Editore: CHANCELLOR PRESS 1985, 1985
ISBN 10: 0907486762 ISBN 13: 9780907486763
Da: Leaf Ends, Stocksfield, Regno Unito
Copia autografata
Rackham, Arthur (illustratore). 1st in this edition hardback with dustwrapper very good/very good 8 double sided coloured plate illustrations, not price clipped or inscribed.
Editore: Philomel Books, 1999
ISBN 10: 0399231528 ISBN 13: 9780399231520
Da: Cottage Street Books, Greenwich, NY, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: As New. Will Moses (illustratore). 1st Edition. 1999. Philomel Books. 4to. Hardcover. First impression. Fine in fine DJ. Inscribed and signed "To----Will Moses 1999". Inscribed by Author(s).
Ulteriori offerte da altri venditori AbeBooks
Usato - A partire da EUR 18,98
Scopri anche Rilegato Prima edizione Copia autografata
Editore: Dial Books, 1988
ISBN 10: 0803705204 ISBN 13: 9780803705203
Da: Cottage Street Books, Greenwich, NY, U.S.A.
Copia autografata
Hardcover. Condizione: Fine. Locker, Thomas (illustratore). 1988. NY: Dial Books. Oblong 8vo. Hardcover. First edition. Fine in near fine DJ. Signed by the illustrator (Thomas Locker) on the half-title page. Signed by Author(s).
Ulteriori offerte da altri venditori AbeBooks
Usato - A partire da EUR 18,98
Scopri anche Rilegato Prima edizione Copia autografata
Editore: Philomel Books, 1999
Da: Mainly Books, Silverdale, PA, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good+. 1st Edition; 1st Printing. Large format hardcover with dustjacket, signed and dated "2001" by Moses on the half-title page, first printing as indicated by the publisher's "1" in the number line on copyright page book and as stated, book is in excellent condition, no remarkable flaws, jacket has surface-rubbing on the rear panel and is in excellent condition otherwise with no other remarkable flaws, illustrated in color ; Signed by Author.
Editore: The Folio Club, 1946
Da: Riverby Books, Fredericksburg, VA, U.S.A.
Copia autografata
Hardcover. Condizione: Good. Hardcover. Green and tan patterned paper over boards with gold lettering on green cloth spine. No date on title page, copyright page dated 1946. 68 pages. Book is in good condition. Little wear to cover, most evident at corners. Lettering on spine has faded quite a bit. Cover is otherwise clean, binding strong and square. Fore-edge is deckled. Pages are clean and unmarked. Overall free of tears, bumps, or folds. Signed by illustrator on half-title page. Beautifully illustrated with full-page multicolor prints throughout. Signed by Author(s).
Editore: Philomel Books, 1999
ISBN 10: 0399231528 ISBN 13: 9780399231520
Prima edizione Copia autografata
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Will Moses (illustratore). First Edition. 1999, first edition, first impression. Signed by artist Will Moses at half title. Unpaginated. Glossy illustrated boards, near fine with sharp corners, slight bump to top edge of front panel. Binding tight. Dust jacket very good, lightly toned along top edges, small (<1/2") closed tear at top of rear fore-edge. Interior clean and bright, free of markings. Signed.
Editore: Haines Falls, NY Mountain Top (1988)., 1988
Da: Crabtree's Collection Old Books, Sebago, ME, U.S.A.
Copia autografata
VG PB. Editor inscription back ep. Illustrated by Illus by N. C. Wyeth.
Editore: The Limited Editions Club, 1930
Da: Kazoo Books LLC, Kalamazoo, MI, U.S.A.
Copia autografata
Hardcover. Condizione: Used - Good. No Jacket. Hardcover with green leather covers. Covers are damaged with staining. Owners plate inside front cover. Signed by illustrator, Frederick W. Goudy on Limited Editions page in the back. Copy #1409 of 1500. Signed By Illustrator.
Editore: Creative Editions, Mankato, 1993
ISBN 10: 1568460821 ISBN 13: 9781568460826
Da: Bud Plant & Hutchison Books, Cedar Ridge, CA, U.S.A.
