catcher in the rye di j d salinger, Copia autografata (12 risultati)

No Binding. Condizione: Not A Book. Condizione sovraccoperta: Clamshell As New. 1st Edition. 1st Edition. No Binding. Custom Clamshell Case. Excellent Custom Fitted Modern Collector's Clamshell Bookcase [Not A Book] HAND-CRAFTED by our conservation team, each box is Gilt-stamped at the spine, & features a blind embossed [sculpted] red prancing horse design, raised on the upper cover inspired by the first edition DJ's graphics & is finished inside & out in Red & Black Nuba®, a fine, supple & durable covering with a neutral ph that has the feel of velvety soft Italian Nubuck® leather. This clamshell is perfectly sized to accommodate your first edition. A Terrific Collector's Custom Case for an important Book. TBCL Web Site photo/link available for more than 100 generally in-stock titles. Custom Craft available. Book definitely NOT included. CUSTOM CASES available for FRANNY, RAISE HIGH & NINE STORIES. The text can be altered to add "signed" or other special requests. *Also available in Black if requested.

2 pp recto and verso, printed contract completed in type carbon, with stapled quarter sheet addendum bearing ink signatures of Salinger and Claire Salinger (as witness). Folio. Signed by Salinger, Brazilian rights to Catcher in the Rye. A signed copy of the contract for the Portuguese-language rights of The Catcher in the Rye, made between Salinger and the Brazilian publisher Editora Nacional, twelve years after the book's original publication. Rights are granted for Brazilian publication only, and do not extend to Portugal or the rest of Europe. The final three provisions on the contract, which appear as a stapled addendum, testify to Salinger legendary control over his image, stipulating that "no reviews or quotations from reviews" and "no introductory comments or prefaces" be used on the jacket; that "no photograph may be used on the cover or jacket or in any connection with this book," and that "no biographical material may be used for promotion or advertising"; and finally that "the cover and dust jacket of the book must be submitted for the author's approval." The contract is signed by Claire Salinger, the author's second wife, as witness. The Brazilian edition appeared in 1965 under the title O Apanhador no Campo de Centeio (The Catcher in the Rye), in a joint translation by Álvaro Alencar, Antônio Rocha e Jório Dauster. This differed substantially from the edition brought out in Portugal under the title Uma Agulha no Palheiro (A Needle in the Haystack). Single sheet standard printed contract of Franz J. Horch Associates, Author's Representatives. Old folds, a few small pinholes 2 pp recto and verso, printed contract completed in type carbon, with stapled quarter sheet addendum bearing ink signatures of Salinger and Claire Salinger (as witness). Folio.

2 pp recto and verso, printed contract completed in type carbon, countersigned by publisher's representative and two witness, a few ink and pencil annotations. Folio. Signed by Salinger, Portuguese rights to Catcher in the Rye. A signed copy of the contract for the Portuguese-language rights of The Catcher in the Rye, made between Salinger and the Lisbon publisher Livros do Brasil, ten years after the book's original publication. Rights are granted for publication in Portugal only, and do not extend to Brazil. The Portuguese edition was published under the title Uma Agulha no Palheiro (A Needle in the Haystack), in a translation by João Palma-Ferreira. A Brazilian edition appeared in 1965 under the title O Apanhador no Campo de Centeio (The Catcher in the Rye), which differed substantially from the Lisbon edition. Single sheet standard printed contract of Franz J. Horch Associates, Author's Representatives. Old folds, wear at upper left margin, a few tiny edge tears 2 pp recto and verso, printed contract completed in type carbon, countersigned by publisher's representative and two witness, a few ink and pencil annotations. Folio.

2 pp recto and verso, printed contract completed in type carbon, countersigned by Patricia Powell as witness. Folio. Signed by Salinger, Spanish rights to Catcher in the Rye. A signed copy of the contract for the Spanish-language rights of The Catcher in the Rye, made between Salinger and a Barcelona publisher for a book club edition. The final three provisions of the contract testify to the control over his image that Salinger notoriously maintained, stipulating that "no reviews or quotations from reviews" and "no introductory comments or prefaces" be used on the jacket; that "no photograph may be used on the cover or jacket or in any connection with this book," and that "no biographical material may be used for promotion or advertising"; and finally that "the cover and dust jacket of the book must be submitted for the author's approval" Single sheet standard printed contract. Folded at center 2 pp recto and verso, printed contract completed in type carbon, countersigned by Patricia Powell as witness. Folio.

