure que la précédente") et le n° 12. Les travaux sur cet exemplaire 20 sont entamés à la fin de l'année 1958, pour être confié à Desmules en février 1959, puis à Raphaël pour la dorure en juin. Un mot enfin sur le dédicataire : Gérald Cramer est le 22 juin 1916 à Genève .Très actif sur le marché de l'art en tant que libraire, éditeur, et marchand d'estampes, il ouvre en 1943 la librairie spécialisée Gérald Cramer, rue Adhémar-Fabri puis, huit ans plus tard, sa galerie. Ses publications et ses expositions, notamment de Joan Miró, Marc Chagall, Pablo Picasso et Henry Moore, feront date. A l'occasion du centenaire de sa naissance, le Cabinet d'arts graphiques de Genève présentait, jusqu'au au 29 janvier 2017, une importante exposition, "Gérald Cramer et se artistes". Grand amateur de Picasso, il financera en 1944 la parution de la collection "Les grands peintres et leurs amis", dont le premier titre est consacré à Pablo Picasso et est rédigé par Paul Eluard, en achètant aux Éditions des trois collines - qui publient l'ouvrage - la totalité des grands papiers. Il fera de même l'année suivante pour Braque le Patron. Eluard et Cramer collaboreront à plusieurs reprises, notamment pour la monumentale édition d'A toute épreuve (Cramer, 1959), illustré par Miro. Des bibliothèques Gérald Cramer (envoi signé) ; Colonel Sicklès (d'après Bonet) ; Maurice Joullié (ex-libris).Titre rare, souvent manquant dans plusieurs grandes collections. Lhermitte 235 ; Vignes, Bibliographies des Éditions de Minuit, 27 ; Vignes, L'Intelligence en guerre, 52 ; Goeppert-Cramer, 40 ; Codice libro della libreria 18596

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CHAGALL, Marc; Bible; MARC CHAGALL

Usato Rilegato copia autogr.

Quantità: 1

Da: Ursus Rare Books (New York, NY, U.S.A.)

Valutazione libreria: 2 stelle

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Descrizione libro: 1979. PRESENTATION COPY WITH ORIGINAL CHAGALL DRAWING CHAGALL, Marc. Psaumes de David. [2], 66, [8] pp. Illustrated with 30-full page etchings with aquatint by Chagall. 4to., 280 x 215 mm, bound in publisher's full vellum, gilt lettered spine, and matching vellum slipcase. Geneva: Gerald Cramer, 1979. One of the last statements Chagall issued in book format that used Biblical subject matter for his illustrations. The 30 etched sheets are filled with images from the Psalms and printed on a yellow/ochre background. This special copy has a full-page drawing by Chagall in pencil, red and blue crayon and inscribed: "Paul de Vehel / 1981." the facing half-title with the presentation: "pour 1.A et Cecile / Victor / a bok / Souvenir / Marc Chagall." The text and typography were done by Fequet-Baudier; the etchings were printed by Lacourière et Frélaut. One of an edition of 175 copies on Arches wove paper. The colophon is signed by Chagall. A fine copy. Cramer, Marc Chagall, The Illustrated Books, 108. Codice libro della libreria 122007

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ELUARD (Paul)

Usato Prima edizione copia autogr.

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Da: Librairie Walden (Orléans, FR, Francia)

