Performance Practices in Classic Piano Music: Their Principles and Applications (Music: Scholarship and Performance)

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9780253206800: Performance Practices in Classic Piano Music: Their Principles and Applications (Music: Scholarship and Performance)

Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.

Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum’s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi.

"... is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." ―American Music Teacher

"Rosenblum’s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." ―Journal of Musicological Research

"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." ―Early Keyboard Journal

"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." ―The Musical Times

"Its importance to thoughtful musicians cannot be overstated." ―Choice

"... thoroughly musicological." ―Performance Practice Review

"... indispensable... " ―New York Times

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About the Author:

Sandra P. Rosenblum has lectured widely on performance practices at universities, schools of music, and both national and international conferences. The author of numerous journal articles and of editions of sonatas by Scarlatti and Clementi, Ms. Rosenblum holds degrees from Wellesley College and Harvard University. She has been the recipient of fellowships from the American Council of Learned Societies and the Radcliffe Institute. Her present research is on the music of Chopin.

Review:

"... is and will remain unsurpassed as 'the study' dealing with performance practice as it pertains to keyboard music of the Classical period." American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." The Musical Times "Its importance to thoughtful musicians cannot be overstated." Choice " ... thoroughly musicological." Performance Practice Review " ... indispensable ... " New York Times

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Sandra P. Rosenblum
Editore: Indiana University Press, United States (1991)
ISBN 10: 0253206804 ISBN 13: 9780253206800
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Descrizione libro Indiana University Press, United States, 1991. Paperback. Condizione libro: New. Reprint. Language: English . Brand New Book. Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. .is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period. -American Music Teacher Rosenblum s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses. -Journal of Musicological Research The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice. -Early Keyboard Journal Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated. -The Musical Times Its importance to thoughtful musicians cannot be overstated. -Choice .thoroughly musicological. -Performance Practice Review .indispensable. -New York Times. Codice libro della libreria AAJ9780253206800

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Sandra P. Rosenblum
Editore: Indiana University Press, United States (1991)
ISBN 10: 0253206804 ISBN 13: 9780253206800
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Descrizione libro Indiana University Press, United States, 1991. Paperback. Condizione libro: New. Reprint. Language: English . Brand New Book. Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period. -American Music Teacher Rosenblum s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses. -Journal of Musicological Research The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice. -Early Keyboard Journal Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated. -The Musical Times Its importance to thoughtful musicians cannot be overstated. -Choice . thoroughly musicological. -Performance Practice Review . indispensable. -New York Times. Codice libro della libreria AAJ9780253206800

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97802532068000000000

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Descrizione libro Indiana University Press 2000-09-05, 2000. Paperback. Condizione libro: New. Codice libro della libreria NU-MAR-00034701

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Descrizione libro Indiana University Press 1988-11-22, Bloomington, Ind., 1988. paperback. Condizione libro: New. Codice libro della libreria 9780253206800

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Descrizione libro Indiana University Press. Paperback. Condizione libro: new. BRAND NEW, Performance Practices in Classic Piano Music: Their Principles and Applications, Sandra P. Rosenblum, Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. Codice libro della libreria B9780253206800

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Descrizione libro Indiana University Press, 1988. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9780253206800

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Descrizione libro Indiana University Press, 1988. Condizione libro: New. Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources Series: Music: Scholarship & Performance S. Num Pages: 546 pages, black & white illustrations. BIC Classification: AVRG; AVS. Category: (P) Professional & Vocational. Dimension: 244 x 173 x 29. Weight in Grams: 902. . 1988. Reprint. Paperback. . . . . . Codice libro della libreria V9780253206800

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Descrizione libro Indiana University Press (USA). Condizione libro: New. pp. 544 53 Illus. Codice libro della libreria 8205622

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Rosenblum, Sandra P.
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Descrizione libro Indiana University Press. Condizione libro: New. Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources Series: Music: Scholarship & Performance S. Num Pages: 546 pages, black & white illustrations. BIC Classification: AVRG; AVS. Category: (P) Professional & Vocational. Dimension: 244 x 173 x 29. Weight in Grams: 902. . 1988. Reprint. Paperback. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780253206800

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