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Editore: Paris Javal & Bourdeaux, 1930
Da: Shapero Rare Books, London, Regno Unito
Libro Copia autografata
Unique extra-illustrated example, limited edition printed hors-commerce on japon imperial for Monsieur Dumouchel, from a total edition of 525; 3 vols; 4to; illustrated with 25 monochrome etchings (of which 22 are hors-texte by Charles Huard and with two original copper plates by Huard, colour drawings throughout the text by Theodore van Elsen, signed and dated 1933, also loose are 9 wash drawings and 4 watercolours signed by Huard and a set of prospectus; vol II contains a suite of 30 colour drawings to illustrate the work, loose in an illustrated wrapper by van Elsen, with each drawing with tissue guards and mounted on blue paper, a suite of 20 original watercolours also to illustrate the work signed and captioned in pencil by Louis Ibels loose in an illustrated wrapper, dated 1933; vol.3 contains over 100 original drawings signed by Carlo Farneti to illustrate the work, 4 original watercolours by Louise Ibels and 2 signed watercolours by Leon Courbouleix; all house in modern maroon morocco boxes with gilt detail and lettering; a fine copy. A unique example extra-illustrated by Charles Huard with two copper plates and numerous original drawings by multiple artists. A large collection from the publisher's Javal and Bordeaux of illustrations for Flaubert's novel. Flaubert's first published novel. 'Madame Bovary, the story of the adulteries and suicide of a doctor's wife in provincial Normandy, is notable for its rigorous psychological development, and manifests the qualities that mark all his mature work: authenticity of detail, an impersonal narrative method, a precise and harmonious style. Certain passages having been judged to be offensive to public morals, Flaubert, his publisher, and his printer were tried but acquitted' (Drabble).
Da: Lynge & Søn ILAB-ABF, Copenhagen, Danimarca
Membro dell'associazione: ILAB
Prima edizione Copia autografata
Paris, 1857. Bound uncut with all the original wrappers, also the back-strips, in two magnificent, uniform full brown morocco bindings in art nouveau-style with inlays of purple, green, and beige morocco in flower-like patterns to boards and top of spines. Inside of boards of vol. I with light olive green morocco with inlayd pink morocco forming an elaborate romantic frame. Inside of boards of volume II with the same pattern, but in blue morocco on a dark green background. Marbled free end-papers, first and last of which in both volumes are covered with shiny silk on rectos and versos respectively. The bindings are signed Anker Kyster and dated 1928. Housed in two blue full cloth boxes with gilt lettering to spines. Wrappers slightly soiled along edges and with small, expertly restored, tears. Mounted and expertly restored backstrips with more wear, but almost all lettering intact. A few leaves with small, barely visible, restorations to blank margins. Overall a magnificent, very nice, clean, and fresh copy. Bound with the 36 pp. publisher's catalogue, dated March 1857. First edition, first issue of Flaubert's seminal magnum opus, the main work of literary realism and one of the most influential pieces of literature ever published. The novel first appeared serialized in the "Revue de Paris" from October to December 1856 and created a massive stir. Flaubert was almost immediately accused for obscenity and the trial that began in January 1857 helped make the novel notorious. When Flaubert was acquitted in February 1857, he had the novel published as quickly as possible, and it became an instant bestseller. With the present work, "Flaubert established for good or ill, what most readers think of as modern realist narration, and his influence is almost too familiar to be visible" (James Wood: How Fiction Works). Recognized as one of the greatest novels ever written "Madame Bovary" is generally considered the perfect work of fiction with an almost unsurpassed influence on contemporary and later writers, prefiguring the work of the great modernist novelists such as Proust and Joyce.Henry James said of the work " "Madame Bovary" has a perfection that not only stamps it, but that makes it stand almost alone: it holds itself with such a supreme unapproachable assurance as both excites and defies judgment", Nabokov hailed it as "prose doing what poetry is supposed to do", Marcel Proused praised its "grammatical purity" Kundera wrote of it "not until the work of Flaubert did prose lose the stigma of aesthetic inferiority. Ever since "Madame Bovary", the art of the novel has been considered equal to the art of poetry". The first issue, especially in wrappers, is uncommon. The present copy has the following first issue-pointers: " Senart" instead of "Senard" in the dedication, as well as the mistakes: "ni de votre dévouement" in stead of "et de votre dévouement" in the dedication" the lack of numbering on pp. 50 and 67 (just a hint of the 0 on p. 50)" "demanda-t-elle" in stead of "se demanda-t-elle" on p. 145, l. 23" comma after "abîme" on p. 290, l. 25" the disalignment of 1 and 0 to the bottom of p. 397" "Théodore" poorly printed on p. 475, l. 20.). Anker Kyster (1864-1939) is one of the most treasured Scandinavian book binders of all time, especially well known for his art nouveau-bindings, the best of which are now very difficult to find on the market. He was a book binding pioneer, who famously worked with the best arts- and crafts people and designers of the period He was also responsible for introducing hand-made marbled paper to book binding as a replacement for machine made paper. "He established himself as a highly skilled and pioneering bookbinder in Copenhagen, combining elements of classical traditions with modern styles and standards (e.g. those of Cobden-Sanderson)." (Oxford Companion to the Book). Kyster's full leather bindings are highly sought-after.