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Descrizione libro: Paris, Louis Broder, coll. « Écrits et gravures, IV », [novembre] 1956. 1 vol. (195 x 180 mm), non paginé, maroquin noir sur les plats, entouré et recouvert d?un décor entièrement mosaïqué de pièces rectangulaires de tailles et couleurs variées, dos orné des mêmes pièces se rejoignant par couleurs pour former 15 faux-nerfs, titrage d?ELUARD à la chinoise mosaïqué en maroquin noir, doublures et gardes de box gris souris, tranches dorées sur témoins, couverture imprimée et dos conservés, toutes les estampes montées suronglets, chemise de demi-box gris souris à rabats, étui bordé (Reliure signée de Pierre-Lucien Martin, 1962). Edition originale. Tirage unique à 120 exemplaires sur vélin de Rives (n° 91).Fameuse illustration gravée par une pléiade d?artistes : il ne manque aucun de ceux qui ont collaboré avec Paul Eluard, devenant, pour une grande majorité, de vrais amis et compagnons de route : Valentine Hugo, Fernand Léger, Jacques Villon, Max Ernst, Alberto Giacometti, Marc Chagall, André Masson, Georges Braque, Joan Miro, Hans Arp, Yves Tanguy, André Beaudin, Oscar Dominguez, Henri Laurens et Pablo Picasso. Cet extraordinaire livre est un hommage à Paul Éluard, mort en 1952 ; il contient 12 de ses poèmes, principalement tirés d'Exemples (1921), de Mourir de ne pas mourir (1924), de Capitale de la douleur (1926) et de Cours naturel (1938).16 gravures originales montées sur onglets : deux pointes sèches de Pablo Picasso, dont une en frontispice et une sur double page ; une eau-forte en couleurs sur double page de Georges Braque ; une lithographie en couleurs sur double page de Fernand Léger; une eau-forte en couleurs de Max Ernst ; une pointe-sèche en couleurs d?André Beaudin ; une eau-forte sur double page de Marc Chagall ; une eauforte en couleurs d?André Masson ; un bois en noir de Jean Arp ; une pointe-sèche d?Oscar Dominguez ; une eau-forte en couleurs sur double page de Joan Miró ; une eau-forte d?Alberto Giacometti ; une eau-forte en couleurs de Jacques Villon ; un bois en couleurs d?Henri Laurens ; un portrait de Paul Eluard à la pointe sèche de Valentine Hugo et une eau-forte d?Yves Tanguy.L?exemplaire porte les signatures autographes de Valentine Hugo, Jacques Villon, Marc Chagall, Hans Arp, Max Ernst, André Beaudin, André Masson, Dominguez, Georges Braque, Joan Miro, Alberto Giacometti et Pablo Picasso, sur la justification de tirage, au crayon à papier. Seules manquent les signatures de Laurens, Tanguy et Léger, les artistes étant morts avant la fin de la publication de l?ouvrage., après Le Rempart de brindilles (4 eaux-fortes de Wilfredo Lam, I, 1953), Chroniques des temps héroïques (3 pointes-sèches de Picasso, III, 1956), Galapagos, Les îles du bout du monde (11 eaux-fortes de Max Ernst, II, 1955), La Bibliothèque est en feu (une eau-forte de Georges Braque, V, 1956), Août (4 eaux-fortes de Georges Braque, VII, 1958) et Nous avons (5 eaux-fortes de Miro, VIII, 1959).Exemplaire parfait, dans une reliure strictement contemporaine de Pierre-Lucien Martin.Première reliure réalisée par Martin sur ce titre. Un autre exemplaire (celui du libraire Bernard Loliée), réalisé en 1964, s'inspirera de ce décor (Sotheby's, vente II, Dada-Surréalisme, lot 315).De la bibliothèque de Maurice Joullié (ex-libris).Goeppert-Cramer 81; Malet-Cramer 37; Meyer-Cramer 27; Saphire-Cramer 37. Codice libro della libreria 18563

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Chagall, Marc.

Editore: St. Gallen: Erker. (1978)

Usato

Quantità: 2

Da: Wittenborn Art Books (San Francisco, CA, U.S.A.)

Valutazione libreria: 4 stelle

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Descrizione libro: St. Gallen: Erker., 1978. Condizione libro: Good. Color lithograph. (Mourlot no. 321 from 1968.) One of 150 hand numbered impressions on Rives. 23.4 x 17.7 cm.; double page size 39.5 x 29 cm. Lithographed text by Cassou on a facing page. Part of portfolio, our ID# 07-0191. Inquire about availability of individual prints. Codice libro della libreria 07-0748

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Blum, Kurt:

Editore: Bern (1978)

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Descrizione libro: Bern, 1978. 40x30,5 cm. 22 photos tirages argentique. Dans un coffret toilé (53x40 cm). 1/30 exemplaires nummérotés, signés et avec tampon du photographe. Portraits de Georges Braque, Marc Chagall, Le Corbusier, Sam Francis, Alberto Giacometti, Max Gubler, Al Held, Alfred Jensen, Willem de Kooning, Fernand Léger, Philip Martin, Georges Mathieu, Gabriele Münter, Barnett Newman, Meret Oppenheim, Pablo Picasso, Serge Poliakoff, Germaine Richier, Jean-Paul Riopelle, Dieter Roth, Mark Rothko, Marc Tobey. Kurt Blum, né le 25 août 1922 à Berne et mort le 30 décembre 2005, est un photographe et réalisateur suisse de films documentaires. Kurt Blum débute comme photographe à la Bibliothèque nationale à Berne, puis comme photographe indépendant et réalisateur de documentaires pour une clientèle d'entreprises industrielles. Dans les années 1950 et 1960 Blum réalise des documentaires sur des artistes, comme Pablo Picasso. En 1981, il ouvre une galerie de peintures et de photographie à Praz (Vully). Il a exposé son travail dans de nombreuses expositions collectives et ses photographies ont été publiées dans plusieurs livres. Ses œuvres se retrouvent dans plusieurs musées et collections, tel que le Kunstmuseum de Berne. Blum est connu pour ses portraits d'artistes célèbres Ses portraits proviennent presque exclusivement des ateliers des artistes et offrent un éclairage important sur leur travail. Il travaille dans une certaine réciprocité avec les artistes. L'environnement artistique inspire son regard et son regard influence l'art. Ses photographies ont un contenu physique mais aussi psychique. Ses images sont habillées d'un message. Il travaille dans la retenue, sa démarche est toujours « attentionnée ». (Koetzle, Photographes de A-Z). Codice libro della libreria 51226BB

