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Editore: Overlook Books; Reprint edition (November 2, 2004), 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: Books of the Smoky Mountains, Del Rio, TN, U.S.A.
Libro
Condizione: very good. Gently used book with ongoing seller support until you're fully satisfied with your purchase.
Editore: Overlook Books, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: Goodwill Books, Hillsboro, OR, U.S.A.
Libro
Condizione: Good. Signs of wear and consistent use.
Editore: Cassell Illustrated, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: RIVERLEE BOOKS, Waltham Cross, HERTS, Regno Unito
Libro
Hardcover. Condizione: Good. Hardback in fair condition- with jacket. Pages in good clean condition. Some markings to edges of pages. Cover is marked and faded. Blue cloth board cover. White dust jacket with title in black lettering. Text pages clean & unmarked. Excellent binding with a straight spine.
Editore: Overlook Press / Reprint, Bergenfield, New Jersey, U.S.A., 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: GREAT PACIFIC BOOKS, Ventura, CA, U.S.A.
Libro
Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Some b/w Illustrations (illustratore). In good condition, some wear to edges, as normal for age. Library pocket in back, but otherwise clean. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. About the author: Eric Hebborn was born in the London suburb of South Kensington to a Cockney family in 1934, although his mother was a gypsy. According to his autobiography, his mother beat him constantly as a child. At the age of eight, he states that he set fire to his school and was sent to Longmoor reformatory in Harold Wood, although his sister Rosemary disputes this.[citation needed] Teachers encouraged his painting talent and he became connected to the Maldon Art Club, where he first exhibited at the age of 15. Hebborn attended Chelmsford Art School and Walthamstow Art School before attending the Royal Academy. He flourished at the Academy, winning the Hacker Portrait prize and the Silver Award, and the Rome Scholarship in Engraving, a two year scholarship to the British School at Rome in 1959.[1] There he became part of the international art scene and formed acquaintances with many artists and art historians, including the British spy, Sir Anthony Blunt in 1960, who told Hebborn that a couple of his drawings looked like Poussins. This sowed the seeds of his forgery career. Hebborn returned to London where he was hired by art restorer George Aczel. During his employ he was instructed not only to restore paintings, but to alter them and improve them. George Aczel graduated him from restoring existing paintings to "restoring" paintings on entirely blank canvases so that they could be sold for more money. A falling out over Eric's knowledge of painting and restoration destroyed the relationship between Aczel and Hebborn. Eric and his lover Graham David Smith also frequented a junk and antique shop near Leicester Square, where Eric befriended one of the owners, Marie Gray. In organizing the prints catalogued in the shop Eric began to understand more about paper, and its history and uses in art. It was on some of these blank, but old, pieces of paper that Eric made his first forgeries. His first true forgeries were pencil drawings after Augustus John and were based on a drawing of a child by Andrea Schiavone. Graham Smith states [2] that several of these were sold to their landlord Mr Davis, several to Bond Street galleries and two or three through Christie's sale rooms. Eventually Hebborn decided to settle in Italy with Graham, and they founded a private gallery there. Life as a forger When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi. Art historians such as Sir John Pope Hennessy declared his paintings to be both authentic and stylistically brilliant and his paintings were sold for tens of thousands of pounds through art auction houses, including Christie's. According to Hebborn himself, he had sold thousands of fake paintings, drawings and sculptures. Most of the drawings Hebborn created were his own work, made to resemble the style of historical artists-and not slightly altered or combined copies of older work. In 1978 a curator at the National Gallery of Art in Washington DC, Konrad Oberhuber, was examining a pair of drawings he had purchased for the museum from Colnaghi an established and reputable old-master dealer in London, one by Savelli Sperandio and the other by Francesco del Cossa. Oberhuber noticed that two drawings had been executed on the same kind of paper. Oberhuber was taken aback by the similarities of the paper used in the two pieces and decided to alert his colleagues in the art world. Upon finding another fake "Cossa" at the Morgan Library, this one having passed through the hands of at least three experts, Oberhuber contacted Colnaghi, the source of all thre. Book.
