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Editore: University of Toronto Press, 1967
Da: The Bookseller, Edmonton, AB, Canada
Libro
Hardcover. Condizione: Good. No Jacket. A little shelf wear to yellow cloth hardcover. Some ink MARKINGS in text. Otherwise a nice solid book. xiii, 355 pp.
Editore: University of Toronto Press, 1970
Da: Laurel Reed Books, Stratford, ON, Canada
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Very good solid copy, some pencil underlining, neither extensive nor obtrusive.
Editore: University of Toronto Press
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Prima edizione
Condizione: Used - Very Good. 1967. First Edition. Hardcover. Cloth, dj. Octavo. xiii & 354 pp. Some shelf wear, scuffing, and noticeable chipping to dust jacket. Spine cocked. Altogether a copy in Very Good condition. Very Good.
Editore: University of Toronto Press, Toronto, 1967
Da: Bookworks [MWABA, IOBA], Beloit, WI, U.S.A.
Prima edizione
Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. The author argues that Euripides was less a 'destroyer' of traditional Greek tragic drama, but a 'creator', using his understanding of mythology to create new forms & themes for drama. Includes discussion of all extant plays. Hardcover in jacket, as pictured. Light wear to book, corners a bit bumped; jacket shows light tanning & fading, minor edgewear. Text clean; xiii, [3], 354 pages + list of abbreviations; bibliography. Size: Octavo.
Editore: University of Toronto Press, 1970
ISBN 10: 0802051901ISBN 13: 9780802051905
Da: Ancient World Books, Toronto, ON, Canada
Libro
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. Book has minor shelfwear and rubbing. ; 372 pages; Discusses the structure and techniques of Euripidean drama in relation to its new and richly varied themes.
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Editore: University of Toronto Press 12/15/1967, 1967
ISBN 10: 1442639318ISBN 13: 9781442639317
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Libro
Paperback or Softback. Condizione: New. Euripidean Drama: Myth, Theme and Structure 1.2. Book.
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Editore: University of Toronto Press, 1967
Da: Ancient World Books, Toronto, ON, Canada
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Light bump to base of spine. Scholar's name to ffep (Philippa Goold née Forder). DJ is bit tattered with browning, small tears, chipping ; 372 pages; Discusses the structure and techniques of Euripidean drama in relation to its new and richly varied themes.
Da: Antiquariaat Brinkman, since 1954 / ILAB, Amsterdam, Paesi Bassi
Toronto UP 1967. xiii,355 pp. Cloth w. dustj. (top edge sl.foxed).
Editore: Toronto, Toronto Pr.,, 1967
Da: Antiquariat Alte Seiten - Jochen Mitter, Göttingen, Germania
Libro
OLn. 2, OU, ee. L Bl U. XIII,354 S., Die angegebenen Versandkosten gelten bei AbeBooks und ZVAB nur für Bücher bis zum Gewicht von 1000 g (Bücher- / Warensendung). Über höhere Versandkosten bei schwereren Büchern werden Sie von uns informiert. - Wegen der EPR-Bestimmungen liefern wir nicht nach Bulgarien, Estland, Griechenland, Irland, Litauen, Luxemburg, Malta, Kroatien, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien und Ungarn. Sprache: Englisch Gewicht in Gramm: 727.
Editore: University of Toronto Press, 1967
Da: Attic Books (ABAC, ILAB), London, ON, Canada
Cloth. Condizione: Near fine. Condizione sovraccoperta: good. xiii, [3], 354, [1] p. Yellow cloth hardcover in mylar-covered yellow dustjacket. Spine a little wrinkled. Some soiling to jacket as well as long tear down front. Pages clean. Topics include: mythological tragedy; political tragedy; war and its aftermath; realistic tragedy; tragedie manquee; romantic tragedy; satyric drama. Specific plays: Hippolytus, Bacchae, Heracles, Suppliants, Heracleidae, Trojan Women, Hecuba, Medea, Electra, Orestes, Phoenissae, Iphigenia at Aulis, Ion, Helena, Iphigenia among the Taurians, Cyclops, Alcestis. Bibliography.
Da: Scrinium Classical Antiquity, Aalten, Paesi Bassi
Condizione: Antiquarian. University of Toronto Press / Oxford University Press, London, 1967. XIII,355p. Cloth wrps. Wrps bit worn. With signature from Prof. W.G. Arnott on free endpaper. 'Aeschylus and Sophocles, as Conacher sees them, 'dramatized the essential element of freedom and necessity in tragedy by expressing a certain tension between the world of myth, with its fixed patterns of events indicative of some divine plan or order in the universe, and the individual will of the tragic hero.' Euripides, who never fully accepted the world of myth, had a a different and more complex view of reality; and under pressure of this he 'was constantly inventing new forms in which to cast his varied perceptions of the sources of human tragedy.' His virtuosity in treatment of the traditional material should not be mistaken for uncertainty or confusion. Conacher's object is to explore this virtuosity, to show that despite the different levels of reality at which Euripides works, each play has a unity of purpose - to be seen, in most cases, in the treatment of a central character. (.) Scholars who already have some acquaintance with Euripidean controversy will find much of value here, both as a review of past discussion and as a contribution towards better understanding of the plays.' (H.C. BALDRY in The Classical Review (New Series), 1971, pp.345-47). From the library of the late Prof. W. Geoffrey Arnott. Antiquarian.
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