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Marc Chagall

Editore: Les Bibliophiles de l'Union Française (1958)

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Descrizione libro: Les Bibliophiles de l'Union Française, 1958. Hardcover. Condizione libro: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. CHAGALL, Marc, PAULHAN, Jean. "De Mauvais Sujets". Paris: Les Bibliophiles de l'Union Française, 1958. [17 5/16" x 13 3/16"]. 10 illustrations. (10 hors text.) Signed by Jean Paulhan and Marc Chagall, on Arches. Loose as issued. In original boards and chemise. Contained in slipcase and chemise. ex no 35/153. Marc Chagall interprets Paulhan's story in ten typically poetical and charming original color etchings with aquatint. Printed on Arches vellum, the plates and text are very clean; interior in overall excellent condition. Codice libro della libreria ABE-16496540307

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CHAGALL Marc CAIN Julien

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Descrizione libro: 1960. First Edition. (CHAGALL, Marc) CAIN, Julien and SORLIER, Charles. The Lithographs of Chagall. Monte Carlo, New York, Boston: André Sauret; George Braziller; Boston Book and Art Shop, 1960-86. Six volumes. Folio (10 by 13 inches), original beige cloth, original dust jackets each with original lithograph, original acetates. $17,000.Mixed first French, German and English editions of all six volumes in the catalogue raisonné of Chagall’s lithographs, richly illustrated with 28 original lithographs (including the dust jackets). Volume I inscribed, "To Shirlyy [sic] and Jack Mandel, Marc Chagall, N.Y. 1963.""Chagall's emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris" (Dictionary of Modern Art). His art was aptly described by his biographer as "a troubling alloy of naturalism and magic fiction" (Sidney Alexander). For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where such greats as Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making process. "For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his first attempts printed" (Sorlier, 45). Volumes I and II contain 24 of the original 28 lithographs published throughout the series; the dust jackets and frontispieces of Volumes III and IV account for the remaining four. (Volume V was published near the end of Chagall's life, and Volume VI was published posthumously.) All were issued separately over a period of 26 years and are very scarce as a complete set. All volumes published simultaneously in English, French and German. This set is comprised of Volumes I and III in English, Volumes II and IV in French, and Volumes V and VI in German. Volumes I and II were also issued in a deluxe signed limited edition of only 100 and 150 copies. Cramer, 43, 56, 77, 94. Gauss 391. Freitag 1914. Sorlier, 229. The recipients of this copy, Shirley and Jack Mandel, were instrumental in operating Camp NYDA, the summer camp for diabetic children conducted by the New York Diabetes Association.A fine inscribed set. Signed. Codice libro della libreria 107030

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View. A complete set.: FORD, Charles Henri

FORD, Charles Henri (ed.)

Editore: New York: View, 1940–7 (1940)

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Descrizione libro: New York: View, 1940–7, 1940. 37 numbers in 32 issues + several supplements, various formats, original wrappers, many pictorial. Housed in a black flat back cloth box with the title stamped in blind down the spine. Some minor fraying and one or two accession stamps to the odd volume but an exceptional set in original condition. The four issues which comprise volume 2 bound together for the publisher in mauve flock and inscribed by the editor "Darling, a bound volume with unbounded love, Charlie". Copiously illustrated. A complete set, one volume inscribed by Ford, of first printings of the remarkable American literary and art magazine published by artist and writer Charles Henri Ford and writer and film critic Parker Tyler. View covered the contemporary avant-garde and Surrealist scene, and was published quarterly as finances permitted. The roster of prestigious contributors, many emigres among them, signalled the shift of the centre of the art world from Paris to New York. The issues often contained supplementary material, sometimes merely a single leaf insert, that is often found lacking in commerce. All parts in this collection have these parts present and correct. Contributors include authors like Wallace Stevens, William Carlos Williams, Joseph Cornell, Edouard Roditi, Henry Miller, Lawrence Durrell, Paul Bowles, Brion Gysin, Philip Lamantia, Paul Goodman, Marshall McLuhan, Andre Breton, Raymond Roussel, Albert Camus, Jean-Paul Sartre, Jean Genet, Jorge Louis Borges, as well as artists such as Pablo Picasso, Paul Klee, Fernand Leger, Georgia O'Keefe, Man Ray, Joan Miro, Alexander Calder, Isamu Noguchi, Marc Chagall, Rene Magritte, and Jean Dubuffet (Surrealism in Belgium, Dec. 1946). The Surrealism Special (7-8, 1941) features Artaud, Victor Brauner, Leonora Carrington, Marcel Duchamp and Andre Masson. The set includes the special numbers of the magazine featuring Max Ernst (April 1942), the Yves Tanguy-Pavel Tchelitchew number with Nicolas Calas, Benjamin Peter, Kurt Seligmann, James Johnson Sweeney, Harold Rosenberg and Charles Henri Ford on Tanguy, Parker Tyler, Lincoln Kirstein and others on Tchelitchew (May 1942) and Marcel Duchamp, with an essay by Andre Breton (March 1945). Codice libro della libreria 109741