Data di pubblicazione: 1886
Da: Maggs Bros. Ltd ABA, ILAB, PBFA, BA, London, Regno Unito
Prima edizione Copia autografata
First English edition. 8vo. xxii, 383, [32, adverts] pp., with six plates (including the frontispiece). Original blue-green cloth, front cover lettered in black flanked by a gilt decorative band and cherubs, further floral bands with central roundels to the head and foot, spine lettered in gilt, rear cover with blind stamped publisher's monograph within triple blind fillet border, edges untrimmed. London, Vizetelly & Co. A seminal work of nineteenth century literature, translated by Eleanor Marx-Aveling, Karl Marx's daughter, and with a long and insightful introduction by her. An English translation of Madame Bovary is said to have been attempted as early 1857 by Julie Herbert, the governess to Flaubert's own niece, but a willing publisher in Britain was never found and the manuscript has been lost to history. The first English translation appeared in America in 1881, published in Philadelphia and translated by Mary Neal Sherwood, a prolific American translator of French and Russian literature who generally published her translations under the pseudonym John Stirling. The Eleanor Marx translation was therefore the first English edition to be printed in Britain. Although it was preceded by this earlier American effort, 'Eleanor Marx?s translation of Madame Bovary has endured like none other', forming the basis of many succeeding editions (Apter, Against World Literature: On the Politics of Untranslatability, p. 563). Small engraved bookplate of 'Ernest Pearce' to front pastedown with a few neat pencilled marginal annotations signed 'E.P.' Spine ever so slightly dulled, two small marks to front cover, extremities lightly rubbed, some very faint spotting to edges of text block and first two leaves, otherwise an excellent copy.
Manoscritto / Collezionismo cartaceo Copia autografata
Pas de couverture. Condizione: Bon. Lettre autographe signée au journaliste et collaborateur de l éditeur Charpentier, Maurice Dreyfous. Croisset, nuit de mercredi (27 mai 1874) ; 1 page in-8°. Plis marqués Belle lettre au sujet de la préparation des nouvelles éditions de Madame Bovary et de Salammbô chez l éditeur Georges Charpentier. Flaubert avait souhaité intégrer en annexes, pour Madame Bovary, les pièces du procès qui l avait acquitté et pour Salammbô, les articles de Saint Beuve et de l orientaliste Froehner qui avaient mis en cause la rigueur de ses recherches historiques. Pour Salammbô seul seront intégrées ses réponses aux critiques : « Je viens de lire les deux articles de Froehner et je ne suis pas d avis qu il faille les analyser. Il est plus loyal & plus crane de les imprimer in-extenso. Les 3 articles de Ste Beuve, ma lettre à Iceluy, l article de Froehner, ma réponse, son second article et ma réplique ne doivent pas tenir plus de place dans le volume de Salammbô que le réquisitoire de Pinard & la plaidoirie de Senard n en tiennent dans Bovary ! notez que Salammbô est plus court que la Bovary ! Telle est mon opinion. Advisez ! J attends la fin des épreuves de la dite Salammbô. Quoi de nouveau ? Georges [Charpentier] vient de recevoir de moi une lettre à prendre en considération » Lors du procès de Madame Bovary initié par le procureur Ernest Pinard, qui se déroula le 7 février 1857 à la chambre correctionnelle de Paris, trois hommes comparurent : Léon Laurent-Pichat, directeur de la Revue de Paris, Auguste-Alexis Pillet, imprimeur du périodique, et Gustave Flaubert. Laurent-Pichat fut inculpé d avoir, en 1856, « publié dans les numéros des 1er et 15 décembre de la Revue de Paris des fragments d un roman intitulé Madame Bovary et, notamment, divers fragments contenus dans les pages 73, 77, 78, 272, 273, commis les délits d outrage à la morale publique et religieuse et aux bonnes m urs ( ) Pillet en imprimant pour qu ils fussent publiés, Flaubert en écrivant et remettant à Laurent-Pichat pour être publiés, les fragments du roman ( ) et de s être ainsi rendus complices de ces délits prévus par les articles 1er et 8 de la loi du 17 mai 1819, et 59 et 60 du Code pénal ». A l origine, Maxime du Camp, ami d enfance de Flaubert, avait remis le manuscrit de Madame Bovary à Laurent-Pichat pour y être publié. Ce dernier demanda au préalable de soustraire certains passages. Du Camp partagea cet avis. Un spécialiste fut chargé de la besogne, amputant le roman d un chapitre et écourtant des passages au grand dam de Flaubert. Quand Laurent-Pichat s en prit au célèbre passage du fiacre, Flaubert, furibard, lui écrivit : « On ne blanchit pas les nègres et on ne change pas le sang d un livre ; on peut l appauvrir, voilà tout ( ) ». Suite à l acquittement de Flaubert, en échange de quelques coupures contraintes dans la version d origine, il inscrivit sur son exemplaire personnel les lignes suivantes : « Cet exemplaire représente mon manuscrit tel qu il est sorti des mains du sieur Laurent Pichat, poète et rédacteur propriétaire de la Revue de Paris. Signé par l'auteur.
