Editore: Beirut Art Center, Heni Publishing and Walther Konig, 2012
ISBN 10: 3863351770 ISBN 13: 9783863351779
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 256 pages, in English and Arabic; very good condition; small crease to upper right corner of cover and first few pages; no internal marks. Foreign shipping may be extra.
Editore: Walther König, Köln, 2012
ISBN 10: 3863351770 ISBN 13: 9783863351779
Da: Antiquariat UEBUE, Zürich, Svizzera
Prima edizione
Softcover. Condizione: Sehr gut. 1. Auflage. Paperback, 9.5 x 7.25 in. / 256 pgs / 336 color. - Beirut presents a large gathering of Gerhard Richter's overpainted photographs from the mid1980s to the present. Rarely seen in print, these works merge the artist's longstanding fascination with the respective languages and textures of photography and abstract painting. The imagery ranges from domestic and family photos to holiday snaps, landscapes, mountain ranges and studio shots, all drawn from Richter's photographic archives. Also featured in this volume is Museum Visit, a series of 234 overpainted photographs, each of which was taken during a typical busy day at the Tate Modern. An essay by Achim Borchardt-Hume considers the overpainted photographs within Richter's wider oeuvre, from the photo paintings of the 1960s to the 18 October 1977 cycle, from Atlas to War Cut. Borchardt-Hume asserts: "The photographs allow an insight into the private world of Richter, albeit an insight that is always seen--quite literally--through the veil of paint and painting.".
Editore: Verlag der Buchhandlung Walther Konig, 2012
ISBN 10: 3863351770 ISBN 13: 9783863351779
Da: Blain Art Books, LONDON, GB, Regno Unito
Soft cover. Condizione: Good. English & Arabic. Softcover. Condition: GOOD. Light general shelf wear to cover, spine and page edges. Possible clean ex-library copy, with their stickers and or stamp. Beirut presents a large gathering of Gerhard Richter's overpainted photographs from the mid-1980s to the present. Rarely seen in print, these works merge the artist's longstanding fascination with the respective languages and textures of photography and abstract painting. The imagery ranges from domestic and family photos to holiday snaps, landscapes, mountain ranges and studio shots, all drawn from Richter's photographic archives. Also featured in this volume is Museum Visit, a series of 234 overpainted photographs, each of which was taken during a typical busy day at the Tate Modern. An essay by Achim Borchardt-Hume considers the overpainted photographs within Richter's wider oeuvre, from the photo paintings of the 1960s to the 18 October 1977 cycle, from Atlas to War Cut. Borchardt-Hume asserts: "The photographs allow an insight into the private world of Richter, albeit an insight that is always seen--quite literally--through the veil of paint and painting.".