miserables di hugo victor, Copia autografata (19 risultati)

Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good-. First Edition; First Printing. Signed by author on title page. First edition, first printing. Hard cover published by HarperCollins in 1995. Covers have some scuffing. Pages have some tanning. Book is in good condition. Dust jacket has a small nick at top front corner, has slight edge wear and is in very good minus condition. Large 8vo, 652 pages, 2 lb.; Large 8vo 9" - 10" tall; 652 pages; Signed by Author.

Encuadernación de tapa dura. Condizione: Bien. Novela (illustratore). 12 Edición. Titulo original: Les miserables. ExLibris.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Limited Edition. Hardcover; Hardcover in slipcase. Limited edition of 1, 600 copies, this copy has been left unnumbered and is signed by Introduction writer Drew Miiddleton. Beautiful green and white marbleized boards with green leather spine. Title in gold on spine. Boards and text pages are crisp and clean. Pale green slipcase with title in gold on spine. Slipcase is sunned at edges, light soil/bumping. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; B/w,color Ills; 8VO.

hardcover. Condizione: fine. Edouard Detaille (illustratore). Limited. Illlustrations from engravings by Edouard Detaille. 4to, 1/2 green calf. Westport: Limited Editions Club, 1977. One of 1600 copies signed by Drew Middleton, author of the introduction. Fine, in publisher's slipcase, a bit faded and with minor edgewear.

Hardcover. Edouard Detaille (illustratore). Quarto (8-1/8" x 10-3/4") bound in olive green cowhide, stamped in gold, with sides covered in a French hand-made marbled paper. Introduction by Drew Middleton, military correspondent of the New York Times with an Epilogue, "The Waterloo Dispatch," by Reginald Colby. The illustrations are reproduced from engravings by Edouard Detaille. Copy #887 of 1600 SIGNED by Middleton on the colophon page. Monthly Letter laid in. Fine in glassine and a close to Fine slipcase.

HUGO, Victor. The Battle of Waterloo. A Romantic Narrative from Les Miserables With an Introduction by Drew Middleton, Military Correspondent of the New York Times, and an Epilogue, The Waterloo Dispatch, by Reginald Colby. The Illustrations Are Reproduced from Engravings by Edouard Detaille. Original half leather in publisher's box. Limited to 1,600 copies printed at the Harbor Press with the illustrations printed by the Meriden Gravure Company and signed by Middleton. A very fine copy.

Hardcover. Condizione: Fine. Edouard Detaille (illustratore). In publisher's original quarter bound green leather with spine stamped in gilt. Boards wrapped green marbled paper. Gilt top-edge. Original green paper slipcase with sunfading at spine and foredge. Pages are bound in a french-fold. Designed by Reynard Biemiller. Signed by Drew Middleton. One of 1600 numbered copies.

Hardcover. Condizione: Good+. Condizione sovraccoperta: No Dust Jacket. Five volume set published by Limited Editions in 1938. Number 1024 out of 1500 copies. Signed by Lynd Ward (illustrator) at back of Vol. 5. No dust jackets. Slipcase is missing. Black covers with gilt lettering and design on brick red labels on spine. The gilt has faded some. Volumes 3 and 4 have some scratches on back covers. Vol. 2 has some small stains on side edges of pages. Books have some wear along side and bottom edges of covers. Books are in good plus condition. Small 4to, 1466 pages, 9.1 lb.; Small 4to 9" - 11" tall; 1466 pages; Signed by Illustrator.

Condizione: Good+. Five volumes. Original black cloth, lacking slipcase. Volumes have wear to the spines, corners bumped, but contents are holding well, and internally the books are in near fine condition. #986 of 1,500 copies printed. Signed by the illustrator, Lynd Ward. His wood cuts appear throughout.

Hard Cover. Condizione: vg. Condizione sovraccoperta: good. Lynd Ward (illustratore). 5 volumes. Limited Editions Club #1485/1500 & SIGNED by the illustrator; contents clean; burgundy illustrations; red top edges; bindings solid; 10.5" tall; black covers with black illustration & lettering on red title bands; chips & wear to black slip case with paper label on back. Hardcover.

Hardcover. Lynd Ward (illustratore). Five quarto (7-1/4" x 10-1/2") volumes bound in black Irish linen with rust-colored, gilt-lettered cloth spine labels. The translation by Lascelles Wraxall authorized by the author. Illustrated by Lynd Ward. Copy #1371 of 1500 SIGNED by the illustrator on the colophon page. Spines a bit dull with touch of fraying to a couple of spine tips. About Fine, lacking the slipcase.

