shakespearean metaphysics di witmore michael (33 risultati)

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Paperback. Condizione: New. Metaphysics is usually associated with that part of the philosophical tradition which asks about 'last things', questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things, or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in 'ultimates' of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through close readings of three major plays - The Tempest, King Lear and Twelfth Night - Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers as Spinoza, Bergson, and Whitehead. Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an 'illusion' generated by the physical circumstances of production.

Condizione: New.

Condizione: New. In English.

Paperback. Condizione: new. Paperback. Metaphysics is usually associated with that part of the philosophical tradition which asks about 'last things', questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things, or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in 'ultimates' of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through close readings of three major plays - The Tempest, King Lear and Twelfth Night - Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers as Spinoza, Bergson, and Whitehead. Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an 'illusion' generated by the physical circumstances of production. Argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through readings of 3 plays - "The Tempest", "King Lear" and "Twelfth Night", this title proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PF. Condizione: New.

Paperback. Condizione: Brand New. 1st edition. 156 pages. 7.72x4.88x0.63 inches. In Stock.

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Paperback. Condizione: New. Metaphysics is usually associated with that part of the philosophical tradition which asks about 'last things', questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things, or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in 'ultimates' of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through close readings of three major plays - The Tempest, King Lear and Twelfth Night - Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers as Spinoza, Bergson, and Whitehead. Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an 'illusion' generated by the physical circumstances of production.

Condizione: New. In English.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Metaphysics is usually associated with that part of the philosophical tradition which asks about "last things", questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things? Or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in "ultimates" of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through close readings of three major plays-The Tempest, King Lear and Twelfth Night-Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an "answer" to metaphysical questions raised by later thinkers as Spinoza, Bergson, and Whitehead. Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an "illusion" generated by the physical circumstances of production. Argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through readings of 3 plays - "The Tempest", "King Lear" and "Twelfth Night" - this title proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Brand New. 1st edition. 156 pages. 7.80x5.28x0.79 inches. In Stock.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 218.

Paperback. Condizione: new. Paperback. Metaphysics is usually associated with that part of the philosophical tradition which asks about 'last things', questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things, or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in 'ultimates' of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through close readings of three major plays - The Tempest, King Lear and Twelfth Night - Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers as Spinoza, Bergson, and Whitehead. Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an 'illusion' generated by the physical circumstances of production. Argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through readings of 3 plays - "The Tempest", "King Lear" and "Twelfth Night", this title proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Argues for Shakespeare s inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through readings of 3 plays - The Tempest , King Lear and Twelfth Night , this title proposes that Shakespeare s manner of depicting life o.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Metaphysics is usually associated with that part of the philosophical tradition which asks about 'last things', questions such as: How many substances are there in the world Which is more fundamental, quantity or quality Are events prior to things, or do they happen to those things While he wasn't a philosopher, Shakespeare was obviously interested in 'ultimates' of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through close readings of three major plays - The Tempest, King Lear and Twelfth Night - Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers as Spinoza, Bergson, and Whitehead. Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an 'illusion' generated by the physical circumstances of production.

Taschenbuch. Condizione: Neu. Shakespearean Metaphysics | Michael Witmore | Taschenbuch | Kartoniert / Broschiert | Englisch | 2008 | Continnuum-3PL | EAN 9780826490445 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 307.

Hardcover. Condizione: new. Hardcover. Metaphysics is usually associated with that part of the philosophical tradition which asks about "last things", questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things? Or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in "ultimates" of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through close readings of three major plays-The Tempest, King Lear and Twelfth Night-Witmore proposes that Shakespeare's manner of depicting life on stage itself constitutes an "answer" to metaphysical questions raised by later thinkers as Spinoza, Bergson, and Whitehead. Each of these readings shifts the interpretative frame around the plays in radical ways; taken together they show the limits of our understanding of theatrical play as an "illusion" generated by the physical circumstances of production. Argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism. Through readings of 3 plays - "The Tempest", "King Lear" and "Twelfth Night" - this title proposes that Shakespeare's manner of depicting life on stage itself constitutes an 'answer' to metaphysical questions raised by later thinkers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.