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Editore: Createspace Independent Pub, 2013
ISBN 10: 1491065966ISBN 13: 9781491065969
Da: -OnTimeBooks-, Phoenix, AZ, U.S.A.
Libro
Condizione: very_good. Book may contain some writing, highlighting, and or cover damage. Shipped fast and reliably!.
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Nuovo - A partire da EUR 19,62
Usato - A partire da EUR 1,92
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Editore: NGA
Da: Books+, Saint Maurice, Francia
In-8, 23 cm, depliant 71 cm, recto-verso, 8 pages illustr., 11 photos, Nb-0220,
Editore: Seven Arts Publishing, New York, 1917
Da: Weller Book Works, A.B.A.A., Salt Lake City, UT, U.S.A.
Wraps. Good. Lightly soiled. Several reases and small closed tears to yapp edges. 8vo.
Editore: Seven Arts Publishing, New York, 1917
Da: Weller Book Works, A.B.A.A., Salt Lake City, UT, U.S.A.
Wraps. Good with corners bumped, short closed tears to yapp edges, and lightly soiled panels. Light bump to textblock coming through from front cover & subtly showing on first several pages. Pages subtly soiled in lower fore edge corner. 8vo.
Data di pubblicazione: 1991
Da: Fantastic Book Discoveries, Cockeysville, MD, U.S.A.
Soft cover. Condizione: Good. 8 pages.
Editore: Metropolitan Museum of Art, New York, 2010
ISBN 10: 1588394050ISBN 13: 9781588394057
Da: BIBLIOPE by Calvello Books, Oakland, CA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. 1st. Silver folio illus in heavy mylar dust jacket; 178 pages (some folded) : chiefly illustrations (some color) ; 32 cm. "Alfred Stieglitz, Edward Steichen, and Paul Strand were among the most influential photographers of the Twentieth Century. This richly illustrated volume tells the story of their interwoven lives and showcases many of their most famous and groundbreaking works ."--Page 4 of cover. Fine; mild rubbing to mylar jacket; pages and binding as new.
Data di pubblicazione: 1986
Da: Fantastic Book Discoveries, Cockeysville, MD, U.S.A.
Soft cover. Condizione: Fair. 4 pages, edges slightly chipped, small area of soiling on front page, mostly a checklist of works with two b/w images.
Editore: Artpress, 1983
Da: castlebooksbcn, Barcelona, Spagna
Rivista / Giornale
Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. William Klein Paul Strand Balthus et David Hamilton Le polaroïd Peter Handke par P. Handke, W. Wenders, N. Casanova, C. Régy, G.-A. Goldschmidt Daniel Buren Anette Messager Van Gogh Werner Schr ter Michael Oblowitz Colloque à l Ircam Foreman à l opéra.
Editore: New York, Aperture Foundation,, 1990
ISBN 10: 0893814423ISBN 13: 9780893814427
Da: Antiquariat Langguth - lesenhilft, Köln, Germania
Libro
171 S. mit zahlreichen Abbildungen. Umfangreiche Werkmonographie hervorragenden Abbildungen. Erschienen anlässlich einer Wanderausstellung 1990 - 1992. Sehr gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 2100 34 x 31,5 cm. Orig.-Pappband mit illustriertem Orig.-Umschlag.
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Editore: San Francisco, CA: The Fine Arts Museums of San Francisco., 1992
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manoscritto / Collezionismo cartaceo
Condizione: Good. [Exhibition brochure]. 8vo. [8 pp.]. Single soft black and white illustrated sheet, accordion-folded into fourths. Good with marginal creasing along bottom of pages and wraps and some pen annotations along back wrap. Black and white photographic plates. Includes list of educational programs related to exhibition. Brochure created to announce traveling exhibition of works by Paul Strand from June 14 through August 16, 1992. From the Collection of the Art Historian Peter Selz.