Editore: Overlook Press / Reprint, Bergenfield, New Jersey, U.S.A., 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: GREAT PACIFIC BOOKS, Ventura, CA, U.S.A.
Libro
Condizione: Good Clean Cond. Condizione sovraccoperta: No Dust Jacket. Some b/w Illustrations (illustratore). In good condition, some wear to edges, as normal for age. Library pocket in back, but otherwise clean. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. About the author: Eric Hebborn was born in the London suburb of South Kensington to a Cockney family in 1934, although his mother was a gypsy. According to his autobiography, his mother beat him constantly as a child. At the age of eight, he states that he set fire to his school and was sent to Longmoor reformatory in Harold Wood, although his sister Rosemary disputes this.[citation needed] Teachers encouraged his painting talent and he became connected to the Maldon Art Club, where he first exhibited at the age of 15. Hebborn attended Chelmsford Art School and Walthamstow Art School before attending the Royal Academy. He flourished at the Academy, winning the Hacker Portrait prize and the Silver Award, and the Rome Scholarship in Engraving, a two year scholarship to the British School at Rome in 1959.[1] There he became part of the international art scene and formed acquaintances with many artists and art historians, including the British spy, Sir Anthony Blunt in 1960, who told Hebborn that a couple of his drawings looked like Poussins. This sowed the seeds of his forgery career. Hebborn returned to London where he was hired by art restorer George Aczel. During his employ he was instructed not only to restore paintings, but to alter them and improve them. George Aczel graduated him from restoring existing paintings to "restoring" paintings on entirely blank canvases so that they could be sold for more money. A falling out over Eric's knowledge of painting and restoration destroyed the relationship between Aczel and Hebborn. Eric and his lover Graham David Smith also frequented a junk and antique shop near Leicester Square, where Eric befriended one of the owners, Marie Gray. In organizing the prints catalogued in the shop Eric began to understand more about paper, and its history and uses in art. It was on some of these blank, but old, pieces of paper that Eric made his first forgeries. His first true forgeries were pencil drawings after Augustus John and were based on a drawing of a child by Andrea Schiavone. Graham Smith states [2] that several of these were sold to their landlord Mr Davis, several to Bond Street galleries and two or three through Christie's sale rooms. Eventually Hebborn decided to settle in Italy with Graham, and they founded a private gallery there. Life as a forger When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi. Art historians such as Sir John Pope Hennessy declared his paintings to be both authentic and stylistically brilliant and his paintings were sold for tens of thousands of pounds through art auction houses, including Christie's. According to Hebborn himself, he had sold thousands of fake paintings, drawings and sculptures. Most of the drawings Hebborn created were his own work, made to resemble the style of historical artists-and not slightly altered or combined copies of older work. In 1978 a curator at the National Gallery of Art in Washington DC, Konrad Oberhuber, was examining a pair of drawings he had purchased for the museum from Colnaghi an established and reputable old-master dealer in London, one by Savelli Sperandio and the other by Francesco del Cossa. Oberhuber noticed that two drawings had been executed on the same kind of paper. Oberhuber was taken aback by the similarities of the paper used in the two pieces and decided to alert his colleagues in the art world. Upon finding another fake "Cossa" at the Morgan Library, this one having passed through the hands of at least three experts, Oberhuber contacted Colnaghi, the source of all thre. Book.
Editore: Cassell, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: Goldstone Books, Llandybie, Regno Unito
Libro
Hardcover. Condizione: Very Good. All orders are dispatched the following working day from our UK warehouse. Established in 2004, we have over 500,000 books in stock. No quibble refund if not completely satisfied.
