catcher in the rye di j d salinger, Copia autografata

Descrizione: Little, Brown & Co., Boston, 1951. Black Cloth HC +Gilt Lettering. Condizione: Near New. Condizione sovraccoperta: As New. First 1951 Edition- Later Printing. No picture on the rear of dj at author's request hence later printing in same year as original first true edition, first printing; po signature black inked out at very top of first blank page otherwise no flaws; c1945,1946,1951 on copyright page; 1951 under publisher's name on title page; pristine white pages; looks unread; from the private collection of the seller; please contact for pictures. Cannot authenticate signature. Signed by Author(s). Codice articolo 03543

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Descrizione: Little, Brown & Company, Boston, 1952. Hardcover. Dust Jacket Included. First Edition. Boston: Little, Brown & Company, 1952. First Edition. Hardcover. Salinger, J.D. THE CATCHER IN THE RYE. Signed. Boston: Little Brown, 1952. A fine SIGNED copy of the March, 1952 reprint of the first edition. [The first issue was July, 1951]. 8vo., 277pp., black cloth, gilt. Salinger's remarkable first book, neatly signed in black fountain pen at the top of the title page. An excellent example of Salinger's elusive signature - The binding is fine; the dustwrapper very good or better with the $3.00 price present & nine reviews on the back panel replacing Salinger's photo after the first few early printings at his insistence. Custom clamshell case in very fine condition. The probable High Spot in Modern American Lit collecting, "The Catcher In The Rye is undoubtedly a 20th-century classic. It struck a popular note, particularly with young readers, who strongly identified with Holden Caulfield and his yearning for lost innocence. Salinger's novel was, and continues to be, a phenomenal success" (Parker, 300). "This novel is a key-work of the nineteen-fifties in that the theme of youthful rebellion is first adumbrated in it, though the hero, Holden Caulfield, is more a gentle voice of protest, unprevailing in the noise, than a militant world-changer. The Catcher in the Rye was a symptom of a need, after a ghastly war and during a ghastly pseudo-peace, for the young to raise a voice of protest against the failures of the adult world. The young used many voices-anger, contempt, self-pity-but the quietest, that of a decent perplexed American adolescent, proved the most telling" (Anthony Burgess, 99 Novels , 53-4). Codice articolo 27243

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Descrizione: Little, Brown, Boston, 1951. Later book-club printing INSCRIBED BY SALINGER AS "SONNY," A CHILDHOOD NICKNAME USED ONLY WITH FAMILY AND OLD FRIENDS: "For Lili, / Sonny Salinger." We assume "Lili" was "Lili Lefforts," as we know of a Modern Library edition of NINE STORIES inscribed to "Lili Lefforts" cataloged by Ken Lopez Bookseller in 2009, at which time he stated, "It is likely that Lili was a childhood friend, probably of his parents; we have seen one other Salinger book from this period . . . inscribed as 'Sonny Salinger' and it was to the parents of a friend." Salinger stopped using "Sonny," except with family and old friends, in his early teens. The fact that this book would have been inscribed in the 1950s or later (when he had already become a virtual recluse), lends credence to the supposition that "Lili" was a childhood friend. The value of this particular copy as a later book-club edition is insignificant. However when you take into consideration the INSCRIPTION SIGNED WITH HIS CHILDHOOD NICKNAME, it is our opinion that the value of the book becomes quite substantial. 8vo black cloth boards; gilt-stamped spine; 216 pp. In dust jacket with same front panel and spine design as the first but with rear panel blank (vs with photo of Salinger). No price at top of front flap, "Book Club Edition" at bottom; no mention of BOMC edition at bottom of rear flap but otherwise text on flaps the same as on the first edition dust jacket. [Note: this is not the Book-of-the-Month Club edition which was issued in the same format as the first but with BOMC dot on back cover and with jacket unpriced.] The book is fine with the pages clean and bright, and the dust jacket is very good with only minor soiling, a few small chips and a small skinned portion at top of front panel. Salinger inscriptions are scarce, particularly in copies of this title. A CATCHER IN THE RYE signed "Sonny Salinger" is truly rare. Codice articolo 55781

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Descrizione: Finely bound by Sangorski and Sutcliffe of the works of J.D. Salinger. Octavo, bound in full morocco, gilt titles to the spine, gilt ruled to the spine, front and rear panels, raised bands, marbled endpapers. In fine condition. J.D. Salinger's first critically acclaimed story, A Perfect Day for a Bananafish (1948), appeared in New Yorker Magazine, which would publish much of his later work. Published in 1951, Salinger's best known and immensely successful novel, The Catcher in the Rye, was followed by Nine Stories (1953), Franny and Zooey (1961), and two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963). Codice articolo 90451

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Descrizione: New York, 1963. 2 pp recto and verso, printed contract completed in type carbon, with stapled quarter sheet addendum bearing ink signatures of Salinger and Claire Salinger (as witness). Folio. Signed by Salinger, Brazilian rights to Catcher in the Rye. A signed copy of the contract for the Portuguese-language rights of The Catcher in the Rye, made between Salinger and the Brazilian publisher Editora Nacional, twelve years after the book's original publication. Rights are granted for Brazilian publication only, and do not extend to Portugal or the rest of Europe. The final three provisions on the contract, which appear as a stapled addendum, testify to Salinger legendary control over his image, stipulating that "no reviews or quotations from reviews" and "no introductory comments or prefaces" be used on the jacket; that "no photograph may be used on the cover or jacket or in any connection with this book," and that "no biographical material may be used for promotion or advertising"; and finally that "the cover and dust jacket of the book must be submitted for the author's approval." The contract is signed by Claire Salinger, the author's second wife, as witness. The Brazilian edition appeared in 1965 under the title O Apanhador no Campo de Centeio (The Catcher in the Rye), in a joint translation by Álvaro Alencar, Antônio Rocha e Jório Dauster. This differed substantially from the edition brought out in Portugal under the title Uma Agulha no Palheiro (A Needle in the Haystack). Single sheet standard printed contract of Franz J. Horch Associates, Author's Representatives. Old folds, a few small pinholes 2 pp recto and verso, printed contract completed in type carbon, with stapled quarter sheet addendum bearing ink signatures of Salinger and Claire Salinger (as witness). Folio. Codice articolo 311577

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Descrizione: New York, 1961. 2 pp recto and verso, printed contract completed in type carbon, countersigned by publisher's representative and two witness, a few ink and pencil annotations. Folio. Signed by Salinger, Portuguese rights to Catcher in the Rye. A signed copy of the contract for the Portuguese-language rights of The Catcher in the Rye, made between Salinger and the Lisbon publisher Livros do Brasil, ten years after the book's original publication. Rights are granted for publication in Portugal only, and do not extend to Brazil. The Portuguese edition was published under the title Uma Agulha no Palheiro (A Needle in the Haystack), in a translation by João Palma-Ferreira. A Brazilian edition appeared in 1965 under the title O Apanhador no Campo de Centeio (The Catcher in the Rye), which differed substantially from the Lisbon edition. Single sheet standard printed contract of Franz J. Horch Associates, Author's Representatives. Old folds, wear at upper left margin, a few tiny edge tears 2 pp recto and verso, printed contract completed in type carbon, countersigned by publisher's representative and two witness, a few ink and pencil annotations. Folio. Codice articolo 311581

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