Hardcover. Lynd Ward (illustratore). Five quarto (7-1/4" x 10-1/2") volumes bound in black Irish linen with rust-colored, gilt-lettered cloth spine labels. The translation by Lascelles Wraxall authorized by the author. Illustrated by Lynd Ward. Copy #65 of 1500 SIGNED by the illustrator on the colophon page. Minor browning to gutters. Near Fine in a Good only slipcase with the top edge mostly detached.

Hardcover. Condizione: Very Good. A remarkable set in three volumes. Exquisitely bound by Alfred Matthews in quarter moroccan leather spine and leather tips with gilt rules; and marbled paper-covered boards. With charming filigree gilt designs, titles, and dates on the spines. Three sturdy volumes very clean and tight through with the atmospheric engravings throughout all three volumes. Extra-illustrated with 215 plates inlaid to size and with descriptions. Marbled endpapers. Top edges gilded. A beautiful and highly readable set with the glorious illustrations and the ALS by Victor Hugo. With an autographed letter signed in ink by Victory Hugo on blue laid paper. "9 X Je suis toujours garde-malade a je n ai aucun liberté l'esprit.Dans your beauté exquite, , vous me pardonne n est-ce pas, madame? Je suis toujours a tu pieds" --Victor HugoTranslation:I am still a nurse and I have no freedom of mind.In your exquisite beauty you forgive me, don t you madame?I am always at your feet. Victor Hugo Upton Sinclairdescribed the novel as "one of the half-dozen greatest novels of the world", and remarked that Hugo set forth the purpose ofLes Misérablesin thePreface: "So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilization, artificially creates hells on earth, and complicates a destiny that is divine with human fatality; so long as the three problems of the age the degradation of man by poverty, the ruin of women by starvation, and the dwarfing of childhood by physical and spiritual night are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless."Towards the end of the novel, Hugo explains the work's overarching structure:[8] "The book which the reader has before him at this moment is, from one end to the other, in its entirety and details. a progress from evil to good, from injustice to justice, from falsehood to truth, from night to day, from appetite to conscience, from corruption to life; from bestiality to duty, from hell to heaven, from nothingness to God. The starting point: matter, destination: the soul. Thehydraat the beginning, the angel at the end." Les Misérables is aFrenchhistorical novelbyVictor Hugo, first published in 1862, that is considered one of the greatestnovelsof the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, includingThe Miserables,The Wretched,The Miserable Ones,The Poor Ones,The Wretched Poor,The VictimsandThe Dispossessed.[5]Beginning in 1815 and culminating in the 1832June RebellioninParis, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convictJean Valjeanand his experience of redemption.[6]Examining the nature of law and grace, the novel elaborates upon thehistory of France, the architecture and urban design of Paris, politics,moral philosophy,antimonarchism, justice, religion, and the types and nature ofromanticand familial love.Les Misérableshas been popularized through numerousadaptationsfor film, television and the stage, including a musical. (Wikipedia) Third Edition. With "(Copyright)" and "Third Edition" printed on the title page. With "John Childs and Sons, Printers" on the verso of the title page. Signed by Author.

Hardcover. Condizione: Fine. FINE. 5 volumes. Translation by Lascelles Wraxall. Introduction by André Maurois. Illustrated by Lynd Ward. (8vo) full black cloth with gilt lettered brown cloth labels. One of 1500 copies designed and printed by Peter Beilenson at The Walpole Printing Office. Signed by illustrator Lynd Ward at the colophon. SCARCE IN ACETATE DJS. Signed by Author(s).

Editions le droit d'écrire 1995. In-4 cartonnage éditeur de 60 pages au format 22,7 x 30,7 cm. Couverture illustrée. Dos carré. Plats et intérieur frais malgré d'infimes tassements aux coins. Couvertures et dessins en couleurs de Eddy Paape sur l'adaptation du roman " Les Misérables " de Victor Hugo, par Michel Deligne. Préface de Claude Lelouch. Tome 1, seul volume paru. Superbe état général. Edition originale. Précieux exemplaire enrichi d'un superbe dessin original pleine page, signé et daté, de Eddy Paape.

Editions Uitgeverij Farao-Talent 1995. In-4 cartonnage éditeur souple de 56 pages au format 29,5 x 22 cm. Couverture illustrée à rabats. Dos carré. Plats et intérieur frais malgré d'infimes tassements aux coins. Couvertures et dessins en couleurs de Eddy Paape sur l'adaptation du roman " Les Misérables " de Victor Hugo, par Michel Deligne. Préface de Claude Lelouch. Tome 1, seul volume paru. Superbe état général. Edition originale en néerlandais. Précieux exemplaire enrichi d'un superbe dessin original pleine page, signé, daté, de Eddy Paape avec dédicace en néerlandais.