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Psaumes de David.: CHAGALL, Marc.

CHAGALL, Marc.

Editore: Geneva Gérald Cramer (1979)

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Descrizione libro: Geneva Gérald Cramer, 1979. First edition. Quarto (28 x 21.5 cm), edition limited to 175 numbered copies, on velin d'Arches signed by Chagall in pencil on colophon leaf, 66, [10] pp., illustrated with 30 full-page etchings with aquatint on ochre-coloured grounds, publisher's gilt-lettered vellum, slipcase, a fine example. One of the last of Chagall's bible-inspired books. Signed by the Artist. Copy no.114 out of 175 issued. The 30 etched sheets illustrating the Psalms are printed on a yellow/ochre background, opposite the relevant psalm fragment in French. King David was a favourite of Chagall's among other Biblical heroes, partly because David was the name of Chagall's brother, who died of tuberculosis in the Crimea. In the illustration for Psalm 39 (p.36), an artist sits in front of an easel and paints David and his harp. Verse 4 begins: "Lord, let me know my end, and what is the measure of my days." Cramer 108. Codice libro della libreria 93443

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Derrière le Miroir No. 66-67-68, Juin -: Chagall, Marc (Lithographs

Chagall, Marc (Lithographs by); Marcel Arland, Lionello Venturi (Texts by)

Editore: Maeght, Paris (1954)

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Descrizione libro: Maeght, Paris, 1954. Softcover. Condizione libro: vg. First edition. Folio (15 1/8 x 11"). Unpaginated. [24]pp. Original lithographic wrappers. By far, this work is the most desirable issue of "Derrière le Miroir," featuring Marc Chagall's Paris-themed work exhibited at Maeght in the Summer of 1954. This issue is complete with its 11 stunning lithographs: nine in full color (including wrappers), and two in black and white. Spine rubbed, and slightly creased. Minor soiling / age-toning at upper and lower margin of front cover. 1/2" closed tear at lower margin of front cover (not affecting lettering nor lithograph). Text in French. Wrappers in overall good+ to very good, interior in very good condition. Codice libro della libreria 41820

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Richard Lindner: Ionesco, Eugene

Ionesco, Eugene

Editore: Fernand Mourlot, Paris (1975)

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Descrizione libro: Fernand Mourlot, Paris, 1975. Lindner, Richard (illustratore). Elephant folio. (38)ff. One of 150 copies. Contains ten lithographs measuring 28 1/2 by 20 3/4 inches, each signed by the artist, Richard Lindner, and numbered and counter-initialed by Fernand Mourlot, the printer/publisher who produced the lithographs. In his introduction, Ionesco describes Lindner as "one of the great contemporary masters. His work lies within the realm of caricature, painting, and theater. It is interpretation of reality, but reality is not realistic." Mourlot, who worked with all the great artists of the twentieth century, writes that Lindner created ten original gouaches and watercolors for this series, supervised the transfer to the stones, corrected the colors, retouched the plates, and oversaw the printing with such a perfectionist's eye that "only Marc Chagall forced us to run the plates so many times through the presses." An extremely fine copy, loose as issued, in a printed quarter-vellum clamshell box. Codice libro della libreria 15455

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Descrizione libro: Die schönste moderne Ausgabe von Shakespeares Komödie "The Tempest" mit 50 Orig.-Lithographien von Marc Chagall. Eines von 250 numerierten Exemplaren, im Druckvermerk von Chagall signiert. Tadellos in der Erhaltung. - Mourlot 846-895. Codice libro della libreria 11512AB

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David Hofstein, Marc Chagall

Editore: Kiev: Kultur-Lige (1922)