Copia autografata
Hardcover. Condizione: Fine. Kelley, Gary (illustratore). Edition not noted. Narrow 4to, full olive green cloth, illustrated in dreamy color by Gary Kelley, designed by Louise Fili. Signed by Kelley on front pastedown, "autographed" sticker to front dj panel. Fine in fine, un-clipped dj, no previous owner's marks.
Editore: The Limited Editions Club, 1930
Da: The Old Sage Bookshop, Prescott, AZ, U.S.A.
Copia autografata
Hard Cover with Slipcase. Condizione: Good-. No Jacket. Limited Edition. Full leather hardcover with gilt title on spine; limited edition 1393/1500; signed by Frederick W. Goudy. Book in good minus condition: spine is faded, rough, chipping, and splitting; light rubbing to horizontal edges of boards; toning to edges of endpapers due to manufacturer's glue; inner back hinge is slightly split but holding well; pages are excellent. Slipcase in good minus condition with some splitting, scuffing, toning. Size: 8vo - over 7¾ - 9¾" tall. Signed by Editor and Designer. Book.
Editore: Creative Editions, 1993
Da: Bibliodisia Books, IOBA, MWABA, Chicago, IL, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Gary Keyyey (illustratore). First Edition. SIGNED BY THE ARTIST. Has all the first issue points. A beautiful edition of this classic by artist considered "among the world's finest illustrators" with many awards from the Society of Illustrators. A clean, unmarked and unclipped copy in an archival Mylar jacket cover.
Editore: Dial Books, 1988
ISBN 10: 0803705204 ISBN 13: 9780803705203
Prima edizione Copia autografata
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Thomas Locker (illustratore). 1st Edition. The dust jacket has light wear to the extremities and is unclipped at the top and clipped at the bottom of the flap ($15.95). 1 3 5 7 9 10 8 6 4 2 number line. Signed by Thomas Locker on the title page. Signed by Illustrator(s).
Editore: The Limited Editions Club, New York, 1930
Da: The Kelmscott Bookshop, ABAA, Savage, MD, U.S.A.
Copia autografata
Hard Cover. Condizione: Fine. Hard Cover. Number 46 of 1500 printed copies. Signed by the designer, Frederic W. Goudy. 8vo. Bound in full olive green leather with gilt title to spine. Spine and edges of boards have faded to brown. Leather on spine is heavily worn and is cracked with chips. Binding remains secure; however, leather is cracking along hinges. Interior is clean and bright ovearll with illustrations as well as head pieces at the beginning of each chapter. Light browning to margins and a couple of light finger smudges to a few margins. Untrimmed edges to pages. Housed in original tan patterned paper covered slipcase with black title to spine panel. Wear and chipping to edges of slipcase and rubbing to panels. 57 pages. LIT/011320.
Editore: The Limited Editions Club, 1930
Da: Michael Patrick McCarty, Bookseller, New Castle, CO, U.S.A.
Copia autografata
Hardcover. Condizione: Good. Condizione sovraccoperta: No Dustjacket as Issued. Hinges and joints sound; some flaking and scuffing to spine. Minor rubbing at edges. This being copy #569 of 1500 copies. Signed by F. W. Goudy on the limitation page in rear. In original slipcase, which is in Good condition (small piece missing top edge; split at lower edge). Frederic William Goudy (1865 ? 1947) was an American printer, artist and type designer whose typefaces include Copperplate Gothic, Goudy Old Style and Kennerley. He was one of the most prolific of American type designers and his self-named type continues to be one of the most popular in America. "Rip Van Winkle" is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their liquor and falls asleep in the Catskill Mountains. He awakes 20 years later to a very changed world, having missed the American Revolution. Signed by Significant Other.
Editore: J.B. Lippincott, Philadelphia, 1967
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Copia autografata
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Later printing. Illustrated by Arthur Rackham. About fine in a very good price-clipped dustwrapper with a little rubbing and some small tears. Bookplate and ownership signature of American poet Eleanor Ross Taylor.
Editore: Harcourt Brace Jovanovich, San Diego, 1984
Da: Bud Plant & Hutchison Books, Cedar Ridge, CA, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Fine. Moser, Barry (illustratore). 1st. 1st trade edition, large 8vo, white cloth over black blindstamped boards, illustrated with wood cuts by Barry Moser, signed by Moser on the title page. Very fine in fine, unclipped dj. Signed by the artist.