Editore: Cassell, London, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: tinyBook, Bath, Regno Unito
Libro Prima edizione
Original Cloth. Condizione: Fine. Condizione sovraccoperta: fine. First Edition, first printing. 8vo (24.5cm). Publisher's blue cloth, gilt titles to spine. In a fine, unclipped dust jacket. xvii, 200. 53 plates, mostly in colour, as well as further b&w illustrations, many of his own works, and reproductions of other artists' works. Hebborn's infamous instruction manual on the techniques he used to create numerous forged drawings and paintings. Published shortly after his death in Rome, likely murdered. Appears all but unread, an excellent copy and the best I have handled.
Editore: Overlook Pres, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: bmyguest books, Toronto, ON, Canada
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Clean With No Remarks Or Highlights Inside. Hardcover, 200 Pages With The Index. Hardcover With A Dust Jacket. Price Clipped Dust Jacket.- We ship from Canada and the USA. Specializing in academic, collectible and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.
Editore: Overlook Books, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: THIS OLD BOOK, Brookfield, IL, U.S.A.
Libro
Hardcover. Condizione: As New. Condizione sovraccoperta: Excellent Dust Jacket. First American Edition. A Nice Clean, Square, Unmarked Copy ; Like New in a Like New Dust Jacket! This First American Edition hardcover book has 200 pages including many illustrations. The copyright states 1997 First American Edition with a full number line. I have placed a fresh mylar jacket on this great book. We always ship in a sturdy box.
Editore: Overlook Press / Reprint, Bergenfield, New Jersey, U.S.A., 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: GREAT PACIFIC BOOKS, Ventura, CA, U.S.A.
Libro
Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Some b/w Illustrations (illustratore). In good condition, some wear to edges, as normal for age. Library pocket in back, but otherwise clean. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. About the author: Eric Hebborn was born in the London suburb of South Kensington to a Cockney family in 1934, although his mother was a gypsy. According to his autobiography, his mother beat him constantly as a child. At the age of eight, he states that he set fire to his school and was sent to Longmoor reformatory in Harold Wood, although his sister Rosemary disputes this.[citation needed] Teachers encouraged his painting talent and he became connected to the Maldon Art Club, where he first exhibited at the age of 15. Hebborn attended Chelmsford Art School and Walthamstow Art School before attending the Royal Academy. He flourished at the Academy, winning the Hacker Portrait prize and the Silver Award, and the Rome Scholarship in Engraving, a two year scholarship to the British School at Rome in 1959.[1] There he became part of the international art scene and formed acquaintances with many artists and art historians, including the British spy, Sir Anthony Blunt in 1960, who told Hebborn that a couple of his drawings looked like Poussins. This sowed the seeds of his forgery career. Hebborn returned to London where he was hired by art restorer George Aczel. During his employ he was instructed not only to restore paintings, but to alter them and improve them. George Aczel graduated him from restoring existing paintings to "restoring" paintings on entirely blank canvases so that they could be sold for more money. A falling out over Eric's knowledge of painting and restoration destroyed the relationship between Aczel and Hebborn. Eric and his lover Graham David Smith also frequented a junk and antique shop near Leicester Square, where Eric befriended one of the owners, Marie Gray. In organizing the prints catalogued in the shop Eric began to understand more about paper, and its history and uses in art. It was on some of these blank, but old, pieces of paper that Eric made his first forgeries. His first true forgeries were pencil drawings after Augustus John and were based on a drawing of a child by Andrea Schiavone. Graham Smith states [2] that several of these were sold to their landlord Mr Davis, several to Bond Street galleries and two or three through Christie's sale rooms. Eventually Hebborn decided to settle in Italy with Graham, and they founded a private gallery there. Life as a forger When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi. Art historians such as Sir John Pope Hennessy declared his paintings to be both authentic and stylistically brilliant and his paintings were sold for tens of thousands of pounds through art auction houses, including Christie's. According to Hebborn himself, he had sold thousands of fake paintings, drawings and sculptures. Most of the drawings Hebborn created were his own work, made to resemble the style of historical artists-and not slightly altered or combined copies of older work. In 1978 a curator at the National Gallery of Art in Washington DC, Konrad Oberhuber, was examining a pair of drawings he had purchased for the museum from Colnaghi an established and reputable old-master dealer in London, one by Savelli Sperandio and the other by Francesco del Cossa. Oberhuber noticed that two drawings had been executed on the same kind of paper. Oberhuber was taken aback by the similarities of the paper used in the two pieces and decided to alert his colleagues in the art world. Upon finding another fake "Cossa" at the Morgan Library, this one having passed through the hands of at least three experts, Oberhuber contacted Colnaghi, the source of all thre. Book.