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Descrizione libro: Kiev: Kultur-Lige, 1922. Soft cover. Condizione libro: Very Good. 1st Edition. Folio 36x25 cm., illustrated wrappers, with 5 illustrations (2 on white paper). The letterpress text includes typographic designs. Troyer includes a collection of moving poems in response to the pogroms against the Jews in the Ukraine during the civil war. Chagall’s illustrations show “a man with weeping hands, the next [illustration] refers to blood dripping amid sunshine, and the last is a moving drawing of a series of houses over a headless body symbolizing the pogroms” (Apter-Gabriel, 62). Organized at the end of 1917, the Kultur Lige was at the heart of the Jewish cultural renaissance in Kiev, providing education and culture to the Jewish population. It had its own press, which published teaching material, literary and historical studies, literary journals, and children’s books. The artists involved include Lissitzky, Ryback, Chagall and Tchaikov inter alia. This copy with some wear, fading, and restoration to the spine and edges of the original green wrappers, internally very good. This is an unopened and untrimmed copy in a contemporary folding box. Worldcat finds 5 copies of this 1922 edition in North America. Rowell/Wye 373, pp. 142,143; Apter-Gabriel pp. 62, 215, 258. Codice libro della libreria 3406

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Chagall Lithographe. Volume 1 DELUXE EDITION, with: Cain, Julien. Illustrated

Cain, Julien. Illustrated by Marc Chagall.

Editore: Sauret, Paris 1960. (1960)

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Descrizione libro: Sauret, Paris 1960., 1960. Hardcover. Condizione libro: Very Good. 1st Edition. Chagall Lithographe. Volume 1 DELUXE EDITION, with two signed lithographs by Chagall. Cain, Julien. Sauret, Paris 1960. The complete deluxe set Illustrated with 14 original lithographs by Chagall. 4to. In the original wraps (black lithograph) over thin board, red cloth folder and slipcase, bound as issued. Limited edition, one of 100 COPIES on Grand Velin d'Arches, signed by Chagall and Sauret on the limitation page, and with two original lithographs signed by Chagall in frontispiece. Volume one of the catalogue raisonne of Chagall's lithographs. Condition: In very good condition complete of dark red cloth chemise and matching slipcase, color fade on the chemise spine, the rest of the volume, inside and out, is in very condition. Ref: Cramer books 43; Mourlot 282-293, 295-296. PICTURES ON REQUEST. Signed by Illustrator(s). Codice libro della libreria ABE-1475184053638

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CHAGALL Marc CAIN Julien

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Da: Bauman Rare Books (Philadelphia, PA, U.S.A.)

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Descrizione libro: 1960. First Edition. (CHAGALL, Marc) CAIN, Julien and SORLIER, Charles. The Lithographs of Chagall. Monte Carlo, New York, Boston: André Sauret; George Braziller; Boston Book and Art Shop, 1960-86. Six volumes. Folio, original beige cloth, original dust jackets (themselves original lithographs), original acetates. $11,500.First editions in English of the six-volume catalogue raisonné of Chagall’s lithographs, richly illustrated with 28 original lithographs (including the dust jackets)."Chagall's emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris" (Dictionary of Modern Art). For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where such greats as Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making process. "For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his first attempts printed" (Sorlier, 45). Volumes I and II contain 24 of the original 28 lithographs published throughout the series; the dust jackets and frontispieces of Volumes III and IV account for the remaining four. (Volume V was published near the end of Chagall's life, and Volume VI was published posthumously.) All were issued separately over a period of 26 years and are very scarce as a complete set. All volumes published simultaneously in English and French. Volumes I and II also issued in a deluxe signed limited edition of only 100 and 150 copies. Gauss, 391. Freitag 1914. See Cramer, 43, 56, 77, 94. Cloth of Volume II mildly toned, occasional minor nick or rub to extremities of dust jackets and acetate. A beautiful set in about-fine condition. Codice libro della libreria 102869

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STRUCK, Hermann.

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Da: Shapero Rare Books (London, Regno Unito)