Editore: Putnams, 1897
Da: THE FINE BOOKS COMPANY / A.B.A.A / 1979, ROCHESTER, MI, U.S.A.
Copia autografata
RIP VAN WINKLE, Harper & Brothers, 1897, base of spine ever so slightly bruised, else a fine copy in a nicely illustrated binding with same, frontispiece, two colored title page and first page all designed by Will Bradley.
Editore: ***** Privately Printed ***** (1951), Ithaca, NY, 1951
Copia autografata
Cloth(Hrdcvr). Condizione: VG/NO DUSTJACKET. Woodcuts (illustratore). Ithaca, NY: ***** Privately Printed *****. VG/NO DUSTJACKET. (1951). . Cloth(Hrdcvr). #35 of 275 copies signed by Abbe, the artist. . 4to., 35 pp, spine lightly sunned .
Editore: Ithaca, 1951
Da: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Copia autografata
Hardcover. Condizione: near fine. Quarto.12" x 8 1/2". Green leatherbacked boards with marble paper. Gilt lettering to spine. 33pp. The woodcuts in this book were printed from the original blocks and the text from hand-set type. Two hundred and seventy-five copies were printed of which this is #222 and is signed by engraver, Elfriede Abbe. There is some light toning at top edges of both front and rear endpapers.
Editore: Waldo Press, Cleveland, Ohio, 1900
Da: Charles Bartman, Bookseller, ABAA, ILAB, Louisville, KY, U.S.A.
Copia autografata
Hardcover. Condizione: Fine. No Jacket. Limited Edition. In very good slipcase with minor edge wear; private press of Charles M. Hill; #70 of 150 copies; suede leather spine and corners with brown burlap covers; signed in black ink by Hill and date January 29, 1901 on limitation page with slight bleed through to verso; illuminated initials in text drawn in by hand. Signed by Publisher.
Editore: (Elfriede Abbe), Ithaca, NY, 1951
Da: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
Copia autografata
Abbe, Elfriede (illustratore). 4to. quarter cloth, paper covered boards, gilt emblem on front board, fore-edge uncut, slipcase. (viii), 34 +(1) pages. Limited edition of 275 numbered and signed copies. Abbe (1919-2012) was a sculptor and wood engraver who had won numerous prizes for her work. This is copy # 1 presented to Abbe's mother on Christmas 1951. Woodcut engravings by Elfriede Abbe. Text printed from handset type. Invoice for slipcase laid in. Xerox of one illustration inlayed on slipcase. quarter cloth, paper covered boards, gilt emblem on front board, fore-edge uncut, slipcase.
Editore: Printed by the Engraver at Ithaca, New York MCMLI. Number 167 of 275 signed copies., 1951
Da: Peter Keisogloff Rare Books, Inc., Brecksville, OH, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Fine. No Jacket. 1st Edition. [Artist's colophon]: The woodcuts in this book were printed directly from the original blocks, and the text from hand-set type. Two hundred and seventy-five copies were printed, of which this is number 167. [signed]: Elfriede Abbe. 8 1/2 in. x 12 5/8 in., half-title; title-page with woodcut design; signed, artist's limiation page. [10]pp., pp. 1-[35]; illustrated with two full-page woodcuts, at p. 4 and p. 10, and 23 other, various size woodcuts, including a double-page spread at pp. [14]-[15]. Printed on paper watermarked: Linweave Text. Dark blue-green cloth spine and sides, with RvW initials and artist's name gilt on the spine, with blue-green paper over boards, with RvW monogram gilt on the front cover. The cover corners show light wear. Signed by Illustrator(s).
Editore: Roycroft Press, East Aurora, 1905
Da: Bromer Booksellers, Inc., ABAA, Boston, MA, U.S.A.
Copia autografata
Hunter, Dard (illustratore). Small octavo. xx, 48pp. Signed by Dard Hunter, who completed the title-page decoration and initials for the volume. A gloriously quaint edition paying suitable homage to the classic folktale. Bound in limp red suede impressed in black. Expected toning to endpapers and edges of text block, some noticeable wear to gutter joints, else near fine.
Data di pubblicazione: 1897
Da: Edward T. Pollack, ABAA, Portland, ME, U.S.A.