Editore: Washington, DC: Aperture [u.a.], 1990,, 1990
ISBN 10: 0893814431ISBN 13: 9780893814434
Libro
kart. Condizione: Sehr gut. Catalogue. 171 S. : zahlr. Ill. In english language. Catalogue = Softcover edition. Only slightest signs of wear or usage on softcover, otherwise in very good condition. + + + Broschierter Einband mit nur geringf. Lagerungs- oder Gebrauchsspuren, sonst sauber und gepflegt. Keine Besitzvermerke. 0893814431 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 1200.
Editore: New York. Aperture Foundation., 1990
Da: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germania
Prima edizione
First printing. Groß 4°. 171 S. OLeinen mit OUmschlag. Umschlag mit minimalem Einriss, eine Ecke gering gestaucht, sonst tadellos frisches Exemplar. Umfangreiche Werkmonographie hervorragenden Abbildungen. Erschienen anlässlich einer Wanderausstellung 1990 - 1992, ausgehend von der National Gallery of Art Washington. Durchgehend mit Abbildungen versehen, Text in Englisch.
Editore: Santa Fe, NM, 1989
Da: BBB-Internetbuchantiquariat, Bremen, Germania
Libro
Softcover/Paperback. Condizione: Gut. 57 Seiten zahlreiche Illustrationen Zustand: gut bis sehr gut; Deckel leicht angesdchmutzt, innen sehr gut; h6379 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 300.
Editore: San Francisco, CA / New Haven, CT: Fine Arts Museum of SF / Yale University Press, 2018, 1st Edition, First Printing, USA, 2018
ISBN 10: 0300234023ISBN 13: 9780300234022
Libro Prima edizione
Hard Cover. Condizione: Fine (see description). Condizione sovraccoperta: Fine (see description). Charles Sheeler / Margaret Bourke-White Cover Art (inc. Georgia O'Keeffe; Charles Demuth; Louis Lozowick; Morton Livingston Schamberg; Paul Strand; Edmund Lewandowski; Elsie Driggs, Etc (illustratore). First Edition. -------------( 1st Printing of the First Edition ) ---hardcover, a Near Fine/Fine example in a lightly rubbed Near Fine/Fine dustjacket, 243 pages, profusely illustrated in colour and b&w photos and illustrations, ---"Characterized by highly structured, geometric compositions and lucid forms, Precisionism -a style that emerged in America in the teens and flourished during the 1920s and 1930s-reconciled realism with abstraction and wed European art movements to American subject matter to create a streamlined, -machined- aesthetic with themes ranging from the urban and industrial to the pastoral. The tensions and ambivalences about industrialization expressed in works by the Precisionists are particularly fascinating and relevant to a contemporary audience in the midst of a Fourth Industrial Revolution, in which robots are replacing human labor for various functions, underscoring many of the same excitements and anxieties about modernization that existed nearly a century ago. -----Published on the occasion of a major exhibition at the de Young in San Francisco and the Dallas Museum of Art, Cult of the Machine: Precisionism and American Art examines the connections between the past and the present through more than one hundred masterworks by such modernists as Charles Demuth, Georgia O Keeffe, and Charles Sheeler. This elegant volume sheds scholarly light on the aesthetic and intellectual concerns undergirding the development of this essential strand of early American modernism, exploring the origins of its style, its relationship to photography, and its reflection of the social and economic changes wrought by industrialization and technology. -----Four essays contextualize the many intriguing aspects of Precisionist art within the social and political landscape of the Machine Age. Emma Acker leads readers through the major themes of the historic topic in dialogue with salient contemporary examples. Sue Canterbury focuses on the city as a key subject of many Precisionist works. Lauren Palmor describes the aesthetic attraction to steel factories shared by the painter Elsie Driggs and the photographer Margaret Bourke-White. And Adrian Daub offers a philosophical thought piece that examines the human relationship to modernity and technology shared by the Precisionists of yesteryear and artists today. -----Including a detailed timeline that links artistic and technological precedents in the first half of the twentieth century and replete with more than two hundred reproductions of works of art and archival photographs, this catalogue is the first in many years to survey the extraordinary contribution of the Precisionists to American art and culture"---, any image directly beside this listing is the actual book and not a generic photo ///NOT SIGNED ---GUARANTEED to be AVAILABLE/// ---sizes are approximate (generally within 1/8 inch)--- Size: 10.25w x 11.75h Inches. Not Signed. Flap Not Clipped.
