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Editore: Ambit, 2008
Da: Shore Books, London, Regno Unito
Rivista / Giornale
Soft cover. Condizione: Very Good. 96 pages. 2 Giancarlo Pandini (trans. Dego & Straus) Signs From Daily Life Robert MacAulay Picture 6 Matthew Licht The Dryden West Fred Licht Photographs 16 David Fulford Faustus Drawings and The Sacred Squid 21 Alexis Lykiard Oh, A Poem 23 Satyendra Srivastava The Hand of Assent Anne Howeson Pictures 30 John McCullough The Idea of Order in Sonny's All-night Cafeteria Mark Foreman Picture 32 David Grubb Be Very Afraid 34 Margot Cox Figures on the Move 39 Carolyn Jess-Cooke Pamukkale, Turkey Charles Shearer Pictures 42 Toby Martinez The Slight 44 David Mac Venus in the Passenger Seat/Skeletal Forever Ken Cox / Orly Orbach Pictures 50 Lotte Kramer 1939 52 Burns, Graham, Tolkien Reviews 56 Siriol Troup Survival of the Prettiest 58 Glyn Hughes My Piano Teacher 59 Valeria Melchioretto Twin Room Mike Foreman Picture 61 Catherine Eisner In Search of the Fourth Man 79 Jehane Markham Forgive Me Mandelstam 81 Page Tsou The Portrait 85 Judith Lai Flint and Sponge 87Nelson, MacKeith, Ferner Reviews 92 Elizabeth Birchall Sailing on Sunbeams Mike Foreman Picture 94 Miche Kohler A Cathedral On Spilled Blood Ken Cox Picture 96 Ron Sandford Portrait of John Morgan.
Editore: David R Godine, 1978
ISBN 10: 087923251XISBN 13: 9780879232511
Libro Prima edizione
Condizione: Good. First edition copy. . Good dust jacket.
Editore: David R Godine, 1978
ISBN 10: 087923251XISBN 13: 9780879232511
Da: Big Star Books, Santa Fe, NM, U.S.A.
Libro Prima edizione
hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. First edition. Hardcover, in jacket. Clean, unmarked, tightly bound. Light wear. Jacket edgeworn, rubbed. Reliable customer service. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).
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Editore: Edition Axel Menges, Stuttgart, London, 2000
ISBN 10: 3936681244ISBN 13: 9783936681246
Da: Versandantiquariat Abendstunde, Ludwigshafen am Rhein, Germania
Libro
Hardcover/gebunden. Condizione: gut. Erste Aufl. Großformatiger fadengehefteter Pappeinband mit geprägtem Rücken- und Deckeltitel und fotografisch gestaltetem Schutzumschlag. Der Umschlag berieben und mit einzelnen Kratzern, die Einbandkanten mit kleinenDruckstellen, der obere Rückenrand auch mit leichter Stauchung, ansonsten guter Erhaltungszustand. "Fossilien sind die versteinerten Überreste ehemaliger Lebewesen. Ihre Systematik und ihre damaligen Lebensverhältnisse werden von der Paläontologie wissenschaftlich untersucht und beschrieben. Im Gegensatz dazu versucht das hier vorgelegte Buch, den Zeichencharakter dieser Lebensformen herauszustellen und der Frage nachzugehen, ob Fossilien und ihre Darstellungen 'schön' genannt werden dürfen. Dementsprechend folgt die Reihung der Bilder keiner paläontologischen Systematik, sondern sie geht vom realistisch dargestellten Ganzkörper, etwa einer Koralle, zu immer stärkeren Teilbildern und verfremdenden Ausschnitten bis hin zu fast abstrakten Bildern. In einem einführenden Text stellt Hillert Ibbeken das Konzept und die Methodik der Arbeit vor. Ganz bewußt wurde der mehr-deutige Begriff 'Design' verwendet, nicht im Sinne eines zielorientierten Handelns durch ein Schöpfersubjekt, sondern als ein Zei-chensetzen durch die Natur, gesteuert durch Mutation und Selektion. Katja Schoene schreibt über die Rezeption von Fossilien in der frühen Neuzeit. 'Zu wunderbar erschienen die im Stein eingeschlossenen Pflanzen und Tiere, als daß man sie für etwas anderes als ein "Spiel der Natur" (lusus naturae) halten mochte. Der Vielfalt ihrer Erscheinungen entsprach die Vielfalt der Erklärungen zu ihrer Entstehung.' Rudolf zur Lippe behandelt die Formen versteinerten Lebens unter philosophischen Gesichtspunkten und geht dabei der Frage nach, was unter dem Begriff 'Schönheit' zu verstehen ist, wobei er unter anderem darauf hinweist, daß "Schönheit" nicht eindeutig bestimmbar ist, daß zum Beispiel verschiedene Kulturen ganz unterschiedliche Schönheitsideale haben können. Dem Bildteil folgt ein Glossar von Helmut Keupp mit einer gedrängten Darstellung der Entwicklung des Lebens auf der Erde und einer erdgeschichtlichen Tabelle. Katja Schoene ist Kunsthistorikerin und arbeitet bei der Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. Rudolf zur Lippe ist Philosoph und hatte bis zu seiner Emeritierung den Lehr-stuhl für Ästhetik an der Universität Oldenburg inne. Helmut Keupp ist Direktor des Instituts für Paläontologie der Freien Universität Berlin. Hillert Ibbeken war bis zu seiner Pensionierung Professor für Geologie ebenfalls an der Freien Universität Berlin und beschäf-tigte sich zeitlebens mit Photographie." (Verlagstext) In deutscher Sprache. 203, (1) pages. 4° (287 x 305mm).