Editore: Paris, Michel Lévy frères, Libraires-éditeurs, impr. Typ. de Mme Ve Dondey-Dupré, à Paris, coll. « Collection Michel Lévy », Paris, 1857
Da: Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, Francia
Prima edizione Copia autografata
Couverture rigide. Condizione: Bon état. 2 volumes. In-12 18 x 11 cm. Reliures de l époque demi-chagrin havane, dos à nerfs encadrés de petits fers dorés, [4] ff. n. ch. faux-titre et titre, lettre à l'avocat, dédicace à Louis Bouilhet, pp. 5-232 ; [2] ff. n. ch. faux-titre et titre, pp. 233-490. Reliures frottés, intérieur assez frais, légèrement et uniformément jauni, exempt de rousseurs. édition originale. Exemplaire de la première émission, avec la graphie "Sénart" pour "Sénard" à la dédicace;
Editore: Paris, Levy, 1857., 1857
Prima edizione Copia autografata
Deux tomes en un volume in-12, formant ensemble 490 pages, faux-titre et titre de la deuxième partie conservés, sans le catalogue de l'éditeur. Intérieurs frais. (Des décharges d'encre sur les feuillets, principalement dans la 2ème partie de l'ouvrage, dues à une rapide mise sous presse). Demi-chagrin Lavallière, dos à nerfs orné de fleurons dorés. Reliure de l'époque. Edition originale du premier tirage avec la dédicace fautive à l'avocat Sénard (orthographié Senart). La dédicace à Louis Bouilhet ne comprend pas le "A" de "A Louis Bouilhet", particularité typographique inconnue jusqu'à ce jour. Charmant exemplaire en condition d'époque.
Editore: Librairie des Amateurs, A. Ferroud, F. Ferroud Successeur, 1905
Da: Librairie du Cardinal, GRADIGNAN, Francia
Copia autografata
rigide. Compositions d'Alfred de Richemont, gravées à l'eau-forte par C. Chessa, préface de Léon Hennique, un des 400 exemplaires sur papier vélin d'Arches numérotés de 201 à 600 et prapahé par l'éditeur (n° 583) 1 vol. in-4 reliure de l'époque demi-maroquin à coins brun, dos à 5 nerfs plats guillochés, dos richement orné de rosaces mosaïquées, tête dorée, filet doré en mors et coins, couv. conservée, reliure signée de Mercier succ. de Cuzin, Librairie des Amateurs, A. Ferroud, F. Ferroud Successeur, Paris, 1905, 334 pp. et 1 f. n. ch. avec 20 planches hors texte (y compris le frontispice) et 6 eaux-fortes dans le texte Très belle reliure de Mercier pour cette "belle publication, très appréciée et cotée. Richemont est un des artistes qui ont le mieux illustré ce chef d'oeuvre" (Carteret IV, 159). Successeur de Francisque Cuzin, le grand relieur Emile Mercier participa aux expositions de Paris en 1900, d'Hanoi en 1903, de Saint-Louis en 1904 où, à chaque fois, il obtint les plus hautes récompenses. Bon exemplaire (infimes frott. en coins, bel exemplaire en très bel état par ailleurs). Fléty, 126 Langue: Français.