Editore: Cassell Illustrated Publishing, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: Salish Sea Books, Bellingham, WA, U.S.A.
Libro
Condizione: Good. Good in a Very Good dust jacket; Hardcover; Withdrawn library copy with the standard library markings; Clean jacket with no tears (Now fitted with a new, Brodart jacket protector); Moderate wear to the boards; Library stamps to endpapers; Text pages clean & unmarked; Excellent binding with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); White dust jacket with title in black lettering; 1997, Cassell Illustrated Publishing; 256 pages; "The Art Forger's Handbook," by Eric Hebborn.
Editore: Overlook Books, 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Libro
Paperback. Condizione: new. New. Fast Shipping and good customer service.
Editore: Overlook Books, 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: Wizard Books, Long Beach, CA, U.S.A.
Libro
Paperback. Condizione: new. New.
Editore: Overlook Books; Reprint edition (November 2, 2004), 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: Front Cover Books, Denver, CO, U.S.A.
Libro
Condizione: new.
Editore: Overlook Books, 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Paperback. Condizione: new. New Copy. Customer Service Guaranteed.
Editore: Overlook Books, 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Libro
Condizione: New. In shrink wrap. Looks like an interesting title! 0.97.
Editore: Overlook Books, 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: Grumpys Fine Books, Tijeras, NM, U.S.A.
Libro
Paperback. Condizione: new. Prompt service guaranteed.
Editore: Overlook Books, 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: GoldenDragon, Houston, TX, U.S.A.
Libro
Paperback. Condizione: new. Buy for Great customer experience.
Editore: Cassell Illustrated, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: 84 Charing Cross Road Books, IOBA, Cambridge, CAMBS, Regno Unito
Membro dell'associazione: IOBA
Libro Prima edizione
Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. First Edition. VG-/vG- 1997 1st print Cassell hardback, unclipped DJ. Most of fly-leaf has been removed along edge, some yellowing to pages and spotting to top edge of pages, tight and unmarked. Size: 156\nx 234mm. 256 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Forgery; ISBN: 0304349143. ISBN/EAN: 9780304349142. Dewey Code: 702.874. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 091985.
Editore: Cassell Illustrated 1998 1998, 1998
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Paperback, 200 pages, English, 235 x 160 mm, Fine copy. ISBN 9780304350278. 0 g.
Editore: Overlook Press / Reprint, Bergenfield, New Jersey, U.S.A., 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: GREAT PACIFIC BOOKS, Ventura, CA, U.S.A.