Editore: Steidl
Da: antikvariat sacher, Malmö, SKÅNE, Svezia
imo. Condizione: As New. ny, plastad.
Editore: Atlanta/Göttingen : High Museum of Art/Steidl, 2010
ISBN 10: 3869301201ISBN 13: 9783869301204
Da: Klondyke, Almere, Paesi Bassi
Libro
Condizione: New. Original boards, dust jacket, 4to.; Still shrink wrapped.
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Editore: The Argian Press January 2010, 2010
ISBN 10: 0982082193ISBN 13: 9780982082195
Da: Inquiring Minds, Saugerties, NY, U.S.A.
Libro
New Trade. Condizione: New.
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Editore: Light Language Publications, 2009
ISBN 10: 0615279287ISBN 13: 9780615279282
Da: Moe's Books, Berkeley, CA, U.S.A.
Libro Copia autografata
Soft cover. Condizione: Very good. No jacket. Signed by the photographer on the title page. Cover is lightly worn along edges. Several scratch lines around lower corner of front cover, partially covering photographer's name but not affecting legibility. Binding is tight and inside is clean and unmarked.
Editore: New York: Alfred A. Knopf, 1983
Da: Der-Philo-soph, Viersen, NRW, Germania
Libro
8° Taschenbuch. Buchrücken und Einband an den Ecken und Kanten leicht berieben / bestoßen. Sonst sehr schönes, innen wie außen sauberes Exemplar!!! Stichworte: 0394721128 ; Amerika ; Kultur ; Fotografie ; Geschichte 201 S. Englisch 999g.
Editore: Atlanta : Go ttingen : New York : High Museum of Art ; Steidl ; In cooperation with Howard Greenberg Gallery, 2010
Da: MW Books Ltd., Galway, Irlanda
Prima edizione
First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 198 pages; Physical description: 198, [1] p. : chiefly ill. (some col. ) ; 28 cm. Catalog of an exhibition held at High Museum of Art, Atlanta, Georgia, June 5, 2010-Jan. 9, 2011. Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaer's early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformer's passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s. Subjects: Sekaer, Peter, 1901-1950 - Exhibitions. Photography, Artistic - Exhibitions. Documentary photography - United States - Exhibitions. 2 Kg.
Da: liu xing, Nanjing JiangSu, JS, Cina
paperback. Condizione: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Yi Hai Teng wave most of their lives - Wu Yousong memoirs (Wu Yousong the sign gifts this) book before accompanying historical photographs above 9 productsFour Satisfaction guaranteed,or money back.
Editore: Atlanta : Go ttingen : New York : High Museum of Art ; Steidl ; In cooperation with Howard Greenberg Gallery, 2010
Da: MW Books, New York, NY, U.S.A.
Prima edizione
First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 198 pages; Physical description: 198, [1] p. : chiefly ill. (some col. ) ; 28 cm. Catalog of an exhibition held at High Museum of Art, Atlanta, Georgia, June 5, 2010-Jan. 9, 2011. Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaer's early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformer's passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s. Subjects: Sekaer, Peter, 1901-1950 - Exhibitions. Photography, Artistic - Exhibitions. Documentary photography - United States - Exhibitions. 2 Kg.
Editore: Göttingen. Steidl., 2010
ISBN 10: 3869301201ISBN 13: 9783869301204
Da: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germania
Libro Prima edizione
Erste Ausgabe / First Edition. 28 x 26 cm. 198 S. OPappband mit illustriertem OUmschlag. Verlagsfrisches, neuwertiges Exemplar - originalverschweißt. Durchgehend mit Abbildungen versehen. Text in Englisch. Sprache: englisch.
