Soft cover. Condizione: Very Good. Slight edge wear.
Editore: JRP | Ringier, 2005
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Editore: JRP | Ringier, 2005
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Editore: JRP | Ringier, 2005
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: booksXpress, Bayonne, NJ, U.S.A.
Soft Cover. Condizione: new.
Editore: Jrp Ringier, 2005
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: Ergodebooks, Houston, TX, U.S.A.
Softcover. Condizione: Good. After David Robbins achieved art-world success with his photographic work Talent (1986)--in which he depicted Cindy Sherman, Jeff Koons, Jenny Holzer and 15 other contemporary artists as entertainers--he became progressively disenchanted with the art world, and in 1996 returned to his hometown of Milwaukee, Wisconsin to pursue what he termed "alternatives to art." The first of these was The Ice Cream Social (1993-2008), which had premiered in a Manhattan Baskin-Robbins ice cream shop in 1993 and then, over the next 15 years, gradually expanded to include (in Ice Cream Socials in Chicago, Paris, Tokyo, London and Des Moines) performance, installation, poetry, painting, a 2002 TV pilot for the Sundance Channel, fridge magnets, ceramic bowls and a novella. In this witty novella, originally published in 1998 and here re-issued by JRP/Ringier, Robbins recounts the generative 1993 Manhattan event, embedding it within a larger fiction that also includes the blueprint for the TV pilot realized later. Updating the traditional small-town American social ritual for contemporary audiences, Robbins' Ice Cream Social shared many of the strategies of those artists associated with Relational Aesthetics, while at the same time pioneering what curator Hans Ulrich Obrist lauded as "an expanded exhibition model."
Editore: JRP Ringier, Zurich, 2004
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
Paperback. 78p., wraps, 4.25x6.5 inches, illus., very good condition. Published on the occasion of the exhibit Art, TV and Video at the Couvent des Cordeliers in Paris. Ice cream social is an ongoing project by Robbins consisting of "elaborate live events, a TV pilot, a feature-movie script, and this 1998 novella, here published anew and accompanied by a selection of photographs documenting the various ICS manifestations to date."-rear cover blurb.
Editore: JRP | Ringier, 2005
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: Big Bill's Books, Wimberley, TX, U.S.A.
Paperback. Condizione: new. Brand New Copy.
Editore: Jrp Editions Ringier, Zurich, Switerland, 2004
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: Alex Simpson, Carrying Place, ON, Canada
Soft Cover. Condizione: VG. English text, 78pp., no statement of print. Wraps have light edge/rub wear. Actual book for sale pictured. 10.7 x 16.5 x .7cm, wt200g Size: 16mo - over 5¾" - 6¾" tall.
Editore: [New York] (Purple Books/Feature Inc.), 1998
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
Prima edizione
58pp. Lrg. 8vo. Wraps. First Edition.
Editore: Purple Books, 1998
Da: Robinson Street Books, IOBA, Binghamton, NY, U.S.A.
Membro dell'associazione: IOBA
Paperback. Condizione: Very good. Prompt shipment, with tracking. we ship in CLEAN SECURE BOXES NEW BOXES Very good copy with clean pages. Slight stains to back cover. 8vo. 58 pages.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.
Softcover, 58 pages, as new condition; clean and crisp; no internal marks.