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Descrizione libro: 1903. Soft ground etching in black and white; 60 x 50 cm, including frame. Artist's name etched in black at bottom right of etching, with his Hebrew name underneath (Haim Aaron ben David); etching glued on a white background with Theodor Herzl's own signature in pencil at the bottom right; at the bottom left of the picture is a star of David with Hermann Struck's initials in it, to its right is his signature in pencil. Very good condition. Struck's most famous work and one of the symbols of zionism - a powerful portrait of Theodor Herzl, signed by Herzl himself. Hermann Struck (1876-1944) and Theodor Herzl (1860-1904) met several times in Egypt and Vienna before this portrait etching was created in 1903. A fervent Zionist and admirer of Herzl's, Struck made his preparatory sketches for the portrait when he visited the political activist's house in Vienna. During the sixth Zionist Congress in Basel in August 1903, the two met again and on this occasion Herzl asked Struck to allow him to sign a few of the first copies of the etching. Struck depicted Herzl's visionary side by giving us the impression that he is looking towards the future. His radiance is all the more flagrant as the dark background makes his solemn face stand out. Although Struck made two additional etchings of this portrait after Herzl's death, it is the 1903 version that has remained the most famous of his works, and the most iconic of all the portraits of Theodor Herzl. Indeed, the image came to be known as one of the emblems of Zionism and has been used on various posters, products and catalogs ever since: "Within a short period of time the etching became so well known that it emerged as a symbol of Zionism, especially after the death of the charismatic leader in 1904. It was then that the portrait won the respect of all the Zionist circles. By the time the State of Israel was founded, this portrait of Theodor Herzl was considered the epitome of Zionism itself. It decorated the walls of every Zionist event, anywhere." (Hermann Struck, Printmaking Artist. Tefen Open Museum, 2007, page 38). Hermann Struck was a German-Israeli artist who gained fame for his etchings. He published a leading work on the subject, Die Kunst des Radierens, in 1908. He was commissioned to etch portraits of many leading figures of his time, including Einstein and Herzl. Struck acquired a reputation as a teacher of graphic art, and began to teach the techniques of the art print while still in Germany. Among his many students were Max Liebermann, Lovis Corinth, Marc Chagall, Jacob Steinhardt, and Joseph Budko. He moved to Haifa in 1922. Today the city has a museum dedicated to him. Theodor Herzl, a Hungarian journalist of Jewish descent, is regarded as the founding father of political Zionism. By the time the etching was made, he was already known for having chaired the first Zionist congress in 1897. In 1896, at 35 years old, he had published Der Judenstaat, Versuch einer Modernen Lösung der Judenfrage (The Jewish State, Proposal of a modern solution for the Jewish question) in Vienna. The previous year, Herzl had witnessed the Dreyfus affair in Paris and had been appalled at the outbreak of anti-Semitism that it had generated in the "birthplace of human rights". He came to the conclusion that the creation of an independent Jewish state during the 20th century would be the best way for Jews to escape European anti-Semitism. Codice libro della libreria 91304

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Chagall Lithographe. Volume 2 DELUXE EDITION, with: Mourlot, Fernand. Illustrated

Mourlot, Fernand. Illustrated by Marc Chagall.

Editore: Sauret, Paris 1963. (1963)

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Descrizione libro: Sauret, Paris 1963., 1963. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Chagall Lithographe. Volume 2 DELUXE EDITION, with two signed lithographs by Chagall. Mourlot, Fernand. Sauret, Paris, 1963. The complete deluxe set Illustrated with 14 original lithographs by Chagall. 4to. In the original wraps (black lithograph) over thin board, red cloth folder and slipcase, bound as issued. Limited edition, one of 150 COPIES on Grand Velin d'Arches, signed by Chagall and Sauret on the limitation page, and with two original lithographs signed by Chagall. Volume two of the catalogue raisonne of Chagall's lithographs. Condition: In very good condition complete of dark red cloth chemise and matching slipcase, color fade on the chemise spine, very light stains on the justification page and in some others pages, but the lithographs are in excellent conditions with no stains or discolorations. The volume is in very good condition. Ref: Cramer books 56; Mourlot 392-405. PICTURES ON REQUEST. Signed by Illustrator(s). Codice libro della libreria ABE-1475371894514

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Chagall, Marc

Editore: N.p. (1953)

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Descrizione libro: N.p., 1953. First Edition. La Jongleuse ( THE WOMAN JUGGLER ), N.p., Ca. 1960, Original Print, measuring 12.25 x 9.5 inches, fine and most suitable for framing. Of 40 numbered copies SIGNED by the artist, this is unnumbered, but labeled as artists proof, of which there were very few, perhaps as little as 3 such copies. Codice libro della libreria 10822

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Chagall, Bella

Editore: Book League of the Jewish Peoples Fraternal Order, IWO, New York (1945)

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Quantità: 1

Da: Second Story Books, ABAA (Rockville, MD, U.S.A.)

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Descrizione libro: Book League of the Jewish Peoples Fraternal Order, IWO, New York, 1945. Small octavo in dark burgundy cloth with gold letters; VG; front and back gutter slightly open, but binding strong; boards with minimal soiling; edges and paper age-toned; text clean; pp. 167 had a small tear repaired with tape, now discolored with slight offsetting on p. 168; pp. 252; includes 36 line drawings by Mr. Chagall, and his pen inscription in Yiddish on the first front end page; the book depicts in a humorous way Mr. Chagall and his wife's childhood in Russia where they grew up in a small market town; in Hebrew; very scarce; shelved in Case # 2. Dupont. First edition; inscribed by Marc Chagall. Codice libro della libreria 9-13-1258352

