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Editore: Summa Pubns, 1986
ISBN 10: 0917786394ISBN 13: 9780917786396
Da: La bataille des livres, Pradinas, Francia
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Condizione: Très bon. The Dancing Body in Renaissance Choreography | Mark Franko | Summa publications, 1986, 102 pp. Très bon état pour cette étude recherchée en langue anglaise. [EB10+].
Editore: Anthem Press, 2022
ISBN 10: 1785278010ISBN 13: 9781785278013
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Editore: Anthem Press, 2022
ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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ISBN 10: 1785278010ISBN 13: 9781785278013
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Editore: Anthem Press, London, 2022
ISBN 10: 1785278010ISBN 13: 9781785278013
Da: CitiRetail, Stevenage, Regno Unito
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Hardcover. Condizione: new. Hardcover. A study of the theory of kinetic theatricality in the western European contextThe Dancing Body in Renaissance Choreography problematises the absence of the dancing body in treatises in order to reconstruct it through a series of intertextual readings triggered by Thoinot Arbeaus definition of dance in his 1589 dance treatise, Orchesographie. The notion of the intertext as elaborated by Michael Riffaterre is used to understand a series of relationships between dance and other activities within which the historical dancing body emerges to the light of day. Arbeaus discussion of dance as a mute rhetoric in the demonstrative genre points to the intertext of Quintilians The Oratorical Institution where the genus demonstrativum is explained as epideixis, the goal of which is to inspire confidence and charm the audience. The second intertext explored is that of civility as found in courtesy books where the posture of the body and the parameters of movement are outlined, converging in the gesture of the reverence. The categories of pose and movement are then read into the structure of the basse danse, the quintessential courtly social dance of the period. The relation of pose to movement or of stillness to mobility is further theorised through the terms of earlier Italian treatises, specifically in terms of fantasmata as used by Domenico da Piacenza. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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ISBN 10: 1785278010ISBN 13: 9781785278013
Da: moluna, Greven, Germania
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorMark Franko is Laura H. Carnell Professor of Dance at the Boyer College of Music and Dance, Temple University, USA. He is founding editor of the Oxford Studies in Dance Theory book series.Inhaltsverz.
Editore: Anthem Press, 2022
ISBN 10: 1785278010ISBN 13: 9781785278013
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Editore: Anthem Press, London, 2022
ISBN 10: 1785278010ISBN 13: 9781785278013
Da: AussieBookSeller, Truganina, VIC, Australia
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Hardcover. Condizione: new. Hardcover. A study of the theory of kinetic theatricality in the western European contextThe Dancing Body in Renaissance Choreography problematises the absence of the dancing body in treatises in order to reconstruct it through a series of intertextual readings triggered by Thoinot Arbeaus definition of dance in his 1589 dance treatise, Orchesographie. The notion of the intertext as elaborated by Michael Riffaterre is used to understand a series of relationships between dance and other activities within which the historical dancing body emerges to the light of day. Arbeaus discussion of dance as a mute rhetoric in the demonstrative genre points to the intertext of Quintilians The Oratorical Institution where the genus demonstrativum is explained as epideixis, the goal of which is to inspire confidence and charm the audience. The second intertext explored is that of civility as found in courtesy books where the posture of the body and the parameters of movement are outlined, converging in the gesture of the reverence. The categories of pose and movement are then read into the structure of the basse danse, the quintessential courtly social dance of the period. The relation of pose to movement or of stillness to mobility is further theorised through the terms of earlier Italian treatises, specifically in terms of fantasmata as used by Domenico da Piacenza. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Editore: Anthem Press, 2022
ISBN 10: 1785278010ISBN 13: 9781785278013
Da: AHA-BUCH GmbH, Einbeck, Germania
Libro Print on Demand
Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical discourses of civility and conceptions of value emanating from descriptions of social interaction in courtesy books.