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Editore: Princeton: Princeton University Pr. c. 1998., 1998
ISBN 10: 0691048185ISBN 13: 9780691048185
Da: de Wit Books, HUTCHINSON, KS, U.S.A.
Libro
Fine, unmarked hardback; DJ-Fine. xii + 129 pp.
Editore: Princeton University Press, Princeton, NJ, 1998
ISBN 10: 0691048185ISBN 13: 9780691048185
Da: Pegasus Books, Farmington Hills, MI, U.S.A.
Libro Prima edizione
First Printing; Hardcover. Condizione: As New. Condizione sovraccoperta: New. First Edition. Dark blue cover with gold lettring on spine. Pages are clean and tight; this is a NEW book. Printed on acid-free/alkaline paper. Illustrated with 17 color plates, and 12 b/w figures. Chapters are: Color on Byzantine Ivories; Colors, Pigments and Pigment Analysis; Ancient Tradition of Polychrome Ivories; Testimony of Ancient and Medieval Texts; Color on Ivory and the Byzantine Aestethic; Shifting the Paradigm; two appendices. ; Drawings & photographs; 7 3/4 x 10 1/4; 129 pages; NEW. Very slight bumping. DJ has slight edge wear; in a Brodart cover.
Editore: Princeton: Princeton University Press, 1998., 1998
Da: Ted Kottler, Bookseller, Redondo Beach, CA, U.S.A.
Prima edizione
First Edition. xii, 129 pp; 17 color plates; 12 black & white plates. Original cloth, large 8vo. Near Fine, in near fine dust jacket.
Editore: Princeton, University Press, 1998
ISBN 10: 0691048185ISBN 13: 9780691048185
Da: Antiquariat Im Baldreit, Baden-Baden, Germania
Libro
Mit Abbildungen, 129 Seiten, Schönes Exemplar Sprache: Englisch Gewicht in Gramm: 599 4°, blau illustrierter OU mit Rückentitel, schwarzer OPp.
Editore: Princeton University Press,, Princeton,, 1998
Da: Antiquariaat Marc Van de Wiele, Brugge, Belgio
Membro dell'associazione: ILAB
xii + 129 pp, with 16 illustrations in color and 12 in b/w, publisher's cloth and dust jacket. New copy. "Carolyn Connor's book, a survey of the results of her Byzantine ivories project, deals with the issue conclusively. She proves finally that late antique and Byzantine ivories were painted and gilded " Carolyn Connor shows here that Byzantine ivory carvings--often assumed to have been monochromatic--were originally brightly colored. Most ivories today show no obvious traces of paint or stain, and many scholars believe that the Byzantines preferred the aesthetic of ivory's natural, creamy color. However, Connor's close examination of one hundred Late Antique and Byzantine ivories reveals that artists frequently colored ivories in bright hues of red, blue, green, and gold.
Editore: Princeton University Press, Princeton,, 1998
ISBN 10: 0691048185ISBN 13: 9780691048185
Da: FIRENZELIBRI SRL, Reggello, FI, Italia
Libro
leg.ed. sopracop.fig.a col. Condizione: BUONO. cm.20x26, pp.XII,129, 16 tavv.a col.e 12 ill.bn.ft., Princeton, Princeton University Press cm.20x26, pp.XII,129, 16 tavv.a col.e 12 ill.bn.ft., leg.ed. sopracop.fig.a col. Ediz.in lingua inglese.