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ll - SHAKESPEARE William

Editore: Paris, Editions André Sauret (presses F.Mourlot), 1975, (1975)

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Descrizione libro: Paris, Editions André Sauret (presses F.Mourlot), 1975, 1975. Condizione libro: molto buono. in-folio, pp. 235, a fogli sciolti sotto copertina editoriale in cartoncino, elegante astuccio originale in pergamena con tit. in oro al dorso e al piatto ant. Splendida edizione di 270 esempl. num. su Vélin d'Arches à la forme (n.122), con firma autografa di Chagall a lapis nel foglio di giustificazione. Illustrata da 51 litografie originali di Marc Chagall in bianco-nero: 31 a piena pagina e 20 di varie dimensioni nel testo. Magnifiche composizioni che, se da un lato ricordano la grandiosità e la potenza espressiva delle acqueforti realizzate per la Bibbia, dall'altro esaltano il senso onirico tipico del Daphnis et Cloe. Chagall ha saputo perfettamente interpretare il senso soprannaturale e sognante del dramma, dopo Amleto il più complesso degli scritti shakespeariani. Bellissimo ''livre d'artiste'' in perfetto esemplare Meyer-Cramer, 97. Codice libro della libreria 0000000001155

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Bible - Dessins pour la Bible *: CHAGALL MARC :

CHAGALL MARC :

Editore: Verve, Paris [10.9.1956-29.7.1960] (1960)

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Da: OH 7e CIEL (Lausanne, Svizzera)

Valutazione libreria: 5 stelle

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Descrizione libro: Verve, Paris [10.9.1956-29.7.1960], 1960. Reliés 36 x 27, couvertures illustrées couleurs. Tout petit manque en pied du dos pour le premier tome de ce duo, menus accrocs et traces de manipulation aux deux. 30 lithographies originales, dont 18 en couleur couverture comprise puis 47 lithographies originales dont 25 en couleurs couverture comprise, tirées par Mourlot, outre 105 puis 96 reproductions. Copieux duo biblique à la puissante iconographie.Introductions de Meyer Shapiro et Jean Wahl au premier volume puis de Gaston Bachelard pour le second.Pas si fréquent complet.[Cramer 25 & 42] Éditions originales. L'un des 6'500 exemplaires pour le premier, tirage inconnu du second. Codice libro della libreria YG15829

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Le Portefeuille des Peintres Graveurs Indépendants pour: Christian Zervos
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Descrizione libro: Edition Alberto Morace, Paris, 1925. Soft cover. Condizione libro: Very Good. Limited Edition. Le Portefeuille des Peintres Graveurs Indépendants pour 1925 -II-Eaux-Fortes. Christian Zervos, Illustrators Chagall, Coubine, Galanis, Laboureur, Levy. Edition Alberto Morace, Paris 1925. Rare portfolio with 5 original etchings on Arches paper, all signed and numbered by the artists: Marc Chagall "Nu", O. Coubine "Paysage", D. Galanis "Nature Morte au pichet", J.E. Laboureur "Le 14 Juillet", Léopold Levy "Le Chemin de la Forêt". One of 75 copies in velin d'Arches from a total edition of 115 copies. Loose as issued, complete of the original hard wrapper and introductory essay by Christan Zervos. Condition: the portfolio showing signs of age, the original hard wrapper is worn, scattered stains are on the introductory essay, the etchings are clear on the images, with some minor stains on the white edges, except for Coubine work that is stained on the image. Overall Good/Very Good condition. Ref: Cramer books 4; Kornfeld 39 MORE PICTURES ON REQUEST. Signed by Illustrator(s). Codice libro della libreria B-05-110037

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DIAL - 1920-1929. Complete set as a: T.S. ELIOT, Marc

T.S. ELIOT, Marc CHAGALL, Franz MARC, Natalia GONTCHAROVA, Constantin BRANCUSI, Robert DELAUNAY, Mina LOY, Sherwood ANDERSON, Osip ZADKINE, Max WEBER, Arthur RIMBAUD, Kenneth BURKE, Henry Mc BRIDE, William GROPPER, William Carlos WILLIAMS, Richard BOIX, Waldo FRANK, Jacques LIPCHITZ, Edward P. NAGLE, Paul ROSENFELD, E.E. CUMMINGS, Eric GILL, Gaston LACHAISE, Pablo PICASSO, Marianne MOORE, Edward MUNCH, Thomas MANN, Paul GAUGUIN, Conrad AIKEN, Egon SCIELE, Marie LAURENCIN, Charles DEMUTH, Arthur G. DOVE, Henri MATISSE, Thomas H. BENTON, William ZORACH, Jean COCTEAU, Wyndham LEWIS, Charles VILDRAC, Bertram HARTMAN, Joseph STELLA, Edward NAGLE, Guy PENE du BOIS, Louis ARAGON, Alexander ARCHIPENKO, Jacob EPSTEIN, Odilon REDON, et al.

