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Editore: McGill-Queen's University Press, 2015
ISBN 10: 0773545506ISBN 13: 9780773545502
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Editore: McGill-Queen's University Press, 2015
ISBN 10: 0773545506ISBN 13: 9780773545502
Da: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Crimped/rounded corners, otherwise text clean and tight; NOTE: additional postage necessary for international shipping; 10.28 X 8.46 X 1.02 inches; 340 pages.
Editore: McGill-Queen's University Press, 2015
ISBN 10: 0773545506ISBN 13: 9780773545502
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Editore: McGill-Queen's University Press / Power Publications, 2015
ISBN 10: 0773545506ISBN 13: 9780773545502
Da: Lectioz Books, Gloucester, NSW, Australia
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Minimal wear to jacket. No tears. Book very clean. Binding tight. 340pp An extensive selection of pictures from photographers including Norman Deck, Harold Cazneaux, Max Dupain, Olive Cotton, Mark Strizic, John Cato, Jane Burton, and Bill Henson shows the range and diversity of photography in Australia and how it links to - and diverges from - international movements and styles. Addresses topics from Indigenous histories to the iconography of national discourse, and from evolving photographic techniques to light therapy. Size: 210mm x 260mm. Book.
Editore: McGill-Queen's University Press, Montreal, 2015
ISBN 10: 0773545506ISBN 13: 9780773545502
Da: CitiRetail, Stevenage, Regno Unito
Libro
Hardcover. Condizione: new. Hardcover. Light features prominently in the work of Australia's artists, writers, and photographers. Myths of a distinctly Australian light have shaped national identity and belonging, and the notion that photography is a language of light has particular significance for the country's photographic works. The Language of Light and Dark recounts this history of light as a medium and a metaphor from 1901 to the present. In this lucid, beautifully illustrated study, Melissa Miles reveals how myths of light and place have been reinvented, renewed, and challenged. She explores how approaches to darkness and light have been affected by debates about colonization, the landscape, urban development, and contemporary patterns of global and environmental change. An extensive selection of pictures from photographers including Norman Deck, Harold Cazneaux, Max Dupain, Olive Cotton, Mark Strizic, John Cato, Jane Burton, and Bill Henson shows the range and diversity of photography in Australia and how it links to - and diverges from - international movements and styles. Addressing topics from indigenous histories to the iconography of national discourse, and from evolving photographic techniques to light therapy, The Language of Light and Dark offers a new approach to the visual history of a nation and a continent. A major new account of Australian photography and the special significance of light in this medium. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Editore: McGill-Queen's University Press, Montreal, 2015
ISBN 10: 0773545506ISBN 13: 9780773545502
Da: AussieBookSeller, Truganina, VIC, Australia
Libro
Hardcover. Condizione: new. Hardcover. Light features prominently in the work of Australia's artists, writers, and photographers. Myths of a distinctly Australian light have shaped national identity and belonging, and the notion that photography is a language of light has particular significance for the country's photographic works. The Language of Light and Dark recounts this history of light as a medium and a metaphor from 1901 to the present. In this lucid, beautifully illustrated study, Melissa Miles reveals how myths of light and place have been reinvented, renewed, and challenged. She explores how approaches to darkness and light have been affected by debates about colonization, the landscape, urban development, and contemporary patterns of global and environmental change. An extensive selection of pictures from photographers including Norman Deck, Harold Cazneaux, Max Dupain, Olive Cotton, Mark Strizic, John Cato, Jane Burton, and Bill Henson shows the range and diversity of photography in Australia and how it links to - and diverges from - international movements and styles. Addressing topics from indigenous histories to the iconography of national discourse, and from evolving photographic techniques to light therapy, The Language of Light and Dark offers a new approach to the visual history of a nation and a continent. A major new account of Australian photography and the special significance of light in this medium. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.