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Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: New Legacy Books, Annandale, NJ, U.S.A.
Libro
Condizione: VeryGood. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations!.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Goodbookscafe, Macon, GA, U.S.A.
Libro
Condizione: Good. There is heavy highlighting or handwriting through out the book. This book is in GOOD condition. The cover and spine are solid, though they do show minor wear. The interior pages may have limited markings or highlighting. The previous owner may have put their name in the inside front cover. Fast Shipping - Safe and Secure Bubble Mailer!.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Bellwetherbooks, McKeesport, PA, U.S.A.
Libro
hardcover. Condizione: As New. Illustrated. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 0.57.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 0.57.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.57.
Editore: MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: ANARTIST, New York, NY, U.S.A.
Libro
Hardcover with dustjacket; 122 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: The MIT Press 2017-11-24, Cambridge, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Blackwell's, London, Regno Unito
Libro
hardback. Condizione: New. Language: ENG.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Libro
Hardcover. Condizione: new. New. Fast Shipping and good customer service.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Big Bill's Books, Wimberley, TX, U.S.A.
Libro
Hardcover. Condizione: new. Brand New Copy.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Hardcover. Condizione: very good. Very Good Copy. Customer Service Guaranteed.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: GoldenDragon, Houston, TX, U.S.A.
Libro
Hardcover. Condizione: new. Buy for Great customer experience.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Ria Christie Collections, Uxbridge, Regno Unito
Libro
Condizione: New. In.
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Wizard Books, Long Beach, CA, U.S.A.
Libro
Hardcover. Condizione: new. New.
Editore: Mit Pr, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Revaluation Books, Exeter, Regno Unito
Libro
Hardcover. Condizione: Brand New. 120 pages. 7.50x5.50x0.75 inches. In Stock.
Editore: MIT Press Ltd, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Libro
Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Editore: MIT Press Ltd, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Libro
Condizione: New. 2017. Hardcover. . . . . .
Editore: The MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.
Editore: MIT Press 2017-11-24, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Chiron Media, Wallingford, Regno Unito
Libro
Hardcover. Condizione: New.
Editore: MIT Press, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Front Cover Books, Denver, CO, U.S.A.
Libro
Condizione: new.
Editore: MIT Press Ltd, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Kennys Bookstore, Olney, MD, U.S.A.
Libro
Condizione: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.
Editore: Mit Pr, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: Revaluation Books, Exeter, Regno Unito
Libro
Hardcover. Condizione: Brand New. 120 pages. 7.50x5.50x0.75 inches. In Stock.
Editore: MIT Press Ltd Okt 2017, 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: AHA-BUCH GmbH, Einbeck, Germania
Fotografia
Buch. Condizione: Neu. Neuware - A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau.On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art Didi-Huberman confesses that he photographed practically everything without looking but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the reconstructed execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a bizarre proliferation of white flowers on the exact spot of the cremation pits. The dead are not departed.
Editore: MIT Press Ltd, Cambridge, Mass., 2017
ISBN 10: 0262036843ISBN 13: 9780262036849
Da: AussieBookSeller, Truganina, VIC, Australia
Libro
Hardcover. Condizione: new. Hardcover. A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau.On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge.The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art-Didi-Huberman confesses that he "photographed practically everything without looking"-but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the "reconstructed" execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a "bizarre proliferation of white flowers on the exact spot of the cremation pits." The dead are not departed. A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.