Copia autografata
Bradley, Will (illustratore). (Bradley, Will)illus. THE LEGEND OF SLEEPY HOLLOW and RIP VAN WINKLE by Washington Irving. R. H. Russell for Will Bradley, NY, 1897. Both Inscribed and signed by Bradley. Two volumes, Slim 8vo., boards, 61pp. Each printed by Bradley, and with cover, frontis. and headpiece illustrations by him. Very nice copies, but each with losses to the spine label, and a break in the paper at the top of the spine of RIP and with its last page torn from rough opening, and both will small losses at the bottoms of the spines. Signed and inscribed copies are rare.
Editore: Paris: Hachette et Cie., 1906, 1906
Da: David Brass Rare Books, Inc., Calabasas, CA, U.S.A.
Prima edizione Copia autografata
De Luxe Edition in French This Copy Specially Signed By Rackham [RACKHAM, Arthur, illustrator]. IRVING, Washington. Rip Van Winkle. Illustré par Arthur Rackham. Paris: Hachette et Cie.,1906. French Edition De Luxe, limited to 200 unsigned letterpress-numbered copies on 'Papier Whatman', this being copy no. 199, specially signed by Rackham. Quarto (11 x 8 5/8 in; 280 x 216 mm). x, 69, [3] pp. Frontispiece and fifty color plates with captioned tissue guards mounted on heavy brown stock. Publisher's full gilt-stamped vellum with original yellow ribbon ties. Small marginal wormhole affecting just the front free endpaper and the limitation leaf. An excellent copy, the binding fresh and clean. Housed in a plain chemise-style case. In 1906 Hachette et Cie, Paris, published two Edition DeLuxe versions of this title. There were 200 unsigned copies on 'Papier Whatman' and in addition another 20 copies that were signed by Rackham and printed on 'Papier du Japon.' Around the middle of 1904. Ernest Brown & Phillips commissioned 50 color illustrations to Rip Van Winkle, and purchased the originals and all rights for 300 guineas. The publishing rights were then resold in a complicated deal to Heinemann, before the illustrations were exhibited at Brown and Phillips' Leicester Galleries. Most of the Rip drawings were sold at the exhibition, and by October they had all found purchasers. "Brown and Phillips' investment, made secure by the keenness of Rackham's purchasers, was not let down by the reviews his work received. ". When, in September 1905, Rip Van Winkle was published, comparisons between Rackham and German artists [i.e. Dürer and Joseph Sattler] continued to be voiced, The Times remarking on 'the marvel of his Düreresque detail.' ". The 51 illustrations, for a story of not more than five thousand words, enables the story to be told twice, once through Irving's words, and once again, image by image, through Rackham's pictures. In his illustrations, Rackham pays homage not only to Dürer, Cruikshank and Dutch seventeenth-century painting, but to contemporary artists, too." (Hamilton). ". But the first work that greatly advanced his fame in the years immediately following his marriage was his edition of Rip Van Winkle. This lovely book decisively established Rackham as the leading decorative illustrator of the Edwardian period. The deluxe edition of the book was fully subscribed before the [Leicester Galleries] exhibition closed" (Hudson). Riall, p. 70. Latimore and Haskell, p. 26.
Editore: Hachette et Cie, Paris, 1906
Da: Jeffrey H. Marks, Rare Books, ABAA, Rochester, NY, U.S.A.
Prima edizione Copia autografata
x, 69 pp. With frontispiece and 50 tipped-in color plates with printed tissue guards and text illustrations in black and white by Arthur Rackham. Folio, publisher's full vellum with silk ribbon ties, lettered and illustrated in gold, t.e.g. Preserved in a custom cloth clamshell box. First French edition; No. 106 of 200 copies signed by Arthur Rackham. Attractive small book label on pastedown; otherwise a spectacularly fine copy.
Editore: Hachette et Cie, Paris, 1906
Da: THE HERMITAGE BOOKSHOP, Denver, CO, U.S.A.
Copia autografata
One half morocco over marbled boards titled in gilt. Lattimore and Haskell only list an edition of 200 copies, unsigned under French edition and do not note this edition of 20 copies, signed. Text in French. Original vellum covers bound in, fine. Edition de Grand Luxe tiree su papier du Japon, number 15 of 20 copies, signed by the artist.