Editore: Antwerp Bronzenhuis- van Gestel 2021, 2021
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Hardcover, 228 pages, 25 x 31 cm (landscape format). Tekst NL / FR / ENG. ISBN 9789079669462. ?Signs of Life? is een fotografische zoektocht naar de kern van ons bestaan. Wie zijn we, waar komen we vandaan en waar gaan we heen? Reizend tussen verleden en heden probeert kunstfotograaf Eddy Van Gestel een antwoord te vinden op de vraag of de evolutie die de mens heeft doorgemaakt al dan niet een succesverhaal is. Met signs of Life houdt hij ons mensen een spiegel voor en dwingt hij met zachte hand om naar onszelf te kijken. De vier hoofdstukken ?Perpetuum?, ?Curves and colours?, ?A deal with god? en ?Just Imagine, die ogenschijnlijk los staan van mekaar, blijken bij nader inzien onlosmakelijk met elkaar verbonden. Door ze fotografisch met mekaar te verbinden, maakt hij duidelijk dat niets en niemand een eiland is. Want dat is juist het punt dat hij wil maken: we kunnen ons als mens niet los zien van onze omgeving, van mekaar en al evenmin van al het andere leven op deze planeet. De intensiteit en de kwetsbaarheid van zijn werken maakt duidelijk dat onze soort dan wel een uniek bewustzijn en gevoel voor esthetiek heeft ontwikkeld, maar tegelijk ook gebukt gaat onder de onzekerheid van het leven in het algemeen en onder de vergankelijkheid van het bestaan in het bijzonder. Of hoe we als woekerende, superieure soort het almaar moeilijker lijken te hebben om in harmonie te leven met onszelf, met de ander en met deze planeet die ons heeft voortgebracht. Met ?Signs of Life? creëert Eddy Van Gestel een parallel universum, dat op zichzelf staat, ongrijpbaar en bij wijlen surrealistisch, maar nooit vrijblijvend. 'Signs of Life' is a photographic search for the core of our existence. Who are we, where did we come from and where are we going? Travelling between past and present, art photographer Eddy Van Gestel tries to find an answer to the question of whether or not the evolution that humans have gone through is a success story. With Signs of Life, he holds up a mirror to us humans and gently forces us to look at ourselves. The four chapters 'Perpetuum', 'Curves and colours', 'A deal with god' and 'Just Imagine,' which are seemingly unconnected, turn out on closer inspection to be inextricably linked. By linking them photographically, he makes it clear that nothing and no one is an island. Because that is precisely the point he wants to make: as humans, we cannot separate ourselves from our surroundings, from each other or from all other life on this planet. The intensity and fragility of his works makes it clear that our species may have developed a unique awareness and sense of aesthetics, but at the same time it is also weighed down by the uncertainty of life in general and the transience of existence in particular. Or how, as a proliferating, superior species, we seem to find it increasingly difficult to live in harmon. 0 g.
Editore: David. R. Godine, Boston, 1978
Da: Bryn Mawr Bookstore, Cambridge, MA, U.S.A.
Membro dell'associazione: SNEAB
Libro Prima edizione Copia autografata
Cloth. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. SIGNED BY OLIVIA PARKER on the half-title. Volume III of Godine's Contemporary Photographers Series. [36]ff. With 32 leaves of plates, showing photographs made with a view camera, printed on silver chloride paper and toned in selenium. A fine copy. Cellophane-protected dust wrapper with small tears and chips to spine head, chip to lower edge in back, and one-inch tear with creases in back. Signed by Illustrator(s).
Editore: High Museum Of Art, Atlanta/Steidl, 1998
Da: Collectors' Bookstore, Deurne, Belgio
Libro Prima edizione
Hardcover. Condizione: Fine. First Edition. First Edition thus, very fine condition. Signs of life: photographs by Peter Sekaer Special Collection by Peter Sekaer; Julian Cox; Christina Sekaer. Published by High Museum Of Art, Atlanta/Steidl in 1998. Hardcover. Peter Sekaer 1901-50 emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows. Collectible item in excellent condition.
Editore: David R Godine, 1978
ISBN 10: 087923251XISBN 13: 9780879232511
Da: White Square - Fine Books & Art, Easthampton, MA, U.S.A.
Membro dell'associazione: SNEAB
Libro Copia autografata
Hardcover. Condizione: Very Good. Contemporary Photographers Series: Volume III, David R. Godine, Boston (1978). INSCRIBED to photographer Arnold Newman (1918-2006), dated and signed by Olivia Parker. DJ has modest shelfwear but no tears or chips; now protected in mylar. A lovely association copy. Book.