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Editore: Wesleyan University Press, 1995
ISBN 10: 0819512281ISBN 13: 9780819512284
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
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Editore: Doubleday & Company Inc., 1965
Da: World of Rare Books, Goring-by-Sea, SXW, Regno Unito
Condizione: Good. 1965. No edition remarks. 253 pages. Paperback book with pictorial cover. Pages are faintly tanned with light foxing. Mild cracking to front hinge, however binding remains firm. Paper cover has mild edge wear with mild corner curling. Notable creasing to covers and spine. Moderate tanning to spine. Notable scratching and marking to covers.
Editore: DOUBLEDAY ANCHOR BOOK
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.65.
Editore: Doubleday, Garden City/New York, 1964
Da: Dan Pope Books, West Hartford, CT, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. 1st Edition. Doubleday, Garden City/New York, 1964. First American edition. First printing. A near-fine copy in a good jacket. A clean copy, with price ($4.95) intact on front flap. Comes with archival-quality jacket protector. Note: Front endpaper has some offsetting and clipped upper corner. Jacket has wear, a couple small chips, and light fading on spine (as pictured). F100A.
Editore: Doubleday, New York, 1964
Da: Yes Books, Portland, ME, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Bookplate on FFEP. Foxing on top of text block, little inside Dj. Otherwise this book with is clean and unmarked in very good condition. Clipped. Billingual French/English. First edition. 242 pages.
Editore: Doubleday & Company, Garden City, 1964
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First edition. Translated by William Meredith. Introduction by Francis Steegmuller. Light offsetting on preliminary and pages 14 and 15, spine ends lightly bumped, near fine in a near fine dust jacket with spine ends and corners rubbed. Publisher's business card laid in with a gift Inscription by editor Anne Freedgood to poet Daniel Hoffman.
Editore: Doubleday, 1964
Da: beat book shop, Boulder, CO, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Translated by William Meredith (illustratore). First Edition First Printing. sun faded spine of dust jacket.
Editore: Doubleday, 1964
Da: Glands of Destiny First Edition Books, Sedro Woolley, WA, U.S.A.
Libro
Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. First American Edition. Publisher: Doubleday, New York, 1964. FINE hardcover book in FINE mylar-protected dust-jacket. Translated by William Meredith. Introduction and notes by Francis Steegmuller. As new. Unread. First Edition Thus, First Printing.
Editore: Doubleday & Company, Inc, New York, 1964
Da: The Old Mill Bookshop, HACKETTSTOWN, NJ, U.S.A.
Prima edizione Copia autografata
1 vols. 8vo. First Edition of this translation. First Edition of this translation. 1 vols. 8vo. Inscribed By Translator, William Meridith. Inscribed on front free endpaper,"For Kitty Thomas With Friendship & Xmas wishes- Bill Merdith Princeton 1965" Black cloth, fine in a fine dust jacket.
Editore: Mercure de France, Paris, 1913
Da: Raptis Rare Books, Palm Beach, FL, U.S.A.
Prima edizione Copia autografata
First edition of Apollinaire's first collection of poems, signed by him and Pablo Picasso. Octavo, bound in three quarter morocco with gilt titles and raised bands to the spine, patterned endpapers, frontispiece portrait of the poet by Pablo Picasso. Association copy, inscribed by both Apollinaire and Pablo Picasso on front free endpaper, "A A P.N. Roinard son admirateur Guillaume Apollinaire" and "et pour Robert Valançay Picasso Paris Janvier 1940 et I." Apollinaire has also made five corrections to the text in ink on pages 71, 77, 92, 110 and 189. The recipient of Apollinaire's inscription, Paul-Napolà on Roinard, was a French libertarian painter and poet whom Apollinaire befriended in 1903 and considered "one of the most powerful precursors of the new poetry." Apollinaire dedicated his poem Le Brasier (included in the present volume on p. 129) to Roinard. The recipient of Picasso's inscription, Robert Valançay, was a poet, translator and literary critic who worked with and admired many of the artists and poets of the surrealist group. He published two major volumes of poetry but was most appreciated and sought after for his translations. He was considered the official translator of Max Ernst and Hans Arp. In near fine condition. Original wrappers bound in. A remarkable association copy, linking four major figures of the literary and artistic avant-gardes of the 20th century. French poet, playwright, short story writer, novelist, and art critic Guillaume Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. At the turn of the 20th century, he became one of the most popular members of the artistic community of Paris (both in Montmartre and Montparnasse). His friends and collaborators in that period included Pablo Picasso, Henri Rousseau, Gertrude Stein, Max Jacob, Andrà Salmon, Andrà Breton, Andrà Derain, Faik Konitza, Blaise Cendrars, Giuseppe Ungaretti, Pierre Reverdy, Alexandra Exter, Jean Cocteau, Erik Satie, Ossip Zadkine, Marc Chagall, Marcel Duchamp and Jean Metzinger. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement, the term Orphism in 1912, and the term "Surrealism" in 1917 to describe the works of Erik Satie.