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Editore: University of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Libro
Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within.
Editore: Univ of Minnesota Pr, 2003
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.
Libro
Soft cover. Condizione: Near Fine. clean, unmarked copy.
Editore: univ of minnesota, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Hollywood Canteen Inc., Toronto, ON, Canada
Libro
Soft Cover. Condizione: Very Good. 2019.
Editore: University of Chicago press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: INDOO, Avenel, NJ, U.S.A.
Libro
Condizione: New. Brand New.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Libro
Paperback. Condizione: new. New. Fast Shipping and good customer service.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: New. Book is in NEW condition.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Wizard Books, Long Beach, CA, U.S.A.
Libro
Paperback. Condizione: new. New.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Paperback. Condizione: new. New Copy. Customer Service Guaranteed.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Editore: University of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Front Cover Books, Denver, CO, U.S.A.
Libro
Condizione: new.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Book Deals, Tucson, AZ, U.S.A.
Libro
Condizione: New. New! This book is in the same immaculate condition as when it was published.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Byrd Books, Austin, TX, U.S.A.
Libro
Paperback. Condizione: very good. In Used Condition.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Paperback. Condizione: very good. Very Good Copy. Customer Service Guaranteed.
Editore: University of Minnesota Press, 2002
Da: Cambridge Rare Books, Cambridge, GLOUC, Regno Unito
PAPERBACK. Condizione: GOOD. 2002. University of Minnesota Press. Paperback. ACCEPTABLE.
Editore: Univ of Minnesota Pr, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. 1st edition. 336 pages. 8.75x5.75x0.75 inches. In Stock.
Editore: University of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Libro
Condizione: New. Num Pages: 352 pages, 19 halftones. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 224 x 147 x 19. Weight in Grams: 440. . 2002. Paperback. . . . .
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: New.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: As New. Unread book in perfect condition.
Editore: University of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Kennys Bookstore, Olney, MD, U.S.A.
Libro
Condizione: New. Num Pages: 352 pages, 19 halftones. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 224 x 147 x 19. Weight in Grams: 440. . 2002. Paperback. . . . . Books ship from the US and Ireland.
Editore: Univ Of Minnesota Press, 2003
ISBN 10: 0816641099ISBN 13: 9780816641093
Da: Hollywood Canteen Inc., Toronto, ON, Canada
Libro
Hardcover. Condizione: Good. 22 feblight surface wear.
Editore: MP - University Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
Libro
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: University of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: Hafa Adai Books, Moncks Corner, SC, U.S.A.
Libro
Condizione: very good.
Editore: Univ Of Minnesota Press, 2003
ISBN 10: 0816641099ISBN 13: 9780816641093
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Editore: Univ Of Minnesota Press, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Libro
Condizione: New. New. In shrink wrap. Looks like an interesting title! 0.95.
Editore: University of Minnesota Press, Minnesota, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: AussieBookSeller, Truganina, VIC, Australia
Libro
Paperback. Condizione: new. Paperback. Among the elements that define the classic film noir -- chiaroscuro lighting, voice-over narration, and such archetypal characters as the world-weary private eye and the femme fatale -- perhaps no element is more responsible for the genre's continued popularity among movie buffs, filmmakers, and critics than the palpable sense of anxiety that emanates from the screen. Because the genre emerged in the shadow of the Second World War, this profound psychological and philosophical unease is usually ascribed either to postwar fears about the atomic bomb or to the reactions of returning soldiers to a new social landscape. In Noir Anxiety, however, Kelly Oliver and Benigno Trigo interpret what has been called the "free-floating anxiety" of film noir as concrete apprehensions about race and sexuality.Applying feminist and postcolonial psychoanalytic theory to traditional noir films (Murder, My Sweet; The Lady from Shanghai; Vertigo; and Touch of Evil) and the "neo-noirs" of the 1970s, 1980s, and 1990s (Chinatown, Devil in a Blue Dress, and Bound), the authors uncover a rich array of unconscious worries and desires about ambiguous sexual, racial, and national identities, often displaced onto these films' narrative and stylistic components. In particular, Oliver and Trigo focus on the looming absence of the mother figure within the genre and fears about maternal sexuality and miscegenation. Drawing on the work of Freud