Editore: Folio Society,, 2020
Da: Island Books, Thakeham, West Sussex, Regno Unito
Prima edizione Copia autografata
Sm. folio, First Edition thus, with fine coloured frontispiece and 9 fine coloured plates; full silk blocked with painting by Nushka, gilt back, gilt top, blue endpapers, yellow marker ribbon, a fine copy in publisher's blue board slip-case. EDITION LIMITED TO 750 NUMBERED COPIES SIGNED BY THE ARTIST, TRANSLATOR AND INTRODUCER (THIS COPY No. 564). INCLUDES AN ORIGINAL UNBOUND PRINT OF EMMA BOVARY BY NUSHKA (750 COPIES) FOR FRAMING. The cover image and unbound print are paintings extra to those in the work itself.
Editore: Jean Porson 1947-1951, Paris, 1947
Da: Christophe Hüe - Livres anciens, Paris, Francia
Copia autografata
Condizione: Bon. Michel Ciry (illustratore). Edition illustrée. 3 volumes grands in-4, en feuilles sous couvertures rempliées, chemises et étui. Composés de deux volumes à pagination continue de [3] ffb., 233-[1] pp., [1] f., [4] ffb.; 249 à 474-[1] pp., [2] ff.; et d'un volume de planches. Illustré de 115 eaux-fortes originales de Michel Ciry. Ouvrage tiré à 170 exemplaires numérotés sur grand vélin teinté d'Arches, celui-ci n°26 des 35 exemplaires contenant une suite des 115 gravures en état définitif avec remarques, accompagnée d'un cuivre et de son dessin original à la plume et signé. Exemplaire contenant également un autre dessin original à la plume accompagnant un envoi signé de Michel Ciry à un dédicataire dont le nom a été effacé. Quelques usures et salissures à l'étui, très légers petits ponts de rousseurs aux couvertures. Bel ensemble bien complet. . (Catégories : Livres illustrés Littérature ). 8900 g En feuilles sous chemise et étui. Signé par l'illustrateur.
Editore: Paris, Editions Vialetay-Vairel, 1949., 1949
Da: Le Cabinet d'Amateur, Neuchâtel, Svizzera
Copia autografata
Gr. in-4°, 427p. Edition de luxe numérotée 1/105 exemplaires sur Arches (tirage total 198 exemplaires). Illustré de 30 lithographies originales en noir hors texte de Mariette Lydis. Exemplaire signé par l'artiste à la justification. En excellente condition. Une Madame Bovary de taille. approche les 5 kg. en feuilles sous jaquette imprimée rempliée, chemise et étui.
Editore: Limited Editions Club, Zurich, 1938
Da: Charles Agvent, est. 1987, ABAA, ILAB, Fleetwood, PA, U.S.A.
Copia autografata
hardcover. Gunter Bohmer (illustratore). Octavo (5-1/2" x 8-5/8") bound in semi-flexible full yellow Swiss silk with a gold-stamped green leather spine label. Introduction by Andre Maurois. Designed and illustrated with watercolors by Gunter Bohmer; printed and bound by Fretz Freres. Copy #509 of 1500 numbered copies SIGNED by the illustrator on the colophon page. Typical mild sunning to the spine. Close to Fine in a Fine slipcase.
Editore: The Limited Editions Club, Zurich, 1938
Da: curtis paul books, inc., Northridge, CA, U.S.A.
Copia autografata
Hardcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket. Original silk cloth with spine label, light gray topstain. Limited edition #840 of 1500 copies signed by illustrator Gunter Bohmer to the colophon. Fine condition. The slipcase is about fine with hint shelfwear. ; 8vo 8" - 9" tall; 349 pages; Signed by Author.
Editore: New York: The Limited Editions Club, 1950., 1950
Da: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Copia autografata
Hardcover. 4to. pp. x, [2 leaves], 348, [1 leaf]colophon. 20 coloured wood-engravings. A fine copy in original gold French damask. in slightly worn & discoloured slipcase. Limited to 1500 numbered copies, signed by the Illustrator Brissaud. May's translation revised by A.S.B.Glover. Designed by Francis Meynell, composition by Ernest Ingham at The Curwen Press, London, printed on Curtis special paper by The Marchbanks Press, NY, set in monotype Ehrhardt, bound by Russell-Rutter Company, NY. LEC Quarto-Millenary 206. Signed by Author(s).