Editions le droit d'écrire 1995. In-4 cartonnage éditeur de 60 pages au format 22,7 x 30,7 cm. Couverture illustrée. Dos carré. Plats et intérieur frais. Couvertures et dessins en couleurs de Eddy Paape sur l'adaptation du roman " Les Misérables " de Victor Hugo, par Michel Deligne. Préface de Claude Lelouch. Tome 1, seul volume paru. Superbe état général. Edition originale. Précieux exemplaire enrichi d'une cordiale dédicace autographe, signée, de Jean Valjean, alias Michel Deligne et d'un superbe dessin original pleine page, signé et daté, de Eddy Paape.

Octavos; five volumes uniformly bound in black cloth with red spine labels lettered in gold in sympathetic black slipcase with red printed label; top edge stained red. A handsome set; the volumes are in fine condition while the slipcase has minor extremity wear. With a new introduction by Andre Maurois. One of Ward's full-page illustrations introduces each volume, which features his striking head- and tailpiece works throughout. Each volume's illustrations were printed in a single color unique to that volume. The edition was designed by Peter Beilenson and printed by him at the Walpole Printing Office in Mount Vernon. signed by the illustrator, Lynd Ward at the colophon in Volume 5 (this being #182). First Edition thus, Limited #182 of 1500 copies.

Pas de couverture. Condizione: Bon. Edition originale. HUGO, Victor (1802-1885) Lettre autographe signée « V. » à Émile Allix H[auteville] H[house], 25 juillet [1862], 2 pp. petit in-24° (4,3 x 6,8 cm) sur papier vergé bleu, Enveloppe autographe jointe (déchirure, voir scan) Légère trace de pliure oblique sans importance sur la deuxième page [Timbre sec :] S. Barset / June / 25 / High Street / Guernsey [Cachet postal :] 28 Jul[y] [18]62 / Ang[leterre] Calais Lettre « miniature » inédite à son médecin personnel, annonçant son départ pour la Belgique après l'épuisant travail de rédaction des Misérables « Merci, cher Monsieur Émile. Vous avez le dévouement le plus charmant du monde et vous entrez en fonctions avec tout l'esprit possible et une grâce parfaite. Votre lettre est une page toute étincelante. Voici, imprimées, deux lettres qui vous intéresseront, si vous connaissez quelque journal qui trouve bon de les reproduire, faites. Je vais voir mon Charles dans quelques jours. Ce sera une joie profonde, et je la mérite un peu après ce lourd labeur. Quel dommage que vous ne soyez pas de cette clef des champs là ! Est-ce que vous voudrez jeter à la poste ces trois billets. Je fais mon sac de nuit, et je vous serre les deux mains V. » Une lettre à Paul Meurice, envoyée la veille, permet de connaître en détails le périple que Victor Hugo s'apprête à entreprendre : « Nous partirons lundi 28 (avec M. Lacroix) [l'éditeur des Misérables], nous passerons à Londres la journée de mardi. Mercredi 29 nous serons à Bruxelles (par Ostende), jeudi 30 à Liège (puisque Liège vous plaît). Tâchez donc d'y arriver, vous et Charles, le 31 juillet », puis d'ajouter en fin de lettre, anticipant semble-t-il les recommandations de son médecin : « Pour modérer la pluie de lettres pendant mon absence, voudrez-vous faire publier dans Le Siècle ou La Presse quelque chose comme ceci : "Sur l'avis des médecins qui lui ont conseillé le changement d'air après le grand travail des Misérables M. Victor Hugo a quitté Guernesey pour un voyage de quelques semaines" » Émile Allix (1836-1911) est un docteur en médecine français, spécialisé en pédiatrie. C'est lors de vacances passées à Jersey que le jeune étudiant en médecine (alors âgé de 19 ans) fait connaissance de l'écrivain par le biais de son frère Jules et sa sur Augustine, proches du cercle Hugo. Ses convictions républicaines, son opposition au régime de Napoléon III, sa gentillesse et sa nature très douce furent autant d'arguments qui permirent au médecin de sceller le début d'un indéfectible amitié avec l'écrivain. C'est Allix qui, en 1868, assistera Adèle Hugo, très malade, dans ses derniers instants. Intime de Victor Hugo et de sa famille, il sera le fidèle de tous les instants, comme un autre fils. Avec ses confrères Alfred Vulpian et Germain Sée, il signe les derniers certificats qui précèdent la constatation du décès de Victor Hugo, le 22 mai 1885. Quand Victor Hugo signait de la seule initiale de son prénom, cela signifiait avant tout une très grande proximité avec son correspondant (habituellement réservée à son cercle le plus proche). Le regret exprimé ici par l'écrivain de ne pouvoir retrouver son ami médecin pour son périple belge témoigne d'autant plus des liens qui les unissaient. Les lettres de Victor Hugo d'un format singulièrement si petit sont très rares Provenance : Collection particulière. Signé par l'auteur.