and Julia Kristeva, Noir Anxiety locates film noir's studied ambivalence toward these critical themes within the genre's social, historical, and cinematic context. Among the elements that define the classic film noir — chiaroscuro lighting, voice-over narration, and such archetypal characters as the world-weary private eye and the femme fatale — perhaps no element is more responsible for the genre's continued popularity among movie buffs, filmmakers, and critics than the palpable sense of anxiety that emanates from the screen. Because the genre emerged in the shadow of the Second World War, this profound psychological and philosophical unease is usually ascribed either to postwar fears about the atomic bomb or to the reactions of returning soldiers to a new social landscape. In Noir Anxiety, however, Kelly Oliver and Benigno Trigo interpret what has been called the "free-floating anxiety" of film noir as concrete apprehensions about race and sexuality. Applying feminist and postcolonial psychoanalytic theory to traditional noir films (Murder, My Sweet; The Lady from Shanghai; Vertigo; and Touch of Evil) and the "neo-noirs" of the 1970s, 1980s, and 1990s (Chinatown, Devil in a Blue Dress, and Bound), the authors uncover a rich array of unconscious worries and desires about ambiguous sexual, racial, and national identities, often displaced onto these films' narrative and stylistic components. In particular, Oliver and Trigo focus on the looming absence of the mother figure within the genre and fears about maternal sexuality and miscegenation. Drawing on the work of Freud and Julia Kristeva, Noir Anxiety locates film noir's studied ambivalence toward these critical themes within the genre's social, historical, and cinematic context. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Editore: University of Minnesota Press, Minnesota, 2002
ISBN 10: 0816641102ISBN 13: 9780816641109
Da: CitiRetail, Stevenage, Regno Unito
Libro
Paperback. Condizione: new. Paperback. Among the elements that define the classic film noir -- chiaroscuro lighting, voice-over narration, and such archetypal characters as the world-weary private eye and the femme fatale -- perhaps no element is more responsible for the genre's continued popularity among movie buffs, filmmakers, and critics than the palpable sense of anxiety that emanates from the screen. Because the genre emerged in the shadow of the Second World War, this profound psychological and philosophical unease is usually ascribed either to postwar fears about the atomic bomb or to the reactions of returning soldiers to a new social landscape. In Noir Anxiety, however, Kelly Oliver and Benigno Trigo interpret what has been called the "free-floating anxiety" of film noir as concrete apprehensions about race and sexuality.Applying feminist and postcolonial psychoanalytic theory to traditional noir films (Murder, My Sweet; The Lady from Shanghai; Vertigo; and Touch of Evil) and the "neo-noirs" of the 1970s, 1980s, and 1990s (Chinatown, Devil in a Blue Dress, and Bound), the authors uncover a rich array of unconscious worries and desires about ambiguous sexual, racial, and national identities, often displaced onto these films' narrative and stylistic components. In particular, Oliver and Trigo focus on the looming absence of the mother figure within the genre and fears about maternal sexuality and miscegenation. Drawing on the work of Freud and Julia Kristeva, Noir Anxiety locates film noir's studied ambivalence toward these critical themes within the genre's social, historical, and cinematic context. Among the elements that define the classic film noir — chiaroscuro lighting, voice-over narration, and such archetypal characters as the world-weary private eye and the femme fatale — perhaps no element is more responsible for the genre's continued popularity among movie buffs, filmmakers, and critics than the palpable sense of anxiety that emanates from the screen. Because the genre emerged in the shadow of the Second World War, this profound psychological and philosophical unease is usually ascribed either to postwar fears about the atomic bomb or to the reactions of returning soldiers to a new social landscape. In Noir Anxiety, however, Kelly Oliver and Benigno Trigo interpret what has been called the "free-floating anxiety" of film noir as concrete apprehensions about race and sexuality. Applying feminist and postcolonial psychoanalytic theory to traditional noir films (Murder, My Sweet; The Lady from Shanghai; Vertigo; and Touch of Evil) and the "neo-noirs" of the 1970s, 1980s, and 1990s (Chinatown, Devil in a Blue Dress, and Bound), the authors uncover a rich array of unconscious worries and desires about ambiguous sexual, racial, and national identities, often displaced onto these films' narrative and stylistic components. In particular, Oliver and Trigo focus on the looming absence of the mother figure within the genre and fears about maternal sexuality and miscegenation. Drawing on the work of Freud and Julia Kristeva, Noir Anxiety locates film noir's studied ambivalence toward these critical themes within the genre's social, historical, and cinematic context. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.