Editore: MSS, New York, 1922
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Paperback. Folded sheets loose. 20 pp. no illustrations. Includes responses, or shorter or greater length, by: Marcel Duchamp, Joseph Pennel (two responses), Alfred Russell (for Charles Chaplin), Carl Zigrosser, Charles Sheeler, Charles Demuth, Carl Sandburg, Elizabeth Davidson, Waldo Frank, Leo Ornstein, Leo Stein, Gilbert Cannan, Stephan Bourgeois, S. Macdonald Wright, Thomas Hart Benton, Thomas J. Craven, George F. Of, Arthur G. Dove, Gaston Lachaise, John Marin (extensive essay), Hutchins Hapgood, Oscar Bluemner, Kenneth Hayes Miller, J. B. Kerfoot, Ernest Bloch, Alfeo Faggi, Evelyn Scott, Sherwood Anderson (extensive essay which was previously published (in The New Republic, October 25, 1922) regarding Alfred Steiglitz, Georgia O'Keeffe, Walter Lippmann, De Zayas. The letters are followed by a Bibliography of References in "Camera Work" and then "A Few general References in The English Language." Though the publication date is listed as December 1922, it is possible it was not printed until January 1923, as a reference is made to an paragraph published in January 1923 in the Metropolitan Museum of Art Bulletin. Extremely rare. 9 copies located on Worldcat. The letters / essays / comments contained herein were solicited by Strand and Steiglitz for a Special Issue of MSS (Manuscripts) in early to mid-May 1922, judging by the dates on the earliest responses. Good- (may have dark tanning to spine. wraps have scuffs, marks, chips, smudges & light, spotted foxing; may have tears. pg edges may have dark, tanned edgs. some unopened pgs; some loose pages).
Editore: MSS, New York, 1922
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Folded sheets loose. 20 pp. no illustrations. Includes responses, or shorter or greater length, by: Marcel Duchamp, Joseph Pennel (two responses), Alfred Russell (for Charles Chaplin), Carl Zigrosser, Charles Sheeler, Charles Demuth, Carl Sandburg, Elizabeth Davidson, Waldo Frank, Leo Ornstein, Leo Stein, Gilbert Cannan, Stephan Bourgeois, S. Macdonald Wright, Thomas Hart Benton, Thomas J. Craven, George F. Of, Arthur G. Dove, Gaston Lachaise, John Marin (extensive essay), Hutchins Hapgood, Oscar Bluemner, Kenneth Hayes Miller, J. B. Kerfoot, Ernest Bloch, Alfeo Faggi, Evelyn Scott, Sherwood Anderson (extensive essay which was previously published (in The New Republic, October 25, 1922) regarding Alfred Steiglitz, Georgia O'Keeffe, Walter Lippmann, De Zayas. The letters are followed by a Bibliography of References in "Camera Work" and then "A Few general References in The English Language." Though the publication date is listed as December 1922, it is possible it was not printed until January 1923, as a reference is made to an paragraph published in January 1923 in the Metropolitan Museum of Art Bulletin. Extremely rare. 9 copies located on Worldcat. The letters / essays / comments contained herein were solicited by Strand and Steiglitz for a Special Issue of MSS (Manuscripts) in early to mid-May 1922, judging by the dates on the earliest responses. Good+ (may have dark tanning to spine. wraps have scuffs, marks, smudges & light, spotted foxing; may have tears. pg edges may have dark, tanned edgs. some unopened pgs).