Reclusive U.S. Author, famous for his ground-breaking coming of age novel "The Catcher in the Rye." Extremely important 2 page publishing contract 8.5" x 20" signed "J.D. Salinger" and dated "9th February, 1965" for the right to publish his most important work "The Catcher in the Rye" in Portugese for release in Brazil. This is the Publishing contract for the publication of his book "The Catcher in the Rye" in the Portugese language. On Rosyln Targ Literary Agency, Inc. letterhead. In part: "Memorandum of agreement made and entered into this 9th day of February 1965 between J.D. Salinger c/o Harold Ober Associates, Inc. hereafter called the proprietor of the one part and Editors Do Autor.Rio de Janeiro, Brasil, hereafter called the publisher of the other part whereby it is mutually agreed as follows regarding the work by J.D. Salinger entitled, Catcher In The Rye. The proprietor warranting that he is the sole and exclusive owner of the rights subject to this agreement hereby grants to the publisher the sole and exclusive license to translate, print, publish, and sell the said work in volume form only in the regular trade/paperbac edition in the Portugese for Brasil only language subject to the terms and conditions following." After which are all of the clauses of the terms and conditions relating to this agreement. The contract contains 3 detailed non-standard clauses added by Salinger giving him total right to control the appearance and advertising of the book. A great example of Salinger's obsession with detail and holistic view of his role as author and caretaker of his fiction. Salinger did not grant interviews, and categorically refuses to give autographs and was even wary of entering into correspondence with friends or associates. As a consequence, his signed material is extraordinarily scarce and desirable. This contract is particularly rare because Salinger refused to mention his most important work "The Catcher in the Rye" or even his character Holden in all but a very view pieces of correspondence. Therefore, mention of this work by its author is rare. Salinger signs at the end in full: "J.D. Salinger" in black ink. A clean, strong signature. Also signed by his wife Claire Salinger as a witness. The couple, who had two children together, would divorce only two years later. The reclusive author was notoriously careful of the way his work was presented in print, and eschewed any spotlight on himself as author or his personal life. When his First Edition of The Catcher in the Rye was published, Salinger was so distraught over the large photograph of himself on the back that he forbade it to be used in any further editions, and reviewed carefully the appearance and marketing of any Catcher-related material. As time went on, he stopped giving interviews, preferring that his work speak for itself rather than he speaking for it, and he began to loathe reviewers and commentators. Notably, in this contract, Salinger has added specific and non-standard language to this effect: "22. It is understood by the Publisher that no written matieral except the author's can be included in the book or used on the cover or jacket. This means no reviews or quotations from reviews on the jacket, no introductory comments or prefaces. 23. It is understood by the Publisher that no photograph may be used on the cover or jacket or in any connection with this book. No photographs should be used in promotional copy or advertising. No biographical material may be used for promotion or advertising. 24. It is understood by the Publisher that the cover and just [sic] jacket of the book must be submitted for the author's approval." We cannot think of a more important contract relating to modern American literature. Catcher In The Rye is the quintessential work of American writing in this century. Rare and important.

Condizione: Near Fine. First Edition. Thirty-third printing of the Bantam mass market edition. Signed by J.D. Salinger and inscribed to former owner on front free endpaper "To Ruth Rogers, in friendship, [signed] J. D. Salinger / Daytona Beach March 1973." Rogers was a holistic doctor who touted the benefits vitamin C. Bound in publisher's original red wrappers with yellow lettering. Near Fine with light creasing to spine, small tear to bottom edge of front joint and minor wear to extremities. Contents minimally toned. A superlative mass market copy of this angsty coming-of-age classic. Signed copies of this title are exceedingly scarce.

First edition of Salinger's debut novel, a cherished portrait of adolescence and one of the most widely banned books ever published. Octavo, original black cloth with gilt-lettered spine. Near fine in a very good first issue dust jacket with the rear panel photograph of Salinger. Jacket design by Michael Mitchell. Author photograph by Lotte Jacob. With an autograph postcard signed by J.D. Salinger to his daughter Peggy laid in. The postcard bears a plastichrome image of horsedrawn carriages on 59th Street in New York City, inscribed by J.D. Salinger on the verso, "Peggy Sweetheart, Cartes and Sudie want to go for a ride on this carriage but I think we'd better wait for Peggy and Mama. Here is a kiss X. Here is a crab kiss â C xxx Love, Daddy." Postmarked New York, New York May 4 11:30 AM 1959. In February 1955, at age 36, Salinger married Claire Douglas, a Radcliffe student who was art critic Robert Langton Douglas's daughter. They had two children, Margaret Salinger (also known as Peggy â " born December 10, 1955) and Matthew "Matt" Salinger (born February 13, 1960). Peggy Salinger wrote in her memoir, Dream Catcher, that she believes her parents would not have married, nor would she have been born, had her father not read the teachings of Lahiri Mahasaya, a guru of Paramahansa Yogananda, which brought the possibility of enlightenment to those following the path of the "householder" (a married person with children). After their marriage, Salinger and Claire were initiated into the path of Kriya yoga, the first of several of Salinger's ever-changing spiritual belief systems which also included Dianetics. Housed in a custom half morocco clamshell box by the Harcourt Bindery. Rare and desirable with such a touching postcard from Salinger to his only daughter. "The Catcher in the Rye is undoubtedly a 20th-century classic. It struck a popular note, particularly with young readers, who strongly identified with Holden Caulfield and his yearning for lost innocenceâ ¦ Salinger's novel was, and continues to be, a phenomenal success" (Parker, 300). "This novel is a key-work of the 1950s in that the theme of youthful rebellion is first adumbrated in it, though the hero, Holden Caulfield, is more a gentle voice of protest, unprevailing in the noise, than a militant world-changerâ ¦ The Catcher in the Rye was a symptom of a need, after a ghastly war and during a ghastly pseudo-peace, for the young to raise a voice of protest against the failures of the adult world. The young used many voicesâ " anger, contempt, self-pityâ " but the quietest, that of a decent perplexed American adolescent, proved the most telling" (Burgess, 99 Novels, 53-4).