Libro
Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Some b/w Illustrations (illustratore). In good condition, some wear to edges, as normal for age. Library pocket in back, but otherwise clean. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. About the author: Eric Hebborn was born in the London suburb of South Kensington to a Cockney family in 1934, although his mother was a gypsy. According to his autobiography, his mother beat him constantly as a child. At the age of eight, he states that he set fire to his school and was sent to Longmoor reformatory in Harold Wood, although his sister Rosemary disputes this.[citation needed] Teachers encouraged his painting talent and he became connected to the Maldon Art Club, where he first exhibited at the age of 15. Hebborn attended Chelmsford Art School and Walthamstow Art School before attending the Royal Academy. He flourished at the Academy, winning the Hacker Portrait prize and the Silver Award, and the Rome Scholarship in Engraving, a two year scholarship to the British School at Rome in 1959.[1] There he became part of the international art scene and formed acquaintances with many artists and art historians, including the British spy, Sir Anthony Blunt in 1960, who told Hebborn that a couple of his drawings looked like Poussins. This sowed the seeds of his forgery career. Hebborn returned to London where he was hired by art restorer George Aczel. During his employ he was instructed not only to restore paintings, but to alter them and improve them. George Aczel graduated him from restoring existing paintings to "restoring" paintings on entirely blank canvases so that they could be sold for more money. A falling out over Eric's knowledge of painting and restoration destroyed the relationship between Aczel and Hebborn. Eric and his lover Graham David Smith also frequented a junk and antique shop near Leicester Square, where Eric befriended one of the owners, Marie Gray. In organizing the prints catalogued in the shop Eric began to understand more about paper, and its history and uses in art. It was on some of these blank, but old, pieces of paper that Eric made his first forgeries. His first true forgeries were pencil drawings after Augustus John and were based on a drawing of a child by Andrea Schiavone. Graham Smith states [2] that several of these were sold to their landlord Mr Davis, several to Bond Street galleries and two or three through Christie's sale rooms. Eventually Hebborn decided to settle in Italy with Graham, and they founded a private gallery there. Life as a forger When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi. Art historians such as Sir John Pope Hennessy declared his paintings to be both authentic and stylistically brilliant and his paintings were sold for tens of thousands of pounds through art auction houses, including Christie's. According to Hebborn himself, he had sold thousands of fake paintings, drawings and sculptures. Most of the drawings Hebborn created were his own work, made to resemble the style of historical artists-and not slightly altered or combined copies of older work. In 1978 a curator at the National Gallery of Art in Washington DC, Konrad Oberhuber, was examining a pair of drawings he had purchased for the museum from Colnaghi an established and reputable old-master dealer in London, one by Savelli Sperandio and the other by Francesco del Cossa. Oberhuber noticed that two drawings had been executed on the same kind of paper. Oberhuber was taken aback by the similarities of the paper used in the two pieces and decided to alert his colleagues in the art world. Upon finding another fake "Cossa" at the Morgan Library, this one having passed through the hands of at least three experts, Oberhuber contacted Colnaghi, the source of all thre. Book.
Editore: Cassell Illustrated, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: Wizard Books, Long Beach, CA, U.S.A.
Libro
Hardcover. Condizione: very good. Used.
Editore: Overlook Books, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within.
Editore: The Overlook Press, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: Salish Sea Books, Bellingham, WA, U.S.A.
Libro
Condizione: Good. Good in a Good++ dust jacket; Hardcover; Withdrawn library copy with the standard library markings; Clean jacket with no tears (Now fitted with a new, Brodart jacket protector); Moderate edgewear to the boards; Library stamps to endpapers; Text pages clean & unmarked; Excellent binding with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); White dust jacket with title in black lettering; 1997, The Overlook Press; 240 pages; "The Art Forger's Handbook," by Eric Hebborn.
Editore: Overlook Books, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Editore: Overlook Books, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
Editore: Overlook Books, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: Byrd Books, Austin, TX, U.S.A.
Libro
Hardcover. Condizione: very good. In Used Condition.
Editore: Overlook Hardcover 1997-07-01, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: Lost Books, AUSTIN, TX, U.S.A.
Libro
Hardcover. Condizione: Good. 0879517670.
Editore: Cassell Illustrated, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: Antiquariat Mäander Quell, Waldshut-Tiengen, Germania
Libro
Gebundene Ausgabe. Condizione: Gut. 1. 256 S. Gebrauchtes Exemplar in gutem Zustand. KEINE Eintragungen/Markierungen. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Englisch Gewicht in Gramm: 300.
Editore: Cassell, London, 1998
ISBN 10: 0304350273ISBN 13: 9780304350278
Da: The Wild Muse, Granville, NY, U.S.A.
Libro Prima edizione
Soft Cover. Condizione: Near Very Fine. 1st. First edition thus. First English edition (UK). Trade softcover. Published London: Cassell, 1998, first printing. Large 8vo. wrappers, 6 1/4" x 9 1/4", xvii+200pp., illustrated with b/w and color plates. Near very fine, crisp, tight. Size: 8vo.