Editore: William Heinemann Ltd., London, 1905
Da: Churchill Book Collector ABAA/ILAB/IOBA, San Diego, CA, U.S.A.
Copia autografata
Vellum. This exceptional 1905 edition of Washington Irving's classic tale was notably and lavishly illustrated by Arthur Rackham. This is not just an aesthetically arresting and highly collectable edition on its own merits, but represents both a stylistic and professional turning point for the celebrated illustrator who contributed his art and his signature to this edition. Rip van Winkle was the first book entirely illustrated by Rackham to be issued in a limited edition format and "established him as the leading decorative illustrator of the Edwardian period." Indeed, it was owing to exhibit of Rackham's Rip van Winkle illustrations in Leicester Galleries, London, that "J.M. Barrie, author of Peter Pan, commissioned Rackham to illustrate the first edition of his classic children's tale Peter Pan in Kensington Gardens (1906)".This edition's 250 copies were bound in illustrated vellum, lettered in gilt on the front cover and spine, the front cover featuring a pictorial image blocked in gilt, the center fore edges fitted with gold silk ties. The contents are printed on watermarked paper with untrimmed fore and bottom edges and gilt top edges. As frontispiece and then following the text are 50 color plates tipped onto brown paper, each with captioned tissue guards The volume is protected within a slipcase featuring a curved, beveled, and white Morocco-trimmed opening, purple velvet-lined interior, and tan buckram sides.This copy is in very good condition. The half-title verso limitation is hand-numbered "22" above the illustrator's signature, "Arthur Rackham". The vellum binding is square and tight with sharp corners. The original gold silk ties remain intact. The binding shows moderate overall soiling and natural toning, tiny splits starting at the lower joints, and light wear to the corners, upper edges, and joints, presumably from contact with the slipcase. The contents are beautifully clean and bright. We find no reportable spotting. All illustrations and captioned tissue guards appear intact. The top edge gilt remains bright, though with mild abrasions. The heavy, rigid slipcase is fully intact and clean, apart from a hint of soiling to the white leather-trimmed opening.The reputation and fortunes of gifted painter and illustrator Arthur Rackham (1867-1939) rose along with the fashion for lavishly produced gift books at the end of the 19th century. By the beginning of the 20th century, "His name and reliability for delivery and content became known to publishers and public alike, and he was increasingly in demand." Rackham's style both evolved over time and has since informed numerous imitators. "In the earlier booksRackham'sstyle tended to take on the appearance of woodcuts, with the main features being drawn in thick pen and brush. From 1905 (when he produced and signed this edition) to 1910, as printing techniques improved, his line became sharper and likewise his detail more intense." Notably inRip Van Winkle[1905] andA Midsummer Night's Dream(1908) he developed his gift for drawing witches, gnomes, fairies, and anthropomorphized trees and brought them to a pitch of vivid characterization." As evidenced by his illustrations for Rip van Winkle, "Rackhamwas not a bold colourist. He tended to restrict his palette to soft blues, greens, and reds, in local highlights or in several layers of transparent watercolour wash, over a yellowy-buff tone which gives to the whole a quality of vellum, or age."The First World War effectively destroyed the illustrated gift-book market, and this broughtRackhama financial and professional reverse." Rackham was, however, "enough of a celebrity" to continue to be commissioned for his work, the principal market for which shifted to the United States. As a child, Rackham "won prizes for drawing, and made many visits to the British Museum and the Natural History Museum, where he painted from the exhibits." Now his own works are in the British Museum, among many others. (Reference: ODNB) Limited, numbered, finely-bound deluxe, signed edition.
Editore: William Heinemann, London, 1905
Da: Bath House Books, Ditchingham, Regno Unito
Copia autografata
Vellum Gilt. Condizione: Very Good. Arthur Rackham (illustratore). Limited Edition. 4to. 1905. Edition limited to 250 copies. This copy 218, signed by illustrator. 50 tissue guarded mounted plates. One plate corner creased. Tissue guards cockled. E.p.s slightly foxed with faint browning to top margin otherwise clean and bright. T.e.g. Full vellum gilt with silk ties intact. Images available on request. Signed by Illustrator(s). Book.
Editore: G.P. Putnam's Sons, New York
Da: Raptis Rare Books, Palm Beach, FL, U.S.A.
Prima edizione Copia autografata