Editore: Editions Vialetay-Vairel, 1949
Da: Librairie du Cardinal, GRADIGNAN, Francia
Copia autografata
rigide. Lithographies originales de Mariette Lydis, un des 105 exemplaires sur arches numérotés de 94 à 198 (n°143 ), signé par Mariette Lydis, 1 vol. fort in-folio en feuillet sous chemise rempliée, chemise cartonnée demi-toile et étui, Editions Vialetay-Vairel, Paris, 1949 Bon état pour cette édition monumentale (des frott. à l'étui, étui un peu faible, un accroc à la chemise rempliée, très bon état par ailleurs). Langue: Français.
Editore: Paris, Mourlot, 1957., 1957
Prima edizione Copia autografata
Lithographie reprenant la couverture de l'édition originale en vert d'eau, 560 x 450 mm. Parfait état. Affiche de l'exposiition du Centenair de la parutuion du roman, qui eut lieu à la Bibliothèque Nationale. La place exceptionnelle que ce livre occupe dans l histoire des lettres, lui vaut le privilège de faire à lui seul l objet de cette exposition. Prêté par la Bibliothèque de Rouen, le manuscrit autographe avec ses ébauches et ses brouillons constitue évidemment la relique essentielle de l Exposition, le témoignage du labeur acharné auquel se livra Flaubert pendant près de cinq années.
Data di pubblicazione: 1938
Da: The Antique Bookshop & Curios (ANZAAB), Crows Nest, NSW, Australia
Copia autografata
Bound in a semi-flexible full yellow Swiss silk with a gold-stamped green leather titling label. 349pp. Fine in the slip-case. Copy no 946 of 1500 numbered copies signed by the illustrator Gunter Bohmer . Scarce.
Editore: Limited Editions Club, Zurich, 1938
Da: Charles Agvent, est. 1987, ABAA, ILAB, Fleetwood, PA, U.S.A.
Copia autografata
hardcover. Gunter Bohmer (illustratore). Octavo (5-1/2" x 8-5/8") bound in semi-flexible full yellow Swiss silk with a gold-stamped green leather spine label. Introduction by Andre Maurois. Designed and illustrated with watercolors by Gunter Bohmer; printed and bound by Fretz Freres. Copy #65 of 1500 numbered copies SIGNED by the illustrator on the colophon page. Sunning to the spine with wear to the label. Very Good in a soiled, Very Good slipcase.
Editore: The Limited Editions Club, New York, 1950
Da: Shoemaker Booksellers, Gettysburg, PA, U.S.A.
Libro Copia autografata
Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Good-. Pierre Brissaud and Theo Schmied (illustratore). 349 pp. Original yellow cloth covers w/ gilt title on spine. Very bright and clean. #1468 of 1500 copies. SIGNED BY PIERRE BRISSAUD. Glassine DJ has light chipping along edges w/ small tears to spine. Comes in blue slipcase. Illust. w/ colour illustrations engraved in wood. Contents very nice. Signed by Artist.
Editore: East Rutherford, NJ, U.S.A.: Penguin Group (USA) Incorporated, 2010
ISBN 10: 0670022071ISBN 13: 9780670022076
Da: Dela Duende Books, Palm Desert, CA, U.S.A.
Libro Prima edizione Copia autografata
Soft cover. Condizione: Very Good. 1st Edition. Advance uncorrected proofs--SIGNED on title page--signature only. Minor soiling to bottom text block--visible in photo. Small abrasion to front cover--visible in last photo. Light curl to front cover. Signed by Author(s).
Editore: Editions du Rocher, Monaco, 1945
Da: Antiquariat "Der Büchergärtner", St. Ingbert, Germania
Copia autografata
Erste Auflage dieser Ausgabe. 14,5 x 22,5 cm. Grands et petits Chefs-d'oeuvre. XIII, 315 S. Illustrierte Originalbroschur. Sprache: Französisch, Arbeitsexemplar. Zahlreiche Marginalien. Handexemplar des Mainzer Romanisten Eugen Lerch (1888 - 1952). Signatur des Verfassers.
Editore: Limited Editions Club
Da: Vagabond Books, A.B.A.A., PASADENA, CA, U.S.A.
Libro Copia autografata
Hardcover. Condizione: Very Good. One of 1500 copies, signed by Brissaud on the limitation page. SLIGHTLY SOILED WITH CRACKED SLIPCASE. Signed by Author(s).
Editore: Éditions Gallimard, France, 2001
Da: Llibrenet, Sant Feliu del Raco, BARC, Spagna
Copia autografata
Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Roman (illustratore). Col. Folio, 3512 El servicio contrareembolso tiene un coste adicional de 3 euros. Todos nuestros libros son de segunda mano. Sello del anterior propietario.