Editore: JRP Editions, Geneva, 2007
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condizione: new. Paperback. After David Robbins achieved art-world success with his photographic work Talent (1986)--in which he depicted Cindy Sherman, Jeff Koons, Jenny Holzer and 15 other contemporary artists as entertainers--he became progressively disenchanted with the art world, and in 1996 returned to his hometown of Milwaukee, Wisconsin to pursue what he termed "alternatives to art." The first of these was The Ice Cream Social (1993-2008), which had premiered in a Manhattan Baskin-Robbins ice cream shop in 1993 and then, over the next 15 years, gradually expanded to include (in Ice Cream Socials in Chicago, Paris, Tokyo, London and Des Moines) performance, installation, poetry, painting, a 2002 TV pilot for the Sundance Channel, fridge magnets, ceramic bowls and a novella. In this witty novella, originally published in 1998 and here re-issued by JRP/Ringier, Robbins recounts the generative 1993 Manhattan event, embedding it within a larger fiction that also includes the blueprint for the TV pilot realized later. Updating the traditional small-town American social ritual for contemporary audiences, Robbins' Ice Cream Social shared many of the strategies of those artists associated with Relational Aesthetics, while at the same time pioneering what curator Hans Ulrich Obrist lauded as "an expanded exhibition model." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Editore: Paris Musées
ISBN 10: 2879008727 ISBN 13: 9782879008721
Da: Okmhistoire, St Rémy-des-Monts, SARTH, Francia
Prima edizione
Couverture souple. Condizione: Très bon. Edition originale. Paris 2004. 1 Volume/1. -- Parfait état -- Brochure agrafée. Format oblong 19,5 x 24 cm ( 168 gr ). -------- 44 pages non chiffrées. *************** "" L'exposition Ready to Shoot* Fernsehgalerie Gerry Schum / videogalerie schum, est la première rétrospective d'un des projets artistiques les plus ambitieux et les plus complexes de la fin des années 1960 et du début des années 1970. Elle réunit, outre les deux expositions télévisuelles LAND ART (1969) et IDENTIFICATIONS (1970), les premières productions documentaires commandées à Gerry Schum, ainsi que deux courtes interventions télévisées, TV as a Fireplace (1969) de Jan Dibbets et TV Project Self Burial (1969) de Keith Arnatt, puis l'ensemble des productions réalisées par la « videogalerie schum » entre 1970 et 1973. La présentation s'accompagne des photographies des tournages par Ursula Wevers ainsi que d'un matériel documentaire issu pour la plupart des archives de Gerry Schum et d'Ursula Wevers (Cologne). ---------------- David Robbins, très présent sur la scène artistique des années 1980 aux Etats Unis, s'est fait connaître avec une série d'uvres conceptuelles marquées par la comédie utilisant le milieu de l'art new-yorkais comme premier matériau. Initié en 1993, son projet Ice Cream Social n'a depuis cessé de se développer dans le temps sous différents formats : exposition, performance, roman et plus récemment un script TV qui remporte en 2003 le concours « TV Lab Competition » de Sundance Channel. Progressivement l'artiste investit le contexte de la culture du divertissement pour le grand public dans un esprit décalé et humoristique. L'installation, inédite ici, s'articule comme une rétrospective en trois chapitres : -Creating a Context revient sur la première performance ICS de David Robbins dans une boutique du glacier Baskin Robbins en 1993 à New York. En récitant un poème devant une peinture abstraite (reprenant les pois roses et bruns du logo du glacier) dans un espace public et non artistique, David Robbins ouvre les perspectives et invente un nouveau type de rituel; -Developping an Iconography témoigne de l'expansion du projet à travers la publication d'un roman, The Ice Cream Social, et plusieurs Ice Cream Socials organisés à Chicago, Londres et Des Moines comme autant d'épisodes différents. Un vocabulaire de couleurs symboliques (fraise, chocolat, vanille) et de formes s'affirme alors. -Into the Mainstream présente le pilote d'une nouvelle série télévisée pour la chaîne câblée Sundance, mêlant personnages fictifs et invités réels (auteurs, cinéastes, politiciens). Dans cette émission de variétés influencée par le talk-show, le "théâtral" et l'artificiel s'affichent sans retenue. La démarche de David Robbins, son exploration transversale des champs d'expression ainsi que le développement protéiforme de son oeuvre remet en cause le format traditionnel de l'exposition et les normes de diffusion en usage. "" *************************** lml.
Editore: JRP Editions, Geneva, 2007
ISBN 10: 2940271550 ISBN 13: 9782940271559
Da: CitiRetail, Stevenage, Regno Unito
Paperback. Condizione: new. Paperback. After David Robbins achieved art-world success with his photographic work Talent (1986)--in which he depicted Cindy Sherman, Jeff Koons, Jenny Holzer and 15 other contemporary artists as entertainers--he became progressively disenchanted with the art world, and in 1996 returned to his hometown of Milwaukee, Wisconsin to pursue what he termed "alternatives to art." The first of these was The Ice Cream Social (1993-2008), which had premiered in a Manhattan Baskin-Robbins ice cream shop in 1993 and then, over the next 15 years, gradually expanded to include (in Ice Cream Socials in Chicago, Paris, Tokyo, London and Des Moines) performance, installation, poetry, painting, a 2002 TV pilot for the Sundance Channel, fridge magnets, ceramic bowls and a novella. In this witty novella, originally published in 1998 and here re-issued by JRP/Ringier, Robbins recounts the generative 1993 Manhattan event, embedding it within a larger fiction that also includes the blueprint for the TV pilot realized later. Updating the traditional small-town American social ritual for contemporary audiences, Robbins' Ice Cream Social shared many of the strategies of those artists associated with Relational Aesthetics, while at the same time pioneering what curator Hans Ulrich Obrist lauded as "an expanded exhibition model." Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.