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First Edition, First Printing with the words "FIRST EDITION" printed on the copyright page. Later editions do not state "First Edition" on the copyright page. This copy is SIGNED by J.D. Salinger on a sales receipt for four books that he bought from the Dartmouth Bookstore in Hanover, NH on August 22, 2001. The bookstore was near his home. This ORIGINAL dustjacket that is rich in color with minor repair. The book is bound in the publisher's cloth and is in excellent condition with minor wear to the spine and edges. The binding is tight with NO cocking or leaning and the pages are clean. There is NO writing, marks or bookplates in the book. A wonderful copy SIGNED by the author with a Letter of Authenticity examined by PSA/DNA on February 27, 2020. We buy Salinger First Editions. Signed by Author(s).

Hardcover. Dust Jacket Included. First Edition. First Edition. Hardcover. Signed by Author. Salinger, J.D. THE CATCHER IN THE RYE. Signed. Boston: Little Brown, 1952. A fine SIGNED copy of the March, 1952 reprint of the first edition. [The first issue was July, 1951]. 8vo., 277pp., black cloth, gilt. Salinger's remarkable first book, neatly signed in black fountain pen at the top of the title page. An excellent example of Salinger's elusive signature - The binding is fine; the dustwrapper very good or better with the $3.00 price present & nine reviews on the back panel replacing Salinger's photo after the first few early printings at his insistence. Custom clamshell case in very fine condition. The probable High Spot in Modern American Lit collecting, "The Catcher In The Rye is undoubtedly a 20th-century classic. It struck a popular note, particularly with young readers, who strongly identified with Holden Caulfield and his yearning for lost innocence. Salinger's novel was, and continues to be, a phenomenal success" (Parker, 300). "This novel is a key-work of the nineteen-fifties in that the theme of youthful rebellion is first adumbrated in it, though the hero, Holden Caulfield, is more a gentle voice of protest, unprevailing in the noise, than a militant world-changer. The Catcher in the Rye was a symptom of a need, after a ghastly war and during a ghastly pseudo-peace, for the young to raise a voice of protest against the failures of the adult world. The young used many voices-anger, contempt, self-pity-but the quietest, that of a decent perplexed American adolescent, proved the most telling" (Anthony Burgess, 99 Novels , 53-4).

Black Cloth HC +Gilt Lettering. Condizione: Near New. Condizione sovraccoperta: As New. First 1951 Edition- Later Printing. No picture on the rear of dj at author's request hence later printing in same year as original first true edition, first printing; po signature black inked out at very top of first blank page otherwise no flaws; c1945,1946,1951 on copyright page; 1951 under publisher's name on title page; pristine white pages; looks unread; from the private collection of the seller; please contact for pictures. Cannot authenticate signature. Signed by Author(s).

Early printing, printed in the year of publication of the author's classic novel. Presentation copy, inscribed by the author in the year of publication on the front free endpaper, "December 24, 1951 To Elizabeth Fueller- with best wishes J.D. Salinger." Salinger's signature is scarce and signed examples of The Catcher in the Rye are rare. Very good in a very good supplied dust jacket. Jacket design by Michael Mitchell. Photograph of Salinger by Lotte Jacobi. Housed in a custom half morocco clamshell box made by the Harcourt Bindery. Exceptionally scarce, most rare and desirable inscribed and in the year of publication. Since his debut in 1951 as The Catcher In the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins,"If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them.".

First edition, first printing, extremely rare presentation copy, inscribed by the author to the teenage son of his childhood friend Ada on the front free endpaper: "To Charles Kirtz with every good wish from J. D. Salinger (extra greetings to Ada and Victor from Sonny Salinger) New York 10/18/56". This is an exceptional rarity: signed or inscribed copies by the reclusive author are legendarily rare. The informal sign-off, "Sonny", was the nickname given to Salinger by his parents when he was born. Salinger, who grew up alongside Ada and her brother Victor in the same New York apartment house, presented Ada's sons, Charles (then around the same age as Holden Caulfield) and William, each with an inscribed first edition. He passed on the copies to the boys via Ada's mother, Ann, whose bookplate is on the front pastedown. An inscribed copy of Catcher in the Rye is perhaps the most elusive prize in 20th-century literature. Auction records show only one appearance of an inscribed first edition (at Doyle in 2010). Octavo. Original black cloth, spine lettered in gilt. With dust jacket, designed by Michael Mitchell. Housed in a red quarter morocco solander box by the Chelsea Bindery. A fine copy, in a lovely example of the dust jacket, spine panel mildly toned, extremities lightly rubbed and nicked, unclipped, the notoriously fugitive red exceptionally bright and fresh.