Usato Rilegato

Quantità: 1

Da: Le Grand Verre (Villejuif, Francia)

Valutazione libreria: 5 stelle

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Spese di spedizione: EUR 14,00
Da: Francia a: U.S.A.

Destinazione, tempi e costi

Descrizione libro: 1920. Couverture rigide. Condizione libro: Bon. New York city 1920-1929. The Dial Compagny. 19 volumes fort in-4°, cartonnés et titrés. Du volume 68 (n°1) au volume 86 (n°7 et dernier), au total 115 numéros. Photographies, bois, vignettes, reproductions en noir et en couleur de C. Sheeler, Stieglitz, Picasso, Wh. Lewis, Archipenko, Matisse, J. Epstein, Larionov, Gontcharova, J. Lipchitz, A. G. Dove, J. Marin, C. Demuth, Chagall, Kokoschka, Masereel, Laurencin, Signac, Munch, Richard Boix, J. Epstein, Brancusi, Delaunay, Severini, Gontcharova, E. Mendelsohn, J. Stella, C. Pansaers, Art nègre, Brancusi, Foujita, Pascin, Derain, et al. Contributions littéraires, critiques poèmes et essais de Mina Loy, C. Pansaers, Djuna Barnes, E. Pound, P. Soupault (sur Dada), J. Joyce, G.B. Munson, Kenneth Burke, Cocteau, G. Stein, E.E. Cummings, P. Rosenfeld, A. Kreymborg, Aragon, P. Morand, Capek, Marsden Hartley, Rimbaud, Proust, W. Frank, et al. Nombreuses textes sur le Surréalisme, le Dadaïsme, Futurisme, l'architecture moderne, la Société Anonyme, les Ballets Russes et al. A noter l'importante contribution de T.S. ELIOT "THE WASTE LAND". Collection complète de la 3ème et dernière époque de Dial qui devint à ce moment le porte-voix du modernisme aux Etats-Unis. Tampons, ex-libris "James V. Brown Library". Manque 6 illustrations contrecollée :avril 1924, janv. et sept. 1925, Avr. 1926, avr. et sept. 1927. 4 feuilles collées, quelques mouillures marginales sans gravité. Ensemble en bon état. (Avant garde periodical, modernism, modern art). Codice libro della libreria ABE-16348250302

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Marc Chagall-Bay of Angels-1962 Mourlot Lithograph-SIGNED: Chagall, Marc

Chagall, Marc

Usato copia autogr.

Quantità: 1

Da: Art Wise (Brooklyn, NY, U.S.A.)

Valutazione libreria: 5 stelle

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Destinazione, tempi e costi

Descrizione libro: 1962. Condizione libro: Good. 39 x 24.25 inches. "Bay of Angels" by Marc Chagall, Signed Lithograph printed in 1962 from an edition size of 5000. The overall size of the Lithograph is 39 x 24.25 inches. The condition of this piece has been graded as B-: Good Condition, Signs of Handling and Age. Here is some supplemental information about the Lithograph: Hand signed and dated "1962" by the artist. #38 in "Chagall's Posters - A Cataloque Raisonne', Sorlier, 1975"The Bay of Angels" 1962Commissioned by French Tourist Office to promote the French southern city of Nice and the Cote d'Azur. Published by French Tourist Office, printed by Mourlot, Paris, France. Signed. Art, Prints & Posters. Codice libro della libreria UP1004-B

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The Lithographs of Chagall. Introduction by Marc: CHAGALL, Marc.) CAIN,

CHAGALL, Marc.) CAIN, Julien.

Editore: Monte Carlo; Boston; New York: André Sauret; Boston Book and Art Shop Inc.; Crown Publisher's Inc., 1960–86 (1960)

Usato Prima edizione

Quantità: 1

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Da: Regno Unito a: U.S.A.

Destinazione, tempi e costi

Descrizione libro: Monte Carlo; Boston; New York: André Sauret; Boston Book and Art Shop Inc.; Crown Publisher's Inc., 1960–86, 1960. 6 volumes, large quarto. Original tan cloth, titles to front covers and spines in black. With the pictorial dust jackets. Volumes 1 to 4 housed in plain card slipcases. Vol. II with just a small tear to foot of front hinge and a couple of pencilled annotations, an excellent set in the bright jackets, vol. I price-clipped. Profusely illustrated throughout and with 24 original lithographs by Chagall. First editions, first printings. The complete catalogue raisonné of Chagall's lithographic work, a monumental feat of publishing which took more than two decades to complete. Codice libro della libreria 117004

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